Exploring the Megastructure
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The Museum of the future is one of the Dubai's landmarks of 2021 most waiting and will bring a original curved shape in this vertical financial district.
The 40meter radio telescope and the tiny CARMA Telescopes ----> www.astro.caltech.edu/research/ovro/
Generated By Midjourney V8.1 .
A colossal interstellar armada races across the infinite cosmos toward a majestic ringed world glowing beneath a sea of violet nebulae and celestial fire. Thousands of advanced starships surge through the darkness in perfect formation, their powerful engines leaving brilliant trails of blue, violet, and crimson energy across the fabric of space. Towering capital ships dominate the foreground, revealing extraordinary mechanical complexity, intricate armor plating, luminous engine cores, and breathtaking technological detail.
A gigantic ringed planet commands the center of the scene, surrounded by swirling cosmic dust, radiant asteroid fields, and countless distant worlds suspended within an endless galactic panorama. Massive nebula clouds erupt across the heavens in spectacular shades of violet, sapphire, indigo, magenta, and silver, illuminating the battlefield of stars with divine cosmic light. Countless suns, moons, and celestial bodies create a sense of unimaginable scale and wonder.
The fleet appears to be embarking on a legendary voyage beyond the known universe, crossing the boundaries of civilization and entering the mysteries of the eternal void. Every vessel reflects dazzling starlight, every engine glows with immense power, and every detail contributes to an epic vision of humanity's future among the stars.
Science Fiction Masterpiece, Galactic Armada, Interstellar Fleet, Ringed Planet Megastructure, Deep Space Exploration, Hyperrealistic Starships, Cosmic Warfare, Celestial Megascape, Advanced Civilization, Legendary Space Opera, Ultra Detailed Spacecraft Design, Violet Nebula Kingdom, Infinite Universe, Epic Galactic Journey, Award-Winning Digital Artwork, Collector Edition Masterpiece, Cinematic Science Fiction, Unreal Cosmic Scale, Volumetric Stellar Lighting, Premium Space Fantasy Artwork, Flickr Front Page Quality.
16K . 16:9 . Bottom Right Corner In Thin Golden Gothic Letters: Emma L., Very Discreet, Very Small, Approximately 2% Of The Visual Width Of The Image, Naturally Integrated Into The Scene.
zibska , thanks a lot to share this wonderful place with us !
www.flickr.com/photos/zibska/8391076026/in/photostream/
Cold Dreams
The Very Long Baseline Array is a network of ten observing stations located across the United States. Each station consists of a 25-meter radio antenna dish and a control building. Radio signals captured by each antenna are amplified, digitized and recorded. The recorded data are then sent to Socorro, NM to be processed by a powerful computer known as a correlator. By combining their data, the stations form one of the world’s most powerful radio cameras.
This Radio Telescope part of the Very Long Baseline Array (VLBA) public.nrao.edu/
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Dans un crépuscule cosmique où les frontières entre la chair, la technologie et les étoiles semblent avoir disparu, une jeune femme extraterrestre se tient au premier plan, capturée dans un portrait cinématographique d’une intensité saisissante. Son visage d’une beauté irréelle est sculpté par une lumière violette et bleutée provenant d’un horizon lointain, révélant chaque détail de sa peau biomécanique. De fines structures organiques parcourent ses tempes, ses joues et son front comme des racines vivantes incrustées de cristaux luminescents. Des filaments technologiques serpentent dans sa chevelure, formant une couronne complexe de fibres vivantes et de câbles organiques irradiant une douce lumière néon bleu électrique.
Ses yeux d’un bleu profond, incroyablement détaillés, reflètent l’immensité de galaxies inconnues. Son regard fixe l’observateur avec une présence magnétique, mélange de sagesse ancestrale et de mystère interstellaire. De subtils éclats lumineux parcourent son épiderme, créant l’illusion que son corps est traversé par une énergie cosmique vivante. Ses lèvres délicatement rosées contrastent avec les nuances froides de son armure organique, composée d’écailles métalliques irisées et de structures bio-technologiques sophistiquées.
À l’arrière-plan s’étend une mégapole extraterrestre monumentale. D’immenses tours cristallines s’élèvent vers le ciel comme des cathédrales futuristes, leurs surfaces réfléchissant les couleurs d’un coucher de soleil cosmique mêlant magenta, violet, bleu saphir et or pâle. Entre ces architectures impossibles serpentent des cours d’eau miroirs qui capturent les reflets du ciel et des lumières de la cité. La perspective grandiose amplifie la sensation d’échelle, donnant l’impression que cette civilisation s’étend sur des milliers de kilomètres.
Dominant l’horizon, une planète géante occupe une grande partie du ciel. Sa surface texturée révèle des océans d’ombres et de lumière, tandis que plusieurs lunes flottent autour d’elle dans une parfaite harmonie céleste. Des nuages stellaires aux teintes violettes traversent l’atmosphère, illuminés par les derniers rayons d’un soleil mourant. Une brume lumineuse enveloppe les structures lointaines, ajoutant profondeur et réalisme à la scène.
L’image est réalisée dans un style hyperréaliste de très haute définition, avec une qualité visuelle digne des plus grandes productions de science-fiction contemporaines. Les textures sont d’une précision extrême, chaque reflet, chaque particule atmosphérique et chaque détail biologique étant parfaitement visible. L’éclairage volumétrique, les reflets ray-tracing, la profondeur de champ cinématographique, les couleurs vibrantes, les contrastes subtils et les effets atmosphériques créent une œuvre spectaculaire évoquant une rencontre entre l’art conceptuel de science-fiction, la photographie de mode futuriste et le cinéma épique intergalactique.
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In a breathtaking cosmic twilight where the boundaries between biology, technology, and the stars have dissolved, a stunning extraterrestrial woman stands in the foreground, captured in an intensely cinematic portrait of extraordinary realism. Her face, possessing an otherworldly beauty, is sculpted by violet and sapphire light emanating from a distant horizon, revealing every intricate detail of her biomechanical skin. Delicate organic structures weave across her temples, cheeks, and forehead like living roots embedded with luminous crystalline nodes. Streams of advanced bio-technological fibers flow through her hair, forming an elaborate crown of living tendrils and organic circuitry glowing with electric-blue energy.
Her deep sapphire eyes, rendered with astonishing detail, seem to contain entire galaxies within their reflections. She gazes directly toward the viewer with an enigmatic presence, combining ancient wisdom and celestial mystery. Subtle pulses of radiant light travel beneath her skin, creating the impression that cosmic energy itself flows through her veins. Her softly tinted lips contrast beautifully with the cool metallic tones of her organic armor, a masterpiece of iridescent scales, alien textures, and sophisticated living technology.
Beyond her stretches a monumental extraterrestrial metropolis. Towering crystalline spires rise toward the heavens like futuristic cathedrals, their surfaces shimmering with reflections of a cosmic sunset painted in shades of magenta, violet, indigo, and pale gold. Between these impossible structures flow mirror-like waterways that capture the glow of the skyline and the colors of the celestial sky above. The immense scale of the city conveys the grandeur of a civilization that spans entire worlds.
Dominating the horizon, a colossal planet fills the sky, its textured surface revealing oceans of shadow and light. Several moons drift gracefully around it, suspended in perfect celestial harmony. Vast nebula clouds painted in violet and lavender hues stretch across the atmosphere, illuminated by the final rays of a distant star. Ethereal luminous mist envelops the faraway structures, adding cinematic depth and atmospheric realism to the scene.
The image is rendered in ultra-photorealistic quality with extraordinary cinematic detail, rivaling the visual grandeur of the most ambitious science-fiction epics. Every texture, reflection, and microscopic surface detail is visible with crystal clarity. Volumetric lighting, advanced ray-traced reflections, dramatic depth of field, atmospheric perspective, intricate environmental effects, and vibrant yet balanced color grading create a masterpiece that blends high-fashion portrait photography, visionary science-fiction concept art, and blockbuster cinematic storytelling.
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Mont-Saint-Michel ist eine ehemalige Abtei der Benediktiner in Frankreich und einer der größten erhaltenen Baukomplexe des europäischen Mittelalters. Die – in Stilformen der Romanik, der Gotik und des Klassizismus errichteten – Klosterbauten auf dem Mont-Saint-Michel wurden bereits im Mittelalter als merveille („Wunder“) bezeichnet, da sich kaum jemand vorzustellen vermochte, wie man auf der Spitze eines Berges einen derart gewaltigen Gebäudekomplex in drei Ebenen planen und errichten konnte.
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Started during the 10th century, the Benedictine abbey of Mont Saint Michel has numerous architectural marvels from West Roman empire, roman and Gothic styles. The Mont-Saint-Michel could, in that sense, be considered a megastructure where the buildings are on top of each other while trying to accommodate Benedict activities within a tight space.
(Wikipedia)
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### 🎬 Prompt cinématographique
> Une structure biomécanique colossale en forme d’œuf, noire et organique, trône au centre d’un paysage dystopique ravagé, sous un ciel orageux chargé de nuages tourmentés et de lueurs crépusculaires. Sa surface est constituée d’un enchevêtrement complexe de métal corrodé, de câbles vivants et de membranes semi-organiques, ponctuée de hublots circulaires incandescents diffusant une lumière orange profonde, semblable à des braises respirantes.
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> L’entrée principale, située à la base, ressemble à une bouche monumentale, illuminée de l’intérieur, exhalant une brume chaude et lumineuse.
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> Autour de la structure, un sol marécageux et visqueux reflète les lumières ambiantes, jonché de créatures insectoïdes grotesques et agressives, mêlant chair, chitine et mécanique, certaines rampantes, d'autres en position d’attaque, leurs yeux luisant d’un vert toxique.
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> À droite de la scène, plusieurs entités spectrales humanoïdes flottent lentement, translucides, d’un bleu pâle éthéré, comme des âmes prisonnières ou des projections énergétiques, leurs formes se dissolvant dans l’air chargé d’électricité statique.
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> En arrière-plan, des tours industrielles effondrées et des structures métalliques déchiquetées s’élèvent dans la brume, suggérant une civilisation disparue ou corrompue.
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> L’atmosphère est lourde, saturée de particules, de cendres et d’humidité, avec des éclairs occasionnels illuminant brièvement la scène.
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> Style visuel : hyperréalisme extrême, textures ultra détaillées, rendu cinématographique 8K, profondeur de champ dramatique, éclairage volumétrique, contraste élevé, palette dominée par des noirs profonds, des oranges incandescents et des bleus spectraux.
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> Caméra : plan large en contre-plongée, légère distorsion grand angle, accentuant la monumentalité et l’oppression.
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> Ambiance : horreur cosmique, science-fiction organique, esthétique biomécanique à la frontière du vivant et du machine, tonalité sombre, mystérieuse et inquiétante.
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### 🎬 Cinematic Prompt
> A colossal biomechanical egg-shaped structure dominates the center of a devastated dystopian landscape, beneath a storm-laden sky swirling with turbulent clouds and dim twilight glows. Its surface is an intricate fusion of corroded metal, living cables, and semi-organic membranes, embedded with circular portholes emitting a deep, pulsating amber light, like breathing embers.
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> The main entrance at its base resembles a monumental, organic mouth, glowing from within and exhaling a dense, warm, luminous mist.
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> Surrounding the structure, a viscous swamp-like terrain reflects the ambient glow, littered with grotesque insectoid creatures blending flesh, chitin, and machinery. Some crawl low across the ground, others poised in predatory stances, their eyes radiating a toxic green shimmer.
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> To the right, several humanoid spectral entities drift slowly through the air, translucent and ethereal, glowing with a pale blue light, as if they are trapped souls or energy projections, their forms dissolving into the electrically charged atmosphere.
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> In the background, ruined industrial towers and shredded metallic structures rise through the fog, suggesting the remnants of a collapsed or corrupted civilization.
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> The air is thick with ash, moisture, and floating particles, occasionally illuminated by distant lightning flashes cutting through the gloom.
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> Visual style: extreme hyperrealism, ultra-detailed textures, cinematic 8K rendering, dramatic depth of field, volumetric lighting, high contrast, color palette dominated by deep blacks, incandescent oranges, and spectral blues.
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> Camera: wide shot, low-angle perspective, slight wide lens distortion to emphasize scale and oppression.
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> Mood: cosmic horror, organic science fiction, biomechanical aesthetic at the boundary between living and machine, dark, mysterious, and unsettling.
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The High Priestess (II) represents intuition, hidden wisdom, memory, and the understanding that exists beyond logic alone. While The Magician transforms ideas into reality through will and action, The High Priestess perceives the invisible patterns that connect all things. She does not shape the universe—she understands it.
In this futuristic interpretation, the traditional pillars of Boaz and Jachin become the Towers of Knowledge and Intuition. One is founded upon reason, mathematics, and observable truth; the other upon instinct, imagination, and the wisdom of the unseen. Positioned between them, the High Priestess embodies the harmony between analytical understanding and inner perception.
Behind her rises an artificial moon-like megastructure, echoing the lunar symbolism of the traditional card. It represents cycles, reflection, and the vast regions of consciousness that remain hidden beneath the surface of ordinary awareness. Its radiant geometry forms a halo of cosmic knowledge, suggesting a mind connected to realities beyond time and space.
The sacred book of the classical tarot has evolved into a living stream of holographic data. Knowledge is no longer contained within pages but flows endlessly through networks of memory, experience, and collective consciousness. The High Priestess does not possess these truths—she exists within them.
The streams of light descending around her resemble digital waterfalls, carrying the memories of civilizations, forgotten histories, and futures yet to be written. Here, technology is not a tool of control but a vessel for wisdom, preserving the accumulated knowledge of countless worlds.
Overall, The High Priestess speaks of contemplation, intuition, and silent understanding. When this card appears, it suggests that the answers you seek already exist beneath the noise of the world. The challenge is not to search further, but to become still enough to hear them.
The style card and credits here.
GLOOM / Gloom - Shojo Skin - Velour : Frost
CHANDRA / +CHANDRA+ Sister Judge Veil @ weekly offer
AKERUKA / .[AK EVOX] Ching YI Head @ the fifity event
PETRICHOR / :[P]:- Crylisa Horns - Dust [ @ in main store
:[P]:- Kylaina set @ in main store
:[P]:- Mirinyth Halo & Back @ in main store
SHU MESH / A.W.A. Prosthetic Hands Bento -Shu Mesh- @ in main store
CURELESS / Curemore / Star Gals / Throne Gown @ past weekend offer
REKT / REKT_Cyber Neck ORANG [Legacy Female] @ past weekend offer
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Explore #63
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El Panteón de Agripa.- Roma
De: historia.nationalgeographic.com.es/a/templo-agripa-maravi...
El Panteón es una construcción única, y tal vez por ello se salvó de la demolición. Un edificio redondo que poseyó la mayor cúpula del mundo hasta el siglo XX, ni Brunelleschi en Florencia ni Miguel Ángel en el Vaticano se atrevieron a levantar una mayor. Su interior, una esfera perfecta, acoge la tumba de uno de los artistas más célebres de la historia, pero sobre todo destaca por la abertura que la corona, el óculo, por el que cada 21 de abril (aniversario del nacimiento de Roma) penetraba un haz de luz que se proyectaba sobre la figura del emperador que atravesaba la puerta de entrada produciendo un efecto mágico que le daba apariencia de divinidad.
Poco queda de la Roma imperial que los desastres naturales, el abandono o la acción del propio hombre no haya reducido a ruinas, majestuosas, pero ruinas al fin y al cabo. El Panteón de Agripa es una maravillosa excepción. A diferencia del Circo Máximo, el Coliseo o las grandes construcciones del Foro, cuyas ajadas piedras fueron "recicladas" desde la Edad Media para construir nuevas casas, iglesias y palacios, el Panteón de Agripa ha sobrevivido incólume hasta nuestros días, casi 2.000 años.
Un edificio compuesto
El Panteón que conocemos en la actualidad es en realidad la suma de dos edificios construidos para honrar al conjunto de los dioses romanos. El primer Panteón fue levantado en el año 27 a.C. y formaba parte de la transformación urbanística del Campo de Marte, entonces situado fuera de las murallas de Roma, emprendida por Marco Vipsanio Agripa, cónsul y yerno del emperador Augusto. Varios incendios y desastres naturales redujeron el edificio a ruinas y en el año 118 d.C., dutrante el reinado del emperador Adrianofue reconstruido por completo, respetando la entrada original. El templo estaba ubicado en un lugar de gran simbolismo para los romanos, ya que creían que allí había desaparecido Rómulo, el fundador de la ciudad y su primer rey, en medio de una gran tempestad, convirtiéndose acto seguido en un dios.
Una maravilla técnica
El espectacular remate del Panteón era la cúpula más grande jamás construida. Título que ostentó hasta el siglo XX. Mide 43,30 m de diámetro, está hecha de hormigón y se apoya sobre un muro cilíndrico o tambor. Solo 15 siglos más tarde, Filippo Brunelleschi se planteó una cúpula de dimensiones mayores, cuando acometió el cerramiento de la catedral gótica de Florencia, pero al final no pudo superarla, quedando la cúpula de Santa María del Fiore dos metros de diámetro por debajo.
Megaestructura
El principal material de construcción tanto del edificio como su cúpula es el hormigón. Tal vez sea esa la razón de que siga completamente en pie y haya sobrevivido a desastres naturales y expolios, salvo el mármol y bronce de puertas paredes y cúpula. Cómo aguantan las paredes el enorme peso que supone una coronación de este material es un misterio del que no tenemos todavía todas las respuestas. Según los últimos estudios, tanto la cúpula como el tambor que la soporta se construyó con materiales más ligeros a medida que se asciende en altura: hormigón con inclusiones de travertino, piedra caliza, ladrillo o fragmentos de caliza porosa más arriba, y, con piedra pómez, muy porosa, cerca del óculo. El tambor cuenta además con falsos arcos de descarga que la pérdida de revestimiento permiten observar en la actualidad.
Brillo perdido
En su tiempo la cúpula del Panteón estuvo cubierta de tejas de mármol y bronce que le daban un resplandeciente brillo. Está coronada por un inmenso óculo de casi nueve metros de diámetro por el que penetra la luz y que hizo que durante siglos el edificio no tuviera que ser iluminado artificialmente mientras brillaba el sol
El firmamento en la Tierra
El interior de la cúpula del Panteón simbolizaba la bóveda celeste, según el historiador Dion Casio. La parte inferior de la esfera representaría el mundo terrenal. La luz que filtraba el óculo debió de funcionar como un vínculo entre los dioses y los hombres y su reflejo en las paredes simbolizaría el sol y su trayecto por el cielo desde el alba hasta la puesta.
Los casetones
La bóveda está decorada con cinco hileras de 28 casetones cada una. Además de su función decorativa, tienen un papel estructural importante, ya que alivian el peso total de la cúpula.
Luz divina
El haz de luz del óculo tenía una importante función simbólica para el emperador. Según explica Dión Casio, Adriano solía reunirse con el Senado y los hombres más poderosos de Roma a tratar los asuntos más importantes en el Panteón "siempre sentado en una tribuna, de manera que fuese público cuanto se hacía". Si la tribuna imperial se situara en en el lugar que incidía el haz de luz del óculo la figura del emperador re revestiría de un aura divina, como centro del Imperio y del universo.
Natale di Roma
El cálculo era tan preciso que cada año, el día que se celebraba la fundación de la ciudad (il natale di Roma), el 21 de abril, el haz de luz iluminaba la monumental puerta de entrada. en el momento que seo ocurría, el emperador entraba en el templo poseído por un destello que resaltaba su naturaleza divina.
Antiinundaciones
Igual que los rayos de luz, la lluvia podía colarse por la abertura cenital de la cúpula. es por ello que el suelo del Panteón no es recto, sino mínimamente cóncavo para que el agua fluya hacia el canal de desagüe que se encuentra en todo el perímetro.
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The Pantheon of Agrippa - Rome
From: historia.nationalgeographic.com.es/a/templo-agripa-maravi...
+ google translator.
The Pantheon is a unique structure, which is perhaps why it was saved from demolition. A round building that had the largest dome in the world until the 20th century, neither Brunelleschi in Florence nor Michelangelo in the Vatican dared to build a larger one. Its interior, a perfect sphere, houses the tomb of one of history's most celebrated artists, but it stands out above all for the opening that crowns it, the oculus, through which a beam of light penetrated every April 21st (the anniversary of the birth of Rome) and was projected onto the figure of the emperor as he passed through the entrance, producing a magical effect that gave him the appearance of a divinity.
Little remains of Imperial Rome that natural disasters, neglect, or human action have not reduced to ruins—majestic, but ruins nonetheless. The Pantheon of Agrippa is a wonderful exception. Unlike the Circus Maximus, the Colosseum, or the great buildings of the Forum, whose worn stones were "recycled" since the Middle Ages to build new houses, churches, and palaces, the Pantheon of Agrippa has survived unscathed to this day, for almost 2,000 years. A Composite Building
The Pantheon we know today is actually the sum of two buildings constructed to honor the Roman gods. The first Pantheon was built in 27 BC and was part of the urban transformation of the Campus Martius, then located outside the walls of Rome, undertaken by Marcus Vipsanius Agrippa, consul and son-in-law of Emperor Augustus. Several fires and natural disasters reduced the building to ruins, and in 118 AD, during the reign of Emperor Hadrian, it was completely rebuilt, preserving the original entrance. The temple was located in a place of great symbolism for the Romans, as they believed that Romulus, the founder of the city and its first king, had disappeared there in the midst of a great storm, immediately transforming himself into a god.
A Technical Marvel
The spectacular top of the Pantheon was the largest dome ever built, a title it held until the 20th century. It measures 43.30 m in diameter, is made of concrete, and rests on a cylindrical wall or drum. Only 15 centuries later, Filippo Brunelleschi planned a larger dome when he undertook the enclosure of the Gothic cathedral of Florence, but in the end he was unable to surpass it, leaving the dome of Santa Maria del Fiore two meters in diameter below it.
Megastructure
The main construction material of both the building and its dome is concrete. Perhaps this is the reason why it is still completely standing and has survived natural disasters and looting, except for the marble and bronze of the doors, walls, and dome. How the walls support the enormous weight of a crown made of this material is a mystery to which we still do not have all the answers. According to the latest studies, both the dome and the drum that supports it were built with lighter materials as they rise in height: concrete with inclusions of travertine, limestone, brick, or fragments of porous limestone higher up, and with highly porous pumice near the oculus. The drum also has false relieving arches that can still be seen today due to the loss of their covering.
Lost Brilliance
The dome of the Pantheon was once covered with marble and bronze tiles that gave it a dazzling brilliance. It is crowned by an immense oculus, almost nine meters in diameter, through which light penetrates and which meant that for centuries the building did not need to be artificially illuminated while the sun was shining.
The Firmament on Earth
The interior of the Pantheon's dome symbolized the celestial vault, according to the historian Dio Cassius. The lower part of the sphere would represent the earthly world. The light filtered through the oculus must have served as a link between the gods and men, and its reflection on the walls symbolized the sun and its journey across the sky from dawn to sunset.
The Coffering
The vault is decorated with five rows of 28 cofferings each. In addition to their decorative function, they have an important structural role, as they relieve the overall weight of the dome.
Divine Light
The beam of light from the oculus had an important symbolic function for the emperor. According to Dio Cassius, Hadrian used to meet with the Senate and the most powerful men in Rome to discuss the most important matters in the Pantheon, "always seated on a tribune, so that everything that was done would be public." If the imperial tribune were located where the beam of light from the oculus fell, the figure of the emperor would be imbued with a divine aura.
The Brunswick Centre, London, United Kingdom
I got incredibly lucky with this one. I was shooting outside when a very kind resident invited me in for a look around. I managed to take a whole series of photos before security threw me out.
About the building:
The Brunswick Centre began life in the 1970s as architect Patrick Hodgkinson’s ambitious megastructure, but after being handed over to Camden Council, he later described it as having been turned into a “council housing ghetto.” Decades on, in the late 1990s, Hodgkinson was given the chance to revive his original vision for a mixed‑use social housing scheme. Working with Levitt Bernstein, the complex was refurbished, and today the white‑concrete superblock is part shopping centre, part residential community.
A recent shot done in February 2019 in Saint-Nazaire.
Photos site:
More infos about these megastructures:
Info photo:
• 4k • This shot above was taken with my own photo-suite [ ALPHA Photography Suite 2020 V5 ] • ReShade 4.6.1
The Brunswick Centre, London, United Kingdom
About the building:
The Brunswick Centre began life in the 1970s as architect Patrick Hodgkinson’s ambitious megastructure, but after being handed over to Camden Council, he later described it as having been turned into a “council housing ghetto.” Decades on, in the late 1990s, Hodgkinson was given the chance to revive his original vision for a mixed‑use social housing scheme. Working with Levitt Bernstein, the complex was refurbished, and today the white‑concrete superblock is part shopping centre, part residential community.
Generated By Midjourney V6
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**Prompt :**
Une structure colossale d’origine inconnue, mi-tour cyclopéenne mi-réacteur futuriste, émerge d’un désert polaire balayé par une tempête de neige apocalyptique. L’architecture est composée d’anneaux concentriques métalliques, imbriqués comme un mécanisme céleste, tournoyant lentement autour d’un noyau incandescent. Ce cœur énergétique explose en arcs électriques aveuglants, projetant des éclairs bleutés qui lacèrent le ciel chargé de nuages noirs et tourmentés.
La scène se déroule dans une lumière crépusculaire froide, dominée par des tons bleus acier, argent glacé et blancs neigeux, avec des reflets lumineux pulsants provenant du centre de la structure. Chaque surface est recouverte de givre, de glace craquelée et de dépôts neigeux, accentuant la sensation de froid extrême. Le vent hurle, soulevant des particules de glace et de neige en suspension, créant un effet de voile atmosphérique dense et dynamique.
Le sol est une étendue gelée chaotique, jonchée de rochers enneigés, fissures glacées et reliefs irréguliers. La perspective est en contre-plongée dramatique, donnant à la structure une présence écrasante, presque divine. Les éclairs illuminent brièvement l’environnement, révélant des détails mécaniques complexes : rainures, plaques métalliques, structures internes partiellement visibles, comme si la machine était à la fois en train de fonctionner… et de se désintégrer.
L’atmosphère est lourde, chargée d’une tension imminente, comme si l’énergie accumulée allait provoquer un cataclysme global. Aucun être humain visible, mais une sensation implicite de menace ou d’expérience interdite. Style visuel ultra réaliste, rendu 8K, profondeur de champ cinématographique, éclairage volumétrique, particules dynamiques, motion blur subtil sur la neige et les éclairs, détails microscopiques sur les textures.
Ambiance : science-fiction sombre, fin du monde, mystère technologique, puissance incontrôlable.
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**Prompt:**
A colossal, otherworldly structure, part cyclopean tower and part futuristic reactor, rises from a frozen wasteland engulfed in a violent snowstorm. Its architecture is composed of massive concentric metallic rings, intricately interlocked like a celestial mechanism, slowly rotating around a blazing, unstable core. This energy core erupts with blinding electrical discharges, sending arcs of blue-white lightning tearing through a sky choked with dense, storm-laden clouds.
The scene unfolds in a cold, twilight atmosphere dominated by steel blues, frozen silvers, and stark whites. Pulsating light from the core reflects across icy surfaces, illuminating layers of frost, cracked ice, and accumulated snow clinging to every edge. The wind howls relentlessly, whipping snow and ice particles into the air, forming a thick, dynamic atmospheric haze that partially obscures the structure.
The ground below is a chaotic expanse of frozen terrain, scattered with snow-covered rocks, jagged ice fissures, and uneven ridges. The camera angle is a dramatic low-angle shot, emphasizing the overwhelming scale and almost divine presence of the structure. Flashes of lightning briefly reveal intricate mechanical details: grooves, segmented plating, and partially exposed inner frameworks, suggesting the machine is both operating… and on the brink of catastrophic failure.
The atmosphere is heavy with tension, as if the accumulated energy is moments away from triggering a global cataclysm. No humans are visible, yet there is an implicit sense of forbidden experimentation and imminent danger.
Ultra-realistic style, 8K resolution, cinematic depth of field, volumetric lighting, dynamic particle effects, subtle motion blur on snow and lightning, hyper-detailed textures.
Mood: dark science fiction, apocalyptic, technological mystery, uncontrollable power.
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--v 6 --ar 16:9 --style raw --q 2 --chaos 18 --stylize 250 --weird 80 --seed 42
The Broadgate Tower and 201 Bishopsgate stand prominently within the renowned Broadgate business district in the City of London. SOM has been active in the district since it began to take shape in the 1980s, designing public space enhancements and many key buildings.
At 33 stories, The Broadgate Tower ranks among London’s tallest structures. The office building features double-deck elevators and, thanks to side-mounted cores, desirable open floor plates. Located near Liverpool Street Station, the tower was built above rail tracks and shares a 2.3-acre deck with 201 Bishopsgate, its shorter counterpart. Structural steel struts crisscrossing the glass facades of both buildings give them a rigorous, expressive quality.
A covered passageway with shops and cafes stretches between the two structures. Trees in and around the galleria help create a relaxed atmosphere. Sustainable features in both buildings include heat-recovery systems and lighting that dims in response to daylight levels.
Source: www.som.com/projects/201-bishopsgate-and-the-broadgate-to...
For thousands of residents of Skyharbour, there is nothing better than thrill and spectacle of the races. High-performance manoeuvring frames compete to perform a complex microgravity circuit.
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I've been experimenting with more limb designs, and strange body-plan mechs in a future, post-human megastructure.
I imagined this mech would push and pull itself with its strong outer limbs, relying on bursts of pressurised gas from its thrusters to pick up speed. For tight corners or reversing direction, its arms can fully absorb the shock of an impact with hard surfaces (or other competitors) and then push off, which is much more efficient than using thrusters alone.
I hope the builders of this wooden wonder had fun putting up their little structure on Seven Mile Beach near Gerroa, Australia. The steeple of sticks served as an interesting foreground feature for this photo of the Milky Way suspended in the cloudless sky last Friday night. As noted in a few recent posts, I visited the beach to try to capture shots of meteors that were part of the Piscis Austrinids, Southern Delta Aquariids or Alpha Capracornids showers around this date.
Knowing that photographing meteors is a hit-and-miss proposition, I made sure to get photos of a few other night sky features, including the megastructure that is the Milky Way’s galactic core and central band, so I wouldn’t go home empty-handed. The bright glow on the horizon on the left of the photo is light spilling from the regional city of Nowra, 19 km (11.8 miles)distant.
I captured this single-frame photo with my Canon EOS R camera, fitted with a Canon RF 16 mm f/2.8 lens @ f4.0 using an exposure time of 30 seconds @ ISO 6400.