† Jesus loves you イエス・キリストは私
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Estudios bíblicos profundos | ¿Debemos buscar al Señor con nuestros oídos o con la vista para dar la bienvenida a Su regreso?
En el asunto de dar la bienvenida al Señor, muchas personas creen que Él se aparecerá a todos sobre una nube blanca, por lo que sienten que para recibirlo ver con ojos es la manera más sensata. Pero ahora los desastres se hacen cada vez más graves, y las profecías de la venida del Señor se han cumplido básicamente, y no hemos visto al Señor venir en nubes. ¿Realmente podemos acoger al Señor con nuestros ojos?
Cuando Job sufrió pruebas, Jehová Dios se le apareció desde el torbellino, y Job dijo: “He sabido de ti solo de oídas, pero ahora mis ojos te ven” (Job 42:5). Job solo escuchó las palabras de Dios y no vio Su rostro, entonces ¿por qué afirmó que vio con sus propios ojos a Él? De hecho, es porque Job sopesó la aparición de Dios no por verlo sino por escuchar Su voz y pudo verificar dentro de su corazón que Él se le apareció. De esto, se puede ver que hay que enfocarse en escuchar Su voz en vez de confiar en propios ojos para determinar si es la apariencia de Dios. Haz clic en el enlace para leer el artículo: ¿Debemos buscar al Señor con nuestros oídos o con la vista para dar la bienvenida a Su regreso?
www.biblia-es.org/Debemos-buscar-al-Senor-con-nuest…
También te podría interesar leer: Reflexión del evangelio de hoy
Scripture quotations taken from LBLA (www.LBLA.com). Copyright by The Lockman Foundation.
WHATCHA DOIN?
------------------------ JESUS ✝️ SAVES-------------------------
10 The thief comes only to STEAL and KILL and DESTROY; I have come that they may have LIFE, and have it to the FULL. (John 10:10)
Jesus came to bring spiritual LIFE to the spiritually dead and set the captives FREE! FREE from RELIGION, ERROR and outright LIES, so they might serve THE LIVING GOD! In SPIRIT and in TRUTH!
For the best Biblical teaching in the last 2 centuries! Please listen to and down load these FREE audio files that were created with YOU in mind. It's ALL FREE, if you like it, please share it with others. ❤️
archive.org/details/PeopleToPeopleByBobGeorgeFREE-ARCHIVE...
CLICK THE LETTER "L" TO ENLARGE THE IMAGE.
My THANK'S to all those who have taken the time to view, fave, comment or share my photo's with others. I really appreciate it! ❤️
ⓒRebecca Bugge, All Rights Reserved
Do not use without permission.
The second quadrangle at Jesus college. This part of the college was begun in 1640, the work was interrupted by the Civil war and resumed again in 1676, and it not completely finished until 1712. It's famous the Dutch gables (which is what that type of 'facade topping' is called).
------------------------------ JESUS ✝️ SAVES-------------------------------
SALVATION THROUGH FAITH IN CHRIST JESUS ALONE!
❤️❤️ IT'S ALL JESUS AND NONE OF OURSELVES! ❤️❤️
1. Now, brothers, I want to remind you of the gospel I preached to you, which you received and on which you have taken your stand. 2. BY THIS GOSPEL YOU ARE SAVED, if you hold firmly to the word I preached to you. Otherwise, you have believed in vain.
3. For what I received I passed on to you as of first importance: that Christ died for our sins according to the Scriptures, 4. that he was buried, that he was raised on the third day according to the Scriptures, 5. and that he appeared to Peter, and then to the Twelve. 6. After that, he appeared to more than five hundred of the brothers at the same time, most of whom are still living, though some have fallen asleep. 7. Then he appeared to James, then to all the apostles, 8. and last of all he appeared to me also, as to one abnormally born.
9. For I am the least of the apostles and do not even deserve to be called an apostle, because I persecuted the church of God. 10. But by the grace of God I am what I am, and his grace to me was not without effect. No, I worked harder than all of them--yet not I, but the grace of God that was with me. 11. Whether, then, it was I or they, this is what we preach, and this is what you believed. (1 Corinthians 15:1-11)
7. Therefore Jesus said again, "I tell you the truth, I am the gate for the sheep. 8. All who ever came before me were thieves and robbers, but the sheep did not listen to them. 9. I am the gate; whoever enters through me WILL BE SAVED. He will come in and go out, and find pasture. 10. The thief comes only to STEAL and KILL and DESTROY; I have come that they may have LIFE, and have it to the FULL. (John 10:7-10)
Jesus came to bring spiritual LIFE to the spiritually dead and set the captives FREE! FREE from RELIGION, ERROR and outright LIES, so WE might serve THE LIVING GOD! In SPIRIT and in TRUTH!
So you'll KNOW, and not think you're to bad for God to love. The Christian LIFE isn't about how good WE are, because NONE of us are! It's about how GOOD JESUS IS! Because JESUS LOVES US, so much he died in our place and took the punishment for all of our sins on himself. The wages of sin is DEATH, and Jesus died that death for YOU and I. The good news is there no more punishment for sin left, we were and are all born forgive as a result of the crucifixion of God himself on the cross that took away the sins of the whole world. All we have to do is believe it, and put your Faith in the finished work of Jesus Christ. That my friends is REAL UNCONDITIONAL LOVE! YOU ARE LOVED. ❤️ ✝️ ❤️
For the best Biblical teaching in the last 2 centuries! Please listen to and down load these FREE audio files that were created with YOU in mind. It's ALL FREE, if you like it, please share it with others. ❤️
archive.org/details/PeopleToPeopleByBobGeorgeFREE-ARCHIVE...
CLICK ON THE LETTER "L" TO ENLARGE.
My THANK'S in advance to all who fave and/or comment on my photos I very much appreciate it! ❤️
© All Rights reserved no publication or copying without permission from the author.
Matthew 28:1-7
New International Version
Jesus Has Risen
1 After the Sabbath, at dawn on the first day of the week, Mary Magdalene and the other Mary went to look at the tomb.
2 There was a violent earthquake, for an angel of the Lord came down from heaven and, going to the tomb, rolled back the stone and sat on it. 3 His appearance was like lightning, and his clothes were white as snow. 4 The guards were so afraid of him that they shook and became like dead men.
5 The angel said to the women, “Do not be afraid, for I know that you are looking for Jesus, who was crucified. 6 He is not here; he has risen, just as he said. Come and see the place where he lay. 7 Then go quickly and tell his disciples: ‘He has risen from the dead and is going ahead of you into Galilee. There you will see him.’ Now I have told you.”
Homeless Jesus - Tim Schmalz's "Frozen Sermon"
A new Homeless Jesus sculpture,presented to the people of Dublin by an anonymous North American benefactor,has been unveiled by the sculptor in the grounds of Christ Church Cathedral in Dublin. Some people love the Banksy feel of it,but others consider it an insult to the figure of Jesus.
The bronze sculpture depicts a park bench with a faceless cloaked figure lying on it. Passers–by realise that the sculpture depicts Jesus only when they notice the holes in the feet. The piece is located in front of the cathedral in full view of the public. and leaves enough room on the bench for someone else to sit down.It's a representation that suggests Christ is with the most marginalized in today's societies.
The first statue was inspired by a sideways glance at a homeless person on a bench in Toronto.The sculptor said that he wanted to get the message out, especially to churches that might want to put this visual prayer outside their church to remind people that human life is sacred.
Casts of the Homeless Jesus sculpture have been installed in cities in N.America,Canada and Europe. Following a competition among prospective Dublin sites,Christ Church Cathedral was chosen to be the location by Tim Schmalz.
At some places in US & Canada people leave gifts for the homeless around the sculpture that are picked up by the homeless or, at the end of the day, collected and given to the shelters.
Church of Ireland Archibishop of Dublin Dr Michael Jackson said that throughout the world of today human beings are subjected to indignity, homelessness, trafficking and death. Every day for them is a Good Friday. They wait for the day of resurrection in hope,in fear, in trust and in betrayal,in darkness and in light.Homeless people draw us into their world,and rightly; we dare not abandon them here or abroad.
The Homeless Jesus is a reminder to the entire community of this city,Catholics and Protestants,people of Faith and people of None.There are people who cannot find a suitable roof over their head and families without a place where they can live with dignity, then none of us can roll over in our comfortable beds with an easy conscience ...
PS: Homeless Jesus' sculpture was banned from central London according to Westminster Council decision.They said it would fail to maintain or improve the character or appearance of the Westminster Abbey and Parliament Square conservation area ... Think about the irony of Jesus the Homeless being Homeless himself , in London ...
Art Works play an important role in bringing social issues to public attention ... Homelessness while awaiting Christmas ...
~ Thanks kindly for your visits,comments & faves ☆☆☆ ~
N.B. Art speaks to us Independent of any Relegion,Dogmas & Beliefs ...
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* Explore diciembre 2025.
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* Vista de la parte norte de La catedral del Santo Cáliz, desde la Plaza. Ciudad de Valencia. Región Valenciana. España.
* La "Catedral del Santo Cáliz" se refiere a la Catedral de Santa María de Valencia. Santa Iglesia Catedral Basílica Metropolitana de Santa María, en España, donde se venera la reliquia del Santo Cáliz (la copa que se cree usó Jesús en la Última Cena) desde 1437, custodiada en una capilla dedicada a ella y que es un importante centro de peregrinación y estudio
Me llamó la atención el cartel anunciador dentro de la Plaza, desde la que está tomada la foto y así os la ofrezco. Acudamos a los versos de Luis Cernuda para rematar esta evocación.
Atardecer en la Catedral (I)
Por las calles desiertas, nadie. El viento
y la luz sobre las tapias
que enciende los aleros al sol último.
Tras una puerta se queja el agua oculta.
Ven a la catedral, alma de soledad temblando.
Cuando el labrador deja en esta hora
abierta ya la tierra con los surcos,
nace de la obra hecha gozo y calma.
Cerca de Dios se halla el pensamiento.
Algunos chopos secos, llama ardida
levantan por el campo, como el humo
alegre en los tejados de las casas.
Vuelve un rebaño junto al arroyo oscuro
donde duerme la tarde entre la hierba.
El frío está naciendo y es el cielo más hondo.
Como un sueño de piedra, de música callada,
desde la flecha erguida de la torre
hasta la lonja de anchas losas grises,
la catedral extática aparece,
toda reposo: vidrio, madera, bronce,
fervor puro a la sombra de los siglos.
Una vigilia dicen esos ángeles
y su espada desnuda sobre el pórtico,
florido con sonrisas por los santos viejos,
como huerto de otoño que brotara
musgos entre las rocas esculpidas.
(LUIS CERNUDA. Poemas.)
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The inside of one of Lalibela's UNESCO World Heritage, churches. Ethiopia.
Nach Fátima ist die Wallfahrtskirche Bom Jesús do Monte das beliebteste Pilgerziel von Portugal.
Die neoklassizistische Kirche liegt inmitten eines großen Parks mit Waldbestand, üppiger Blumenpracht und einem kleinen See.
The Very Best View On Black And Large
(Explore) (157)
El interior
Las columnas de la nave central.
Detalle de la bóveda.
Gaudí evolucionó de un primer proyecto gótico hacia un estilo personal, orgánico, inspirado en las formas de la naturaleza: para librarse de los contrafuertes góticos, ideó el uso de columnas en forma de tronco de árbol, que permiten descargar el peso de las cubiertas directamente en el suelo, solución práctica a la vez que estética, ya que convierte el interior de las naves del templo en un espacio orgánico que semeja un bosque. En 1987 se inició la cimentación de las naves; para 1997 se completaron las bóvedas laterales y se empezó la central.
El templo tiene planta de cruz latina, con cinco naves de 90 metros de longitud, y crucero de tres naves de 60 metros; la nave central tiene un ancho de 15 metros, y 7,5 las laterales, haciendo un total de 45 metros; ancho del crucero, 30 metros. La altura es de 45 metros en las bóvedas de la nave central y 30 en las laterales, mientras que las del cimborio central llegarán a los 60 metros. Las naves laterales contendrán las cantorías para los coros. El ábside es lobulado, con deambulatorio entorno del presbiterio. El templo contará con un total de 36 columnas, que oscilarán entre 11,10 y 22,20 metros de altura, con bases de polígonos estrellados de varios lados según su ubicación: 6 (naves laterales), 8 (nave central), 10 (torres de los Evangelistas), 12 (torre de Jesús). Los materiales de construcción varían de la piedra de Montjuïc al granito, basalto o pórfido.
Las bóvedas son hiperbólicas, construidas con baldosas de mosaico veneciano. Gaudí utilizó la técnica de la bóveda catalana o bóveda tabicada, que consistía en la superposición de varias capas de ladrillos con argamasa. Las cubiertas son de forma piramidal, coronadas por una linterna y un farol. Los ventanales están pensados para distribuir una iluminación suave y armónica, creando un efecto de recogimiento, y tienen forma geométrica abstracta; las vidrieras de colores son obra de Joan Vila i Grau. Gaudí realizó profundos estudios acústicos y lumínicos para conseguir una perfecta sonoridad e iluminación en el interior del templo.
The church plan is that of a Latin cross with five aisles. The central nave vaults reach 45 meters while the side nave vaults reach 30 meters. The transept has 3 aisles. The columns are on a 7.5 meter grid however the columns of the apse, resting on del Villar's foundation, do not adhere to the grid, requiring a section of columns of the ambulatory to transition to the grid thus creating a horseshoe pattern to the layout of those columns. The crossing rests on the four central columns of porphyry supporting a great hyperboloid surrounded by two rings of 12 hyperboloids (currently under construction). The central vault reaches 60 meters. The apse will be capped by a hyperboloid vault reaching 75 meters. Gaudi intended that a visitor standing at the main entrance be able to see the vaults of the nave, crossing, and apse, thus the graduated increase in vault loftiness.
The columns of the interior are a unique Gaudi design. Besides branching to support their load, their ever-changing surfaces are the result of the intersection of various geometric forms. The simplest example is that of a square base evolving into an octagon as the column rises, then a 16-sided form, and eventually to a circle. This effect is the result of a three-dimensional intersection of helicoidal columns (for example a square cross-section column twisting clockwise and a similar one twisting counter-clockwise).
(Wikipedia)
© Copyright Timothy S. March
Shot in 1994 with Hasselblad cw 50mm. Light painting. Fuji rdp2 . Reworked in photoshop cs3 2008
Immagine "colore" originale no conversioni - "Colors" are original no conversions
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Sto cercando di trovare il modo per rendere la mia presenza su Flickr sempre più "produttiva" e utile. Per questo ho pensato di tentare un esperimento:
chiedo a coloro che avranno voglia di commentere questa/queste foto di esprimere un parere il più SINCERO possibile e commentare come segue
Cosa mi piace: bla bla
Cosa non mi piace: bla bla bla
Ovviamente ognuno è libero di seguire o meno questa indicazione. Come contropartita prometto che, nei limiti del mio tempo disponibile, commenterò allo stesso modo ed in modo sincero le foto di coloro che hanno seguito l'indicazione.
Vi prego di non interpretare questo esperimento come un atto di presunzione ma sono fermamente convinto che conoscere cosa sinceramente pensano gli altri ci fa crescere fotograficamente e penso sia il motivo principale per cui vale la pena spendere del tempo su Flickr.
Grazie 1000
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I'm trying to find a way to make my Flickr presence more useful and productive. For this reason I'm trying an experiment. I ask to who will comment this/these photo/s to be SINCERE as much as possible and to comment like this:
What I like: bla bla bla
What I dislike: Bla bla bla
I can ensure that, in the limit of the time I will dedicate to flickr, I'll comment in the same way your photos.
Obviously you're free to comment in any other ways and do not intend my initiative as to be "superior". I'm convinced that to know what other think about our photos hel us to photographically grow</strong
Thanx a lot
D. Jesús Otero Oreña left his legacy to his native town, you can see it in the Museum and Foundation that bears his name located next to the Collegiate Church of Santa Juliana in Santillana del Mar.
This museum, inaugurated in 1994, is nourished by private funds donated by the author to the town in 1993.
It is a total of fifty sculptures, many of which were made in the last years of the author's life, to which we must add utensils, tools and drawings used in his creation.
In EXPLORE (02.08.2017)
Gros coup de coeur de juillet pour l'humble église Saint-Nicolas de Nonette (Puy-de-Dôme). Et gros coup de spleen: son état de délabrement sur tous les murs et plafonds est marquant, son agonie durable.
//
One of my July crushes is on this humble church in Nonette (Auvergne). Unfortunately its indoor dilapidated state is significant, its agony long-lasting...
"L'église de Nonnette est en partie romane, en partie gothique, et dépendait à l'origine d'un prieuré de bénédictins. Sous le clocher, remarquez le portail roman sculpté et, à l'intérieur, dans la première chapelle de gauche, un superbe buste du Christ, exécuté à la fin du 14ème siècle et appelé le 'Beau Dieu.'" (Le Guide Vert Auvergne)
Soundtrack // Bande-son: CURRENT 93 ("Patripassian"): www.youtube.com/watch?v=Z96I_LEGdGQ
"JESUS will be IN AGONY until the end of the world... There must be no resting in the meantime..."
"Un jour elle sera vendue par la mairie. beaucoup de mairies ferment piscines églises etc.... faute de moyens, mais tout va bien... Post-traitement et cadrage adapté, j'aime." // "One day, it's gonna be sold by the mayor. Lots of Town Halls close swimming-pools, churches and so on... for lack of resources, but all is fine... Post-treatment and adequate framing, like it." (Jacques CAFFIN / www.flickr.com/photos/126603373@N08/)
This photo was taken in the village of Athieme in Benin, West Africa. It was interesting to me because someone had painted a tear coming down his cheek.
Imagen titular de la "Hermandad del Transporte " de Jerez de la Frontera en Cádiz, que tiene su sede en la "Capilla de los Riquelme", de la Basílica de la Merced. Hace su salida el Domingo de Ramos por las calles jerezanas.
Last night I dreamt Jesus and I walked along a beach.
"Jesus," I said, "you're black? I thought that was a Hollywood cliche. I figured you didn't have a race--you were just the essence of forgiveness or love or something."
"Nope, I'm black. My son, I'm concerned about the path of your life. You used to help the less fortunate. You used to devote yourself to causes. Now you just pursue money. What happened?"
"Jesus, I'm not sure I ever cared about those causes or if I just wanted to aggrandize myself. I mean, I care but it's secondary to making my own life better. And it's a distant second."
Jesus nodded understandingly.
"Everyone wants to improve their lot, Jesus. But materialists are at least honest about it. Given that you've built us with this self-preservation that trumps other concerns, maybe the most we can hope for is to not be a hypocrite. And to make enough money to enjoy the world you've built for us. It does take money, Jesus, no matter what anyone says."
Holding his hands behind his back as we walked, Jesus was the model of the thoughtful listener. "Mmm-hmm. There was an element of egotism to your works. But in sum you may, eventually, have been able to make some difference, even if small."
"The ends justify the means, Jesus? Is that the creator's philosophy?"
"Oh no. Look around," he said, gesturing to the sky and the water and the sand. "My father was a dadaist. And maybe," he concluded, probing a wound in his wrist absent-mindedly, "a bit of a sadist."
A strange mix of cult-like end of the world posters proclaiming Jesus is coming soon, and a lost cat notice in the middle. I love finding strange stuff like this randomly in the city. I normally avoid shooting pattern shots since they tend to be boring, but the disjointed Jesus posters with the cat notice standing out of place makes this much more interesting then a straight pattern.
Shot Spring 2019 in downtown Toronto. Camera used was a Konica C35 with Kentmere 400 film developed in HC-110.
Scan from darkroom print.
Last year, Jesus had a tribe of BELIEVE trash cans to keep him company. In June when I took this photo, he was a lot lonelier, and when I drove by last week, he was gone.
Ascended into heaven? Kidnapped by some drug addict to be sold for scrap and melted down? No one left to snitch ... or know the truth ... or remember.
The Basilica Minore del Sto. Niño is the center of the oldest Christian devotion in the Philippines. It houses the image of the Sto. Niño de Cebu, a representation of the child Jesus, which was brought by Ferdinand Magellan in 1521.
cebuheritage.com/heritage-of-cebu/old-churches/basilica-m...
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Since there was an ongoing mass (Sunday), I wasn't able to take a look inside. Instead, I just took pictures of what was outside (crowd, street, etc)