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Macro Mondays - Spiky, November 23rd 2020
- JFET Input Operational Amplifier (LF355H)
- HMM to all flickr friends.
- Thank you for all of you who have spent the time to see my photos.
- Thanks to everyone who favors and have commented this photo.
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2003 y, 4.1 Mpix, unique Nikon JFET-LBCAST sensor, good performance, very solid and robust camera. Большая и тяжёлая, но надёжная и удобная камера.
Unusual
The Nikon D2H, a vintage gem, that has survived the passage of time and the overwhelming push of new technologies. Carries within it a sensor unlike any other; a 4.1-megapixel JFET LBCAST sensor designed for speed, capturing the world with unparalleled precision and intent. Like a heartbeat in motion, this camera’s soul is built for action, freezing moments in time with a blend of raw energy and artistry, making each shot a heartbeat of life.
Its sensor, though small by today’s standards, delivers an expressive dance of light and shadow, reminding us that the purity of a moment isn't in resolution but in the essence it captures.
The D2H isn't just a camera, it’s a reminder that even in the realm of technology, beauty lies in simplicity and the artistry of capturing fleeting time and its soul.
by me
Photography and file processing; LC Nevermind(Luis Campillo)
Artistic direction, MUAH, props, caption and model; Lis Xia
Gear; Nikon D2h & Voigtlander Color Skopar 20mm F3.5 SLII, 640 ISO
Mise à jour / Update
Entre le Nikon D2H (2003) et le Canon 1D Mk II N (2005)
Nikon D2H (2003)
Capteur JFET APS-C de 4.1 MP ( 2464 x 1632 )
Prix $4,000 USD
Photos prise avec le nikkor AF-S 85mm f/1.8 G
(avec un facteur de multiplication de 1.5)
200-1600 (6400) ISO
__________________________
Canon EOS-1D Mark II N (2005)
Capteur CMOS APS-H de 8.2 MP ( 3504 x 2336 )
Prix $4,000 USD
Photos prise avec le Canon EF 85 f/1.8
(avec un facteur de multiplication de 1.3)
100-1600 (50-3200) ISO
A vous de juger / Your turn to judge
www.flickr.com/photos/maoby/albums/72157678644577182
Vos remarques sont les bienvenues / Your remarks are welcome !
Mise à jour / Update
Entre le Nikon D2H (2003) et le Canon 1D Mk II N (2005)
Nikon D2H (2003)
Capteur JFET APS-C de 4.1 MP ( 2464 x 1632 )
Prix $4,000 USD
Photos prise avec le nikkor AF-S 85mm f/1.8 G
(avec un facteur de multiplication de 1.5)
200-1600 (6400) ISO
__________________________
Canon EOS-1D Mark II N (2005)
Capteur CMOS APS-H de 8.2 MP ( 3504 x 2336 )
Prix $4,000 USD
Photos prise avec le Canon EF 85 f/1.8
(avec un facteur de multiplication de 1.3)
100-1600 (50-3200) ISO
A vous de juger / Your turn to judge
www.flickr.com/photos/maoby/albums/72157678644577182
Vos remarques sont les bienvenues / Your remarks are welcome !
CHURCH OF ST ANDREW
Overview:
Heritage Category: Listed Building:
Grade: II*
List Entry Number: 1097645
Date first listed: 23-Aug-1955
County: Devon
District: Teignbridge (District Authority)
Parish: Stokeinteignhead
National Grid Reference: SX 91561 70442
Details
Parish church. Late C14/15, chancel 1867 (Pevsner), major restoration of 1894 by Tait and Harvey. Rendered except for the red sandstone chancel, slate roofs. Plan: Nave, chancel, west tower, north and south transepts, 4-bay north and south aisles. South porch (no longer in use), north porch, north-east vestry. Perpendicular, with a substantial late C19 restoration. Decorated chancel of 1867. Exterior: Most of the windows are untraceried, presumably dating from the C18 or early C19 when the mullions but not the medieval tracery were replaced. C19 Decorated style chancel with diagonal buttresses, 3-light C19 decorated east window with carved label stops, two 2-light C19 Decorated windows on the south side, one on the north side which also has a C19 lean-to vestry with a moulded doorway in the east end and 3-light window to the north. North transept with a 3-light Perpendicular east window and a 3-light C19 Decorated north window, the south transept has an untraceried 3-light south window and similar east window, which appears to be a late C19 copy of other windows in the church. The south aisle with a diagonal south-west buttress, has a 3-light Perpendicular west window with some mullion and jamb replacement; three 4-light untraceried south windows. The former porch has a similar 3-light south window. The north aisle with a north west diagonal buttress has a 4-light medieval Perpendicular window to the east of the porch with decayed carved label stops, untraceried transomed window to the west of the porch with carved medieval label stops, similar 4-light west window with C19 hoodmould and label stops. Battlemented tower with diagonal buttresses and on unrendered embattled polygonal north-east stair turret. Moulded west doorway with a hoodmould and untraceried 4-light west window, large 2-light tracenied belfy openings on all 4 sides. North porch with inner moulded doorway with pyramid stops and a hoodmould; C19 boarded wagon roof with carved bosses. Interior: Unplastered walls except for the chancel; C19 timber chancel arch; double- chamfered tower arch; 4-bay north and south arcades with low red sandstone piers with corner shafts and carved capitals with broad foliage capital carving, the 3 westernmost capitals to the north arcade are different in design and possibly re-used with angel carvings divided by niches. The junction between the roof of the aisles and transepts is unusual (qv Combeinteignhead), the aisle wallplates oversail the transepts and are supported on corbels with upward curving braces. The arrangement here is probably late C19 but may be based on a medieval original. C19 boarded wagon with moulded ribs and bosses to the nave, aisles and transepts; similar open wagon to the chancel. Notable rood screen "one of the earliest surviving in Devon" (Pevsner) and dated C14 by Bond and Camm. The screen has square-headed 3-light openings with a band of heavily-cusped tracery above the centre, decorated with an ogee arch above the 2-leaf door. The oversailing rood-loft is uncoved, the rood loft stair rises from the north transept. Trefoil-headed piscina on south wall of chancel. The chancel fittings are mostly 1890s: timber reredos; mosaic and marble flooring; brass altar rail with ornamental copper spandrels, good choir stalls with carved ends and 2 canopied thrones with reading desks. Shallow arch into organ chamber, partly concealed by organ. The nave has a 1914 timber drum pulpit with traceried panels and co-eval octagonal font with carved traceried panels; 3-bay 1912 tower screen; timber eagle lectern probably also early C20. Plain late C19/early C20 benches. The remains of a holy water stoup on north wall, piscinas in east walls of both transeps. Monuments: Re- set in the sanctuary floor a brass to a priest, died 1375 (Pevsner), the earliest in Devon; several ledger stones used as paving. Unusual and very lengthy early C19 inscription tablet in chancel to the Graham family, signed Faulkner of Exeter "In memory of a family, nine of whom all suffered in their country's cause, by being either killed, drowned, wounded or dying, in service, including the father, 2 uncles, 4 brothers and 2 nephews". Other early C19 white marble wall plaques in the chancel. Black wall tablet in the south aisle to Jfet (letters unclear) Cock, died 1746. Stained Glass: 3 medieval fragments hanging in the south transept; single figures and details from a Beer design in the north transept; east window of north transept with memorial dates of 1871 and 1876 probably by Drake of Exeter; First World War memorial in east window, probably by Blanchford; south window in chancel signed Lavers Barraud and Westlake, dated 1874. Bond, F. Bligh and Camm. Dom Bede, Roodscreens and Roodlofts (1909), volume II, page 349. Pevsner, South Devon (1952). Devon Nineteenth Century Churches Project.
Nikon D2H (2003)
Capteur JFET APS-C de 4.1 MP ( 2464 x 1632 )
Prix $4,000 USD
Photos prise avec le nikkor AF-S 85mm f/1.8 G
(avec un facteur de multiplication de 1.5)
200-1600 (6400) ISO
Canon EOS 50D, Sigma 30mm f/1.4 lens @ f/16, ISO 400, six seconds exposure using full manual, tripod. Cropped and white balanced using Aperture 3.
This is our home theater core; a Marantz AV7005, which is a preamp / processor unit, and nine MA700 monoblock amplifiers configured for 2,000 watts RMS.
The AV7005 is a current (as of the end of 2011) model; the MA700's are a generation back, but still work with the AV7005's remote control system (D-Bus.)
I've set it all up as a 7.1 system with center, fronts, surrounds and backs at 8 ohms and 200 watts RMS each, while the sub is a pair of series-parallel units presenting eight ohms, with a bridged pair of MA700s dedicated to them capable of 600 watts RMS.
—
I wasn't actually ready to go and do this, but our Denon receiver in the library was "gifted" with some cat vomit through the top cooling vents; I didn't know it had happened, because the back of the receiver was through-wall and in a closet. So the Denon just kept on working until eventually, the acid in the vomit actually ate through some of the Denon's wiring. Nice, eh? Silly cat. So the Denon went downstairs into my shop, where it will likely sit until the weather warms up (our basement is cold! [finally got around to fixing it, March of 2013]), my Sony receiver moved from the theater to the library, and I picked up the Marantz gear to serve in the theater. I can't say I'm depressed over the upgrade, but this wasn't exactly how I thought it would come about. :)
AV7005
----------
The AV7005 is an 9.1 / 7.1 / 5.1 / stereo preamp-processor. It offers USB, XPort, six HDMI inputs, two HDMI outputs, four component inputs, two component outputs, five composite inputs, three composite outputs, two coaxial audio inputs, two optical audio inputs, an optical audio output for recording, a 7.1 channel "aux" input, AM, FM, HD/AM and HD/FM, Internet radio, Pandora client, upnp/DLNA media client, Rhapsody client, iPod/iPad client, Sirius satellite radio client, Apple Airplay client, USB media client, balanced and unbalanced outputs, D-Bus remote control, RS-232 remote control for automation, and 12v trigger in and out for things like screen drop/retract automation, dual front panel displays (one may be hidden), and an illuminated learning remote. It pulls about 60 watts maximum, or 0.2 watts on standby, with a linear power supply that eliminates RFI problems associated with switchers. It uses a wired Ethernet connection for its network functions, may be configured for DHCP or static network connections, and can be remote controlled from a web page provided by an on-board web server, or via a telnet connection if you want to handle things programatically. Both full-page and iPod sized web control systems are provided. It can drive two video zones and three audio zones. It features Audyssey room measurement and compensation, along with by-mode and by-input channel level, tone and equalization. It also has a built-in high end headphone amp (very useful on a unit that has no main amplifiers.) DTS: [HD Master&High Res. Audio/ES/96/24/Discrete&Matrix6.1/Neo:6/Express] Dolby: [True HD/Digital Plus&EX/Pro Logic IIz, IIx, II/Virtual Speaker/Headphone] SACD decode. 192 KHz / 24-bit D/A and A/D conversion. Freq. Response 10 Hz-100 KHz +1/-3 dB. FM mono, 78 dB s/n. FM stereo, 68 dB s/n. HD radio (AM or FM) 85 dB s/n. Component video response, 5 Hz-60 MHz, +0/-3 dB. 22 lbs. Marantz provides a 3-year warranty for the unit to the original purchaser. An optional add-on, the RX101, allows the AV7005 to serve as a bluetooth client. System firmware upgrades are done via Ethernet, and take about five minutes on my 30 Mb/sec connection.
MA700
---------
200 watts RMS into 8 ohms, 300 watts RMS into 4 ohms, or 600 watts RMS, bridged pair, into 8 ohms. Maximum .02% THD at full rated power, or less. Similar amplifier topology to the Marantz 15 amplifier designed by Sid Smith, except the MA700 adds a JFET differential pair cascoded with bipolar devices. D-Bus remote control; THX reference gain setting, THX certified. Unbalanced inputs, binding post outputs. Frequency response is -0.1 dB at 10 Hz, -0.07 dB at 20 KHz, and -0.5 dB at 85 KHz, all measured at one watt. Channel separation is unmeasurable and channel power vampirism is zero (monoblocks FTW), noise is 110 dB down. Absolute noise floor with input shorted is in the 5-75 uV range up to 200 KHz, except between 10 Hz and 40 Hz, where it is in the 420 nV-4uV range. Outputs are triple-parallel bipolar power devices. Power supply is classical linear, so no RFI issues. Protection is smart, with the amp choosing between protection options that include a lower voltage output winding on the power transformer, muting, speaker disconnection, or AC disconnection, depending on the problem type. Sensors monitor DC levels in the signal path, output voltage, and amplifier temperature. D-Bus remote start incorporates a 100 ms delay before passing the signal on, resulting in time-sequenced power up of multiple amplifiers and consequent lower peak source current draw. Standby (red), operate (green), settling (flashing green) LED indicators and hard power switch on front panel.
Configuring two MA700's as a bridged pair is easy: Using the provided switch, set one as master, the other as slave; plug the master's inverted audio output into the slave's normal audio input; jumper the (-) speaker terminals together; wire the speaker (+) to the master (+) and the speaker (-) to the slave (+), plug the preamp output into the master's audio input, and you're done.
CHURCH OF ST ANDREW
Overview:
Heritage Category: Listed Building:
Grade: II*
List Entry Number: 1097645
Date first listed: 23-Aug-1955
County: Devon
District: Teignbridge (District Authority)
Parish: Stokeinteignhead
National Grid Reference: SX 91561 70442
Details
Parish church. Late C14/15, chancel 1867 (Pevsner), major restoration of 1894 by Tait and Harvey. Rendered except for the red sandstone chancel, slate roofs. Plan: Nave, chancel, west tower, north and south transepts, 4-bay north and south aisles. South porch (no longer in use), north porch, north-east vestry. Perpendicular, with a substantial late C19 restoration. Decorated chancel of 1867. Exterior: Most of the windows are untraceried, presumably dating from the C18 or early C19 when the mullions but not the medieval tracery were replaced. C19 Decorated style chancel with diagonal buttresses, 3-light C19 decorated east window with carved label stops, two 2-light C19 Decorated windows on the south side, one on the north side which also has a C19 lean-to vestry with a moulded doorway in the east end and 3-light window to the north. North transept with a 3-light Perpendicular east window and a 3-light C19 Decorated north window, the south transept has an untraceried 3-light south window and similar east window, which appears to be a late C19 copy of other windows in the church. The south aisle with a diagonal south-west buttress, has a 3-light Perpendicular west window with some mullion and jamb replacement; three 4-light untraceried south windows. The former porch has a similar 3-light south window. The north aisle with a north west diagonal buttress has a 4-light medieval Perpendicular window to the east of the porch with decayed carved label stops, untraceried transomed window to the west of the porch with carved medieval label stops, similar 4-light west window with C19 hoodmould and label stops. Battlemented tower with diagonal buttresses and on unrendered embattled polygonal north-east stair turret. Moulded west doorway with a hoodmould and untraceried 4-light west window, large 2-light tracenied belfy openings on all 4 sides. North porch with inner moulded doorway with pyramid stops and a hoodmould; C19 boarded wagon roof with carved bosses. Interior: Unplastered walls except for the chancel; C19 timber chancel arch; double- chamfered tower arch; 4-bay north and south arcades with low red sandstone piers with corner shafts and carved capitals with broad foliage capital carving, the 3 westernmost capitals to the north arcade are different in design and possibly re-used with angel carvings divided by niches. The junction between the roof of the aisles and transepts is unusual (qv Combeinteignhead), the aisle wallplates oversail the transepts and are supported on corbels with upward curving braces. The arrangement here is probably late C19 but may be based on a medieval original. C19 boarded wagon with moulded ribs and bosses to the nave, aisles and transepts; similar open wagon to the chancel. Notable rood screen "one of the earliest surviving in Devon" (Pevsner) and dated C14 by Bond and Camm. The screen has square-headed 3-light openings with a band of heavily-cusped tracery above the centre, decorated with an ogee arch above the 2-leaf door. The oversailing rood-loft is uncoved, the rood loft stair rises from the north transept. Trefoil-headed piscina on south wall of chancel. The chancel fittings are mostly 1890s: timber reredos; mosaic and marble flooring; brass altar rail with ornamental copper spandrels, good choir stalls with carved ends and 2 canopied thrones with reading desks. Shallow arch into organ chamber, partly concealed by organ. The nave has a 1914 timber drum pulpit with traceried panels and co-eval octagonal font with carved traceried panels; 3-bay 1912 tower screen; timber eagle lectern probably also early C20. Plain late C19/early C20 benches. The remains of a holy water stoup on north wall, piscinas in east walls of both transeps. Monuments: Re- set in the sanctuary floor a brass to a priest, died 1375 (Pevsner), the earliest in Devon; several ledger stones used as paving. Unusual and very lengthy early C19 inscription tablet in chancel to the Graham family, signed Faulkner of Exeter "In memory of a family, nine of whom all suffered in their country's cause, by being either killed, drowned, wounded or dying, in service, including the father, 2 uncles, 4 brothers and 2 nephews". Other early C19 white marble wall plaques in the chancel. Black wall tablet in the south aisle to Jfet (letters unclear) Cock, died 1746. Stained Glass: 3 medieval fragments hanging in the south transept; single figures and details from a Beer design in the north transept; east window of north transept with memorial dates of 1871 and 1876 probably by Drake of Exeter; First World War memorial in east window, probably by Blanchford; south window in chancel signed Lavers Barraud and Westlake, dated 1874. Bond, F. Bligh and Camm. Dom Bede, Roodscreens and Roodlofts (1909), volume II, page 349. Pevsner, South Devon (1952). Devon Nineteenth Century Churches Project.
Nikon Professional Digital SLR D2H (2003)
Le pont Castonguay
La riposte de Nikon avec son 4MP face au Canon EOS-1D , lui aussi de 4MP
Nikon D2H
Capteur JFET LBCAST dérivé du Cmos
4,100,000 pixels ( 2464x1632 )
APS-C (facteur x 1,5)
Stockage: Compactflash
Prix: $4,000 USD
Pour plus d'information voir ici / For more information see here:
Most buffer circuits for JFET oscillators seem to throw out the advantages, introduce noise and distortion. This one is good to about 150MHz by scaling the 68 pF capacitors. You’ll get a hefty output power. Note that the distortion cancellation from the diode is supply voltage/amplitude sensitive so adust supply for lowest 2f
CHURCH OF ST ANDREW
Overview:
Heritage Category: Listed Building:
Grade: II*
List Entry Number: 1097645
Date first listed: 23-Aug-1955
County: Devon
District: Teignbridge (District Authority)
Parish: Stokeinteignhead
National Grid Reference: SX 91561 70442
Details
Parish church. Late C14/15, chancel 1867 (Pevsner), major restoration of 1894 by Tait and Harvey. Rendered except for the red sandstone chancel, slate roofs. Plan: Nave, chancel, west tower, north and south transepts, 4-bay north and south aisles. South porch (no longer in use), north porch, north-east vestry. Perpendicular, with a substantial late C19 restoration. Decorated chancel of 1867. Exterior: Most of the windows are untraceried, presumably dating from the C18 or early C19 when the mullions but not the medieval tracery were replaced. C19 Decorated style chancel with diagonal buttresses, 3-light C19 decorated east window with carved label stops, two 2-light C19 Decorated windows on the south side, one on the north side which also has a C19 lean-to vestry with a moulded doorway in the east end and 3-light window to the north. North transept with a 3-light Perpendicular east window and a 3-light C19 Decorated north window, the south transept has an untraceried 3-light south window and similar east window, which appears to be a late C19 copy of other windows in the church. The south aisle with a diagonal south-west buttress, has a 3-light Perpendicular west window with some mullion and jamb replacement; three 4-light untraceried south windows. The former porch has a similar 3-light south window. The north aisle with a north west diagonal buttress has a 4-light medieval Perpendicular window to the east of the porch with decayed carved label stops, untraceried transomed window to the west of the porch with carved medieval label stops, similar 4-light west window with C19 hoodmould and label stops. Battlemented tower with diagonal buttresses and on unrendered embattled polygonal north-east stair turret. Moulded west doorway with a hoodmould and untraceried 4-light west window, large 2-light tracenied belfy openings on all 4 sides. North porch with inner moulded doorway with pyramid stops and a hoodmould; C19 boarded wagon roof with carved bosses. Interior: Unplastered walls except for the chancel; C19 timber chancel arch; double- chamfered tower arch; 4-bay north and south arcades with low red sandstone piers with corner shafts and carved capitals with broad foliage capital carving, the 3 westernmost capitals to the north arcade are different in design and possibly re-used with angel carvings divided by niches. The junction between the roof of the aisles and transepts is unusual (qv Combeinteignhead), the aisle wallplates oversail the transepts and are supported on corbels with upward curving braces. The arrangement here is probably late C19 but may be based on a medieval original. C19 boarded wagon with moulded ribs and bosses to the nave, aisles and transepts; similar open wagon to the chancel. Notable rood screen "one of the earliest surviving in Devon" (Pevsner) and dated C14 by Bond and Camm. The screen has square-headed 3-light openings with a band of heavily-cusped tracery above the centre, decorated with an ogee arch above the 2-leaf door. The oversailing rood-loft is uncoved, the rood loft stair rises from the north transept. Trefoil-headed piscina on south wall of chancel. The chancel fittings are mostly 1890s: timber reredos; mosaic and marble flooring; brass altar rail with ornamental copper spandrels, good choir stalls with carved ends and 2 canopied thrones with reading desks. Shallow arch into organ chamber, partly concealed by organ. The nave has a 1914 timber drum pulpit with traceried panels and co-eval octagonal font with carved traceried panels; 3-bay 1912 tower screen; timber eagle lectern probably also early C20. Plain late C19/early C20 benches. The remains of a holy water stoup on north wall, piscinas in east walls of both transeps. Monuments: Re- set in the sanctuary floor a brass to a priest, died 1375 (Pevsner), the earliest in Devon; several ledger stones used as paving. Unusual and very lengthy early C19 inscription tablet in chancel to the Graham family, signed Faulkner of Exeter "In memory of a family, nine of whom all suffered in their country's cause, by being either killed, drowned, wounded or dying, in service, including the father, 2 uncles, 4 brothers and 2 nephews". Other early C19 white marble wall plaques in the chancel. Black wall tablet in the south aisle to Jfet (letters unclear) Cock, died 1746. Stained Glass: 3 medieval fragments hanging in the south transept; single figures and details from a Beer design in the north transept; east window of north transept with memorial dates of 1871 and 1876 probably by Drake of Exeter; First World War memorial in east window, probably by Blanchford; south window in chancel signed Lavers Barraud and Westlake, dated 1874. Bond, F. Bligh and Camm. Dom Bede, Roodscreens and Roodlofts (1909), volume II, page 349. Pevsner, South Devon (1952). Devon Nineteenth Century Churches Project.
CHURCH OF ST ANDREW
Overview:
Heritage Category: Listed Building:
Grade: II*
List Entry Number: 1097645
Date first listed: 23-Aug-1955
County: Devon
District: Teignbridge (District Authority)
Parish: Stokeinteignhead
National Grid Reference: SX 91561 70442
Details
Parish church. Late C14/15, chancel 1867 (Pevsner), major restoration of 1894 by Tait and Harvey. Rendered except for the red sandstone chancel, slate roofs. Plan: Nave, chancel, west tower, north and south transepts, 4-bay north and south aisles. South porch (no longer in use), north porch, north-east vestry. Perpendicular, with a substantial late C19 restoration. Decorated chancel of 1867. Exterior: Most of the windows are untraceried, presumably dating from the C18 or early C19 when the mullions but not the medieval tracery were replaced. C19 Decorated style chancel with diagonal buttresses, 3-light C19 decorated east window with carved label stops, two 2-light C19 Decorated windows on the south side, one on the north side which also has a C19 lean-to vestry with a moulded doorway in the east end and 3-light window to the north. North transept with a 3-light Perpendicular east window and a 3-light C19 Decorated north window, the south transept has an untraceried 3-light south window and similar east window, which appears to be a late C19 copy of other windows in the church. The south aisle with a diagonal south-west buttress, has a 3-light Perpendicular west window with some mullion and jamb replacement; three 4-light untraceried south windows. The former porch has a similar 3-light south window. The north aisle with a north west diagonal buttress has a 4-light medieval Perpendicular window to the east of the porch with decayed carved label stops, untraceried transomed window to the west of the porch with carved medieval label stops, similar 4-light west window with C19 hoodmould and label stops. Battlemented tower with diagonal buttresses and on unrendered embattled polygonal north-east stair turret. Moulded west doorway with a hoodmould and untraceried 4-light west window, large 2-light tracenied belfy openings on all 4 sides. North porch with inner moulded doorway with pyramid stops and a hoodmould; C19 boarded wagon roof with carved bosses. Interior: Unplastered walls except for the chancel; C19 timber chancel arch; double- chamfered tower arch; 4-bay north and south arcades with low red sandstone piers with corner shafts and carved capitals with broad foliage capital carving, the 3 westernmost capitals to the north arcade are different in design and possibly re-used with angel carvings divided by niches. The junction between the roof of the aisles and transepts is unusual (qv Combeinteignhead), the aisle wallplates oversail the transepts and are supported on corbels with upward curving braces. The arrangement here is probably late C19 but may be based on a medieval original. C19 boarded wagon with moulded ribs and bosses to the nave, aisles and transepts; similar open wagon to the chancel. Notable rood screen "one of the earliest surviving in Devon" (Pevsner) and dated C14 by Bond and Camm. The screen has square-headed 3-light openings with a band of heavily-cusped tracery above the centre, decorated with an ogee arch above the 2-leaf door. The oversailing rood-loft is uncoved, the rood loft stair rises from the north transept. Trefoil-headed piscina on south wall of chancel. The chancel fittings are mostly 1890s: timber reredos; mosaic and marble flooring; brass altar rail with ornamental copper spandrels, good choir stalls with carved ends and 2 canopied thrones with reading desks. Shallow arch into organ chamber, partly concealed by organ. The nave has a 1914 timber drum pulpit with traceried panels and co-eval octagonal font with carved traceried panels; 3-bay 1912 tower screen; timber eagle lectern probably also early C20. Plain late C19/early C20 benches. The remains of a holy water stoup on north wall, piscinas in east walls of both transeps. Monuments: Re- set in the sanctuary floor a brass to a priest, died 1375 (Pevsner), the earliest in Devon; several ledger stones used as paving. Unusual and very lengthy early C19 inscription tablet in chancel to the Graham family, signed Faulkner of Exeter "In memory of a family, nine of whom all suffered in their country's cause, by being either killed, drowned, wounded or dying, in service, including the father, 2 uncles, 4 brothers and 2 nephews". Other early C19 white marble wall plaques in the chancel. Black wall tablet in the south aisle to Jfet (letters unclear) Cock, died 1746. Stained Glass: 3 medieval fragments hanging in the south transept; single figures and details from a Beer design in the north transept; east window of north transept with memorial dates of 1871 and 1876 probably by Drake of Exeter; First World War memorial in east window, probably by Blanchford; south window in chancel signed Lavers Barraud and Westlake, dated 1874. Bond, F. Bligh and Camm. Dom Bede, Roodscreens and Roodlofts (1909), volume II, page 349. Pevsner, South Devon (1952). Devon Nineteenth Century Churches Project.
What's new:
* Lovepedal Eternity
* Lovepedal Black Beauty Balance
* Lovepedal Toxic II
* Lovepedal COT50
* Subdecay Blackstar
Already sold, but pictured in this photo:
* Lovepedal Black Magic
* Subdecay Blackstar
Nikon Professional Digital SLR D2H (2003)
La riposte de Nikon avec son 4MP face au Canon EOS-1D , lui aussi de 4MP
Nikon D2H
Capteur JFET LBCAST dérivé du Cmos
4,100,000 pixels ( 2464x1632 )
APS-C (facteur x 1,5)
Stockage: Compactflash
Prix: $4,000 USD
Pour plus d'information voir ici / For more information see here:
CHURCH OF ST ANDREW
Overview:
Heritage Category: Listed Building:
Grade: II*
List Entry Number: 1097645
Date first listed: 23-Aug-1955
County: Devon
District: Teignbridge (District Authority)
Parish: Stokeinteignhead
National Grid Reference: SX 91561 70442
Details
Parish church. Late C14/15, chancel 1867 (Pevsner), major restoration of 1894 by Tait and Harvey. Rendered except for the red sandstone chancel, slate roofs. Plan: Nave, chancel, west tower, north and south transepts, 4-bay north and south aisles. South porch (no longer in use), north porch, north-east vestry. Perpendicular, with a substantial late C19 restoration. Decorated chancel of 1867. Exterior: Most of the windows are untraceried, presumably dating from the C18 or early C19 when the mullions but not the medieval tracery were replaced. C19 Decorated style chancel with diagonal buttresses, 3-light C19 decorated east window with carved label stops, two 2-light C19 Decorated windows on the south side, one on the north side which also has a C19 lean-to vestry with a moulded doorway in the east end and 3-light window to the north. North transept with a 3-light Perpendicular east window and a 3-light C19 Decorated north window, the south transept has an untraceried 3-light south window and similar east window, which appears to be a late C19 copy of other windows in the church. The south aisle with a diagonal south-west buttress, has a 3-light Perpendicular west window with some mullion and jamb replacement; three 4-light untraceried south windows. The former porch has a similar 3-light south window. The north aisle with a north west diagonal buttress has a 4-light medieval Perpendicular window to the east of the porch with decayed carved label stops, untraceried transomed window to the west of the porch with carved medieval label stops, similar 4-light west window with C19 hoodmould and label stops. Battlemented tower with diagonal buttresses and on unrendered embattled polygonal north-east stair turret. Moulded west doorway with a hoodmould and untraceried 4-light west window, large 2-light tracenied belfy openings on all 4 sides. North porch with inner moulded doorway with pyramid stops and a hoodmould; C19 boarded wagon roof with carved bosses. Interior: Unplastered walls except for the chancel; C19 timber chancel arch; double- chamfered tower arch; 4-bay north and south arcades with low red sandstone piers with corner shafts and carved capitals with broad foliage capital carving, the 3 westernmost capitals to the north arcade are different in design and possibly re-used with angel carvings divided by niches. The junction between the roof of the aisles and transepts is unusual (qv Combeinteignhead), the aisle wallplates oversail the transepts and are supported on corbels with upward curving braces. The arrangement here is probably late C19 but may be based on a medieval original. C19 boarded wagon with moulded ribs and bosses to the nave, aisles and transepts; similar open wagon to the chancel. Notable rood screen "one of the earliest surviving in Devon" (Pevsner) and dated C14 by Bond and Camm. The screen has square-headed 3-light openings with a band of heavily-cusped tracery above the centre, decorated with an ogee arch above the 2-leaf door. The oversailing rood-loft is uncoved, the rood loft stair rises from the north transept. Trefoil-headed piscina on south wall of chancel. The chancel fittings are mostly 1890s: timber reredos; mosaic and marble flooring; brass altar rail with ornamental copper spandrels, good choir stalls with carved ends and 2 canopied thrones with reading desks. Shallow arch into organ chamber, partly concealed by organ. The nave has a 1914 timber drum pulpit with traceried panels and co-eval octagonal font with carved traceried panels; 3-bay 1912 tower screen; timber eagle lectern probably also early C20. Plain late C19/early C20 benches. The remains of a holy water stoup on north wall, piscinas in east walls of both transeps. Monuments: Re- set in the sanctuary floor a brass to a priest, died 1375 (Pevsner), the earliest in Devon; several ledger stones used as paving. Unusual and very lengthy early C19 inscription tablet in chancel to the Graham family, signed Faulkner of Exeter "In memory of a family, nine of whom all suffered in their country's cause, by being either killed, drowned, wounded or dying, in service, including the father, 2 uncles, 4 brothers and 2 nephews". Other early C19 white marble wall plaques in the chancel. Black wall tablet in the south aisle to Jfet (letters unclear) Cock, died 1746. Stained Glass: 3 medieval fragments hanging in the south transept; single figures and details from a Beer design in the north transept; east window of north transept with memorial dates of 1871 and 1876 probably by Drake of Exeter; First World War memorial in east window, probably by Blanchford; south window in chancel signed Lavers Barraud and Westlake, dated 1874. Bond, F. Bligh and Camm. Dom Bede, Roodscreens and Roodlofts (1909), volume II, page 349. Pevsner, South Devon (1952). Devon Nineteenth Century Churches Project.
After months of (not very much) patience, I finally succeeded in hunting down the rest of the used MA700 amplifiers I wanted to complete our home theater system at a reasonable price.
This is our home theater core; a Marantz AV7005 (upgraded to an AV7703 in 2018), which is a preamp / processor unit, and nine MA700 monoblock amplifiers configured for 2,000 watts RMS.
The AV7005 is (was) a current (as of the end of 2011) model; the MA700's are a generation back, but still worked with the AV7005's remote control system (D-Bus.) But, sigh, not with the MA7703. That's a lot of switches to hit.
I've set it all up as a 7.1 system with center, fronts, surrounds and backs at 8 ohms and 200 watts RMS each, while the sub array is a pair of 18" units, with a bridged pair of MA700s dedicated to them capable of 600 watts RMS.
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AV7005
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The AV7005 is an 9.1 / 7.1 / 5.1 / stereo preamp-processor. It offers USB, XPort, six HDMI inputs, two HDMI outputs, four component inputs, two component outputs, five composite inputs, three composite outputs, two coaxial audio inputs, two optical audio inputs, an optical audio output for recording, a 7.1 channel "aux" input, AM, FM, HD/AM and HD/FM, Internet radio, Pandora client, upnp/DLNA media client, Rhapsody client, iPod/iPad client, Sirius satellite radio client, Apple Airplay client, USB media client, balanced and unbalanced outputs, D-Bus remote control, RS-232 remote control for automation, and 12v trigger in and out for things like screen drop/retract automation, dual front panel displays (one may be hidden), and an illuminated learning remote. It pulls about 60 watts maximum, or 0.2 watts on standby, with a linear power supply that eliminates RFI problems associated with switchers. It uses a wired Ethernet connection for its network functions, may be configured for DHCP or static network connections, and can be remote controlled from a web page provided by an on-board web server, or via a telnet connection if you want to handle things programatically. Both full-page and iPod sized web control systems are provided. It can drive two video zones and three audio zones. It features Audyssey room measurement and compensation, along with by-mode and by-input channel level, tone and equalization. It also has a built-in high end headphone amp (very useful on a unit that has no main amplifiers.) DTS: [HD Master&High Res. Audio/ES/96/24/Discrete&Matrix6.1/Neo:6/Express] Dolby: [True HD/Digital Plus&EX/Pro Logic IIz, IIx, II/Virtual Speaker/Headphone] SACD decode. 192 KHz / 24-bit D/A and A/D conversion. Freq. Response 10 Hz-100 KHz +1/-3 dB. FM mono, 78 dB s/n. FM stereo, 68 dB s/n. HD radio (AM or FM) 85 dB s/n. Component video response, 5 Hz-60 MHz, +0/-3 dB. 22 lbs. Marantz provides a 3-year warranty for the unit to the original purchaser. An optional add-on, the RX101, allows the AV7005 to serve as a bluetooth client. System firmware upgrades are done via Ethernet, and take about five minutes on my 30 Mb/sec connection.
MA700
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200 watts RMS into 8 ohms, 300 watts RMS into 4 ohms, or 600 watts RMS, bridged pair, into 8 ohms. Maximum .02% THD at full rated power, or less. Similar amplifier topology to the Marantz 15 amplifier designed by Sid Smith, except the MA700 adds a JFET differential pair cascoded with bipolar devices. D-Bus remote control; THX reference gain setting, THX certified. Unbalanced inputs, binding post outputs. Frequency response is -0.1 dB at 10 Hz, -0.07 dB at 20 KHz, and -0.5 dB at 85 KHz, all measured at one watt. Channel separation is unmeasurable and channel power vampirism is zero (monoblocks FTW), noise is 110 dB down. Absolute noise floor with input shorted is in the 5-75 uV range up to 200 KHz, except between 10 Hz and 40 Hz, where it is in the 420 nV-4uV range. Outputs are triple-parallel bipolar power devices. Power supply is classical linear, so no RFI issues. Protection is smart, with the amp choosing between protection options that include a lower voltage output winding on the power transformer, muting, speaker disconnection, or AC disconnection, depending on the problem type. Sensors monitor DC levels in the signal path, output voltage, and amplifier temperature. D-Bus remote start incorporates a 100 ms delay before passing the signal on, resulting in time-sequenced power up of multiple amplifiers and consequent lower peak source current draw. Standby (red), operate (green), settling (flashing green) LED indicators and hard power switch on front panel.
Configuring two MA700's as a bridged pair is easy: Using the provided switch, set one as master, the other as slave; plug the master's inverted audio output into the slave's normal audio input; jumper the (-) speaker terminals together; wire the speaker (+) to the master (+) and the speaker (-) to the slave (+), plug the preamp output into the master's audio input, and you're done.
All new components. Same readings. I think the problem is with the ungrounded power in that room. I had crazy readings off the tubes in my little Frankenchamp, too.
Over the span of the next year we should be doing a lot better financially (fingers crossed and all that). I hesitantly hope that around this time next year we'll be moving up closer to the hardwood groves in the panhandle and opening a real workshop with some First World electrical service.
Until then, I'll just randomly scream obscenities from time to time.
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Lots of fresh stuff.
The Kimbara Fuzz Box is currently for sale on eBay.
Missing is my Subdecay Blackstar (had it disassembled at the moment I took this picture) and my Hermida Mosferatu (currently on loan).
The Sitar Swami guitar pedal is included in the so called Miscellaneous Series Effects released in 2001 by Danelectro. It is built in a robust die cast enclosure with flower child graphics. It has two adjustment knobs, JFET switching and runs on 9V.
All info in:
Nikon Professional Digital SLR D2H (2003)
La riposte de Nikon avec son 4MP face au Canon EOS-1D , lui aussi de 4MP
Nikon D2H
Capteur JFET LBCAST dérivé du Cmos
4,100,000 pixels ( 2464x1632 )
APS-C (facteur x 1,5)
Stockage: Compactflash
Prix: $4,000 USD
Pour plus d'information voir ici / For more information see here:
The COT50s were nice, but noisy.
Ironically, the Burford Mosquito kicked my Ibanez Standard Fuzz off the board. It's low output level requires the use of a boost (Stratoblaster) though. The black pedal is an Atmos.
The Lovepedal Black Magic is not stock. Most of the time, I run it through a 10-band MXR EQ for some mid scoop.
Both the Lovepedal Balance and the Black Magic are temporary solutions.
The Sitar Swami guitar pedal is included in the so called Miscellaneous Series Effects released in 2001 by Danelectro. It is built in a robust die cast enclosure with flower child graphics. It has two adjustment knobs, JFET switching and runs on 9V.
All info in:
The Sitar Swami guitar pedal is included in the so called Miscellaneous Series Effects released in 2001 by Danelectro. It is built in a robust die cast enclosure with flower child graphics. It has two adjustment knobs, JFET switching and runs on 9V.
All info in:
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CHURCH OF ST ANDREW
Overview:
Heritage Category: Listed Building:
Grade: II*
List Entry Number: 1097645
Date first listed: 23-Aug-1955
County: Devon
District: Teignbridge (District Authority)
Parish: Stokeinteignhead
National Grid Reference: SX 91561 70442
Details
Parish church. Late C14/15, chancel 1867 (Pevsner), major restoration of 1894 by Tait and Harvey. Rendered except for the red sandstone chancel, slate roofs. Plan: Nave, chancel, west tower, north and south transepts, 4-bay north and south aisles. South porch (no longer in use), north porch, north-east vestry. Perpendicular, with a substantial late C19 restoration. Decorated chancel of 1867. Exterior: Most of the windows are untraceried, presumably dating from the C18 or early C19 when the mullions but not the medieval tracery were replaced. C19 Decorated style chancel with diagonal buttresses, 3-light C19 decorated east window with carved label stops, two 2-light C19 Decorated windows on the south side, one on the north side which also has a C19 lean-to vestry with a moulded doorway in the east end and 3-light window to the north. North transept with a 3-light Perpendicular east window and a 3-light C19 Decorated north window, the south transept has an untraceried 3-light south window and similar east window, which appears to be a late C19 copy of other windows in the church. The south aisle with a diagonal south-west buttress, has a 3-light Perpendicular west window with some mullion and jamb replacement; three 4-light untraceried south windows. The former porch has a similar 3-light south window. The north aisle with a north west diagonal buttress has a 4-light medieval Perpendicular window to the east of the porch with decayed carved label stops, untraceried transomed window to the west of the porch with carved medieval label stops, similar 4-light west window with C19 hoodmould and label stops. Battlemented tower with diagonal buttresses and on unrendered embattled polygonal north-east stair turret. Moulded west doorway with a hoodmould and untraceried 4-light west window, large 2-light tracenied belfy openings on all 4 sides. North porch with inner moulded doorway with pyramid stops and a hoodmould; C19 boarded wagon roof with carved bosses. Interior: Unplastered walls except for the chancel; C19 timber chancel arch; double- chamfered tower arch; 4-bay north and south arcades with low red sandstone piers with corner shafts and carved capitals with broad foliage capital carving, the 3 westernmost capitals to the north arcade are different in design and possibly re-used with angel carvings divided by niches. The junction between the roof of the aisles and transepts is unusual (qv Combeinteignhead), the aisle wallplates oversail the transepts and are supported on corbels with upward curving braces. The arrangement here is probably late C19 but may be based on a medieval original. C19 boarded wagon with moulded ribs and bosses to the nave, aisles and transepts; similar open wagon to the chancel. Notable rood screen "one of the earliest surviving in Devon" (Pevsner) and dated C14 by Bond and Camm. The screen has square-headed 3-light openings with a band of heavily-cusped tracery above the centre, decorated with an ogee arch above the 2-leaf door. The oversailing rood-loft is uncoved, the rood loft stair rises from the north transept. Trefoil-headed piscina on south wall of chancel. The chancel fittings are mostly 1890s: timber reredos; mosaic and marble flooring; brass altar rail with ornamental copper spandrels, good choir stalls with carved ends and 2 canopied thrones with reading desks. Shallow arch into organ chamber, partly concealed by organ. The nave has a 1914 timber drum pulpit with traceried panels and co-eval octagonal font with carved traceried panels; 3-bay 1912 tower screen; timber eagle lectern probably also early C20. Plain late C19/early C20 benches. The remains of a holy water stoup on north wall, piscinas in east walls of both transeps. Monuments: Re- set in the sanctuary floor a brass to a priest, died 1375 (Pevsner), the earliest in Devon; several ledger stones used as paving. Unusual and very lengthy early C19 inscription tablet in chancel to the Graham family, signed Faulkner of Exeter "In memory of a family, nine of whom all suffered in their country's cause, by being either killed, drowned, wounded or dying, in service, including the father, 2 uncles, 4 brothers and 2 nephews". Other early C19 white marble wall plaques in the chancel. Black wall tablet in the south aisle to Jfet (letters unclear) Cock, died 1746. Stained Glass: 3 medieval fragments hanging in the south transept; single figures and details from a Beer design in the north transept; east window of north transept with memorial dates of 1871 and 1876 probably by Drake of Exeter; First World War memorial in east window, probably by Blanchford; south window in chancel signed Lavers Barraud and Westlake, dated 1874. Bond, F. Bligh and Camm. Dom Bede, Roodscreens and Roodlofts (1909), volume II, page 349. Pevsner, South Devon (1952). Devon Nineteenth Century Churches Project.