Laboratory
View allAll Photos Tagged laboratory
The sun rises over Boulder, Colorado as seen from the Mesa Laboratory of the National Center for Atmospheric Research. Thanks to Bill Bowman for suggesting this prime viewing/shooting location.
Nikon D7500, Sigma 18-300, ISO 200, f/5.6, 18mm, 1/125s
of course, each photo would work better on its own ... but my kind of photography is exploring ...
ƒ/7.1
58.0 mm
1/640
100
_MG_8231_97_pa2
of course, each photo would work better on its own ... but my kind of photography is exploring ...
ƒ/7.1 58.0 mm 1/640 100
_MG_8231_97_pt_bw2
This is the main building at the world famous gardens at Wisley , Surrey. Resembling a half-timbered Tudor house it was actually built between 1912-1914. A highly rated "Arts & Crafts" design , it is now mainly used for laboratories .
Generated By Midjourney V8 .
---
Dans les profondeurs d’un laboratoire extraterrestre de biogenèse à la technologie vertigineusement avancée, baigné d’une lumière cyan et azur provenant d’interfaces holographiques flottantes, une majestueuse fleur de lys blanche génétiquement modifiée est suspendue dans une immense chambre cylindrique en verre renforcé. Chaque pétale immaculé révèle une texture organique d’un réalisme saisissant, couverte de microgouttelettes cristallines reflétant les lumières du laboratoire. Sa tige est reliée à un réseau complexe de câbles biomécaniques translucides transportant une énergie lumineuse bleutée, comme si la plante elle-même était devenue un organisme hybride entre nature et technologie.
À proximité, un scientifique extraterrestre à l’apparence fascinante observe attentivement son œuvre. Son visage aux traits délicatement reptiliens et insectoïdes présente une peau finement texturée parcourue de motifs biologiques complexes. Ses immenses yeux noirs réfléchissent les données holographiques qui flottent devant lui. Vêtu d’une blouse scientifique futuriste d’un blanc immaculé, il manipule des interfaces lumineuses transparentes affichant des séquences ADN, des graphiques énergétiques, des analyses cellulaires et des schémas biomécaniques détaillés.
L’environnement est constitué d’un vaste complexe de recherche interstellaire rempli de serveurs quantiques, de structures métalliques ultra sophistiquées, de conduits énergétiques luminescents et de panneaux holographiques ultra détaillés. Les reflets du verre, les surfaces métalliques brossées, les jeux de lumière volumétrique et les effets de profondeur créent une atmosphère digne des plus grandes productions de science-fiction cinématographique. Chaque détail est rendu avec une précision extrême : textures microscopiques, reflets complexes, ombres réalistes, matériaux photoréalistes, éclairage global avancé, ray tracing intégral, profondeur de champ subtile, particules lumineuses flottantes et ambiance technologique immersive.
L’image évoque une rencontre entre la beauté pure du vivant et l’ingénierie génétique extraterrestre la plus avancée, dans une composition spectaculaire et parfaitement équilibrée. Hyperréalisme absolu, qualité photographique indiscernable d’une véritable prise de vue réalisée dans un laboratoire futuriste extraterrestre, rendu cinématographique de niveau blockbuster, esthétique scientifique avancée, sophistication visuelle extrême, atmosphère mystérieuse et élégante, ultra haute définition 16K, format panoramique 16:9. En bas à droite, une signature discrète en lettres gothiques fines dorées : **Emma L.**
**Paramètres Midjourney V8 à ajouter :**
`--v 8 --ar 16:9 --stylize 350 --chaos 8 --quality 2 --raw --exp 25`
---
In the depths of an extraterrestrial biogenesis laboratory powered by incomprehensibly advanced technology, illuminated by a mesmerizing fusion of cyan and electric-blue holographic light, a magnificent genetically engineered white lily is suspended within a colossal transparent containment chamber. Every pristine petal displays breathtaking organic detail, covered with microscopic crystalline droplets that capture and refract the laboratory’s luminous glow. The flower’s elegant stem is connected to an intricate network of translucent biomechanical conduits carrying radiant streams of blue energy, transforming the plant into a seamless fusion of living biology and futuristic technology.
Beside the containment vessel stands an enigmatic alien scientist, carefully studying the extraordinary specimen. Its elongated head, intricate biological textures, and immense glossy black eyes reveal an intelligence far beyond human understanding. Delicate biomechanical patterns flow across its pale skin like living circuitry. Dressed in an immaculate futuristic laboratory coat, the extraterrestrial researcher manipulates floating holographic interfaces displaying DNA sequences, genetic maps, energy-flow diagnostics, molecular analyses, and complex biomechanical schematics.
The surrounding environment is an immense interstellar research facility filled with quantum servers, luminous energy conduits, advanced metallic structures, and countless holographic displays suspended in midair. Every surface reflects the ambient neon glow, creating a rich interplay of light, reflections, and depth. Glass, metal, and organic materials are rendered with astonishing realism. Volumetric lighting, cinematic atmospheric particles, subtle depth of field, global illumination, physically accurate reflections, and full ray tracing combine to create a scene of extraordinary visual immersion.
The image captures the breathtaking union of pure natural beauty and alien genetic engineering at its highest level of sophistication. The laboratory feels alive, as though the boundaries between science, nature, and consciousness have dissolved. Hyperrealistic photography, indistinguishable from a real-world image captured inside an advanced extraterrestrial research station, blockbuster science-fiction cinematography, unparalleled detail, ultra-immersive atmosphere, intricate textures, stunning biological realism, futuristic elegance, ultra-sharp focus, masterpiece composition, 16K ultra-high-definition quality, cinematic 16:9 format. In the bottom-right corner, a discreet signature in thin golden Gothic lettering: **Emma L.**
**MidJourney Version 8 Parameters:**
`--v 8 --ar 16:9 --stylize 350 --chaos 8 --quality 2 --raw --exp 25`
Former largest steelworks of ex GDR, now "Industriemuseum Brandenburg an der Havel", showing the last existing Siemens-Martin melting furnace.
Thanks to model Richard de Grataine Suoh aka richardgratainesuoh, for his invaluable collaboration and great styling.
We were missing the mad scientist with the typical laboratory full of instruments. Thanks to people with this great creativity, much progress was made in the use of steam in the steampunk world.
Style card here:
www.flickr.com/photos/richard_de_grataine/52138279276/in/...
Dr. Jekyll Lab
HDR 7 scatti
Fotocamera: Nikon D750
Aperture: f/8
Shutter Speed: 1/10 s
Lente: 14 mm
ISO: 100
Exposure Bias: 0 EV
Flash: Off, Did not fire
Lens: Nikkor AF-S FX 14-24mm f/2.8G ED
Built for a contest over on Instagram in which you were challenged to make three pieces of minifigure-scale furniture.
More images can be found on my blog: legohobbitbuilder.wordpress.com/2021/05/18/athars-laborat...
This is the Smith Interpretive Center / Greenhouse. It originally was administrative offices and laboratory/greenhouse.
Now it serves its special function as an interpretive center and a greenhouse.
"Crude masonry and rustication characterize the initial architecture at the Boyce Thompson Arboretum. The Smith Building, the arboretum’s original visitor center and administration building, designed by Thompson and built by local contractor and mason Jack Davey in 1925–1926, is sited on the canyon floor. The rustic edifice, composed of locally quarried rhyolite, originally featured lichen-covered interior walls and flagstone floors. The 6,500-square-foot space contained offices, laboratories, a library, a herbarium, a seed room, a photography studio, supply rooms, and a fireproof vault; a soft-water cistern filled the basement. Flanking the structure are two attached greenhouses that display indigenous and exotic cacti and succulents. Measuring 50 feet long and 20 feet wide, the prefabricated iron-frame and glazed structures were supplied by the Lord and Burnham Company of New York."
sah-archipedia.org/buildings/AZ-01-021-0017
I haven't been here since I was a child. I consider it more of a walk rather than a hike. But it is incredibly interesting. Especially for photography. My Grandfather - Joseph Harris - was the Superintendent of Col. Thompson's Miami Inspiration Mines.
en.wikipedia.org/wiki/Boyce_Thompson_Arboretum
Boyce Thompson Arboretum is the oldest and largest botanical garden in the state of Arizona. It is one of the oldest botanical institutions west of the Mississippi River. Founded in 1924 as a desert plant research facility and “living museum”, the arboretum is located in the Sonoran Desert on 392 acres (159 ha) along Queen Creek and beneath the towering volcanic remnant, Picketpost Mountain. Boyce Thompson Arboretum is on U.S. Highway 60, an hour's drive east from Phoenix and 3 miles (4.8 km) west of Superior, Arizona.
The arboretum was founded by William Boyce Thompson (1869-1930), a mining engineer who made his fortune in the copper mining industry. He was the founder and first president of Inspiration Consolidated Copper Company at Globe-Miami, Arizona and Magma Copper Company in Superior, Arizona. In the early 1920s, Thompson, enamored with the landscape around Superior, built a winter home overlooking Queen Creek. Also in the 1920s, as his fortunes grew, he created and financed the Boyce Thompson Institute for Plant Research in Yonkers, New York (now at Cornell University), and the Boyce Thompson Arboretum on the property of the Picket Post House, west of Superior.
Boyce Thompson wrote: “I have in mind far more than mere botanical propagation. I hope to benefit the State and the Southwest by the addition of new products. A plant collection will be assembled which will be of interest not only to the nature lover and the plant student, but which will stress the practical side, as well to see if we cannot make these mesas, hillsides, and canyons far more productive and of more benefit to mankind. We will bring together and study the plants of the desert countries, find out their uses, and make them available to the people. It is a big job, but we will build here the most beautiful, and at the same time the most useful garden of its kind in the world.”[3]
DSC03410-HDR acd
Planet Earth Vintage Architecture, PEVA,