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drawn from life using wet ink with pen and brush.

China ink with nib, bot on the sidewalk.

Encre de Chine à la plume, fesses sur le trottoir.

 

The first times I was in Graz, my eyes and my ears were wide opened, ready to catch everything. I was paying attention at each detail, hungry and excited about this new space to live and explore.

 

I realized that the routine never sleeps and actually I 'm inside it.

 

Now Graz is my home. I don't have this first and fresh curiosity.

I don't look at anymore, I just see.

I don't listen to the city neither, I am satisfied to hearing it.

How can I go back ? How could I find again this way to be in the city ?

 

Email: woody236@hotmail.co.uk. This is a print that follows from a series of dry-point prints that I have created as part of my 3D & structures project

Copyright 2014 by Hauke Hatzelhoffer

Photo @ #inkandride #convention #hamburg 2014 / #ink #tattoo #artist

Ink TonersITFSupplies online shopping cart supplies Australia wide HP Canon Kyocera Lanier, Brother, Xerox, Lexmark,Epson ink cartridges. ITFSUPPLIES also provides printer cartridge toners, printer ink cartridges, printer toner and much more

"Free Lensing".

Song: "Joseph, James and John"

Show: The Monks of Malabar

Opening: 14 September 1900 (Knickerbocker)

Libretto: J. Cheever Goodwin

Music: Ludwig Englander

Sheet Music Artist: Edward Windsor Kemble

Publisher: Edward Schuberth & Co.

 

The comic opera was produced by the Francis Wilson Opera Company and opened at the Knickerbocker Theatre on 14 September 1900 and ran until 20 October for 39 performances.

 

Edward Windsor Kemble (1861–1933) was a prolific pen-and-ink illustrator of ethnic types, often in humorous situations. He illustrated stories in Harper's Weekly and early editions of Uncle Tom's Cabin. His most famous efforts are illustrations for the first edition of Huckleberry Finn.

strobist: sb600 @1/2 behind a white shower curtain, fired via CLS

 

1/15/11

 

Notice the swab sample is brown. It was done with a Q-tip. The writing was done with a Speedball metal dip nib. I believe the metal in the nib chemically reacts with ink to make the blacker color. When I use a glass pen, I get the browner color.

Es una versión de El Grito de Munch. Es una cuadro que siempre me ha gustado tanto el cuadro en si como su significado. La incompresión, que a veces yo misma la he sentido. Como se ve al personaje gritando y nadie lo ve. Tambien es un grito a las injusticias, que ahora mismo hay muchas..

Tinta & Marcador de acuarela. Ink & Watercolor Marker.

©AML 2010

1946 Parker Vacumatic sitting in water, ink drifting from the nib feed into clean water.

recycled sugar bag

30X18

ink marker watercolor india ink

The objective of this drawing was to get a grip on drawing man-made objects. Because those objects are often geometrical, perspective is pretty important, as are straight lines and perfect circles. Although I have still a lot to learn about that, I'm pleased with the result.

 

I constructed the perspective view, because I'm having a hard time seeing stereoscopic, having a mild form of misaligned eyes and seeing cross-eyed. I compensate by looking with one eye and ignoring the information coming from the other eye. The result it that I don't see depth at short distances. To compensate for that, I need to construct objects with a 1-, 2- or 3-point perspective view, since I obviously can't rely on direct observation, unless the object is 10 feet or more away from me (which makes it hard to draw small objects). I understand stereoscopic view is different from perspective view, but it's the closest I can get to making something appear three-dimensional.

 

I decided to do some shading by using hatching and cross-hatching with pen and ink. The lines aren't really straight and the bottom of the bottle has a wrong arc.

 

I needed a lot of time for this drawing, around 80 minutes, including digitally touching up the drawing. I can see that once I've done more of these drawings I will get faster, but until then I have to think through each step and hope I don't make too many mistakes.

This is an ink drawing of a sheep skull using a small piece of sharpened bamboo stick (inspired by Edgar Koi).

Smaller blown and splattered ink rendition of the graphite drawings. Panorama of all 3.

A4, pencil, Indian ink, 2009.

Heidelberg Windmill Rebuild Project 2014 - parts of the ink duct

Copyright 2014 by Hauke Hatzelhoffer

Photo @ #inkandride #convention #hamburg 2014 / #ink #tattoo #artist

Copyright 2014 by Hauke Hatzelhoffer

Photo @ #inkandride #convention #hamburg 2014 / #ink #tattoo #artist

Tinta y bolígrafo sobre papel/Ink and pen on paper

ink on bristol

© 2011 Tim Svenonius

That's Life

 

"... That's life, that's what all the people say.

You're riding high in April,

Shot down in May

But I know I'm gonna change that tune,

When I'm back on top, back on top in June."

 

Watercolor and ink in the 3.5 by 5" wc Moleskine.

part of a series of sumi ink and brush drawings

ink comparison.

 

top: parker quink, black.

bottom: noodler's ink, black (bulletproof).

 

paper was briefly submerged in water.

So I don’t really trust any of the methods for removing Mod Era green ear since it’s super finnicky. So I decided to just wipe over (and inside the head) with rubbing alcohol, use my pink and peach ink markers to help blend in the pale area with the rest of her head.

 

As you can see, while I couldn’t completely cover the green ears in the epicentre of the damage, it blended it much better and I can cover the rest with her head lol.

 

All my inks, boxed. Most of these are ordered online for www.thewritingdesk.co.uk, some are bought from Pen Shop and some from Signatures of York.

Inked version of a sketch by Dave Hynes.

 

Painting next!

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