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Modesto omaggio a Kieslowski
Decalogo 10
I ragazzi che si amano si baciano
In piedi contro le porte della notte
I passanti che passano se li segnano a dito
Ma i ragazzi che si amano
Non ci sono per nessuno
E se qualcosa trema nella notte
Non sono loro ma la loro ombra
Per far rabbia ai passanti
Per far rabbia disprezzo invidia riso
I ragazzi che si amano non ci sono per nessuno
Sono altrove lontano più lontano della notte
Più in alto del giorno
Nella luce accecante del loro primo amore
J.Prevert
Maybe it is worth investigating the unknown, if only because the very feeling of not knowing is a painful one. ~ Krzysztof Kieslowski
Explore
With a nod to Trois Couleurs: Bleu (1993)
by Krzysztof Kieslowski and starring Juliette Binoche.
2010
Olivier: I looked all over for you.
Julie Vignon: And?
Olivier: I found you.
www.youtube.com/watch?v=11l2lxSh4sI
Trois couleurs: Bleu, a Krzysztof Kieślowski film
With a Zbigniew Preisner soundtrack
youtu.be/_-XYYJnGDo4?si=3HBwVuy8ftCGCwB1
Song for the UNification of Europe
Modesto omaggio a Kieslowski
Decalogo 7
Non fluì dalla strada del nord
né dalla via del sud
la sua musica selvaggia per la prima volta
nel villaggio quel giorno.
Egli apparve all' improvviso nel sentiero,
tutti uscirono ad ascoltarlo,
all' improvviso se ne andò, e invano
sperarono di rivederlo.
La sua strana musica infuse
in ogni cuore un desiderio di libertà.
Non era una melodia,
e neppure una non melodia.
In un luogo molto lontano,
in un luogo assai remoto,
costretti a vivere, essi
sentirono una risposta a questo suono.
Risposta a quel desiderio
che ognuno ha nel proprio seno,
il senso perduto che appartiene
alla ricerca dimenticata.
La sposa felice capì
d' essere malmaritata,
L' appassionato e contento amante
si stancò di amare ancora,
la fanciulla e il ragazzo furono felici
d' aver solo sognato,
i cuori solitari che erano tristi
si sentirono meno soli in qualche luogo.
In ogni anima sbocciava il fiore
che al tatto lascia polvere senza terra,
la prima ora dell' anima gemella,
quella parte che ci completa,
l' ombra che viene a benedire
dalle inespresse profondità lambite
la luminosa inquietudine
migliore del riposo.
Così come venne andò via.
Lo sentirono come un mezzo-essere.
Poi, dolcemente, si confuse
con il silenzio e il ricordo.
Il sonno lasciò di nuovo il loro riso,
morì la loro estatica speranza,
e poco dopo dimenticarono
che era passato.
Tuttavia, quando la tristezza di vivere,
poiché la vita non è voluta,
ritorna nell' ora dei sogni,
col senso della sua freddezza,
improvvisamente ciascuno ricorda -
risplendente come la luna nuova
dove il sogno-vita diventa cenere -
la melodia del violinista pazzo.
F.Pessoa
Weronika: Is that me?
Alexandre Fabbri: Of course it's you.
Weronika: Why two?
Alexandre Fabbri: Because during performances I handle them a lot. They damage easily.
Former Karol Scheibler Palace - a neo-renaissance palace built for Karol Scheibler, located in Łódź next to the 19th century huge Scheibler factory complex (the so-called headquarters) and the Księży Młyn workers' housing estate.
The palace was built in 1856 according to the design of Jan Karol Mertsching. The first reconstruction took place in 1865. The current, neo-Renaissance shape was obtained in the years 1884–1887 after the reconstruction, which was carried out by the Warsaw architect Edward August Lilpop at the request of Karol's widow - Anna Scheibler.
Currently, there is the only one in Poland Museum of Cinematography.
Nearby is also the State Higher School of Film, Television and Theater. - alma mater: Zbigniew Rybczyński (Oscar 1982), Roman Polański (Oscar 2002 and Golden Palm 2002 in Cannes), Krzysztof Zanussi (Golden Lion in Venice and Golden Lions), Krzysztof Kieślowski (European Film Award 1988 and Golden Lion) , Juliusz Machulski (Golden Lions), Andrzej Wajda (Oscar 2000 and Golden Palm 1981).
(Sorry that I don't answer all the entries at the moment, I have to deal with some difficult matters. Stay with me. Best regards to all photo friends.)
"For 6,000 years, these rules have been unquestionably right. And yet we break them every day. People feel that something is wrong in life. There is some kind of atmosphere that makes people now turn to other values. They want to contemplate the basic questions of life.". -Krzysztof Kieslowski
(Gene observes): Phineas had soaked & brushed his hair for the occasion. This gave his head a sleek look, which was contradicted by the surprised, honest expression (that) he wore on his face. His ears, I had never noticed before, were fairly small & set close to his head, & combined with his plastered hair they now gave his bold nose & cheekbones the sharp look of a prow.
~ John Knowles, "A Separate Peace," p. 26.
Click on "All Sizes" to take in Phineas's countenance, as he stands by his dear friend, Gene. Setbacks, impairments--vision or otherwise, cannot detract from his inherent value & essential goodness. Please visit HorseNet Horse rescue:
The red of the Tricolore (fraternite) frames this capture--& underlies the theme running through the brief series on Gene, Phineas, & "A Separate Peace." Kieslowski's extraordinary meditation (Trilogie: Bleu, Blanc, Rouge) throws into broad relief the vast interconnectedness of all life--& the sometimes tragic circumstances of shared experience (A Separate Peace). Fraternite: All sentient life has inherent value & is interconnected.
The videoclip is from the trilogy of the three colours… the finale of the french film « Bleu » directed by Krzysztof Kieslowski…!!! The music is the 'Song for the Unification of Europe' from the film's soundtrack, composed by Zbigniew Preisner…!!! The DOP of these three films is a piece of art…!!! These films influenced my son Christophe to become photographe and DOP…!!!
"For me optimism is two lovers walking into the sunset arm in arm. Or maybe into the sunrise - whatever appeals to you." - Krzysztof Kieslowski
© Rui Almeida 2013 | All rights reserved.
All photos they may not be used or reproduced without my permission. If you would like to use one of my images for commercial purposes or other reason, please contact me. Depending on the situation may have to assign the work as specified by the author.
◘ No images in comments please, or you or you can be blocked, but group invites are welcome
“For me optimism is two lovers walking into the sunset arm in arm. Or maybe into the sunrise-whatever appeals to you.”
Krzysztof Kieslowski quotes
Double is good. Double cream double sugar is my favorite coffee shot at Tim Hortons.
Double take of fall color can be attained in reflection too.
If I put some music to go with the fall color double take here, I will have the movie soundtrack of “The Double Life of Veronika” by K. Kieslowski. It is the beautiful Concerto in E minor (SBI 152) Version 1798.
I hope all of you like this double take of fall color. It was taken in Queen Elizabeth Park last weekend at the small creek.
Happy Thursday and happy Remembrance Day long weekend to my Canadian friends!
La double vie de Véronique is a 1991 film directed
by Krzysztof Kieślowski and starring Irène Jacob.
And it’s a very, very good film!
Three Colours: Blue (1993), Three Colours: White (1994), and Three Colours: Red (1994).
A trilogy of films directed by Krzysztof Kieślowski, with musical scores by Zbigniew Preisner.
TROIS COULEURS : MK2, NEON.
2018 ©MichelleCourteau
BnF/Bibliothèque nationale de France, Paris XIII
Reminder: this theme has nothing to do with any patriotic nationalism. It's a tribute to Krzysztof Kieślowski and his trilogy. The idea formed in my mind from some urban photos where Three colors /Trois couleurs appeared in redundancy. They evoked me immediately this great film director, telling us about the complex connections of life.
b>IDENTIFY THE ARTIST XVII
Identify the Artist (XVII) returns to this photo stream in 10 days(Sunday night, February 6, 2022 - 8:00 pm ET).
Identify the Artist XVII will begin February 6, 2022
The moving image
Identify the Artist XVII Cinema: Directors, their movies and Art
Week 1 Alfred Hitchcock (1251 – 1255) 2/6 -2/11/2022
Week 2 Stanley Kubrick (1256 – 1260) 2/13 -2/18/2022
Week 3 Michelangelo Antonio (1261 – 1265 ) 2/20 2/25/2022
Week 4 Federico Fellini (1266 – 1270) 2/27 – 3/4/2022
Week 5 Andrei Tarkovsky (1271 – 1275) 3/6 – 3/11/2022
Week 6 John Ford (1276 -1280) 3/13 – 3/18/2022
Week 7 Akira Kurosawa (1281 – 1285) 2/20 – 3/25/2022
Week 8 Krzsztof Kieślowski (1286 – 1290) 3/27 – 4/1/2022
Week 9 Ingmar Bergman (1291-1295) 4/3 – 4/8/2022
Week 10 The World of Wong Kar Wai (1296 – 1300) 4/10 – 4/15/2022
Above:
Empty Benches(1) The Clark Institute of Art.
IDENTIFY THE ARTIST XVII
In 12 days from now (Tuesday, 1/25/2022)...Identify the Artist XVII will begin February 6, 2022
The moving image
Identify the Artist XVII Cinema: Directors, their movies and Art
Week 1 Alfred Hitchcock (1251 – 1255) 2/6 -2/11/2022
Week 2 Stanley Kubrick (1256 – 1260) 2/13 -2/18/2022
Week 3 Michelangelo Antonio (1261 – 1265 ) 2/20 -2/25/2022
Week 4 Federico Fellini (1266 – 1270) 2/27 – 3/4/2022
Week 5 Andrei Tarkovsky (1271 – 1275) 3/6 – 3/11/2022
Week 6 John Ford (1276 -1280) 3/13 – 3/18/2022
Week 7 Akira Kurosawa (1281 – 1285) 2/20 – 3/25/2022
Week 8 Krzsztof Kieślowski (1286 – 1290) 3/27 – 4/1/2022
Week 9 Ingmar Bergman (1291-1295) 4/3 – 4/8/2022
Week 10 The World of Wong Kar Wai (1296 – 1300) 4/10 – 4/15/2022
Polish composer and pianist Wojciech Kilar was born on July 17, 1932 in Lwow, in Poland (in 1932 Lwow, not Lviv as now, was Polish city). As a music composer heworked with the finest directors of Poland including Krzysztof Kieslowski, Krzysztof Zanussi, Kazimierz Kutz and Andrzej Wajda but also famous directors such as Paul Grimault, Francis Ford Coppola and Roman Polanski. Wojciech Kilar has scored over 150 films, included The Pianist, Drakula, Death and the Maiden, The Portrait of a Lady, The Ninth Gate ect.. Kilar is one of the few European composers that have mesmerized American listeners and those hearing his work all over the world.
Para mí el optimismo son dos amantes caminando del brazo caminando en una puesta de sol. O tal ves en un amanecer. Lo que te apetezca. (Krzysztof Kieslowski)
From Chrístos Sartzetákis to Joseph Kern. They say Jean-Louis has passed, but for many, he lives.
Kieślowski's film has multiple sources, among which Camus' The Fall inspired the judge's character.
www.youtube.com/watch?v=nz10Y5SAZfQ
Lyrics by Wisława Szymborska -
Every beginning
is only a sequel, after all,
and the book of events
is always open halfway through
www.youtube.com/watch?v=wyET6wDvxDo
I will always remember this movie I saw at an MK2 theater, I believe in the summer of 1994.
***
Discovering this:
www.youtube.com/watch?v=IJoLyS80ZOc
***
The crude Seventies <3 <3 <3
www.youtube.com/watch?v=47ZvFt4vTBA
***
5/25/2023 - Jean-Louis x2
They say (the other) Jean-Louis has passed, but for many, he lives.
One Week from today, Sunday. January 30, 2022:
Identify the Artist XVII will
begin February 6, 2022
The moving image
Identify the Artist XVII Cinema: Directors, their movies and Art
Week 1 Alfred Hitchcock (1251 – 1255) 2/6 -2/11/2022
Week 2 Stanley Kubrick (1256 – 1260) 2/13 -2/18/2022
Week 3 Michelangelo Antonio (1261 – 1265 ) 2/20 -2/25/2022
Week 4 Federico Fellini (1266 – 1270) 2/27 – 3/4/2022
Week 5 Andrei Tarkovsky (1271 – 1275) 3/6 – 3/11/2022
Week 6 John Ford (1276 -1280) 3/13 – 3/18/2022
Week 7 Akira Kurosawa (1281 – 1285) 2/20 – 3/25/2022
Week 8 Krzsztof Kieślowski (1286 – 1290) 3/27 – 4/1/2022
Week 9 Ingmar Bergman (1291-1295) 4/3 – 4/8/2022
Week 10 The World of Wong Kar Wai (1296 – 1300) 4/10 – 4/15/2022
Above: Entrance to the Museum of Fine Arts, Boston