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Pen and Ink drawing of a statue.

For this high-contrast capture, I wanted to reduce the beach to its simplest elements: light and shadow. By removing color, the focus shifts entirely to the rhythmic "S-curve" of the tide. The stark white of the sea foam against the dark, wet sand creates a natural boundary, turning a familiar shoreline into a dramatic, abstract landscape.

a new ink drawing inspired by my latest sketches

 

blogged!

A glimpse of the challenge of calligraphy, thanks to the Japan day at the Kaetsu Centre, Cambridge.

- far right: tracing over my name

- each successive column to the left represents the next try

- the column with just three strokes represents some demonstration by the teacher on brush strokes to aim for.

A re-working of what I already had...done on 7.5.08 at Skinworx in Bessemer, AL.

ink , pen and brush, A3

Ink on paper 8" x 10"

Drawings entirely by hand with black ink. D'après magazines.

I'm working on a card for this week's 'Thinking Inking' class over at 2peas and my crew wanted to play too. Here's a pic of my little 'Thinking Inkers' in action. :)

At the Perth Tattoo Carnivaal.

I had a prolific evening/late night. Was playing around with different effects I could achieve by varing the application of the inks. Now I just have to find beads to match all these to make into earrings.

2048 x 2048 pixel image for the 3rd Generation iPad 2048 x 1536 pixel retina display.

ink on bristol

© 2011 Tim Svenonius

@Rusutsu, Hokkaido

ink and gouache sketch in moleskine, about 7" x 10"

Dark blue/purple = hibiscus + orange peel

Yellow ochre = carrot greens + alum

Amber = onion skin

Dark green = African violet

Bright blue = copper oxide

 

That is the bottom side of the ink plate. Those metal "dogs" catch on another piece, making the plate rotate with every pull of the handle. That is automatic, folks.

Nothing fancy, just an idea.

 

Bottles of ink, ready for testing.

Las calaveras son algo que siempre me han gustado, representan la muerte, algo que inevitablemente va a suceder... ¿porqué una calavera? ¿porqué ésta? Como he dicho, significa la muerte pero para morirse hay que haber vivido y esta calavera es la de alguien que ha vivido a tope: flores, plumas, joyas, pájaros.... vida y muerte van de la mano. Vivamos!!!!!

AP Studio Arts

Digital Photograph

 

In this photo I dropped food coloring into water with a white backdrop. I used overhead and front facing lights to brighten the color in the water, and shot in manual to keep the focus. I was able to emphasize color in this picture opposed to the subject through overexposing the background to create a high-key effect, contrasting the lights and darks, and slightly saturating the photo to emphasize the blue in the food coloring.

celtic shoulder piece done by russell at bizarre ink 36 westport edinburgh

Noodler's Operation Overlord Orange reviewed on Rhodia 80g paper. See Noodler's Operation Overlord Orange reviewed on my blog.

This is the new ink I got at Electric Ladyland Tattoos on Decatur Street in New Orleans. Originally it was just the goddess holding the moon, but she was off center and a little crooked. I turned her into a triple moon. I think it rocks. Another installation in my back piece.

Ink Pelikan

a poster by El' Lissitzky. 1929

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Fungi season has started

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