View allAll Photos Tagged kodakelitechrome
Namib Desert 1999
Swakopmund
Voigtlander Bessa L. I think this was the 16mm biogon lens. I don't remember what film I used
I shot the sunset then flipped the MX button and left everything to chance. Got lucky when I randomly snapped these swans for the second layer although I don't remember there being so much stuff in the water around them.
Taken from a double exposed roll where I shot the first layer under the flight path at Stansted Airport then added a second in the wonderful gardens at Anglesey Abbey.
Taken from a double exposed roll where I shot a whole bunch of sunsets then rewound and added a second layer during a Lomo walk around London.
don't you ever wish you could go back in time,
and set things right?
or continuously jump from one era to another,
and try to save the world?
(doubles with Kelly aka eggcake from Taiwan.)
Taj Mahal ( ताज महल, تاج محل), Agra, 1996, del arquitecto Ustad Ahmad Lahori. Construido entre 1631 y 1654 como homenaje del emperador Shah Jahan a su esposa, Arjumand Banu Begum, conocida como Muntaz Mahal.
Digitalizada a partir de Kodak Elite Chrome 100 asa. Original: Canon AE-1 Program y FD 24mm f/2.8.
No matter how many times I shoot these tunnels near the IMAX they always come out slightly different. This one didn't come out quite as blurred as normal, which makes a nice change.
LOMO LCA, Kodak elitechrome, cross processed
I went to Kew gardens and shot a layer of flowers, rewound it and shot normally over the top
Taken from a double exposed roll where I shot the first layer under the flight path at Stansted Airport then added a second when the fair came to Midsummer Common, Cambridge.
Snappe ad whole roll of sunsets first then rewound the film and started all over again. Added the people on a second layer over the top during a Lomo Walk to Portsmouth.
It was only when I looked at this a second time that I noticed how many mirrors there are on this old Morris Minor. Not content with the usual pair someone had added an extra one on the front wing then, just for good measure, a fourth on the passenger window.
I wish I was in the land of cotton, old times there are not forgotten,
Look away, look away, look away, Dixie Land.
In Dixie Land where I was born in, early on a frosty mornin',
Look away, look away, look away, Dixie Land.
Then I wish I was in Dixie, hooray! hooray!
In Dixie Land I'll take my stand to live and die in Dixie,
Away, away, away down South in Dixie,
Away, away, away down South in Dixie.
[...]
Daniel Decatur Emmett, Dixie
____________________________________________________
Is it even a fixie? Let's pretend it is. And that Sachsenhausen counts as down south. Of the Weißwurstäquator at least.
Asahi Optical Co. Pentax ME Super and SMC Pentax 50mm f/1.7, badly expired Kodak Elite Chrome of some sort (I think) developed at DM and digitalized using the kit lens with extension rings. The original has a strong violet cast to it, I corrected it in DxO.
Thank you everyone for your visits, faves and comments, they are always appreciated :)
Shot underneath the flight path at Stansted Airport where it’s possible to get quite close to the planes as they approach the runway. Only when I got this developed did I notice that there seems to be a giant smoke ring next to the aircraft. Perhaps the first officer was having a crafty fag out of the window as they came in for landing. Nice aura too.
Shot the sunset first then flicked the MX button and left everything to chance. The next time I got my LC-A out was in Cambridge where I joined the tourists and added a second layer outside King's College.
I've tried this shot before and wanted to give it another go as it's been a few years since my original effort. In preparation I shot a whole roll of sunsets then rewound and headed to London for a Lomo walk. The second layer was added in the restaurant at Tate Modern which enjoys great views of the capital's skyline.
Taken from a double exposed roll shot in Cambridge on an LC-A+. Snapped the flowers first time round at 200 ISO then the people in the tunnel second at 100 ISO.
There's a railing at one end of this tunnel which is the prefect height to rest an LC-A on and keep it steady while taking photos in the low light.
Taken from a double exposed roll where I shot the first layer under the flight path at Stansted Airport then added a second by the river in Cambridge.
The sun setting on the Westway
Lomo LC-A, Kodak Elite Chrome 100
Taken on 20th Nov 2008, Old Marylebone Road.
I shot the sunset first in Cambridge then flicked the MX button and forgot about it. The next time my camera came out was while waiting for a train on the Tube where I added a second layer from down low on the platform.
The day was bright and sunny so nice and cool underground as I waited for someone to come through the underpass. It wasn't too long before this guy cycled along adding some contrast against the complete whiteout at the end of the tunnel.
Supersampler + Kodak Elite Chrome 100 Cross Processed.
No 3. (1:6:6)
Who would have thought that such a beautiful place could be inadvertently stumbled upon - just outside Watford!
Taken with my lovely, if somewhat idiosyncratic Supersampler - 4 lenses take 4 shots onto 1 negative over 2 seconds. Completely plastic, no control whatsoever and no viewfinder - you just wave it about and hope for the best - these days, I've even learned to point it at things and keep it still! ;)
When you have a toddler, especially one with lots and lots and lots of energy, time can pass in the blink of an eye. Sometimes it seems that you've only just crawled out of bed before suddenly the day has gone and it's time to get back in again. In that way this photo sums up what parenthood is all about for me, I just wish I had enough energy to remember the bits that happen in between! Thankfully I have my trusty LC-A+ to capture these moments and the MX button for double exposures like this one.