View allAll Photos Tagged improve,

An old favorite spiffed up a bit. This was one of the first photos I was halfway happy with when I ventured away from 35mm to digital. Unfortunately I had the camera set for low resolution and there isn't much of a file to work with. I don't normally do much alteration to my photos, besides bright/contrast and a little color correction. What you see is what you get for the most part, but I'm fooling around with a few oldies to improve my rather mediocre Photoshop skills.

Trying to improve upon some of my images from the past, looking for that 'extra' one can 'do' in post processing and having fun at the same time...b.mikic

 

“I almost wish we were butterflies and liv'd but three summer days - three such days with you I could fill with more delight than fifty common years could ever contain.”

― John Keats, Bright Star: Love Letters and Poems of John Keats to Fanny Brawne

Weather conditions improved in the late afternoon. This is a northwestward view from a hill that used to be the site for Chichijima's weather station.

 

The island in the left is Nishijima (西島, western island), while those in the right are Hyoutanjima (瓢箪島 gourd island), Anijima (兄島 older brother island), and Hitomarujima (人丸島).

 

According the climate data provided by Japan Meteorological Agency, average temperature of the coldest month in Chichijima is 18.5 degree Celsius, which means Chichijima has a tropical climate.

Annual precipitation of Chichijima is 1,296 mm, and the precipitation of the driest month is 51.6 mm, which means Chichijima has the tropical monsoon climate (Am) as compared to the humid subtropical climate (Cfa) in the Izu islands and the main island part of Tokyo.

 

Chichijima's climate is relatively dry judging from the Japanese standard; annual precipitation of downtown Tokyo is 1,530 mm.

Improved Image Uploaded 26/08/2023

 

⭐️Thank you in Advance for your kind ‘Faves’ Visits and Comments they are so very much appreciated. 👍

 

I cannot always ‘Thank’ everyone individually, for their Visits and ‘Faves’ however, I will always try to respond and thank all those that leave a ‘Comment’. If I do not reply to your 'Comment', it is not because I am ignoring you, it's because I have not seen the 'Comment'.

 

Your 'Comments' do not always appear in 'Notifications' or Flickr mail, so, I am sorry for any delay in responding. Often your 'Comment' is only spotted 'On the Page' on the day, that I see it. (seen ONLY when replying to someone HAS 'Commented' on the image, and I see a notification)

Improved version of earlier (way down in time) upload

-----------------

Free private and non-commercial use of images on my website www.flowingandglowing.com.

Conditions apply.

Commercial licenses for high resolution images are available

Improved saturation and camera position.

Improved contrast and saturation.

Vanguard, 2 Riflemen, and a female Scout. Comment your favs. Ik they're similar but I think they look much better than some of the originals. Share your Rebel armies too!

Pz III J1

C&C welcome

(ง ͠° ͟ل͜ ͡°)ง

HST measurement train crossing the Ribble at Low Sheriffs Brow on 5/9/2021

Copyright David Price

No unauthorised use

A very new moon and a clearer atmosphere than any of my recent visits to the area. Papalote Rancho Viejo campsite in Big Bend Ranch State Park, Presidio County, Texas.

Featuring:

Cynful @ Collabor88

Psycho:Byts @ Mainframe

Axix @ Kinky Event

Pecheresse @ 2much Event

 

Full Details @ rainbowpixiefarts.blogspot.com/2021/08/new-improved-1156....

I haven't used my drone very often this year, mainly because my other camera was more inviting, but maybe coming winter I will use my drone more often.

 

One of the nice things of a drone is that you can picture structures from height that you otherwise wouldn't see.

That is easy seeable with this picture of the "Ijsseleye".

 

The IJsseleye is an artificial island in the Ketellake (Ketelmeer, province of Flevoland, the Netherlands) used as a depository to store polluted silt. Most of the polluted silt was deposited in the Ketelmeer by the IJssel river between 1950 and 1990. Removal of silt soil from the Ketelmeer lake also aims to deepen the channel leading to the mouth of the IJssel to at least a depth of 3.5 m (11.5 ft), thus aiming to improve access to the river for navigation.

 

Improved exposure and clarity. Skin by speedy143.

Still fine tuning my new camera.

I am liking it more and more as I am learning about the new and improved functionalities!

1929 D-Rad R-0/6

 

- 496cc single cilinder 4-stroke engine

- power 12 bhp

- curb weight 170 kg

- top speed 105 km/h

- about 9,000 units assembled (1928-1929)

 

Dear FLICKR friends,

 

Our situation is slowly improving!

We like to thank you all for your support lately ☺☺!

All really appreciated ☺☺!

 

Gr. Clay

Little Black Cormorant with some building material to improve the nest.

(Phalacrocorax sulcirostris)

 

New things come in every package I did this make over for my 15th Rez day coming up on May 7th.

After their overnight run from Medley, FL, FEC train 336 switches onto the Cemex City Point lead at CP City Point in Cocoa, FL.

 

CP City Point was rebuilt from its original configuration a few months prior to this photo. Originally, it was just the single main and the City Point lead with some standard vaders. Now, as you can see, there's a whole new main being built and two tracks that turn west off of the main to head toward Orlando for Brightline.

This part of Ghent has recently been improved. I went with a friend for some golden hour and blue hour shots.

I combined a long exposure shot with a normal shot, to obtain sharp boats.

----------

This image was created with:

Haida 150mm filterholder

Haida CPOL / Haida 10 stops ND / Haida 3 stops Soft Grad

----------

HAIDA BELGIUM / HAIDA PHOTO

Find HAIDA BELGIUM on FACEBOOK

Are you using Haida filters ?

Post your instagram shots on #HAIDABELGIUM

----------

Find me on FACEBOOK

 

Sandown pier was opened in 1878. It has been modified a number of times since then, partly to repair from storm, fires, but also to improve its offering to the public.

 

Another negative that has been rescanned and reprocessed to produce an improved result. The original image, uploaded seven years ago, has been deleted.

 

The shot was taken at Hartlepool while on a week-long Eastern Region Railrover ticket, and features class 37 unit 37160 hauling a rake of COVHOPS, possibly carrying lime destined for the nearby Steetley Works from Thrislington or Coxhoe Quarry.

 

Above the loco can be seen the floodlights of the Victoria Ground, home of Hartlepool United FC and, to the left of that, is the dog track - now demolished and replaced by a Morrisons food store. The signal box is just visible through the girders of the barn-like structure on the right.

 

In the brake van the Guard has his coat hung up, and he's no doubt thinking about the imminent arrival and any tasks he needs to perform before signing off.

 

The station and surroundings were looking pretty uncared for by this time, hardly unusual for the period. Even so, I suspect there would still be a queue to go back and take a few more snaps, should the opportunity ever come up!

 

Ilford FP4, rated at 95asa, developed in Acutol.

8th September 1976

Updated improved image 20/06/2024

 

⭐️Thank you in Advance for your kind ‘Faves’ Visits and Comments they are so very much appreciated. 👍

 

I cannot always ‘Thank’ everyone individually, for their Visits and ‘Faves’ however, I will always try to respond and thank all those that leave a ‘Comment’. If I do not reply to your 'Comment', it is not because I am ignoring you, it's because I have not seen the 'Comment'.

 

Your 'Comments' do not always appear in 'Notifications' or Flickr mail, so, I am sorry for any delay in responding. Often your 'Comment' is only spotted 'On the Page' on the day, that I see it. (seen ONLY when replying to someone HAS 'Commented' on the image, and I see a notification)

This historic timber trestle bridge is the last of its kind still being used in California along Highway One. In the 1850's a logging operation was developed at the mouth of the Albion River on the Albion Flats. Early settlers crossed the Albion River with wagons and horses via steep narrow dirt tracks that went through the mill site and back up the equally steep opposite slope. Eventually it was decided to improve the difficult crossing and in 1944 the current magnificent timber trestle bridge was built. It was constructed from huge first growth Douglas fir beams. Wood was chosen rather than steel because steel was scarce due to the ongoing war effort.

 

Today the Albion Flats and beach are a picnic area and campground open to the public year round.

 

There is an ongoing effort to preserve this bridge from demolition, something the California Transportation Agency is intent on doing. The plan is for a cement bridge. Many locals are hoping this can be prevented given the historic and unique nature of the Albion River Bridge. It remains to be seen what happens.

 

The Albion River Bridge: en.wikipedia.org/wiki/Albion_River_Bridge

  

For improved visibility on level crossings, NS are fitting the class SNG EMUs with a yellow front. For now, the blue and yellow fronts can be seen together - in this case literally, as the leading unit has the blue front (mostly obscured by the overhead line portal and, of course, the other EMU) and the trailing one is yellow. The pair are on their way on a local service from Amsterdam Centraal to Amersfoort Vathorst. Soest, 05-09-2021.

From now on I will try to improve my technical skills, so any feedback/ advice is more than welcome :)

After some nights spent to learn and practice new imaging techniques, I propose a version of my first attempt to Andromeda Galaxy, less harsh, more realistic and detailed and (I hope) nicer to see.

 

- OTA: William Optics Zenithstar 61 APO doublet + WO Flat61 field flattener

- Mount: SkyWatcher Star Adventurer GTI

- Camera: Nikon D800 unmodified

 

Stack of 34x120s. shots @3.200ISO + 10 dark + 10 flats, using Starry Sky Stacker (SSS) for Mac.;

Processing through Adobe Photoshop

  

Any comment and/or advice for improving is welcome

 

Improved image uploaded 16/09/2023

 

⭐️Thank you in Advance for your kind ‘Faves’ Visits and Comments they are so very much appreciated. 👍

 

I cannot always ‘Thank’ everyone individually, for their Visits and ‘Faves’ however, I will always try to respond and thank all those that leave a ‘Comment’. If I do not reply to your 'Comment', it is not because I am ignoring you, it's because I have not seen the 'Comment'.

 

Your 'Comments' do not always appear in 'Notifications' or Flickr mail, so, I am sorry for any delay in responding. Often your 'Comment' is only spotted 'On the Page' on the day, that I see it. (seen ONLY when replying to someone HAS 'Commented' on the image, and I see a notification)

Sweetly scented Lemon flowers blooming at Enid Haupt Conservatory of NYBG.

 

Improved Meyer Lemon

Citrus x meyeri

'Improved Meyer'

RUTACEAE

  

The first record of a mill at Worsbrough was in the Domesday book of 1086, although the exact location of the mill along the River Dove is unknown. The oldest part of the mill standing today dates from about 1625 and forms the two storey stone building known as the Old Mill, which houses the waterwheel. Before the Mill House was built in the mid 18th century the miller and his family would have lived in the mill itself. There are large fireplaces on both the ground and first floors and the lintel over the fireplace on the first floor is inscribed with several dates and initials of the millers.

The Old Mill was probably modernised in the early 1820’s to improve its output, and in the 1840’s the New Mill was built next door. The machinery in the New Mill was powered by a steam engine and a third floor, where grain could be stored in bulk, was added.

Trade for corn and flour began to drop off towards the end of the 19th century as cheap imported wheat came in from abroad.

Museo Guggenheim, Bilbao, Vizcaya, País Vasco, España.

 

El Museo Guggenheim Bilbao (en euskera, Guggenheim Bilbao Museoa; en inglés, Guggenheim Museum Bilbao) es un museo de arte contemporáneo diseñado por el arquitecto canadiense Frank O. Gehry y localizado en la villa de Bilbao (País Vasco), España. Es uno de los museos vinculados en régimen de franquicia o colaboración con la Fundación Solomon R. Guggenheim. Fue inaugurado el 18 de octubre de 1997 por el rey Juan Carlos I de España.

 

Las negociaciones para la construcción del museo entre las autoridades públicas de la comunidad autónoma del País Vasco y los directivos de la Fundación Guggenheim comenzaron en febrero de 1991. El acuerdo se firmó a finales de ese año, seleccionándose el arquitecto y el emplazamiento del edificio a mediados de 1992. Desde su inauguración en 1997, el museo ha recibido una media superior al millón de visitantes anuales, causando un impacto extraordinario en la economía y la sociedad vasca, impulsando el turismo en la región y promoviendo la revitalización de múltiples espacios públicos y privados en la villa, además de mejorar la imagen de la ciudad.​ Todo este fenómeno, bautizado por los medios de comunicación como «efecto Guggenheim» o «efecto Bilbao»,​ ha puesto de relieve la importancia del turismo cultural, y ha generado un efecto de emulación en otros países, con desiguales resultados.

 

La característica más llamativa del museo es el innovador edificio en el que se emplaza, constituido por formas curvilíneas y retorcidas, recubiertas de piedra caliza, cortinas de cristal y planchas de titanio. Cuenta con una superficie total de 24.000 m², de los cuales 10.540 m² están reservados para las exposiciones, distribuidos en 19 galerías, siendo el museo con más metros expositivos del Estado.​ Se ubica a orillas de la ría de Bilbao, en una zona denominada Abandoibarra, junto al puente de La Salve, que está rodeado por una torre hueca.

 

Tanto el edificio como su colección permanente pertenecen a las autoridades vascas. El 3 de diciembre de 2014 el patronato del Museo Guggenheim Bilbao aprobó renovar por otros 20 años la colaboración con la Fundación Solomon R. Guggenheim de Nueva York, suscrita en 1994 y cuya vigencia vencía el 31 de diciembre.

 

Diseñado por el gabinete de arquitectos de Frank Gehry, fue abierto al público en 1997 y alberga exposiciones de arte de obras pertenecientes a la fundación Guggenheim y exposiciones itinerantes. Muy pronto el edificio se reveló como uno de los más espectaculares edificios deconstructivistas. El diseño del museo y su construcción siguen el estilo y métodos de Frank Gehry. Como muchos de sus trabajos anteriores la estructura principal está radicalmente esculpida siguiendo contornos casi orgánicos. El museo afirma no contener una sola superficie plana en toda su estructura. Parte del edificio es cruzado por un puente elevado y el exterior está recubierto por placas de titanio y por una piedra caliza que fue muy difícil de encontrar (al final se logró encontrar en Huéscar, Granada) de un color similar a la que se utilizó para construir la Universidad de Deusto.

 

El edificio visto desde el río aparenta tener la forma de un barco rindiendo homenaje a la ciudad portuaria en la que se inscribe. Sus paneles brillantes se asemejan a las escamas de un pez recordándonos las influencias de formas orgánicas presentes en muchos de los trabajos de Gehry. Visto desde arriba, sin embargo, el edificio posee la forma de una flor. Para su diseño el equipo de Gehry utilizó intensamente simulaciones por ordenador de las estructuras necesarias para mantener el edificio, consiguiendo unas formas que hubieran sido imposibles de realizar unas pocas décadas antes.

 

Mientras que el museo domina las vistas de la zona desde el nivel del río, su aspecto desde el nivel superior de la calle es mucho más modesto por lo que no desentona con su entorno de edificios más tradicionales. ​

 

The Guggenheim Museum Bilbao (in Basque, Guggenheim Bilbao Museoa; in English, Guggenheim Museum Bilbao) is a contemporary art museum designed by Canadian architect Frank O. Gehry and located in the town of Bilbao (Basque Country), Spain. It is one of the museums linked by franchise or collaboration with the Solomon R. Guggenheim Foundation. It was inaugurated on October 18, 1997 by King Juan Carlos I of Spain.

 

The negotiations for the construction of the museum between the public authorities of the autonomous community of the Basque Country and the directors of the Guggenheim Foundation began in February 1991. The agreement was signed at the end of that year, selecting the architect and the location of the building mid-1992. Since its inauguration in 1997, the museum has received an average of more than a million visitors per year, causing an extraordinary impact on the Basque economy and society, boosting tourism in the region and promoting the revitalization of multiple public spaces and in the town, in addition to improving the image of the city. All this phenomenon, baptized by the media as the "Guggenheim effect" or "Bilbao effect", has highlighted the importance of cultural tourism, and has generated an effect of emulation in other countries, with uneven results.

 

The most striking feature of the museum is the innovative building in which it is located, made up of curvilinear and twisted shapes, covered in limestone, glass curtains and titanium plates. It has a total area of 24,000 m², of which 10,540 m² are reserved for exhibitions, distributed in 19 galleries, making it the museum with the most exhibition meters in the State. It is located on the banks of the Bilbao estuary, in an area called Abandoibarra, next to the La Salve bridge, which is surrounded by a hollow tower.

 

Both the building and its permanent collection belong to the Basque authorities. On December 3, 2014, the Board of Trustees of the Guggenheim Museum Bilbao approved renewing for another 20 years the collaboration with the Solomon R. Guggenheim Foundation of New York, signed in 1994 and whose validity expired on December 31.

 

Designed by the firm of architects of Frank Gehry, it was opened to the public in 1997 and houses art exhibitions of works belonging to the Guggenheim Foundation and traveling exhibitions. Very soon the building was revealed as one of the most spectacular deconstructivist buildings. The design of the museum and its construction follow the style and methods of Frank Gehry. Like many of his earlier works the main structure is radically sculpted following almost organic contours. The museum claims not to contain a single flat surface in its entire structure. Part of the building is crossed by an elevated bridge and the exterior is covered by titanium plates and by a limestone that was very difficult to find (in the end it was found in Huéscar, Granada) of a similar color to the one used for build the University of Deusto.

 

Seen from the river, the building appears to have the shape of a ship, paying homage to the port city in which it is part. Its glossy panels resemble the scales of a fish, reminding us of the organic shape influences present in much of Gehry's work. Seen from above, however, the building has the shape of a flower. Gehry's team extensively used computer simulations of the structures needed to support the building for its design, achieving shapes that would have been impossible a few decades earlier.

 

While the museum commands views of the area from river level, its appearance from the upper street level is much more modest, fitting in with its setting of more traditional buildings. ​

As you might have seen already I've built a few warships in the past. But for me those ones weren't good enough which is why I of course had to build another one. The main change I did was making the size a little bigger. Both the lower red part, the grey section and the buildings on top are higher now, which was definitely a good decision. The only thing that's bothering me is that in my opinion the back part is to short compared to the rest of the ship.

But overall I'm quite happy with how this ship turned out. Let me know what you think about the build and how I could improve it!

Improving transparency.

Near Schwedenplatz, Vienna

Original title “Working Girl” was inappropriate. Looked back at all my photos that year and asked myself what I liked best, and why. This is the type photo for a core theme—images resolving contradictions. In this case, order and chaos, as the woman cleans the window of a clock shop with a perfectly horizontal squeegee stroke in a sea of bubbles. Love her contemplative expression, and the clutter of urban reflections superimposed on the orderly interior of a Viennese clock seller.

 

Explore “Street and Documentary” Takeover no.89, 24 July 2024

(This image will replace the last merlin image.)

 

Sure glad that he did not see me. I was hiding behind some short brushes with full camo gears on.

Location: Port Perry (sewage) Lagoon, Ontario.

My good friend Peter EW&F suggested that I improve my bug trap to save the Honey Bees.

I haven't caught any Honey Bees yet mostly flies and ants but I improved it anyway just incase, I can now open the lid and let them out.

See original trap below.

Have a great day!

The other one was so messy, so I redone the whole thing, and I also didn't like his previous owner...

Café Katz, Frederiksholms Kanal 1, Copenhagen.

  

Encadenadas, anterior:silhueta, seguinte:pizarra

1 3 4 5 6 7 ••• 79 80