Mamiya RZ67 / Pro & Pro II (NO RB)
View allAll Photos Tagged mamiya
Mamiya MSX 500
Meyer Optik Gorlitz Oreston 1.8/50mm
Film: Kodak Motion Picture 5203 ISO 50 push to ISO100
Remjet Remove: Baking Soda + 1000ml 50C hot water
60 secs shaking +60 secs soak water
Develop：ECN2，39C 4:35Mins
*** push to 100"
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
Mamiya MSX 500
Steinhell Munchen 135mm F2.8
Film: Kodak Motion Picture 5203 ISO 50 push to ISO100
Remjet Remove: Baking Soda + 1000ml 50C hot water
60 secs shaking +60 secs soak water
Develop：ECN2，39C 4:35Mins
*** push to 100"
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
Cámara: Mamiya C330S
Película: Ilford Pan F 50
ISO: 50
Velocidad Obturación: 1/4
Apertura : f11
Distancia Focal: 180mm
Objetivo: Mamiya-Sekor Súper 180mm f4.5
Datos Revelado
Revelador: Rodinal
Paro: Fomacitro
Fijador: Agfa Fix Ag
6 min 20º
Dilución 1:25
Agitación estándar
Mamiya MSX 500
Steinhell Munchen 135mm F2.8
Film: Kodak Motion Picture 5203 ISO 50 push to ISO200
Remjet Remove: Baking Soda + 1000ml 50C hot water
60 secs shaking +60 secs soak water
Develop：ECN2，39C 6:25Mins
*** push to 200"
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
My beloved Mamiya RB67 SD is a purely mechanical medium format camera of the heavy variety. With the prism viewfinder it weighs an impressive 3.5 kg... Why I'm willing to lug it around: It's simply wonderful to take photos with it. It's almost as if it finds the subject itself. Somehow it teaches me to work precisely and cleanly. I love it very much.
Mamiya 645 1000s, my last medium format slr. Took 120 roll film giving 16 images as 6x4.5 cm frames. This was taken in the park behind Yorkhill Hospital,Glasgow. My one and only medium format slr which I no longer own.
I do still have the aluminium case to this day!
A blend of technologies. Image of my medium format 120 film camera, captured on my mirrorless Nikon z6 with adapted 105mm f/2.5 manual focus nikkor lens. Image MKZ_8735 and MKZ_8736, stacked images.
Mamiya C330, Mamiya Sekor 105mm f/3.5 DS, Neewer 1/4 black mist filter, Kentmere 100 @ISO 50, 38 minutes in Caffenol CL-CS @15-20°C, Zone Imaging Eco Zonefix.
zébulon à table
mamiya six automat 1955
tirage baryté sélenium ,tirage de lecture
durst M800 et 80 mm 5.6 minolta rokkor
Me cautivan estos viejos olivos
Cámara: Mamiya C330S
Película: Shanghai GP3
ISO: 100
Velocidad Obturación: 1/250
Apertura : f4.5
Distancia Focal: 180mm
Objetivo: Mamiya-Sekor Súper 180mm f4.5
Datos Revelado
Revelador: Rodinal
Paro: Fomacitro
Fijador: Agfa Fix Ag
10 min 20º
Dilución 1:25
Agitación estándar
Mamiya 645 Pro
Sekkor 210mm f/4
Portrait of a young Maisy.
Negative scanned using a Panasonic g9 with hi-res mode.
mamiya c330 ,180mm, fp4 @400asa stand developed in R09.
A test shot with my newly acquired 180mm sekor. Shot at close focus about 5ft at F4.5 which gives a DOF of 1.5 inches. Surprised at the Bokeh . Pleased with my purchase
Oberlech, VorarlbergÖsterreich
Mamiya 7II, 4/80 mm, Ilford Delta 400, Tanol
Print mit Moersch ECO 4812 auf Ilford MG Art 300
Selentonung MT1 1+9
On the advice of a couple of people, I've recently started reading Willa Cather and Hamlin Garland. Cather's writing is magical and so perfect in many ways. Garland is fine. A bit on the nose though.
Both write about American settlers in the late 1800s, early 1900s. This would have been after the Oregon Trail days.
So much is rightfully made of immigrants on the various trails. There are hundreds of books, movies, and (of course) the video game. I have a ten (or so) volume series containing women's diaries from the trail.
But after the trail ends, after they find a home, the diaries often ended. Both Cather and Garland pick up the story—though both from a Midwestern point of view.
For both, their characters are often drawn off the farm to the towns and cities. The farms aren't depicted as idyllic, and the populated areas are given a very forward-looking glow (in some of Cather's work, New York comes off like something from the 1930s).
And though the city's mystique has worn off for me, it's nice to be reminded that rural living is (and especially was) a very hard life.
.
.
.
'Resigned to the Way'
Camera: Mamiya RB67
Lens: Mamiya-Sekor 3.8/90mm
Film: Ilford HP5+ at 1600
Process: 510-Pyro; 1+100; 28mins
Montana
July 2022
Cámara: Mamiya C330S
Película: Ilford Pan F 50
ISO: 50
Velocidad Obturación: 1/8
Apertura : f16
Distancia Focal: 180mm
Objetivo: Mamiya-Sekor Súper 180mm f4.5
Datos Revelado
Revelador: Rodinal
Paro: Fomacitro
Fijador: Agfa Fix Ag
6 min 20º
Dilución 1:25
Agitación estándar