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Image started out as an embossed photo paper colored with alcohol inks. Hue edited. Curves feature used to deepen the Midtones. Repeating pattern created from edited image. Hue/Saturation used to change the image color. Paint.net used for all image edits.
Model: Pony Del Giudice
Photography & Edition: Shining Porras
Make Up: Lorena Martínez
Produccion: Gonzalo Romero
Shining Porras Design n' Photography Copyright ©
All Rights Reserved
While home for the holidays I spent some time in Webster Groves, Missouri, where my novel I'm in the process of rewriting is set. I felt better about the setting being there; everything sort of clicked and felt exactly as it should there.
This block was where the family in my book lives.
One of the many ink drawings on tracing paper (traced from original pencil sketches) used to help transfer elements of the eventual overall 'tattoo' design to the surface of the wooden, box sculpture, 'Tattooed Tumour Box' by artist, Wayne Chisnall.
Family camping trip to Inks Lake State Park Texas. Our Apache Ramada canvas-sided trailer pulled by the '68 Ford Galaxy wagon.
Kodak Brownie Fiesta 127.
These ancient cans of litho ink sit in a corner of the studio shelf; nobody uses them but nobody will throw them away either. There are five different Handschy label designs represented here. I thought it was pretty funny that one can is dated 1984 (older than some of my colleagues) until I saw the ones dated 1971 (older than me!). A few have never even been used.
Taken with a novelty stick-on fish-eye lens designed for mobile phones.
With all the colours that the printmakers workshop has on offer, why do I only ever print in black or blue?