New interview on Seeking Magazine with the Spanish photographer Enrique Gambarte. It’s that kind of photographers to become extinct for push of digital media. A methodical, with very clear ideas and photographs very difficult to forget. Check it out here!

English translation coming soon!

¡De nuevo a la carga! Nueva entrevista en Seeking Magazine con el fotógrafo español Enrique Gambarte. Es de esa clase de fotógrafos que se esta extinguiendo por el empuje del medio digital. Un trabajo metódico, con las ideas muy claras y unas fotografías que son imposibles de olvidar. ¡Entérate de todo aquí!

¡Muy pronto la versión en inglés!

A methodical, yet lively record of VW’s Transporter over its first 40-years, which presents the vehicle in the same lavish formats of artistry and photography selected by Volkswagen over the decades. Model history and range development outlined, (including Campers) specifications, (including USA terminology) and performance discussed, with a particular emphasis on marketing and advertising strategies.

Click here for more info on the book!!

Upper East Side shapes gets a Lower East Side punk rock touch. Strong contrast between the structure and chaos have inspired this look. Black and white being the predominate colors: form the basis for the positive-negative symbolism. The XTC Avalanche Leather Outfit is the starting ground for this assault on the conventional. Stars brilliantly pierce Azaiela's chest and ears to further the symbolism. Paired with knee high leather boots by PixelFashion, mohawk from Tukinowaguma, and jewelery by Finesmith; this style is methodical-disorder.

This color relates to acquired knowledge. It is the color which resonates with the left or logic side of the brain stimulating our mental faculties and creating mental agility and perception.

Being the lightest hue of the spectrum, the color psychology of yellow is uplifting and illuminating, offering hope, happiness, cheerfulness and fun.

In the meaning of colors, yellow inspires original thought and inquisitiveness.

Yellow is creative from a mental aspect, the color of new ideas, helping us to find new ways of doing things. It is the practical thinker, not the dreamer.

Yellow is the best color to create enthusiasm for life and can awaken greater confidence and optimism.

The color yellow loves a challenge, particularly a mental challenge.

Within the meaning of colors, yellow is the great communicator and loves to talk. Yellow is the color of the networker and the journalist, all working and communicating on a mental level. Yellow is the scientist, constantly analyzing, looking at both sides before making a decision; methodical and decisive. Yellow is the entertainer, the comic, the clown.

Yellow helps with decision making as it relates to clarity of thought and ideas, although it can often be impulsive. Yellow helps us focus, study and recall information, useful during exam time.

The color yellow can be anxiety producing as it is fast moving and can cause us to feel agitated.

Yellow has a tendency to make you more mentally analytical and critical - this includes being self critical as well as critical of others.

Yellow is non-emotional, coming from the head rather than the heart. Yellow depends on itself, preferring to not get emotionally involved.

Yellow is related to the ego and our sense of self worth, to how we feel about ourselves and how we are perceived by others.

Yellow is the most highly visible of all colors which is why it is used for pedestrian crossings. Take note of the crossings which are marked in white - they are less easy to see than those marked yellow, particularly on wet and cloudy days.

Cube - 1970

Alvin Loving (1935 - 2005)

Alvin Loving's Cube methodically mixes rigid geometry, illusion, and brushy paint strokes. Through perspective and crisp edges, a three-dimensional space appears on an otherwise flat surface. Feathered brushstrokes in the orange areas reveal the deliberate evidence of Loving’s hand in his style of abstraction.

Loving made abstract paintings at a time when some African American artists were being called upon to create politically and socially charged artwork. Though often not overtly political in subject matter, his pioneering approach to abstraction, as well as his distinction as being the first African American artist to have a solo show at the Whitney Museum of American Art in New York, helped expand the national dialogue around black art in America.

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This World Class attraction was everything we expected and more. Construction has just begun on a major expansion, but that has been managed in such a way that it does not in any way detract from the experience now.

This album focuses on the artwork inside the buildings and on the other interior spaces including the Eleven Restaurant and the Gift Shop. A separate album posted a few days ago is devoted to the two April mornings that we spent exploring just some of the trails that crisscross the 120 acres of Arkansas forest around the museum.

Alice Walton and her co-creative team can be proud of the vision and execution of everything on this 120 acre site.

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"Crystal Bridges Museum of American Art is a museum of American art in Bentonville, Arkansas. The museum, founded by Alice Walton and designed by Moshe Safdie, officially opened on 11 November 2011. It offers free public admission.

Alice Walton, the daughter of Walmart founder Sam Walton, spearheaded the Walton Family Foundation's involvement in developing Crystal Bridges. The museum's glass-and-wood design by architect Moshe Safdie and engineer Buro Happold features a series of pavilions nestled around two creek-fed ponds and forest trails. The 217,000 square feet complex includes galleries, several meeting and classroom spaces, a library, a sculpture garden, a museum store designed by architect Marlon Blackwell, a restaurant and coffee bar, named Eleven after the day the museum opened, "11/11/11". Crystal Bridges also features a gathering space that can accommodate up to 300 people. Additionally, there are outdoor areas for concerts and public events, as well as extensive nature trails. It employs approximately 300 people, and is within walking distance of downtown Bentonville."

en.wikipedia.org/wiki/Crystal_Bridges_Museum_of_American_Art

crystalbridges.org/nature-trails/

crystalbridges.org

...

Niyata in Sanskrit is the root of nyata in Bahasa Indonesia, carries the meaning of being real, distinct, or true.

TEDxJakarta 12: Niyata evolves around the celebration of order, abides to the notion that even nature most often works in alluring patterns, precipitated by the sum of many tiny-yet-meaningful and methodical inflections.

Gedung Kesenian Jakarta

June 10th, 2017

Documentation team:

Dave | Idznie | Mutia

Niyata in Sanskrit is the root of nyata in Bahasa Indonesia, carries the meaning of being real, distinct, or true.

TEDxJakarta 12: Niyata evolves around the celebration of order, abides to the notion that even nature most often works in alluring patterns, precipitated by the sum of many tiny-yet-meaningful and methodical inflections.

Gedung Kesenian Jakarta

June 10th, 2017

Documentation team:

Dave | Idznie | Mutia

we did it together the first time, and he took off from there. "mommy," he said, hunching over the playmat, "by-SELF!" he doesn't check his work, but has completed the challenge successfully several times now. he's very methodical when it comes to tasks like this, and watching him work is just about my favorite thing to do. i've been beaming from the corner quite a bit these days. : )

Pearson, Henry (1914–2006)

Recollection of Chadri

Acrylic on canvas

23 3/4 inches diameter

1974

A designer of theater sets and a cartographer during World War II, Henry “Hank” Charles Pearson emerged as a pioneer of the Op Art movement of the 1960s. His artworks—prints and paintings—are methodical and calculated whether they consist of undulating lines or a checkerboard pattern.

Pearson was born in Kinston, North Carolina, located in the eastern portion of the state. Although he originally enrolled in the medical program at the University of North Carolina, Chapel Hill, he quickly realized his heart was in the arts and obtained his bachelor’s degree in 1935. He then attended Yale University in New Haven, Connecticut, where he studied theater design and received his Master of Fine Arts degree in 1938. Between 1937 and 1942 he was a stage set designer; an extant scrapbook documents his role as technical director and scene designer during 1940–1941 at the Dock Street Theater in Charleston, South Carolina, which a few years before had undergone major renovations under the auspices of the Works Progress Administration.

In 1942 Pearson was drafted into the United States Army, where his background and skills were helpful in interpreting and designing topographical maps. One tour took him to Japan where he was involved in the Battle of Okinawa. Works from this time show Pearson’s interest and experimentation in shkishi, traditional Japanese painting on small gold-edged boards, and sumi-e, illustrative paintings done in black ink. He was fascinated with Japanese culture and, in an effort to remain there, re-enlisted for another tour in late 1949. However, the Army Air Corps shipped him to Florida, where he spent the remaining years of his military service. He moved to New York in 1953 and studied at the Art Students League with Reginald Marsh and Will Barnet, who was working in an Abstract Expressionist mode that emphasized flat color. During this time, Barnet was also mentoring Judith Godwin and Mavis Pusey. Other artists that influenced Pearson were Kasimir Malevich and Piet Mondrian, two earlier artists who were admired by practitioners of Op Art for their interest in visual perception.

Pearson had a diverse and successful career. At some points, he taught at the New School of Social Research in New York (for thirty years) and the Pennsylvania Academy of the Fine Arts in Philadelphia. Plus, Pearson’s work was included in the Museum of Modern Art’s seminal 1965 exhibition, The Responsive Eye which served to define and showcase Op Art. His works from that period—including a few sculptures—consisted of parallel lines that moved rhythmically, and which resembled those found on topographical maps. Later he developed a form of geometric abstraction, and some works from that time bear titles derived from literature, like The Rime of the Ancient Mariner, or derived from ancient art such as the Lascaux cave paintings in France. This may have also been a pun on a brand of French paint with the same name. He also created a series of engravings based on prehistoric carvings for poems by Irish poet Seamus Heaney.

FAR OUT

TJC Gallery, Spartanburg SC

October 1, 2025 – January 3, 2026

Taken literally, “far out” means something is a long way away. Colloquially, “far out” means something is pushing boundaries… and it’s probably pretty cool. FAR OUT, the exhibition, contains artwork that falls into both categories. Like humanity has for millennia, these artworks look with wonder—into the beyond.

In the last century, an explosion of scientific experimentation motivated entire genres of fiction, fashion, and movie franchises. Visual artists were similarly inspired. While many people think of the emotionally motivated Abstract Expressionists, much of early abstract art was motivated by outward observation rather than internal reflection. Like scientists, those artists synthesized colorful landscapes from daily observation, or they pursued ideal forms, truth, and practicality with unorthodox methodology. Some artists, like Mildred Thompson, went so far as to depict phenomena at the furthest reaches of comprehension. Let these extrospective artists inspire you to observe and interpret the unfathomable. You may be inspired to charge boldly ahead, beyond yourself, or beyond tradition. You may end up far beyond Earth, and even beyond the known universe. Wherever you land, it will probably be FAR OUT.

Featured Artists: Josef Albers, Leo Amino, Carl Blair, Benjamin Britt, Lilian Burwell, John Cage, Lamar Dodd, Joseph Downing, Buckminster Fuller, William Halsey, Claude Howell, Robert Hunter, William H Johnson, Henry Pearson, Xanti Schawinsky, Alice Ravenel Huger Smith, Maltby Sykes, Mildred Thompson, John Urbain, and Kenneth Young

thejohnsoncollection.org/pages/see-tjc/exhibitions/detail...

_______________________________________

See also:

www.flickr.com/photos/ugardener/albums/72177720324736450/

www.flickr.com/photos/ugardener/albums/72177720322921517/

THE JOHNSON COLLECTION - A Private Collection for Public Good

thejohnsoncollection.org/the-collection/

Sharing the art it stewards with communities across the country is The Johnson Collection’s essential purpose and propels our daily work. Much more than a physical place, TJC seeks to be a presence in American art, prioritizing access over location. Since 2013, the collection’s touring exhibitions have been loaned twenty-five times, placed without fee in partner museums with a combined annual attendance of over 1.2 million visitors. In its showcase of over 1,000 objects, TJC’s website functions as a digital museum, available anywhere and anytime.

What began as an interest in paintings by Carolina artists in 2002 has grown to encompass over 1,400 objects with provenances that span the centuries and chronicle the cultural evolution of the American South.

Today, The Johnson Collection counts iconic masterworks among its holdings, as well as representative pieces by an astonishing depth and breadth of artists, native and visiting, whose lives and legacies form the foundation of Southern art history. From William D. Washington’s The Burial of Latané to Malvin Gray Johnson’s Roll Jordan Roll, the collection embraces the region’s rich history and confronts its complexities, past and present.

.The contributions of women artists, ranging from Helen Turner—only the fourth woman elected to full membership in the National Academy of Design in 1921—to Alma Thomas—the first African American woman to have a solo exhibition at a major national museum in 1972—are accorded overdue attention, most notably in TJC's most recent publication and companion exhibition, Central to Their Lives: Southern Women Artists in the Johnson Collection. Landmark works by American artists of African descent such as Benny Andrews, Romare Bearden, Elizabeth Catlett, Aaron Douglas, William H. Johnson, Leo Twiggs, and Hale Woodruff pay homage to their makers' barrier-defying accomplishments. Modern paintings, prints, collages, and sculpture created by internationally renowned artists associated with the experimental arts enclave of Black Mountain College, including Josef Albers, Ruth Asawa, Ilya Bolotowsky, Elaine de Kooning, Robert Motherwell, Kenneth Noland, and Robert Rauschenberg highlight the North Carolina school's geographic proximity to the collection's home.

Hailed by The Magazine Antiques as having staged a "quiet art historical revolution" and expanding "the meaning of regional," The Johnson Collection heralds the pivotal role that art of the South plays in the national narrative. To that end, the collection's ambitious publication and exhibition strategies extend far beyond a single city's limit or a territorial divide.

Since 2012, TJC has produced four significant scholarly books—thoroughly researched and beautifully illustrated investigations of Southern art time periods, artists, and themes: Romantic Spirits: Nineteenth Century Paintings of the South (2012); From New York to Nebo: The Artistic Journey of Eugene Thomason (2014); Scenic Impressions: Southern Interpretations from the Johnson Collection (2015); and Central to Their Lives: Southern Women Artists in the Johnson Collection (2018). These volumes are accompanied by traveling exhibitions that have been loaned without fee to partner museums with a combined annual attendance of over 1.7 million visitors.

Smaller curated presentations rotate at the collection's hometown exhibition space, TJC Gallery. Individual objects are regularly made available for critical exhibitions such as La Biennale di Venezia, Afro-Atlantic Histories, Outliers and American Vanguard Art, Leap Before You Look: Black Mountain College, 1933-1957, Alma W. Thomas: Everything is Beautiful, Riffs and Relations: African American Artists and the European Modernist Tradition, and Bold, Cautious, True: Walt Whitman and American Art of the Civil War Era and featured in important publications and catalogues, including The New Encyclopedia of Southern Culture: Art & Architecture, and The Civil War and American Art.

In 2016, the state of South Carolina honored The Johnson Collection with the Governor’s Award for the Arts, its highest arts distinction. The commendation paid tribute to the Johnson family's enduring contributions: "Equally dedicated to arts advancement and arts accessibility, the Johnsons generously share their vision, energy, passion and resources to benefit the arts in South Carolina."

"Who can say what ignites a passion? Was it those three red roses frozen in blue? An awakened connection to one's geographical roots? Perhaps the familiarity of the road to Nebo? The nucleus of what was to become our collection was formed by such seemingly unrelated catalysts. Looking back, it was always the sense of place that drew George and me to beautiful pictures—pictures that capture not only the glorious landscape of the South, but that also enliven its unique culture and dynamic history." ~Susu Johnson, Chief Executive Officer.'

__________________________________________

"If you’re looking for a vibe, this is where you’ll find it. Spartanburg is one of South Carolina’s most established, respected, progressive, and diverse art communities with everything from the fine arts—ballet, symphonies, and opera—to the cutting edge—street performers, graffiti, and dance mobs.

Experience the Cultural District

Downtown Spartanburg has even been designated as a cultural district by the South Carolina Arts Commission. Within the cultural district, you can walk to and enjoy world-class art galleries, studios, music venues, breweries, culinary arts, local literature publishers, coffee shops, libraries, museums, and more. Regardless of when you visit, you’re likely to encounter live music in the streets, featuring jazz, rock ‘n’ roll, or beach music.

Come experience how we put the art in SpARTanburg."

www.visitspartanburg.com/things-to-do/arts/

Part of Grand Teton National Park

Moose, Teton County, Wyoming

Listed: 08/25/1998

Although many of the buildings within this complex were not constructed until the 1950s, all adhere to the layout and design concepts initiated in 1946. The complex represents the last privately owned and operated auto-camp/resort complex constructed in Grand Teton National Park in the historical period, prior to the initiation of Mission-66 concession-development schemes. It is eligible to the National Register of Historic Places for its association with duderanch rustic architecture and with area tourism. The district's period of significance extends from Jenkins' purchase in 1946 until the completion of major construction in 1956. The Highlands is a component of the "Auto Camp" property type (Dude Ranching and Tourism context), as defined in the Grand Teton National Park Multiple Property Submission (1997).

Charles Byron and Jeanne Jenkins and Gloria Jenkins Wardell purchased the Highlands site in 1946, From this date until 1956, they methodically added "one or two cabins a year" in a U-shaped pattern anchored by a large log/board-andbatten lodge. The lodge, originally envisioned as a "Tyrollean type" to conform to the frequent use of Swiss architecture in national parks, was instead constructed in the more typical regional rustic style. Cabins were built by Jenkins and a few hired carpenters, who worked during the summer months. As many as 13 "girls" cleaned the cabins, worked in the dining room, and lived in the dormitory (better known as the Hen House).

Although developed as a private property, and insulated from NPS design controls or lease obligations, The Highlands reflected GRTE accommodation designs first articulated in the 1940s.

By 1956, the site included a large central lodge; three cabins dating to the Sensenbachs; and a new generation of tourist cabins, constructed by Jenkins, with occasional help, in what his nephew defines as "a labor of love." The Highlands was distinct from area dude ranches (which supplied each guest with his/her own saddle horse, provided family-style meals on the European Plan, and most often boasted only of a "private outdoor toilet") and also from more standard auto-camp complexes, such as Kimmel Kabins (where, in an important precursor to major modern trends in park tourism, one to two night stays were encouraged, and neither meals nor recreational services were provided). A ca. 1950 brochure describing "The Highlands" log cabins as:

from, one to five rooms in an individual unit, spacious, attractively furnished in keeping with the log interiors, completely modern with private bathrooms, plenty of hot water, electric heat and daily maid service.... Having your meals with us is optional, but you will find it a convenience and a pleasure.

These drawings are a methodical interpretation of the first two chapters of A Thousand Plateaus: Capitalism and Schzophrenia by Gilles Delueze and Felix Guattari, translated by Brian Massumi, University of Minnesota Press, 1987.

The drawings were created as a means of understanding the ideas being presented in the book.

Each drawing is labeled by chapter and paragraph.

Marc sent these diagrams to Brian Massumi, the translator of A Thousand Plateaus into English, who is currently one of the editors of Inflexions, the online journal for research-creation. The first volume of the journal includes some of these diagrams in the Tangents section.

Read more about this work on the project page on the artist's website.

Many of these drawings were part of a group art show called Quantal Strife.

We repair you bottoms with new efficient methodic! +41 (21) XXX-YY-ZZ. For ladies from CIS countries special increased prices! Don't miss the opportunity to tell your mates you had the procedure never seen before. Of course, in Swiss Riviera. 2 strong men will take care of your bottom. Call us!

Niyata in Sanskrit is the root of nyata in Bahasa Indonesia, carries the meaning of being real, distinct, or true.

TEDxJakarta 12: Niyata evolves around the celebration of order, abides to the notion that even nature most often works in alluring patterns, precipitated by the sum of many tiny-yet-meaningful and methodical inflections.

Gedung Kesenian Jakarta

June 10th, 2017

Documentation team:

Dave | Idznie | Mutia

...walking by some bush-bordered wayside we see what might be called "a little yellow wagtail." ....with its loose hung tail almost continually wagging with methodical regularity, not from side to side like that of a dog, but up and down like that of an Eastern Phoebe, and with the same easy unhurried motion.....

Part of Grand Teton National Park

Moose, Teton County, Wyoming

Listed: 08/25/1998

Although many of the buildings within this complex were not constructed until the 1950s, all adhere to the layout and design concepts initiated in 1946. The complex represents the last privately owned and operated auto-camp/resort complex constructed in Grand Teton National Park in the historical period, prior to the initiation of Mission-66 concession-development schemes. It is eligible to the National Register of Historic Places for its association with duderanch rustic architecture and with area tourism. The district's period of significance extends from Jenkins' purchase in 1946 until the completion of major construction in 1956. The Highlands is a component of the "Auto Camp" property type (Dude Ranching and Tourism context), as defined in the Grand Teton National Park Multiple Property Submission (1997).

Charles Byron and Jeanne Jenkins and Gloria Jenkins Wardell purchased the Highlands site in 1946, From this date until 1956, they methodically added "one or two cabins a year" in a U-shaped pattern anchored by a large log/board-andbatten lodge. The lodge, originally envisioned as a "Tyrollean type" to conform to the frequent use of Swiss architecture in national parks, was instead constructed in the more typical regional rustic style. Cabins were built by Jenkins and a few hired carpenters, who worked during the summer months. As many as 13 "girls" cleaned the cabins, worked in the dining room, and lived in the dormitory (better known as the Hen House).

Although developed as a private property, and insulated from NPS design controls or lease obligations, The Highlands reflected GRTE accommodation designs first articulated in the 1940s.

By 1956, the site included a large central lodge; three cabins dating to the Sensenbachs; and a new generation of tourist cabins, constructed by Jenkins, with occasional help, in what his nephew defines as "a labor of love." The Highlands was distinct from area dude ranches (which supplied each guest with his/her own saddle horse, provided family-style meals on the European Plan, and most often boasted only of a "private outdoor toilet") and also from more standard auto-camp complexes, such as Kimmel Kabins (where, in an important precursor to major modern trends in park tourism, one to two night stays were encouraged, and neither meals nor recreational services were provided). A ca. 1950 brochure describing "The Highlands" log cabins as:

from, one to five rooms in an individual unit, spacious, attractively furnished in keeping with the log interiors, completely modern with private bathrooms, plenty of hot water, electric heat and daily maid service.... Having your meals with us is optional, but you will find it a convenience and a pleasure.

The Old Market in the old town of Salzburg was laid out methodically in the early Middle Ages (13th century) as a trading center.

History

After the marketplace was moved from Waag square to Old Market, once joined the Dairy market and Herb market, the Beet and Cabbage market and the Potter market. It now consists of stately rows of town houses whose core mostly goes back to the Middle Ages, but which, in many cases, are shaped early modern.

Floriani fountain

Main article: Florianibrunnen

In the middle of the Old Market today stands the Market fountain which, as founded on documents, was erected here instead of an old draw well in 1488 as for the first time it was possible to guide water from the mountain Gersberg over the Town bridge to the Old Market.

Buildings at Old Market

Since the late 16th century, also the old prince-archbishopric Court farmacy is located at Old Market. In front of the Old Residence there are the traditional Café Tomaselli and Café/Cake shop Fürst, whose founder creating the Mozart ball. A former town house which now houses the headquarters of the bank Salzburger Sparkasse due to several reconstructions got a facade a bit too fancy for this place. In addition to the Café Tomaselli is located on Old Market 10a also the smallest house in the city of Salzburg.

Name

Between 1873 and 1927 the place was known as Ludwig-Viktor square, after the youngest brother of Emperor Franz Joseph I., Archduke Ludwig Viktor (* 1842, † 1919), who lived from 1861 in Schloss Klessheim.

Other

A nightly Würstlstand (sausage stand) at Old Market is a popular meeting place at a late hour for night owls and visitors of evening events in the old town.

Der Alte Markt in der Altstadt von Salzburg wurde im Frühmittelalter (13. Jahrhundert) als Handelsplatz planmäßig angelegt.

Geschichte

Nachdem der Marktplatz vom Waagplatz auf den Alten Markt verlegt wurde, schlossen einst der Milchmarkt und Kräutermarkt, der Rüben- und Krautmarkt und der Hafnermarkt an. Er besteht heute aus stattlichen Zeilen von Bürgerhäusern, deren Kern meist ins Mittelalter reicht, die aber vielfach frühneuzeitlich überprägt sind.

Florianibrunnen

Hauptartikel: Florianibrunnen

In der Mitte des Alten Marktes steht heute der Marktbrunnen, der urkundlich anstelle eines alten Ziehbrunnens 1488 hier errichtet wurde, als erstmals Wasser vom Gersberg über die Stadtbrücke bis zum Alten Markt geleitet werden konnte.

Gebäude am Alten Markt

Seit Ende des 16. Jahrhunderts befindet sich auch die Alte fürsterzbischöfliche Hofapotheke am Alten Markt. Gegenüber der Alten Residenz befinden sich das Traditionscafé Café Tomaselli und die Café-Konditorei Fürst, deren Begründer die Mozart-Kugel kreierte. Ein ehemaliges Bürgerhaus, in dem sich heute die Zentrale der Salzburger Sparkasse befindet, erhielt durch mehrere Umbauten eine etwas zu modern für diesen Platz ausgefallene Fassade. Neben dem Café Tomaselli befindet sich am Alten Markt 10a auch das kleinste Haus der Stadt Salzburg.

Name

Zwischen 1873 und 1927 trug der Platz den Namen Ludwig-Viktor-Platz, nach dem jüngsten Bruder von Kaiser Franz Joseph I., Erzherzog Ludwig Viktor (* 1842, † 1919), der ab 1861 Schloss Kleßheim bewohnte.

Sonstiges

Ein nächtlicher Würstlstand am Alten Markt bildet für Nachtschwärmer oder Besucher von abendlichen Veranstaltungen in der Altstadt einen beliebten Treffpunkt zu später Stunde.

www.salzburg.com/wiki/index.php/Alter_Markt

Be patient for things, be methodical and stoic.

Wait for a good light; good moments.

Be open.

Never stop learning.

TOPIC: ILLUSION

This print was created from the same cut Lino as the first, except the Lino plate was rotated methodically for each colour. The finished product is an abstract repeat pattern, which is not obvious straight away.

Niyata in Sanskrit is the root of nyata in Bahasa Indonesia, carries the meaning of being real, distinct, or true.

TEDxJakarta 12: Niyata evolves around the celebration of order, abides to the notion that even nature most often works in alluring patterns, precipitated by the sum of many tiny-yet-meaningful and methodical inflections.

Gedung Kesenian Jakarta

June 10th, 2017

Documentation team:

Dave | Idznie | Mutia

or so it seems.

In your mind you have capacities to…

Build the ultimate, winningest, and most sublime cake of them all, the Black Forest. And to “Blumenthal” it is to justly transform it from a cake into a gateau.

Despite what seemed like a daunting challenge, I felt sure about success if I followed a methodical and designed approach. And as Heston wisely suggested, to treat this as an architectural project, built over days and in stages, rather than in one afternoon.

In total, the cake took me 8 hours across two weekends to complete. I was very pleased with the results.

The five major components (layers) from top to bottom are:

Chocolate mouse

Frozen Kirsche cream

Chocolate sponge

Chocolate ganache

Biscuit base

Part of Grand Teton National Park

Moose, Teton County, Wyoming

Listed: 08/25/1998

Although many of the buildings within this complex were not constructed until the 1950s, all adhere to the layout and design concepts initiated in 1946. The complex represents the last privately owned and operated auto-camp/resort complex constructed in Grand Teton National Park in the historical period, prior to the initiation of Mission-66 concession-development schemes. It is eligible to the National Register of Historic Places for its association with duderanch rustic architecture and with area tourism. The district's period of significance extends from Jenkins' purchase in 1946 until the completion of major construction in 1956. The Highlands is a component of the "Auto Camp" property type (Dude Ranching and Tourism context), as defined in the Grand Teton National Park Multiple Property Submission (1997).

Charles Byron and Jeanne Jenkins and Gloria Jenkins Wardell purchased the Highlands site in 1946, From this date until 1956, they methodically added "one or two cabins a year" in a U-shaped pattern anchored by a large log/board-andbatten lodge. The lodge, originally envisioned as a "Tyrollean type" to conform to the frequent use of Swiss architecture in national parks, was instead constructed in the more typical regional rustic style. Cabins were built by Jenkins and a few hired carpenters, who worked during the summer months. As many as 13 "girls" cleaned the cabins, worked in the dining room, and lived in the dormitory (better known as the Hen House).

Although developed as a private property, and insulated from NPS design controls or lease obligations, The Highlands reflected GRTE accommodation designs first articulated in the 1940s.

By 1956, the site included a large central lodge; three cabins dating to the Sensenbachs; and a new generation of tourist cabins, constructed by Jenkins, with occasional help, in what his nephew defines as "a labor of love." The Highlands was distinct from area dude ranches (which supplied each guest with his/her own saddle horse, provided family-style meals on the European Plan, and most often boasted only of a "private outdoor toilet") and also from more standard auto-camp complexes, such as Kimmel Kabins (where, in an important precursor to major modern trends in park tourism, one to two night stays were encouraged, and neither meals nor recreational services were provided). A ca. 1950 brochure describing "The Highlands" log cabins as:

from, one to five rooms in an individual unit, spacious, attractively furnished in keeping with the log interiors, completely modern with private bathrooms, plenty of hot water, electric heat and daily maid service.... Having your meals with us is optional, but you will find it a convenience and a pleasure.

The Best Craft Party Ever: Starry Night Cafe, hosted by Methodical Coffee and Jeni's Splendid Ice Creams

There was always an ongoing jigsaw puzzle on the dining table when I was in high school, but it's been that long since I worked on one. Turns out I find it as satisfying as cross stitch: methodical, no challenge, but satisfying nonetheless.

Niyata in Sanskrit is the root of nyata in Bahasa Indonesia, carries the meaning of being real, distinct, or true.

TEDxJakarta 12: Niyata evolves around the celebration of order, abides to the notion that even nature most often works in alluring patterns, precipitated by the sum of many tiny-yet-meaningful and methodical inflections.

Gedung Kesenian Jakarta

June 10th, 2017

Documentation team:

Dave | Idznie | Mutia

On Tuesday I went to my normal photo lab to pick up some negatives. The cashier informed me that the owner would no longer take my damaged film because the above roll of film jammed in their machine. My film has jammed their machines before, but this roll was the last straw for them. I don't blame them; I am surprised they developed my film for as long as they have.

However, this isn't the end of my film destruction since I am going to do more of my own development. At first I am going to stick to black and white development, but hopefully I can move onto C41/E6 eventually. I am going to be very methodical about writing down exactly what I did to the film so others can repeat my experiments; I want to make film destruction a process that other people can use.

I've started a new group Film Recipes to discuss different ways to alter film beyond traditional ways. If you have an interest with what can be done with film then please join my group.

@北千住駅(KitaSenju Sta. Tokyo)

By the earthquake, there isn't enough electric power in Tokyo.

We had to change a train's time schedule to minimum.

Therefore, many stations has a crowd in morning.

But,everyone acts methodically.

I'm proud that I'm Japanese.

I had a day off midweek a while back and went out to the Port of Brisbane artificial wader roost to see if I could spot the Asian Dowitcher being reported from there. It is a real rarity for these parts.As i collected the key the desk attendant told me that everyone who had been out that day had came back pretty happy.

Well I couldn't spot anything with my 400mm on the 7D (no binos) so I started methodically snapping the large flocks of Godwits and chimping at 100% on the LCD to see if I could pick it out.

I had no luck after about half an hour (most birds had their heads tucked in) so I was turning to go when a few Chestnut Teal got nervous and took off over the biggest group of Godwits on the middle island. The Godwits, Whimbrels etc all turned and started moving further away (even though I was not very close at all). I quickly got the camera up again and took a stack of shots of every part of the moving flock.

It was very hot and I didn't have the patience to start chimping again so I just left it until I got home. On one of the last shots, after ages spent peering at loads of similar shots....bingo! There it was.

This is a 100% crop and a lousy shot but I'm putting it up as a record and a story of a bit of hard work and lots of luck paying off. It also illustrates the difficulty of picking this bird out of a group of Godwits.

I'd like to claim it as a sighting but I'm afraid it just doesn't feel like it. So now I have a shot of a bird I've never seen! :) I could go back with binos but apart from the chance of a rare sighting it is a pretty boring place IMHO.

Portuguese Discoveries is the name given to the intensive maritime exploration by the Portuguese during the 15th and 16th centuries. Portuguese sailors were at the vanguard of European overseas exploration, discovering and mapping the coasts of Africa, Asia and Brazil, in what became known as the Age of Discovery. Methodical expeditions started in 1419 along West Africa's coast under the sponsorship of prince Henry the Navigator, with Bartolomeu Dias reaching the Cape of Good Hope and entering the Indian Ocean in 1488. Ten years later, Vasco da Gama led the first fleet around Africa to India, arriving in Calicut and starting a maritime route from Portugal to India. Soon, after reaching Brazil, explorations proceed to southeast Asia, having reached Japan in 1542.

This sow has emerged as the dominant female along this little stretch of Thornapple river, she has methodically gone about the task of running off every subordinate male, and most subordinate females, since the end of July!

Niyata in Sanskrit is the root of nyata in Bahasa Indonesia, carries the meaning of being real, distinct, or true.

TEDxJakarta 12: Niyata evolves around the celebration of order, abides to the notion that even nature most often works in alluring patterns, precipitated by the sum of many tiny-yet-meaningful and methodical inflections.

Gedung Kesenian Jakarta

June 10th, 2017

Documentation team:

Dave | Idznie | Mutia

Niyata in Sanskrit is the root of nyata in Bahasa Indonesia, carries the meaning of being real, distinct, or true.

TEDxJakarta 12: Niyata evolves around the celebration of order, abides to the notion that even nature most often works in alluring patterns, precipitated by the sum of many tiny-yet-meaningful and methodical inflections.

Gedung Kesenian Jakarta

June 10th, 2017

Documentation team:

Dave | Idznie | Mutia

Coastal Brown Bear digging for clams along the shore of Hallo Bay Katmai National Park & Preserve in Alaska

At low tide along the Katmai coast, brown bear slowly meandering across the tidal flat with nose skimming the sand surface. Somehow the bears detect the buried clams (possibly by using smell). When they do, the bear will stop and begin digging at a leisurely pace. The mollusk-hunting bear will lean on one front paw and use the other as a shovel. It will methodically lift the substrate from the hole and push it back behind the excavation. If the clam is deeper in the sand, the bear might lean on its elbow, laying its head on the foreleg, in order to thrust the digging paw deeper into the substrate. When it reaches the bivalve, it will extract it by lifting it out with its claws/paw or by shoving its head into the hole and grasping the clam in its jaws.

In a study conducted on Katmai bears, it was found that the average harvest rate for clamming bears was 0.69 ± 0.46 clams per minute. The percentage of excavations that yielded clams was 63%. When it comes to the number of clams ingested, an individual brown bear may dig up as many as 50 to 100 clams in one cycle of the ebb-tide.

Once they extract the mollusk from the sand, the bear has to get to the meat that is housed within the clam’s armor. In the case of the soft-shelled and razor clams, the valves (which are the two parts that make-up the shell) are not that hard. A bear’s clam-handling technique can vary from one individual to the next. After pulling a clam from the substrate, some bears nimbly use the claws to pull the valves apart. Some bears place the bivalve on the beach and then stomp on it or roll it under their massive paw. This results in the valves breaking apart, which enables the bear to extract the meat with their lips and tongue. In the case of soft-shell clams, the bear may take the entire bivalve into its mouth and eat it whole. This resulted in their swallowing a considerable amount of shell material as well as the clam flesh (along the Katmai coast it is not unusual to see scat that contains clam shell fragments).

F.D.S seminar with handguns. Practical #Ninjutsu acording to the Methodical Pyramid www.akban.org/wiki/Family_defense_and_Security

Niyata in Sanskrit is the root of nyata in Bahasa Indonesia, carries the meaning of being real, distinct, or true.

TEDxJakarta 12: Niyata evolves around the celebration of order, abides to the notion that even nature most often works in alluring patterns, precipitated by the sum of many tiny-yet-meaningful and methodical inflections.

Gedung Kesenian Jakarta

June 10th, 2017

Documentation team:

Dave | Idznie | Mutia

Methodical teens at the Avondale Regional Branch Library's February Pizza &... program gather evidence at the crime scene of a deadly Valentine's date.

Dr. Beth Gardner, professor from the Justice Sciences program at UAB, created a “Valentine’s Date Gone Wrong” crime scene and invited the “detectives” in to gather and analyze evidence in a quest to identify the murderer. The murder scene was replete with a victim (one of Gardner's students) and all the trappings of a romantic dinner gone horribly wrong. The participants were outfitted with an evidence kit that included tools for collecting and preserving fingerprints, footprints, DNA, and other physical evidence from the crime scene. With the evidence gathered and clues from the police report, the students were able to identify the “killer.”

Have you ever watched an American dipper wading in a mountain stream and dipping its head underwater for an extended period? These mallards were doing the same thing in a riffle on Seedskadee NWR. The swift water flowing over the shallow rocks (a riffle) makes a great spot for aquatic insects needing lots of oxygen, like stoneflies. I had used a kick net to collect insects in this same spot weeks earlier, and found an abundance of large to medium sized stoneflies. I was not able to get a photo of a stonefly in their bills, but am pretty shure they were eating stoneflies. They methodically worked over nearly every rock in the riffle over the course of a half hour.

Photo: Stonefly eating mallards on Seedskadee NWR

Tom Koerner/USFWS

The French-language "Methodical Encyclopaedia" of 1782 defines a menagerie as an "establishment of luxury and curiosity."

______________________________

This is a piece called: The Queen's Menagerie, dedicated to Queen Zarina's Menagerie of exotic animals which are housed within the walls of her summer palace just beyond the glass conservatory and beautiful gardens within the palace grounds.

Every year, Queen Zarina's Exotic Wildlife go on tour with the Kennsington Royal Circus, personal circus to the Royal Family.

During the early evenings of the show, Lioness Millie performs behind the lush creamy curtains with the lions for a spectacular show.

I hope you catch the Queen's Menagerie traveling to a port near you!

A labor of love; this is a slow methodical process. take care to keep the roux well blended whilst it cooks, scraping the sides and bottom of the pot with your wooden spoon.

Niyata in Sanskrit is the root of nyata in Bahasa Indonesia, carries the meaning of being real, distinct, or true.

TEDxJakarta 12: Niyata evolves around the celebration of order, abides to the notion that even nature most often works in alluring patterns, precipitated by the sum of many tiny-yet-meaningful and methodical inflections.

Gedung Kesenian Jakarta

June 10th, 2017

Documentation team:

Dave | Idznie | Mutia

The Best Craft Party Ever: Starry Night Cafe, hosted by Methodical Coffee and Jeni's Splendid Ice Creams

Niyata in Sanskrit is the root of nyata in Bahasa Indonesia, carries the meaning of being real, distinct, or true.

TEDxJakarta 12: Niyata evolves around the celebration of order, abides to the notion that even nature most often works in alluring patterns, precipitated by the sum of many tiny-yet-meaningful and methodical inflections.

Gedung Kesenian Jakarta

June 10th, 2017

Documentation team:

Dave | Idznie | Mutia

The Old Market in the old town of Salzburg was laid out methodically in the early Middle Ages (13th century) as a trading center.

History

After the marketplace was moved from Waag square to Old Market, once joined the Dairy market and Herb market, the Beet and Cabbage market and the Potter market. It now consists of stately rows of town houses whose core mostly goes back to the Middle Ages, but which, in many cases, are shaped early modern.

Floriani fountain

Main article: Florianibrunnen

In the middle of the Old Market today stands the Market fountain which, as founded on documents, was erected here instead of an old draw well in 1488 as for the first time it was possible to guide water from the mountain Gersberg over the Town bridge to the Old Market.

Buildings at Old Market

Since the late 16th century, also the old prince-archbishopric Court farmacy is located at Old Market. In front of the Old Residence there are the traditional Café Tomaselli and Café/Cake shop Fürst, whose founder creating the Mozart ball. A former town house which now houses the headquarters of the bank Salzburger Sparkasse due to several reconstructions got a facade a bit too fancy for this place. In addition to the Café Tomaselli is located on Old Market 10a also the smallest house in the city of Salzburg.

Name

Between 1873 and 1927 the place was known as Ludwig-Viktor square, after the youngest brother of Emperor Franz Joseph I., Archduke Ludwig Viktor (* 1842, † 1919), who lived from 1861 in Schloss Klessheim.

Other

A nightly Würstlstand (sausage stand) at Old Market is a popular meeting place at a late hour for night owls and visitors of evening events in the old town.

Der Alte Markt in der Altstadt von Salzburg wurde im Frühmittelalter (13. Jahrhundert) als Handelsplatz planmäßig angelegt.

Geschichte

Nachdem der Marktplatz vom Waagplatz auf den Alten Markt verlegt wurde, schlossen einst der Milchmarkt und Kräutermarkt, der Rüben- und Krautmarkt und der Hafnermarkt an. Er besteht heute aus stattlichen Zeilen von Bürgerhäusern, deren Kern meist ins Mittelalter reicht, die aber vielfach frühneuzeitlich überprägt sind.

Florianibrunnen

Hauptartikel: Florianibrunnen

In der Mitte des Alten Marktes steht heute der Marktbrunnen, der urkundlich anstelle eines alten Ziehbrunnens 1488 hier errichtet wurde, als erstmals Wasser vom Gersberg über die Stadtbrücke bis zum Alten Markt geleitet werden konnte.

Gebäude am Alten Markt

Seit Ende des 16. Jahrhunderts befindet sich auch die Alte fürsterzbischöfliche Hofapotheke am Alten Markt. Gegenüber der Alten Residenz befinden sich das Traditionscafé Café Tomaselli und die Café-Konditorei Fürst, deren Begründer die Mozart-Kugel kreierte. Ein ehemaliges Bürgerhaus, in dem sich heute die Zentrale der Salzburger Sparkasse befindet, erhielt durch mehrere Umbauten eine etwas zu modern für diesen Platz ausgefallene Fassade. Neben dem Café Tomaselli befindet sich am Alten Markt 10a auch das kleinste Haus der Stadt Salzburg.

Name

Zwischen 1873 und 1927 trug der Platz den Namen Ludwig-Viktor-Platz, nach dem jüngsten Bruder von Kaiser Franz Joseph I., Erzherzog Ludwig Viktor (* 1842, † 1919), der ab 1861 Schloss Kleßheim bewohnte.

Sonstiges

Ein nächtlicher Würstlstand am Alten Markt bildet für Nachtschwärmer oder Besucher von abendlichen Veranstaltungen in der Altstadt einen beliebten Treffpunkt zu später Stunde.

www.salzburg.com/wiki/index.php/Alter_Markt

Hunting, slowly, methodically.

These Hummers alternated between sampling the nectar from these blooming ornamentals and resting on any tall reedy spike growing adjacent to them. They methodically go around the perimeter of the shrub and seem to know which blossoms are the most productive at any one time.

IMG_0161; Anna's Hummingbird

In this 8 photo series you will see an amazing, large Corn Spider, which apparently has no qualms about having only 5 LEGS. If you look closely at some of the photos, you will notice the empty sockets from where the missing legs should have extended. In any event, we first saw it on a rainy day (Pictures 1 through 5), where it had a favorite prey/victim tightly wrapped over and over in a deadly silky encasement. As we watched, it would turn the future meal over a few times in a systematic fashion with obvious intent. Then it would climb the sprawling web a little north to either correct or rearrange part of the strands.

Now, we had returned to the same spot two days later, and as if waiting for our presence, once we stood in front of this scene, the methodic process of dining began (Pictures 6 through 8). The same victim from two days prior had some sort of thick moist coating that gave it a look of something more appetizing for the predator, of course . . . Not us.

The webbing was mostly removed at that point—only a small amount remained to address, and upon reaching the web-free state, the eager spider started to turn it around in increments as it would take a bite or two between rotations. This continued and after a few moments it became clear that the prey was diminishing in size. It was difficult to ascertain as to what kind of insect it was, but if we had to guess, it was probably a bee or wasp.

Unfortunately, we could not stay to witness the final scene, for we had personal commitments to attend and time was of the essence. However, just having been able to experience seeing this multiple step of consumption over two separate days was quite phenomenal. Our passionate side felt for the victim, but one also had to sympathize with the spider missing almost 40% of its limbs, yet managing to survive admirably. It certainly did not look famished in any way.

The late, Doris Duke, had left a wonderful legacy in converting her magnificent estate into a Natural Wildlife Preserve for the public’s education and enjoyment. The paths throughout the estate offer such splendid scenery. One is forever exploring, always seeing something subtly beautiful. There are always pleasant surprises, from the general scenery to the world of birds and other wildlife, including tiny insects and flowers that are quite enjoyable to observe and study. The bucolic nature of the preserve is so relaxing—akin to meditating while experiencing the landscape. The beauty of visiting Duke Farms is that so many incredible views are there simply by absorbing the surroundings.

Besides the wonderful diversity of nature’s jewels, Doris Duke has left a part of her legacy through her passion for art—well situated throughout the preserve is a collection of glorious sculptures and fabulous examples of supreme stonework and design in the bridges, old ruins of enormous barns and stables, and a variety of other structures. The old Hay Barn ruin with its fabulous sculpture garden is truly a favorite of ours, for each and every statue seems to possess a spirit and sense of life. The landscape and backdrop can alter the mood, accordingly, depending on the time of day and seasonal changes in particular. So, spotting new and fascinating wildlife (both animals and plants) and art never ceases to add to the experience.

Niyata in Sanskrit is the root of nyata in Bahasa Indonesia, carries the meaning of being real, distinct, or true.

TEDxJakarta 12: Niyata evolves around the celebration of order, abides to the notion that even nature most often works in alluring patterns, precipitated by the sum of many tiny-yet-meaningful and methodical inflections.

Gedung Kesenian Jakarta

June 10th, 2017

Documentation team:

Dave | Idznie | Mutia