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Commissioned to work with SALT Research collections, artist Refik Anadol employed machine learning algorithms to search and sort relations among 1,700,000 documents. Interactions of the multidimensional data found in the archives are, in turn, translated into an immersive media installation. Archive Dreaming, which is presented as part of The Uses of Art: Final Exhibition with the support of the Culture Programme of the European Union, is user-driven; however, when idle, the installation "dreams" of unexpected correlations among documents. The resulting high-dimensional data and interactions are translated into an architectural immersive space.
Shortly after receiving the commission, Anadol was a resident artist for Google's Artists and Machine Intelligence Program where he closely collaborated with Mike Tyka and explored cutting-edge developments in the field of machine intelligence in an environment that brings together artists and engineers. Developed during this residency, his intervention Archive Dreaming transforms the gallery space on floor -1 at SALT Galata into an all-encompassing environment that intertwines history with the contemporary, and challenges immutable concepts of the archive, while destabilizing archive-related questions with machine learning algorithms.
In this project, a temporary immersive architectural space is created as a canvas with light and data applied as materials. This radical effort to deconstruct the framework of an illusory space will transgress the normal boundaries of the viewing experience of a library and the conventional flat cinema projection screen, into a three dimensional kinetic and architectonic space of an archive visualized with machine learning algorithms. By training a neural network with images of 1,700,000 documents at SALT Research the main idea is to create an immersive installation with architectural intelligence to reframe memory, history and culture in museum perception for 21st century through the lens of machine intelligence.
SALT is grateful to Google's Artists and Machine Intelligence program, and Doğuş Technology, ŠKODA, Volkswagen Doğuş Finansman for supporting Archive Dreaming.
Location : SALT Gatala, Istanbul, Turkey
Exhibition Dates : April 20 - June 11
6 Meters Wide Circular Architectural Installation
4 Channel Video, 8 Channel Audio
Custom Software, Media Server, Table for UI Interaction
For more information:
refikanadol.com/works/archive-dreaming/
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Scala eXchange 2016, Thursday, 8th - Friday, 9th December at Business Design Centre, London. skillsmatter.com/conferences/7432-scala-exchange-2016#pro.... Images copyright www.edtelling.com
By Susan Etlinger,
Industry Analyst,
Altimeter, a Prophet Company
ai artificialintelligence chatbots machinelearning
This photo was captured at the 2018 edition of Great Indian Developer Summit (#gids18), April 24-28, Bangalore, India.
A digital image 'dreamed by' Midjourney, an artificial intelligence program that creates images from textual descriptions.
This photo was captured at the 2018 edition of Great Indian Developer Summit (#gids18), April 24-28, Bangalore, India.
Applied Machine Learning Days, January 29-30, 2018
@STCC, EPFL, Lausanne, Switzerland
#AMLD2018 @appliedmldays
Copyright: ©Samuel Devantery - www.samueldevantery.com
Infiniteconf 2017 - the conference on Big Data and Fast Data. skillsmatter.com/conferences/7983-infiniteconf-2017-the-c.... Images Copyright www.edtelling.com
Scala eXchange 2016, Thursday, 8th - Friday, 9th December at Business Design Centre, London. skillsmatter.com/conferences/7432-scala-exchange-2016#pro.... Images copyright www.edtelling.com
Generated by MidJourney for Aaron Ximm, v3 engine, late July 2022; prompt: "a freestanding multistory looming ramshackle Victorian house with queer angles, cinematic, moody, lost in the mist, --ar 9:16 --s 1700"
Machine Growth is a series of AI-driven videos that imagines and images a biological-like life for everyday technologies, by creatively morphing them into, for example, trees, house plants, flowers, fish, or coral. Cassette tapes, phones, cameras, headphones, projectors, typewriters, and other electronic waste are “alive” in as much as they grow and spread, consume and break down, diffuse waste and minerals, shift power and stories into and around the world – literally and metaphorically. This series visually compares and contrasts electronic and biological vitality, asking:
What will digital media be and do, after us?
How will our devices weather or grow over time?
What else might our techno-waste be, and how might we sense and feel this?
Where might electronics lead our environmental and economic politics?
Can we plan and act toward new and different futures?
Machine Growth is priced to own at .05 ETH via opensea.io/collection/machine-growth. The series is almost complete, with three final pieces still in production. The series presents the potentials of alternate life cycles for what we use and throw out, what it might grow into, and how the Earth may (or may not) claim it.