View allAll Photos Tagged lowend
A close-up of the body of a Pedulla Buzz bass, with a gold bridge and a few black knobs set into the warm, honey-colored wood. The grain is clear and even, and the pickups sit in tidy rows.
A Pedulla Buzz bass, shown full-length from the front against a pure white background. The honey-colored wood glows, and the long, slim neck rises to a headstock with gold tuners. It's a clean, simple portrait of the instrument.
Do you see where they are going to? Or do you see the direction and trend in the camera market?
Since the launch of Sony A7 series lately, it seems clear that camera-makers are promoting the small body full frame sensor cameras in the near future. Nikon will be launching the Nikon DF, the retro style full frame camera soon. The low end market has been destroyed by camphone or smartphones .
Now the camera-makers want to focus on the high end market.
Everyone wants to get a better camera such as these full frame cameras. The question is whether you are getting better pictures when you have a better camera?
I am guessing 50% of the current full frame users can get better quality pictures from an entry level cameras. This is true especially when they are using auto or semi-auto (such as aperture priority mode) in their full frame cameras. Actually entry level cameras are engineered to produce good pictures in auto-everything mode. :o)
Happy Sunday!
This is a blind shot. A shot taken without looking at the LCD or viewfinder. You don't need full frame camera to take these shots!
A Sandberg California electric bass lying on a gray cloth, with a sunburst finish fading from deep red to amber. The maple neck runs off to the top of the frame, and the black pickguard and chrome hardware sit neatly on the body.
The back of a Pedulla Buzz bass, shown on a white background, with its amber wood grain running smoothly across the body. The wide curves and the simple lines let the wood speak for itself.
The body of a Rob Allen MB-2 electric bass, its quilted maple top glowing in warm golden tones. The strings and bridge cut across the frame, and the soft gray backdrop lets the wood grain take over.
The cover of a bass guitar magazine, with two bass players on the front. The title runs across the top, and the headlines are laid out in bold, bright type. It's a nice piece of print to have on the shelf.
And Jesus knew their thoughts, and said unto them, Every kingdom divided against itself is brought to desolation; and every city or house divided against itself shall not stand:
Matthew 12:25 King James Version
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An interview page from a bass guitar magazine, with the headline Careening With Conviction and a photo of the players beneath it. The columns of text run alongside a bright color picture. It's a nice moment to see the interview in print.
A Lakland 44-94 fretless in International Orange runs across the frame at a diagonal, its white pickguard and smooth fingerboard in sharp detail. The bold orange glows against a dark backdrop.
A Lakland 44-64 electric bass in glossy red, its white pearl pickguard and chrome pickups bright against a soft gray cloth. The strings and bridge are in crisp focus, and the deep red finish gleams.
A Rob Allen MB-2 bass lies flat on a gray blanket, its flamed maple top glowing honey-gold. The long neck and dark fingerboard run straight up the frame, and the wood grain is the star.
A Lakland 44-94 in orange sits centered on a gray blanket, with a white pickguard, black knobs and chrome bridge in sharp focus. The saturated color pops against the muted fabric.
A Lakland 44-94 electric bass in bright orange, with a white pickguard and chrome hardware catching highlights. The sweeping contour of the body and the line of strings give the photo a dynamic diagonal.
This immersive image offers a dreamlike view inside MIKI GAKKI BASS SIDE—a specialty bass guitar store in Osaka’s Amerikamura district, renowned among musicians for its wall-to-wall inventory of top-tier basses. The photo captures an entire section of the store’s display, showcasing multiple rows of Fender Jazz and Precision-style bass guitars, expertly arranged and ready to be played.
The instruments span a spectrum of finishes—from classic sunburst and glossy black to candy apple red and arctic white—each hanging with a tag detailing specs, pricing, and model names. Prominently featured in the front row are Fender Player Jazz Basses, known for their blend of affordability, playability, and iconic tone. With prices hovering around ¥86,900, this lineup appeals to both entry-level musicians and intermediate players looking to upgrade.
The carefully lit, wood-floored interior enhances the showroom effect, allowing each guitar’s details to shine—from tortoiseshell pickguards and maple necks to active electronics and custom pickups. The setting is not just a retail environment; it’s a bass-lover’s paradise, where each instrument is treated with reverence and care.
The presentation emphasizes Japan’s culture of precision and curation, and MIKI GAKKI’s reputation for offering world-class instruments in pristine condition is clearly on display. Whether you're a touring bassist, a gear collector, or simply a fan of beautiful instruments, this visual feast of finishes and forms captures the essence of a flagship music retailer dedicated entirely to the low end.
A Rob Allen bass shown from above on a gray backdrop, with a pale, figured maple body and the strings running toward the top. The grain glows softly, and the simple shape makes a clean, calm picture.
The lower body and strings of an F Bass AC6, resting in its black case. The warm orange finish shines against the dark lining, and the six strings run toward the top of the frame. It's a beautiful instrument, and the case shows it off.
The hills rising on the far side of the canal give a clue to the need for the Grand Union's surveyors to plan a steep slight of locks at Foxton. The Market Harborough Branch is on the level of the base of Foxton Locks, so the flight of locks isn't on my walk, but I do get to see the locks from the lowend.
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And they neither found me in the temple disputing with any man, neither raising up the people, neither in the synagogues, nor in the city:
Acts 24:!2 King James Version
A Pedulla Buzz bass headstock seen from the front on a white background, with the maker's logo near the top and gold tuners lined up on each side. The strings run down the dark fingerboard toward the bottom of the frame.
An F Bass six-string, shown in its case, with a warm orange burst finish and a long dark fingerboard. The strings run up to the headstock at the top of the frame. The wood glows against the dark lining around it.
A close-up of the body on an F Bass AC6, with two black pickups and a row of black control knobs set into a warm orange burst finish. The wood grain shows through the color, and the strings run off toward the top. It's a lot of tone packed into a small space.
The headstock of an F Bass AC6, sitting in a padded black case. The orange burst finish glows against the dark lining, and a row of black tuners runs down one side. The strings fan out toward the top of the frame.
A Rob Allen MB-2 bass with a golden flame maple top, photographed from above with its neck running up the frame. The bridge and pickup sit in the lower third, and the wood glows in warm light.
A Rob Allen MB-2 bass with a figured maple top, photographed from above on a gray blanket. The warm, curly grain and the small black pickup stand out against the cool backdrop.
A close-up of a Lakland bass's pickups and strings against a bright orange body. The parallel strings run straight up the frame, and the polished hardware catches small highlights. The tight crop turns the instrument into a pattern of lines and color.
The curved orange body of a Lakland bass guitar, photographed tightly so the instrument becomes an abstract study in color. A black pickup and a few strings cut across the glossy surface, and the saturated orange fills most of the frame.
A Rob Allen MB-2 electric bass lies on a soft cloth, its golden maple top and long fingerboard running up the frame. The warm wood tones and gentle light give the instrument a handsome, relaxed look.
A Lakland electric bass in candy apple red, framed head-on against a soft gray blanket. The white pickguard and chrome details sparkle, and the deep red finish has a rich, glassy depth.
A fretless Lakland 44-94 bass in orange sits against a soft gray surface, its smooth, unlined fingerboard running up the frame. The glossy body and polished hardware pick up small highlights.
They shall lick the dust like a serpent, they shall move out of their holes like worms of the earth: they shall be afraid of the Lord our God, and shall fear because of thee.
Micah 7:17 King James Version
The headstock of a Pedulla Buzz bass, shown on a white background, with gold tuners on both sides and a long, honey-colored neck running down from it. The shape is neat and symmetrical.
And Jesus said unto him, Verily I say unto thee, Today shalt thou be with me in paradise.
Luke 23:43 King James Version
The orange body of a Lakland bass curves against a soft, fuzzy white backdrop, its smooth contour and cutaway horn sweeping across the frame. The bold color and the tight crop turn the instrument into an abstract shape.