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Happy Bokeh Wednesday!
This shot is completely unprocessed, uncropped. No artificial light. No adjustments what so ever!! No zoom, no filters. Just me, my camera, and a Macro lens.
I say this only to prove, that great photographic imagery starts with a great image.
All those neah sayers that believe processing is just about fixing a poor image and the digital age requires no thought or skill. So not true...great processing always begins with a great image.
Explore #8
♫ The world had changed unrecognisably
Lost to a false reality for so long
Misguided thoughts on where to lay the blame
For such a tragedy, I recall
It made me come to realise
That the world hadn't changed at all
Forgive yourself ♫
My pose is from ANA POSES Karagandy.
Available at The Epiphany.
[Aleutia] Mercy top and skirt for Uber till Oct 22nd
[Aleutia] Soraya set hat for FaMESHed X till Nov 6th
Doriane skin courtesy of DS'ELLES available @ eBento till 31 July
Cassie outfit courtesy of Clef de Peau @ Summer Camp Event till 31 July
Dream - face & body tattoos courtesy of Stardust @ The Outlet
JuliaFire Large Straight brows courtesy of Simple Bloom available @ the main store
Even without Aspens or scrub oak, this alpine valley somewhere near 12.000' of elevation shows off fall colors with the grasses in the late afternoon.
Stopped at a switchback, along the last leg of the Alpine Loop Trail coming down from Engineer Pass to Animas Forks, the serenity, crispness, and amazing color palette were breathtaking. The small ponds reflected the rich blue skies overhead, while the clouds directed the light into an interesting pattern on the ground.
Congrats on Explore!
Wow.....what can I say other than I am sooooo honored and so surprised to have my cover in your group. Thank you soooooooo much for this honor!!!
Again this one of the many shots I took while down at the Reservoir near Wernigerode. I've always wanted to capture a shot such as this, that darker sinister sense of imagery.
But that said, it gave me such a sense of the way of the common human consciousness, or should I say lack thereof, of just how ambiguous we have become to the word "Empathy", we are so powerful in togetherness, I know it sounds trite and awkward and cheesy, even downright annoying to hear it, but when we are wowed by an enormous explosion in Libya and forget dozens of people are dead and thousands injured caused no doubt deliberately by a dark force; when we are aware of the plight of the starving Yemenis as well the desperation of the Palestinians, it reminds of a lyric by Chris Rea from the single The Road to Hell...
"And the perverted fear of violence, chokes a smile on ever face"
I truly hope it is paved with good intentions.
Mid week, we're almost there folks and so as always thank you! :)
"The Happy Family" is a renowned painting created by the Dutch artist Jan Steen. Painted during the 17th century, Steen was known for his ability to capture scenes of everyday life with a touch of humor and wit. "The Happy Family" exemplifies his style and showcases his talent for storytelling within a single image.
In this painting, Steen depicts a bustling household filled with various members of a family engaged in different activities. The composition is lively and intricate, presenting a chaotic yet harmonious scene. Steen's attention to detail is evident as he portrays each character with unique facial expressions and body language, adding depth and personality to the painting.
At the center of the composition, a jovial couple sits at a table, surrounded by their children and other relatives. The scene is filled with laughter, lively conversation, and playful interactions. The family members engage in various activities, such as eating, drinking, playing music, and engaging in games. Steen's use of vibrant colors and intricate brushwork further enhances the joyful atmosphere of the painting.
Despite the apparent chaos, "The Happy Family" also carries a deeper message. It serves as a reminder of the importance of familial bonds and the joys of shared moments. Steen's portrayal of the diverse characters and their interactions reflects the complexities and dynamics of family life. Through his portrayal, he highlights both the humorous and challenging aspects of domesticity.
"The Happy Family" is a testament to Jan Steen's skill as a painter and his ability to capture the essence of human experience. It continues to be appreciated for its rich storytelling, vibrant imagery, and its ability to evoke a range of emotions from viewers. The painting stands as a testament to the enduring appeal of art that celebrates the joys and challenges of family life.
Buy this photo on Getty Images : soon!
turquoise mosaic
Mexico, 15th-16th century AD
An icon of Mexica (Aztec) art, this striking object was probably worn on ceremonial occasions as a pectoral (an ornament worn on the chest).
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It is carved in wood (Cedrela odorata) and covered with turquoise mosaic. The wood is hollowed at the back.
Serpent imagery occurs throughout the religious iconography of Mesoamerica. The serpent is associated with several Mexica deities including Quetzalcoatl (Feathered Serpent), Xiuhcoatl (Fire Serpent) and Mixcoatl (Cloud Serpent) or Coatlicue (She of the Serpent Skirt), the mother of the Mexica god Huitzilopochtli. The habit of snakes to shed their skin each year probably led to them being used to convey ideas concerning renewal and transformation. Likewise the ability of many species to move freely between water, earth and the forest canopy helped underline their symbolic role as intermediaries between the different layers of the cosmos (underworld, earth and sky).
Spondylus (thorny oyster) shell was used for the bright red details around the nose and mouth of both of this object's serpent heads. Strombus (conch) shell was used for the white teeth. Within the gaping mouths the resin adhesive was coloured bright red with hematite. Beeswax adheres to the edges of the empty eye sockets which were probably originally inlaid, perhaps with iron pyrites.
The reverse of the body is undecorated, although the surface may have originally been gilded, but the heads are worked in mosaic on both sides. Resins from pine and Bursera (copal) were used as adhesives for the mosaic.
www.britishmuseum.org/explore/highlights/highlight_object...
First of a series of 8 in a set that takes exclusively Pano-Sabotage imagery into extreme mirroring.
The visual complexity of the foliage and branches of the mostly natural elements, along with the complex mirror shapes makes for a very ornate statements in this series. At this time of year I seem to often end up doing things that are purely or largely abstract. I also wanted to take, what I call, "X-Stream Mirroring" as far as I could go ( for now ). The results made my think of the complex brocades that frame Tibetan Buddhist Thangka paintings. Hence the "Brocade" name.
It's always been my goal to take Pano-Sabotage as far into art making as I can. I love visually complex work and thought I'd "pull out the stops" for this series. Following these 8 it's likely that I'll go in completely the opposite direction, exploring Pano-Sabotage in extremely simple forms.
Image created Feb 13, 2018.
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© Richard S Warner ( Visionheart ) - 2018. All Rights Reserved. This image is not for use in any form without explicit, express, written permission.
* - See my Galleries featuring some of the best of Flickr's purely Abstract Art at:
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This is an experiment - kinda my first try to make an abstraction. All comments and suggestions are very welcome!
this is part of my 2014 Photographic Museum of Humanity`s grant contest :)
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When I first looked at this image after I'd uploaded it from my camera, I remember seeing only a close-up of a duck's head with a large eye to the left and the bill sloping away to the bottom right of the frame. But when I posted it just now, I immediately saw a legless creature slithering up a sandy slope. Now my brain can switch easily from one to the other. I think they call that 'ambiguous imagery'.