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평창 루지 월드컵 2016-2017

2017-02-19

알펜시아 슬라이딩센터

문화체육관광부

해외문화홍보원

코리아넷

전한

Exodus 02 - Moses murders - Scene 01 - Egyptian slave master (Version 02) by Martin Young

Exodus 2:11 (ANIV)

One day, after Moses had grown up, he went out to where his own people were and watched them at their hard labour. He saw an Egyptian beating a Hebrew, one of his own people.

DRAWING NOTES:

TIME OF DAY:

Morning

LIGHTING NOTES:

The sun is on the right, casting shadows to the left.

CHARACTERS PRESENT:

An Egyptian slave master beating a Hebrew slave.

Two Hebrew slave girls carrying water urns.

RESEARCH/ADDITIONAL NOTES:

There are two versions of this scene:

01) (Previous page) Exodus 02 - Moses murders - Scene 01 - Egyptian slave master (Version 01). This is the original version, with bare chested Hebrew men.

02) (This page) Exodus 02 - Moses murders - Scene 01 - Egyptian slave master (Version 02). This is the newer, more modest version (specifically requested by a customer) which covers up the bare chested Hebrew man in the scene.

I drew the background, with a complete set of Egyptian hieroglyphics, before I drew the characters in the scene. I am pleased with the drama & expressions on the characters faces, although the subject is not very pleasant!

I deliberately changed the design of the Egyptian slave master’s sandals, to differentiate them from Hebrew ones. The design for the green Egyptian sandals came when I was researching ancient Egyptian culture. Apparently woven papyrus or palm leaves were used very successfully for this footwear.

Notice also that the Hebrew slaves have no footwear at all.

I have carefully researched what ancient Egyptian hieroglyphics actually looked like. I have noticed that the carved figures are not entirely realistic, at least by today’s standards! The arms of people tend to be long & slender, & clothing is representative, rather than realistic. I suspect these are more characterisations of important people, rather than attempts at depicting the people in a realistic fashion. Bearing that in mind, I have drawn my carved stone figures according to the stylistic dictates of ancient Egypt, rather than as I would depict them... it’s not my “bad” drawing that shows arms too long!

I had a bit of a dilemma, as the photograph I was using as reference for the carved stone figures clearly showed the harvest women’s uncovered breast. I wondered about covering it with “stone clothing”, but in the end decided to be true to the stone carvers of that ancient time. As it happens, the head of the Egyptian slave master eclipses that stone feature in any case, but if i make the background available as a separate scene then it will be visible. I hope that feature does not offend anyone, that is not my intention, but Biblical, architectural & artistic accuracy are important to me, which is why, in the end, I decide to include it in the background.

As with a previous scene (Exodus 02 - Birth of Moses - Scene 04 - Moses playing) I have had a bit of fun with the hieroglyphics, adding a red space capsule (top left) & Doctor Who’s blue TARDIS (time machine) in the middle left! I’ve also added Noah’s ark (bottom left), you can see a close-up of these three below. I also added a green Tyrannosaurs rex on the bottom right wall! You could argue that the Egyptians were aware of the Flood & Noah’s ark. And if you reject the theory of evolution & accept the Bible’s account of creation in six days, then ancient people may well have been aware of, & encountered dinosaurs as well!

See this & many more cartoon illustrations on my website: www.biblecartoons.co.uk

X_Men 02/09/07 by phuongtruong1984

cung oy cuoi` di ^_^

Una escletxa al cel by Enric Llaó Sánchez

5 17

Mar Menor, 02-2014

X-Men 02 Vs Magneto by Marvel Legends colecionador

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Exodus 02 - Birth of Moses - Scene 02 - Pharaoh's daughter (Version 02) by Martin Young

Exodus 2:5-8 (ANIV)

5 Then Pharaoh's daughter went down to the Nile to bathe, and her attendants were walking along the river bank. She saw the basket among the reeds and sent her slave girl to get it. 6 She opened it and saw the baby. He was crying, and she felt sorry for him. "This is one of the Hebrew babies," she said.

7 Then his sister [Moses’ sister, Miriam] asked Pharaoh's daughter, "Shall I go and get one of the Hebrew women to nurse the baby for you?"

8 “Yes, go," she answered. And the girl went and got the baby's mother.

DRAWING NOTES:

TIME OF DAY:

Mid morning.

LIGHTING NOTES:

The sun lights this scene from the right.

CHARACTERS PRESENT:

From left to right: Male servant (holding up pole supporting sun shade over Pharaoh’s daughter), female servant knee deep in water, Pharaoh’s daughter (holding the baby Moses), second male (holding other sun shade pole), female servant (carrying the reed basket Moses was in on the Nile), another female servant girl.

Lastly, notice Miriam (Moses’ sister) watching the scene from the river bank reeds on the extreme middle right.

RESEARCH/ADDITIONAL NOTES:

There are two versions of this scene:

01) (Previous page) Exodus 02 - Birth of Moses - Scene 02 - Pharaoh’s daughter (Version 01). This is the original version, with bare chested Egyptian men.

02) (This page) Exodus 02 - Birth of Moses - Scene 02 - Pharaoh’s daughter (Version 02). This is the newer, more modest version (specifically requested by a customer) which covers up the bare chested men in the scene.

I wanted to show the wealth of Pharaoh’s daughter in this scene, which is why I have her wearing gold jewellery, with bright red, blue & green gemstones. None of the other figures are wearing gold.

Pharaoh’s daughter’s servant girls have arm bands, but their jewellery is made of silver. Notice also that I have designed their waist belts of alternative layers of leather & silver, a colour motif that is also seen in the 2 male servants who are wearing leather arm bands, with silver inlaid into it. These people could be servants of Pharaoh’s daughter, but equally they could be slaves, since slavery was accepted practice in ancient Egypt. Bearing that in mind, perhaps the leather & silver motif denotes slave ownership by Pharaoh’s daughter.

My research into ancient Egyptian costume informs me that men & women often wore fine, transparent linen clothing, presumably due to the high temperature of the Egyptian climate. You’ll notice that you can see the skin tones underneath the pleated, folded clothing of the figures in my scene, which is how I illustrate translucent clothing materials.

“The ancient Egyptians wore light clothes made from linen. Linen is made from flax - a plant which was grown along the Nile. Once harvested, the flax was soaked in water until soft. The soften flax was then separated into fibres which were beaten before being spun into thread which was then woven into cloth.

Egyptian women wore full length straight dresses with one or two shoulder straps. During the New Kingdom period it became fashionable for dresses to be pleated or draped. The dresses worn by rich Egyptian women were made from fine transparent linen. Like the men, rich Egyptian women decorated their clothes and wore jewellery and headdresses.”

(Source: www.historyonthenet.com/Egyptians/clothing.htm)

The stone carved statue on the pedestal is of Sobek (also called Sebek, Sochet, Sobk, and Sobki), who was a crocodile-headed man deity figure in ancient Egyptian mythology. That seemed fitting, as the scene is set on the Nile river bank.

There are two flamingo’s (Phoenicopterus roseus) flying overhead.

See this & many more cartoon illustrations on my website: www.biblecartoons.co.uk

Look-men-02 by OKREV

Invader MEN-02 by Trux Photo (4 Million views Thks!)

1

PHICEN PL2018-139 Narama Huntress of Men - 02 by Lord Dragon 龍王爺

1

Big men 02 by Bosc d'Anjou

Nils Ødegård (1892-1976) - A local party boss for the Norwegian Labour Party, Ødegård enjoyed remarkable political longevity and influence as newspaper editor, member of parliament and member of numerous boards of corporate and public entities. He was Mayor of the town of Gjøvik from 1922 to 1940 (when he was removed by the nazis) and again from 1945 to 1957. Monument by Stinius Fredriksen (1902-1977), inaugurated in 1972.

Pearl Jam MEN by Simon

1 5

Pomegranate and miniature men 02 by StartTheDay

2 2

Inspired by the work of Pierre Javelle and Slinkachu I used the remains of the breakfast pomegranate and some Hornby figures to plat with the usual size. In these 3 shots I am mainly learning more about apeture and how to narrow the depth of field.

Men 02 by Ian Kenins