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This work is licensed under a Creative Commons Attribution 3.0 Unported License. Este trabajo está licenciado bajo una Creative Commons Attribution 3.0 Unported Licencia .
Esta foto la pongo a disposición de quien la quiera emplear bajo licencia Creative Commons Attribution 3.0 Unported License (Si vas a emplear alguna y quieres dejar un comentario, pues mejor)
This photo was made available to those who want to use under a Creative Commons Attribution 3.0 Unported License (If you want to use one and leave a comment, because better)
L'Hotel Orto de' Medici a Firenze è situato in un palazzo dei primi dell’800 in una strada tranquilla nel centro di Firenze, nei pressi della Galleria dell’Accademia e a circa cinque minuti a piedi dal Duomo e dalla Fortezza da Basso.
Un servizio di parcheggio custodito è a disposizione dei clienti. La posizione privilegiata ne fa un ottimo punto di partenza per le visite culturali nel cuore della città di Firenze, per lo shopping e per la partecipazione a fiere e congressi. Le 42 camere dell’ Hotel, classic, deluxe o junior suite, sono arredate con gusto ed eleganza. La reception e le sale di lettura sono un luogo di perfetto relax, dopo una giornata di visite ai monumenti.
La colazione, ricca di scelta, è servita in una sala accogliente, che dà su una grande terrazza fiorita e su un giardino bellissimo. FREE Wi-Fi zone e postazione internet sempre disponibili nel ns Hotel.
Constructed in 1897-98, the long-vacant Jamaica Savings Bank building "is a fine and particularly exuberant example of the classically inspired Beaux-Arts style strikingly executed in carved limestone and wrought iron, and is one of only a few buildings in the borough of Queens to embrace that architectural aesthetic. Prominently sited on Jamaica Avenue, the bank building is an urbane presence on the neighborhood’s main commercial thoroughfare. Although the four-story structure is relatively small in scale, the imposing design of the facade conveys a monumentality which is appropriately suited to the distinguished image and reputation of the banking institution, while lending the building the formal elegance of a private club or townhouse."
UPDATE (Oct. 2016): The old bank and its two neighbors to the right are being turned into a three-building retail complex. The 10-story tower that stood immediately to the right (visible above) has been knocked down and is being replaced by a structure similar in height to the bank building. Here's a rendering of the proposed development.
Citations D’Albert Einstein
Description
Einstein
citations.tn/citations/citations-celebres/citations-dalbe...
Purchase this original painting today from my Etsy store »
Title: Florence, Italy, Quiet Alleyway
This is an original oil Tuscany painting by artist Christopher Clark. This scene is from Castelfranco, just outside of Florence, Italy, in the Tuscany region. Every corner your turn in these little streets reveals a quiet and beautiful scene, where the light plays on the centuries-old plaster and brick houses. Own this original Italy oil painting today and enjoy the quietness of little Italian alleyways.
Title
•Easter ceremony in the Armenian convent, Jerusalem, Palestine
Names
•Jarvis, J. F. (John F.), 1850-
Created / Published
•Washington, D.C. : J.F. Jarvis, publishers, c1900 April 27.
Headings
•- Armenians--Spiritual life--Jerusalem--1900
•- Easter--Jerusalem--1900
•- Rites & ceremonies--Jerusalem--1900
Notes
•- D9030 U.S. Copyright Office.
•- Title from recto of item.
•- Copyright by Underwood & Underwood.
Call Number/Physical Location
•LOT 13711-4, no. 208 [item] [P&P]
Repository
•Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA
Digital Id
•ppmsca 10638 //hdl.loc.gov/loc.pnp/ppmsca.10638
LCCN Permalink
•https://lccn.loc.gov/2006679638
PHOTOS: RACHEL ADAMS www.racheladamsphotography.com
How many friends do you really have?
From online to on stage, the new show from Contact Young Actors Company taps in to the world of social media for #follow_me, a new multi-media performance created by the cast, Contact's new Artistic Director, Baba Israel and YOU!
For the past several weeks, people from all around the world have been submitting pictures, poems, video and audio clips, stories and more via Twitter and Facebook – all of which will be a part of this unique interactive theatre experience…and you can still take part…
Tweet during the show and see your 140 characters brought to life by our actors!
During the show there will be a live Twitter feed that the actors will respond to – simply post a message with the hashtag #follow_me between 7pm and 9pm GMT on Wed 16 to Sat 19 December, then sit back and watch it unfold live on stage!
To get the full experience click on the links below to see video, online gallery images, blogs from the cast and more…then book your tickets, leave reality behind and enter the virtual world of #follow_me …
Wed 16 to Sat 19 December, 8:00pm
Tickets: £10/6/FreeAct.
Booking: 0161 274 0600 / www.contact-theatre.org
Contact, Oxford Road, Manchester M15 6JA
Rather nice Large and Dark.
Another shot from the Guildhall trip - this time of the staircase in the library (the temptation to add Professor Plum with the candlestick on the... is almost overwhelming). The OId Library Hall isn't used as the library anymore and is now another function room which sits behind the Great Hall as show in the previous shot in my photostream.
The hall is like a smaller version of the Great Hall and dates back to 1870, so a good 400 years younger. Designed by Sir Horace Jones it held the library for 100 years until it was moved to a new location in 1974 - I've heard great things about the library and a visit is on my list of things to do.
As with the Great Hall it has the feel of a church, but isn't - on the North side of the hall there is a very ecclesiastical stained glass window which depicts William Caxton, who introduced the first printing press to London
Sir Horace was an exponent of the cathedral of industry school of architecture which rose up in the 19th Century - other examples of his work around London include Smithfield and Leadenhall markets which are of a similar style. He also designed Tower Bridge - although the final design was changed somewhat after his death the elements of his original are still there.
So whether or not he designed the staircase is something I really can't say - it rises to a platform in one of the aisles and has a counterpart on the other side of the hall. I was particularly taken by the circle in the carving, hence the shot. The odd angle is to highlight the circle as a straight on view would have had more wood as a background and been somewhat confusing.
But the circle has to be an 'O' and there's only one way to celebrate O's... so have a look at the Fork Handles sketch by the Two Ronnies and...
.. enjoy
桃園縣推廣動物保護協會↓
www.tyacad.org/phpbb2/viewforum.php?f=38
流浪動物花園-新屋收容所↓
www.doghome.org.tw/phpbb2/viewforum.php?f=172
志工↓
www.wretch.cc/blog/sister214319
桃園縣每日捕捉公告
我家沒事別來↓
Tetragonia tetragonioides (New Zealand spinach)
Voucher 050225 14 at Manana, Oahu, Hawaii.
March 26, 2005
Servidor de un puerto serie RS-232 y un puerto RS-232, RS-422 y RS-485 a través de Ethernet de forma remota utilizando los protocolos TCP/IP o UDP/IP. Se trata de un dispositivo compacto y robusto montado en carcasa metálica que dispone de dos conectores RJ45 hembra (ethernet 10/100 Mbps) y de dos conectores serie DB9 macho (serie RS-232, RS-422 y RS-485). Para acceder al puerto serie a través de LAN basta con instalar el contrlador suministrado y Windows crea un puerto serie virtual en el ordenador. Tambien es posible interconectar dos servidores serie entre ellos a través de LAN (modo pareado).
Especificaciones
* Ethernet 10/100 Mbps con auto-detección.
* Incluye pequeño LAN switch de 2 x RJ45 hembra. Por tanto es posible intercalarlo en un cable ya existente (paso a través).
* Dispone de dos puertos DB9 macho. El primer puerto es compatible con RS-232, RS-422 y RS-485. El segundo puerto es compatible solo con RS-232.
* Operativa cliente o servidor para ambos protocolos TCP o UDP.
* Compatible con entornos Windows.
* Firmware actualizable para futuras revisiones y actualizaciones.
* Configuración vía web server, software de configuración del servidor serie, telnet o consola serie. Este último método permite la configuración en el lugar de la instalación del servidor serie.
* Se suministra un controlador de puerto COM virtual que permite mapear puertos serie virtuales con varios servidores serie instalados en la LAN o WAN. Los puertos serie son totalmente transparentes al usuario y aplicaciones.
* Modo punto a punto (pareado). Esta modalidad permite interconectar dos servidores serie a través de la red Ethernet. Para ello un módulo se configura como servidor y otro como cliente.
* TCP Probe. Función que garantiza comunicaciones fiables tanto en modo punto a punto como utilizando el controlador de COM virtual. Esta función restaura automáticamente las conexiones que se han cortado temporalmente.
* Baudrate serie: 110 a 230,4 Kbps, 5.787 bps y 165.250 bps.
* Protocolos: TCP, UDP, IP, ARP, ICMP, HTTP, Telnet, DHCP y UDP Multicast.
* Requiere fuente de alimentación de 12 VDC (incluida).
* Montado en carcasa metálica IP30 con pestañas de fijación DIN rail o pared.
* Tamaño: 107 x 115 x 23 mm.
Añadido: www.cablematic.es/producto/Servidor-IP-serie-RS_hyphen_23...
I recently worked with video game inspired t-shirt company meatbun for their Fall 2011 lookbook. meatbun.us/
Thanks to J. and Steve for modeling for me.
Click here if you wish to download a hi-res version of this photo. If you put a photo somewhere public, please add the credit Photo by Barry Cornelius. Click here for more photos of the 2019 Teddy Hall Relays.
All my details, but the contact details are those of Jimmy Chin! Check out his blog.
Guess they are being displayed from the details for Jimmy Chin in my Google Contacts.
My G+ details display fine on my desktop.
Instructions Blogged Here: www.dabbled.org/2009/02/how-to-make-lovely-eco-friendly-d...
1. Bracelet Making, 2. Bracelet Making, 3. Bracelet Making, 4. Bracelet Making, 5. Bracelet Making, 6. Bracelet Making, 7. Dot's Disc Bracelet - How To, 8. Bracelet Making, 9. Bracelet Making, 10. Bracelet Making, 11. Bracelet Making, 12. Bracelet Making
Created with fd's Flickr Toys.
Photography by Dru Dodds (www.drudodd.com)
The popular and free ¡VAMOS! Picnic held Summerhill Bowling Club lawn marked the middle weekend of the ¡VAMOS! Festival running between 6 to 22 June with events across the North East celebrating Spanish and Portuguese speaking cultures.
Carnival Queens from Elemental Dance performed carnival dance on the lawn, followed by dance demonstrations and classes including Afrocuban Salsa by Yersin Rivas Dance Troupe, Zumba by Christina Francotte and Capoiera by Mestre Gato. The afternoon was rounded off with a live music from the amazing Afro-Brazilian 7 piece band Da Lata, winners of Best Brazilian Act of 2013 in the UK Lukas Awards and DJ Patrick Forge
The event had a Portuguese and Brazilian Festas Juninas theme, a traditional midsummer festival held in Portugal and later introduced to Brazil celebrate rural life and a celebrated with typical traditional costumes, food and dancing. ¡VAMOS! recreated this colourful, lively extravaganza with Brazilian folk dance, Djs, activities and games for children, traditional Quadrilha country dancing food and costumes. The Festas Juninas theme and events was organised by Professor Loiana Leal from Newcastle University with support from Newcastle University’s Engage programme.
The ¡VAMOS! Family Picnic hosted the second public appearance of ¡VAMOS! Festival Pavilion decorated with especially commissioned designs by Brazilian graphic artist Flavio Morais and supported by Arts Council England and ¡VAMOS! Festivals own food stall ¡PICA PICA! selling a contemporary twist on Latin street food. The public were also able to explore an architectural installation in which they could experience sounds of Latin America designed by Architecture student Fabian Danker in collaboration with digital media artist Lalya Gaye and audio artist James Armstrong.Finally, the popular Moon Booth invited the audience to become a #LocoHero at a specially designed photo stand.
www.flickr.com/groups/thepinnacle/
1. Fisherman...., 2. Flying ant for breakfast, 3. Night blooming water lily, 4. Here I come.................., 5. Smoke..., 6. Glowing..., 7. Elephants in the Dust..., 8. Wait for me Mum..., 9. Female Red headed Weaver.., 10. Coming into flower.., 11. Kite spider.., 12. Lilac Breasted Roller..., 13. Grants up close..., 14. Sitting on the Bridge..., 15. He's my King..., 16. Whats that click click noise.., 17. Postcard Sunrise Mombasa!, 18. Dawn Fishermen.., 19. I'm just a little guy..., 20. Starfish and Urchin..., 21. Evening Light..., 22. Hard work.., 23. Kimana, 24. Big Tusker.., 25. strong current...
Created with fd's Flickr Toys
2013-10-19 Sichtbar werden mit Folie Gradinger, Tipp3-Bundesliga powered by T-Mobile, 12. Runde, FC Admira Wacker Mödling vs. SV Scholz Grödig - Endstand 0:4 (0:2), Maria Enzersdorf, BSFZ Arena, 2.0212 Zuschauer, Schiedsrichter Robert Schörgenhofer, Photografer Gerhard Möhsner, Bilderdatenbank Fotoblitz hier klicken
Chancen über Chancen, doch keine wird verwertet: Heimniederlage gegen Grödig!
Die Admira, der erst vor wenigen Tagen nach einem Urteil des Senats 5 acht Punkte abgezogen wurde, konnte leider auch sportlich in der Partie gegen Grödig kein Erfolgserlebnis feiern und musste sich am Samstagabend, 19. Oktober 2013 in der heimischen BSFZ-Arena mit 0:4 geschlagen geben.
Philipp Zulechner (14./88.), Dieter Elsneg (22.) und Stephan Nutz (77./Freistoß) brachten den Aufsteiger nach drei sieglosen Runden zurück auf die Siegerstraße und auf Rang zwei der Tabelle. Der Abstand der Admira bleibt auch nach der ersten Partie nach Punkteabzug weiterhin bei zehn Zählern auf den Vorletzten aus Innsbruck.
Die Partie erinnerte ein wenig an das 7:1 der Salzburger in Grödig im direkten Duell. Damals wurden gleich drei Admira-Spieler ausgeschlossen. Diesmal mussten Wilfried Domoraud (39./Tätlichkeit) und Goalie Andreas Leitner (77./Torraub) vorzeitig vom Feld. Und für die Gastgeber gab es zudem weitere schlechte Personalnachrichten, so mussten Christoph Schösswendter (Augenverletzung) und Thomas Ebner (Schulterverletzung) ins Krankenhaus gebracht werden.
In den ersten Minuten war den Admira Spielern die Verunsicherung nach den Negativschlagzeilen unter der Woche nicht anzumerken, sie starteten auch wesentlich besser ins Spiel. In Führung - fast aus dem Nichts - gingen aber die Gäste. Sascha Boller tankte sich bei einem Konter dynamisch auf der Seite durch und seine Flanke verwertete Zulechner per Kopf aus kurzer Distanz (14.). Es war bereits der neunte Saisontreffer für den Grödig-Toptorschützen, der vierte per Kopf.
Die Grödiger wurden danach aktiver und profitierten auch davon, dass die Admiraner früh wechseln mussten. Schösswendter musste nach einem Zusammenprall mit Zulechner mit Verdacht auf Augenhöhlenfraktur ins Krankenhaus. Unmittelbar danach gab es für die Admiraner mit dem 0:2 den nächsten Schock. Auch beim zweiten Treffer der Grödiger hatte Boller seine Füße im Spiel, diesmal verwertete Elsneg seine Vorarbeit aus rund zehn Metern (22.).
Die Gäste hatten vorerst keine Mühe, die Führung zu verwalten, ihre Situation verbesserte sich auch noch in Minute 39. Admiras Domoraud wurde nach einem Zweikampf mit Boller wegen einer leichten Tätlichkeit ausgeschlossen. Zwei Minuten später fanden die Hausherren ihre einzige gute Chance vor, symptomatisch für den momentanen Zustand bei der Admira fiel der Abschluss von Richard Windbichler aber viel zu schwach aus.
Nach der Pause brach die Admira vorerst aber keinesfalls auseinander, ganz im Gegenteil hielt sie die Partie trotz numerischer Unterlegenheit offen. Grödig-Goalie Cican Stankovic hätte bei einem Abschlag beinahe ein Eigentor produziert (55.), er machte seinen Fehler aber mit einer Glanzparade bei einem Ouedraogo-Kopfball (69.) wieder gut. Zudem vergab Windbichler aus guter Distanz (69.). In der Schlussphase machten die Grödiger, die schon in Minute 54 bei einer Doppelchance von Boller und Nutz auf 3:0 erhöhen hätten können, noch alles klar.
Zuerst passte ein Nutz-Freistoß aus mehr als 20 Metern genau im Kreuzeck (77.), dann sorgte Zulechner nach Tomi-Vorarbeit aus kurzer Distanz für den 4:0-Endstand (88.). Zu dem Zeitpunkt war bereits Abwehrspieler Daniel Drescher im Tor, da Leitner wegen Handspiels außerhalb des Strafraums bei einer Elsneg-Chance Rot sah (79.) und das Austauschkontingent der Hausherren schon erschöpft war.
Jetzt heisst es volle Konzentration auf die nächste Partie: am kommenden Wochenende steht auswärts Sturm Graz am Programm.
Aufstellung Admira Wacker: Leitner, T. Weber, Windbichler, Schösswendter (21. Drescher), Auer, Ebner (64. Ouedraogo), Schick, Schwab, Sax, Domoraud, Rivera (46. Rusek)
Aufstellung SV Scholz Grödig: C. Stankovic, Potzmann, Cabrera, Taboga, Zündel, Tschernegg, M. Leitgeb (46. Nutz), Boller (78. Huspek), Elsneg (82. Tomi), Salamon, Zulechner
Tore: 0:1 (14.) Zulechner, 0:2 (22.) Elsneg, 0:3 (77.) Nutz (Freistoß)
0:4 (88.) Zulechner
Rote Karten: Domoraud (39./Tätlichkeit), Leitner (79./Torraub/Handspiel)
Gelbe Karten: Windbichler, Sax, Auer, Drescher bzw. M. Leitgeb, Cabrera
Bericht Admira Wacker - Fotorechte: Diese Fotos stammen von Gerhard Möhsner und sind urheberrechtlich geschützt. Kopien, Vervielfältigungen für Veröffentlichungen dürfen nur mit ausdrücklicher schriftlicher Zustimmung gemacht werden !!
Publicado em 17 de abr de 2016
www.youtube.com/watch?v=9gvzPayONaM
www.youtube.com/watch?v=9gvzPayONaM
www.youtube.com/watch?v=9gvzPayONaM
#ImpeachmentDay BIKE ☆ FAMÍLIA
17 de Abril de 2016 - Domingo que ficara marcado
na História do Brasil, a queda da Dilma é nossa!
"Sou Brasileiro com muito orgulho!"
#FAMILIACOMUM
#FLATLANDWAY
#LISIASCOMUM
#ForaDilma
#LulanaCadeia
#ImpeachmentDay
★★★★★INSCREVA-SE || SUBSCRIBE
★★★★★CURTA || ENJOY || FAN PAGE
★★★★★SIGA || ACOMPANHE (@LISIASCOMUM)
CONTATO || DIRETO
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Videografista: Lísias Tabarelli ou "LISIASCOMUM"
Imagens: Paolla Tabarelli.
Cameras: SONY HX-1
Local: Largo Mercado Municipal - Piracicaba S.P. Brasil.
Lísias Tabarelli, Flatland Way!, BMX Freestyle, Bike Manobras, Lisias Comum, arte, música, festival, Thiago Baby, BABY, Flatland Fuel, Odyssey, carnaval, família, 2015, 2016, Paula, Paolla Nicolas Mathias, Piracicaba, São Paulo, Brasil, moderno futuro show movimento entre Saúde, Natal, #FelizNatal, Ano Novo, Diversão, Carinho, data, Limite, Futuro, Europa, Coca-Cola, Fora Dilma, Fora PT,Lula na Cadeia, amor Paz, Timelapse Gabriel Paris, Foto Gabriel, Vídeo Lísias, Mulher Bonita, Comida Boa, Salada de Fruta, Flatland BMX, Bike Manobras, Movimentos bicicleta, EXTRA, Praça Catedral, Igreja Nuvens, Lisias Tabarelli, Paolla, RL, Manobras de Ação, Action Bike, Show, Música, hidrante água, Piracicaba Way, Flatland Way!, água saborizada, água com sabor de frutas, escondidinho de batata doce, escondidinho de frango, escondidinho fit, #HighStakesLifeStyle.
www.huffingtonpost.com/damon-dahlen/hurricane-sandy-photo...
Chilean tourists Juan Irarrazaval and Pilar Ferrada check out the sites at Lower Manhattan's Battery Park as Hurricane Sandy approaches New York City. New York braced for Hurricane Sandy as the storm approaches the east coast of the United States and is slated to make landfall in New Jersey on Monday October 29, 2012. (Damon Dahlen, AOL)
NYC Wine & Food Festival 2012: Burger Bash presented by Pat LaFrieda Meats at Basketball City, Pier 36, NYC
The "burgers" were essentially silver dollar-sized yellow cake filled with chocolate ganache
© 2012 Tina Wong; The Wandering Eater. All Rights Reserved. Images may not be reproduced, copied, or used in any way without written permission.
Hey Hey November! Purchases this month ranged from a bag of rice to an iphone. I also happened to buy some swimming medals from the mid 90s and a package of gremlins cards for no reason what so ever. OH and I really wanted our house to smell like fall and winter (hence the candle and incense purchases).
The cover pattern pays homage to the rice that I purchased on November 1st. The rice was white...not red, teal and peach.
Enjoy!
Every copy of What Did You Buy Today comes with a button or a sticker or a postcard or whatever I happen to think would be awesome to give away that day. The covers are color laser printed onto cardstock and the guts are b&w photocopies. Oh and a plastic bag. It all comes in a fancy schmancy plastic bag. SWEET!
Each issue contains 30 or 31 or 28 or 29 (leap year) drawings.
You may browse November's purchase drawings here: www.flickr.com/photos/kateconsumption/sets/72157608583952...
Remember, the original drawings are for sale as well. www.etsy.com/view_listing.php?listing_id=17522663
This edition contains 100 zines.
all zines are numbered and signed by me with my favorite black ink pen.
photos : (c) Greenpeace / Atticus Hoppe
„Beluga II“ informiert die Bürger Im Frühjahr 2014 bereist das Greenpeace-Schiff „Beluga II“ die AKW-Regionen an Rhein und Mosel. Ihr Ziel: Die Menschen in Deutschland, Frankreich, der Schweiz und Luxemburg über die Risiken der alternden Atomkraftwerke zu informieren und zu mobilisieren.
Au printemps 2014, le Beluga II, un navire de Greenpeace, effectue une tournée au cœur de l ’Europe en naviguant sur le Rhin et la Moselle. L’objectif : informer et mobiliser les citoyens d’Allemagne, de France, de Suisse et du Luxembourg contre les risques liés au vieillissement des centrales nucléaires.
Domain: Bacteria
Kingdom: Unranked
Phylum: Thermodesulfobacteriota
Class: Desulfovibrionia
Order: Desulfovibrionales
Family: Desulfonatronovibrionaceae
Genus: Desulfonatronovibrio
Species: D. hydrogenovorans
karen-rosenblatt.artistwebsites.com/featured/new-orleans-...
Unlike many cities where a tour of mansions involves climbing on a bus or a long drive, New Orleans’ Garden District is accessible and easily walkable. Stop and gawk at the exquisite examples of quintessential New Orleans architecture: a set of white columns, the scroll work of a cast iron fence, or a romantic Romeo and Juliet style gallery.
schteif.blogspot.com/2012/02/500-million-users-and-no-hum...
This account was suspended for sending multiple unsolicited messages using the @reply and/or mention feature. These features are intended to make communication between people on Twitter easier. Twitter monitors the use of these features to make sure they are used as intended and not for abuse. Using either feature to post messages to a bunch of users in an unsolicited or egregious manner is considered an abuse of its use, which results in account suspension. As this appears to be a repeat violation, this account will not be restored.
Thanks,
Twitter Trust & Safety
en.wikipedia.org/wiki/Kanazawa_Castle
We visited Nagoya Castle, Kanazawa Castle and Nijo Castle while we were in Japan - out of sheer interest in the feudal history of Japan, the defense mechanisms of different types of castles and more.
Kanazawa Castle was easily one of the more beautiful and spacious castle of the 3 that we were at, although at it's current state, the insides of the buildings seems smaller than that of the Nagoya castle.
What is important about this castle is that most of this castle was rebuilt faithfully according to tradition. Cypress beams had no nails in them but kind of built with "Jenga" sort of set up.
Walls were built with layers of mud, ropes, more mud and rocks. Some of the bases, particularly with carvings on them, came from temples.
It was also, basically, a dangerously beautiful place. If in a siege, the castle has a large number of slotted windows (which I tried to take pictures through) for archers to attack outsiders.
Under those windows, there are also slots for them to drop stones on to enemies.
Should they enter past the first gate, it's also a death trap whereby they are stuck in a small area surrounded by windows for archers.
Surrounding the Castle are roads that used to be a part of the moat outside of the castle. There's more moats inside (obviously) that has been kept as they were.
Kanazawa Castle was used as the headquarters of the 9th Division of the imperial army prior to WWII, which then saw a couple of additions to the castle walls.
Thereafter, it was used by the local university till 1989. It's now a local tourist spot and they have english speaking volunteers to take you around the place.
There's even sections for you to climb to the top of the defense towers, although the steps are dangerously steep and slippery.
Video Mapping Philipp Geist_Ano da Alemanha no Brasil - Cristo Redentor 2014
„VideoInstallation by Philipp Geist“, "Philipp Geist", „Copyright 2014 Philipp Geist / VG Bildkunst 2014", www.videogeist.de, mail@videogeist.de, „Rio de Janeiro“, "Santa Marta“, „Cristo Redentor“, „Dona Marta“, „Deutschland + Brasilien 2013-2014“, “Alemanha + Brasil 2013-2014”
Photo by Fred Pacífico
©2014 Philipp Geist / VG BIldkunst Bonn
Rio de Janeiro / Brazil 2014
Christ statue (Cristo Redentor) – May 12
Dona Marta favela – May 15 and 16,2014
Light Art-Video-Mapping-Installations Philipp Geist in Rio de Janeiro / Brazil 2014
on the Christ statue (Cristo Redentor) - May 12 and in the Dona Marta favela - May 15 and 16,
2014
Installation Philipp Geist Year of Germany in Brazil 2013/2014
Concept Time Drifts May 2014
At the end of the Year of Germany in Brazil 2013/2014, the artist Philipp Geist (Berlin, 1976)
develops two light installations in Rio this year; the first one on the world-famous Christ statue
(Cristo Redentor) and the other installation in the Santa Marta favela. For the installation the
artist presents artistic-liberal and poetic German and Brazilian themes and develops a building
and floor light installation of colored words and phrases in Portuguese, German, and in other
international languages. The installation deals with cultural characteristics and achievements of
both countries and visualizes the issues of time and space, volatility and presence in a free
artistic style. The two projects are in fact a double project which is combined. The installation
on the symbol of Rio and Brazil, the Christ statue, is recorded and projected onto the small
buildings and huts of the favela. The Christ statue, which has been built to protect the city and
the sailors, is symbolically projected on the shantytown, the favela, in a protective way. The
installation in the favela will be seen not only on a facade as a large cinema projection or as a
static image, but on several winding buildings, the roofs, the floor and on the steps. Thus, the
visitor becomes a part of the installation and can immerse into the projection and the light and
introduce himself. Chalk crayons are put out on the streets in the favela and the young and old
residents and visitors can write and paint words on the street, the ground, the stairs or even on
the house walls. The residents and several institutions should be addressed to submit words and
associations dealing with Rio, Brazil and Germany.
For the installation, which was shown at the Luminale in 2012, the artist Philipp Geist won the
German Lighting Design Award 2013 (Deutscher Lichtdesign-Preis 2013) in the category Light Art.
The series 'Time Drifts' is characterized by the complex and subtle way of visualizing various
currents and voices in cultural contexts and to provide institutions and visitors with the
opportunity of substantive participation: different personalities, visitors and institutions may be
addressed in advance and then contribute words and associations. Current and historico-cultural
topics are researched in advance by the artist and then integrated in a sensitive and subtle way.
The projection dismisses the use of screens, because concepts and associations are projected on
a large area onto the floor surface on several facades and in theater fog. Over the course of two
days, the installation can be seen on-site in the favela on May 15 and 16 and on the Cristo
Redentor on May 12 for a day.
Short, tall, young and old visitors can interactively participate in the installation by tracing and
adding words with colored chalk crayons available on the streets. Thus, over the period of the
installation, a carpet of words is evolved with terms that are contributed locally by the visitors
by means of the temporary and volatile 'medium' of chalk crayons. Philipp Geist develops in this
way a dialogue between the place, the visitors and his artistic work.
The concrete, tangible projection of the architecture and the static terms on the floor area
represents the facts and visible relics that are responsible for our understanding of history. The
transparent and volatile projection in the fog reminds us that part of the history can not be
preserved and that it is created in our individual imagination in a single moment. Words are
briefly visible as a metaphor for transience and then disappear again. This interplay of the
various text and image layers in the space refers to the location and the history/-ies of Brazil
and Germany and the cultural exchange between the two countries. The visitors themselves are
part of the installation: they dive into the large floor projection. In this way, different
perspectives and experiences of space are unified. Abstract passages which are created, then
overlapped and displaced by each other symbolize the constant changes in history, the passage
of time and the transience of existence. Even the understanding of the past is in the flux. The
modern writings and formations created on the computer establish a connection to the present
and the possibilities of today's technology and show that the perception of history and culture
depends always on the possibilities and constraints of the present.
'Time Drifts - Words of Berlin' is part of a series of installations, which has been shown in recent
years by Philipp Geist, and which are always re-developed site-specifically and adapted to the
local conditions: In October 2012, Philipp Geist showed the installation on the entire Potsdamer
Platz (public square) and the Kolhoff Tower and Renzo Piano Tower skyscrapers. In April 2012
the installation was shown at the Luminale in Frankfurt where it was seen by more than 40,000
visitors and thus the main project of the Luminale 2012. In 2011, Philipp Geist presented the
'Time Drifts' installation in Vancouver at the Jack Poole Plaza, as well as in Montreal on the
Place des Arts in 2010. The 'Timing' installation was shown at the 2009 Glow Festival in
Eindhoven. In the end of 2009, on the occasion of the birthday of the King of Thailand, 2-3
million visitors saw his facade installation at the royal throne in Bangkok. Other projects
include: 'Timelines' at the prestigious Pallazzio delle Esposizioni (Rome, 2007), 'Time Fades'
at the Cultural Forum of Berlin and 'Broken Time Lines' at the old spa Kurhaus Ahrenshoop
(Germany, 2008).
Geist's projects are primarily characterized by their complexity concerning the integration of
space, sound and motion images. His video mapping installations waive screens and transform a
wide range of architectures in moving, picturesque light sculptures which challenge the viewer's
perception of two- and three-dimensionality.
www.alemanha-brasil.org/br/node/8542
www.alemanha-brasil.org/Programme/Dia/2014-05-12
www.alemanha-brasil.org/Programme/Dia/2014-05-15
www.alemanha-brasil.org/Programme/Dia/2014-05-16
---------------
Arte de luz - Instalações de Mapeamento de Vídeo por Philipp Geist no Rio de Janeiro / Brasil
2014 no Cristo Redentor no dia 12 de maio e na favela Santa Marta nos dias 15 e 16 de maio de
2014
Instalação Philipp Geist Ano Alemanha + Brasil 2013/2014
Conceito Time Drifts Maio 2014
No final do ano Alemnaha + Brasil 2013/2014, o artista Philipp Geist (1976, Berlim) desenvolverá
duas instalações de luz no Rio; uma delas será exibida na mundialmente famosa estátua do
Cristo Redentor, e a outra na favela Santa Marta. Para a instalação, o artista traz temas teutobrasileiros
de maneira liberal-artística e poética desenvolvendo instalações de luz em edifícios e
no solo a partir de palavras e conceitos coloridos em Português, Alemão e em outros idiomas
internacionais. A instalação lida com as peculiaridades e realizações culturais de ambos os países
e visualiza as questões de tempo e espaço e de volatilidade e presença no estilo liberal-artístico.
Os dois projetos em questão representam um projeto duplo que é combinado. A instalação na
estátua do Cristo Redentor, como um símbolo do Rio e do Brasil, será gravada e projetada nos
pequenos prédios e barracos da favela. A estátua do Cristo Redentor, que foi erguida para
proteger a cidade e os marinheiros, será então projetada como um símbolo de proteção em uma
favela. A instalação na favela é visto não apenas em uma fachada como uma projeção grande de
cinema ou como uma imagem estática, mas em vários prédios sinuosos, em telhados, no solo e
nas escadas. Desta maneira, o visitante conseguirá ser parte da instalação e imergir e mergulhar
na projeção e na luz. Na favela, será distribuído giz para pintura de rua, e os moradores e
visitantes, tanto jovens quanto velhos, podem escrever e pintar conceitos na rua, no solo, nas
escadas ou até mesmo nas paredes das casas. Os moradores e diversas instituições serão
convidados a contribuir com conceitos e associações que representam o Rio, o Brasil e a
Alemanha.
Para as instalações apresentadas na Luminal em 2012, o artista Philipp Geist ganhou o
'Deutscher Lichtdesign-Preis 2013” (Prêmio Alemão de Desenho de Luz de 2013) na categoria
Arte de Luz. A série Time Drifts caracteriza-se pela forma complexa e sutil de visualizar várias
correntes e vozes em contextos culturais e de oferecer a instituições e aos visitantes a
oportunidade de participar: diferentes personalidades, visitantes e instituições podem ser
contatados antecipadamente para contribuir com termos e associações. Temas atuais, históricos
e culturais serão previamente pesquisados pelo artista e, depois, integrados de uma forma
sensível e sutil. A projeção é realizada sem o uso de telas porque conceitos e associações são
projetados, em grande estilo, sobre a superfície do solo, em diversas frentes e envolvidos em
fumaça. Ao longo de dois dias, a instalação estará em exibição em 15 e 16 de maio na favela, e
em 12 de maio, por um dia, no Cristo Redentor.
Visitantes jovens e velhos podem envolver-se na instalação e traçar ou adicionar palavras com
giz colorido, que será distribuído, e assim participar interativamente na instalação. Desta
maneira, durante a duração da instalação, será desenvolvido um tapete de palavras. As palavras
serão fornecidas, no próprio local, pelos visitantes usando o giz, um meio temporário e volátil.
Philipp Geist desenvolve assim um diálogo entre o local, os visitantes e seu trabalho artístico.
A área de projeção concreta e tangível da arquitetura e os termos estáticos sobre a superfície do
solo representam os fatos e as relíquias visíveis que compõem a nossa compreensão da história. A
área de projeção transparente e sumindo por dentro da fumaça lembra que parte da história não
pode ser preservada e que ela é criada na nossa imaginação individual momentaneamente.
Conceitos são brevemente visíveis, como uma metáfora para a transitoriedade e, logo mais,
desaparecem. Esta interação entre as várias camadas de texto e de imagens no espaço refere-se
à localização e a(s) história(s) do Brasil e da Alemanha e o intercâmbio cultural entre os dois
países. Os próprios visitantes tornam-se parte da instalação: eles imergem na grande projeção
do solo. Desta forma, diferentes perspectivas e experiências de espaço são unidas. Passagens
abstratas que são formadas, sobrepostas e suprimidas pela próxima simbolizam as mudanças
contínuas na história, a passagem do tempo e a transitoriedade da existência. A compreensão do
passado também está no fluxo. As fontes e formações modernas criadas no computador
estabelecem uma conexão com o presente e com as possibilidades da tecnologia de hoje: a
percepção da história e da cultura sempre dependende das capacidades e limitações do
presente.
'Time Drifts - Words of Berlin' faz parte de uma série de instalações, que foram apresentadas
durante os últimos anos por Philipp Geist e que são sempre redesenvolvidas para as condições
locais específicas: em outubro de 2012, Philipp Geist exibiu a instalação em toda a praça
Potsdamer Platz (Berlim) e nos dois arranha-céus Kolhoff Tower (Berlim) e Renzo Piano Tower
(Londres). Em abril de 2012, a instalação foi apresentada no evento da Luminal em Frankfurt
onde foi vista por mais de 40.000 visitantes sendo o principal projeto da Luminal de 2012. Em
2011, Philipp Geist mostrou a instalação Time Drifts na praça Jack Poole Plaza em Vancouver
bem como em Montreal, Canadá, no centro de arte Place des Arts, em 2010. A instalação Timing
foi exibida no Glow Festival de 2009 in Eindhoven, Holanda. No final de 2009 e por ocasião do
aniversário do rei tailandês, aprox. 2 a 3 milhões de visitantes viram a instalação de fachada do
artista no trono real em Banguecoque. Seus outros projetos incluem: Time Lines, no prestigiado
museu Palazzio delle Esposizioni (Roma, 2007); Time Fades, no Fórum Cultural de Berlim;
Broken Time Lines, no antigo spa Kurhaus Ahrenshoop (Alemanha, 2008).
Os projetos de Geist são principalmente caracterizados por sua complexidade na integração de
espaço, som e imagens de movimento. Suas instalações de mapeamento de vídeo renunciam
telas e transformam uma ampla gama de arquiteturas em esculturas móveis e pitorescas que
desafiam a percepção do espectador de duas e três dimensões.
www.alemanha-brasil.org/br/node/8542
www.alemanha-brasil.org/Programme/Dia/2014-05-12
www.alemanha-brasil.org/Programme/Dia/2014-05-15
www.alemanha-brasil.org/Programme/Dia/2014-05-16
---------------
Lichtkunst-VideoMappingInstallationen Philipp Geist in Rio de Janeiro / Brasilien 2014
an der Christstatue (Cristo Redender) 12.5 und in der Favela Santa Marta 15./16.5.2014
Installation Philipp Geist Deutsch-Brasilianisches Jahr 2013/2014
Konzept Time Drifts Mai 2014
Zum Abschluss des Deutsch-Brasilianischen-Jahres 2013/2014 entwickelt der Berliner Künstler
Philipp Geist (1976) zwei Lichtinstallation in Rio d.J.; eine an der weltbekannten Christstatue
(Cristo Redender) und in die andere Installation in der Favela Santa Marta. Bei der Installation
greift der Künstler künstlerisch frei und poetisch deutsch brasilianische Themen auf und
entwickelt eine Gebäude- und Boden-Lichtinstallation aus farbigen Wörtern und Begriffen in
portugiesischer, deutscher, und in weiteren internationalen Sprachen. Die Installation thematisiert
kulturelle Besonderheiten und Errungenschaften beider Länder und visualisiert die Themen Zeit
und Raum, Flüchtigkeit und Präsenz in freien künstlerischen Art. Bei den beiden Projekten handelt
es sich um ein Doppelprojekt welches kombiniert wird. Die Installation auf das Wahrzeichen von
Rio und Brasilien die Christstatue, wird aufgenommen und auf die kleinen Gebäude und Hütten
der Favela projiziert. Die Christstatue die errichtet worden ist um die Stadt und Seeleute zu
schützen, wird so symbolisch schützend über ein Armenviertel die Favela projiziert. Dabei ist die
Installation in der Favela nicht nur auf einer Fassade als große Kinoprojektion oder als statisches
Bild zu sehen, sondern auf mehreren verwinkelten Gebäuden, den Dächern, den Boden und auf
den Stufen. Der Besucher wird vielmehr auf diese Weise selbst Teil der Installation und kann in die
Projektion und das Licht eintauchen und sich einbringen. In der Favela werden Strassenmalkreide
ausgelegt und die Bewohner und Besucher ob jung oder alt können Begriffe auf die Strasse, den
Boden, die Treppenstufen oder sogar auf die Hauswände schreiben und malen. Die Bewohner und
verschiedene Institutionen sollen angesprochen werden Assoziationen und Begriffe die für Rio,
Brasilien und Deutschland stehen einzureichen.
Für die 2012 bei der Luminale gezeigten Installation hat der Künstler Philipp Geist den Deutschen
Lichtdesign-Preis 2013 in der der Kategorie Lichtkunst gewonnen. Die Serie 'Time Drifts' zeichnet
sich aus durch die komplexe und die subtile Möglichkeit, verschiedenste Strömungen und
Stimmen in kulturellen Kontexten sichtbar zu machen und Institutionen und Besuchern die
Möglichkeit zur inhaltlichen Partizipation zu geben: Es können verschiedene Persönlichkeiten,
Besucher und Institute im Vorfeld angesprochen werden, die Begriffe und Assoziationen
beisteuern. Aktuelle und kulturhistorische Themen werden im Vorfeld vom Künstler recherchiert
und auf sensible und subtile Weise integriert. Die Projektion verzichtet auf den Einsatz von
Leinwänden, denn Begriffe und Assoziationen werden grossflächig auf die Bodenfläche, auf
mehrere Fassaden und in Theaternebel projiziert. Über den Zeitraum von 2 Tagen wird die
Installation vor Ort in der Favela am 15/16.Mai und die Installation am Cristo Redentor am 12.Mai
für einen Tag zu sehen sein.!
Kleine, große, junge und alte Besucher können sich einbringen in die Installation und mit farbiger
Straßenmalkreide, die ausgelegt wird, Wörter nachzeichnen und hinzufügen und so interaktiv an
der Installation teilnehmen. Über die Installationsdauer entsteht somit ein Wörterteppich aus
Begriffen, die vor Ort von den Besuchern selbst mittels dem temporären und flüchtigen 'Medium'
der Strassenmalkreide beigesteuert werden. Geist entwickelt auf diese Weise einen Dialog
zwischen dem Ort, den Besuchern und seiner künstlerischen Arbeit. ! !
Die konkrete, greifbare Projektionsfläche der Architektur und die statischen Begriffe auf der
Bodenfläche stehen für die Fakten und sichtbaren Relikte, welche unser Geschichtsverständnis
ausmachen. Die transparente, sich verflüchtigende Projektionsfläche im Nebel erinnert daran,
dass ein Teil der Geschichte nicht konserviert werden kann und im Moment in unserer individuellen
Vorstellung entsteht. Begriffe werden als Metapher für die Vergänglichkeit kurzzeitig sichtbar und
verschwinden sofort wieder. Dieses Zusammenspiel der verschiedenen Text- und Bildschichten im
Raum verweist auf den Ort und die Geschichte(n) Brasiliens und Deutschlands und den kulturellen
Austausch beider Länder. Die Besucher selbst werden Teil der Installation: sie tauchen in die
großflächige Bodenprojektion ein. Auf diese Weise vereinen sich unterschiedliche Perspektiven
und Raumerfahrungen. Abstrakte Passagen, die sich aufbauen, überlagern und gegenseitig
verdrängen, symbolisieren die ständigen Veränderungen in der Geschichte, den Lauf der Zeit und
die Flüchtigkeit des Seins. Auch das Verständnis von der Vergangenheit ist im Fluss. Die
modernen Schriften und Formationen, die am Computer entstanden sind, stellen eine Verbindung
zur Gegenwart und den Möglichkeiten der heutigen Technik her und zeigen, dass die Erfahrbarkeit
von Geschichte und Kultur immer von den Möglichkeiten und Rahmenbedingungen der Gegenwart
abhängig ist.
'Time Drifts - Words of Berlin' ist Teil einer Serie von Installationen, die Philipp Geist in den letzten
Jahren gezeigt hat, und die dabei immer wieder neu an die örtlichen Gegebenheiten ortsspezifisch
weiterentwickelt wird: Im Oktober 2012 zeigte Geist die Installation auf dem gesamten Potsdamer
Platz und den beiden Hochhäusern Kolhoff Tower und Renzo Piano Tower. Im April 2012 wurde die
Installation in Frankfurt auf der Luminale gezeigt, wurde von mehr als 40.000 Besuchern gesehen
und war das Hauptprojekt der Luminale 2012. Im Jahr 2011 zeigte Geist die Installation Time Drifts
in Vancouver am Jack-Poole Plaza, ebenso wie in Montreal am Place des Arts in 2010. Die
Installation 'Timing' war 2009 auf dem Glow Festival in Eindhoven zu sehen. Ende 2009 sahen
anlässlich des Geburtstages des thailändischen Königs ca. 2-3 Millionen Besucher seine
Fassadeninstallation am königlichen Thron in Bangkok. Andere Projekte waren u.a.: 'Time Lines'
am renommierten Museum delle Esposizioni (2007), 'Time Fades' am Berliner Kulturforum,
'Broken Time Lines' am alten Kurhaus Ahrenshoop (2008).
Geists Projekte sind in erster Linie gekennzeichnet durch ihre Komplexität in der Integration von
Raum, Ton und Bewegbild. Seine Video-Mapping-Installationen verzichten auf Leinwände und
verwandeln verschiedenste Architekturen in bewegte, malerische Lichtskulpturen, die die
Wahrnehmung der Betrachter von Zwei- und Dreidimensionalität herausfordern.
While we were in the Kawarthas, we did a couple hikes through the Silent Lake Provincial Park. I wasn't expecting to see much in the "deep woods" but it turns out that was my favorite part. There were many little water falls, streams and ponds throughout the woods. Great hiking area
Conyza bonariensis (Hairy horseweed, lani wela)
Habitat with Hyposmocoma purse case in coral rubble at Lake Trail, Laysan, Hawaii.
September 11, 2013
I Used to be a Train: youtu.be/ntlIS1iruoY I never got permission from Joe Bin (www.youtube.com/watch?v=xbRZMU6ADY0) to use his video, so I hope he does not get mad at me.... RIP Oh hi! Didn't get enough Emerrias as a train ever since you saw the last time I made a rap? Well I am happy to reveal this part 2 where I talk about my journeys as a plane! I recorded this video like 30 or 40 times because every time without fail I would mess up, but I think in the end it was for sure worth it! Are you new here? If you are, subscribe to stay up to date with my new comedy! :D (P.S If you see this, comment two 🍍s!) Yo yo , Planerrias is back, Joe bin still on the instruments, One man, nah he still a whole dam band Ive been flying high for about 8 months, but suddenly everything is coming at once Other planes talking bout me and my clout, but they dont even know what im about I’ve been to Cancun, I’ve been to a lagoon, I made this tune, all in one afternoon They hate my cuz they ain't me, and everyone just says OMG Look at his wings his wings are so small, i bet he doesnt even work out at all Everything about him is just wrong, he picked this as his theme song He needs to fly into like a volcano, and stop being such a plain o boy Don't you agree with me Britney, like hes acting like hes three... ____ Yo yo …. You need to stop, okay? You need to stop…. being a plane is my own choice, okay… I dont mean to flex, I fly international, when they see me all the plane-ettes turn irrational Everyone wanna be at my terminal but when I was a train, they thought i was insane Now I do my own thing, at my own airport, am my own transport, buy my own import Just got my island, flying over right now… but first let me take a bow This is your captain speaking, please strap in and enjoy the ride ----------------------------------------------------------------------------------------------------------- Snapchat Me : bit.ly/Emerrias-Snapchat Tweet Me: bit.ly/Emerrias-Twitter Life Outside of YouTube: bit.ly/Emerrias-Instagram Watch me on Facebook: bit.ly/Emerrias-Facebook 🎵 You can suggest me music to listen to here: bit.ly/SuggestEmerrias ----------------------------------------------------------------------------------------------------------- Equipment I Currently Use (June 2018): Camera: Canon Rebel T6i Lens: Canon 50mm STM Microphone: Audio Technica at2020 Secondary Microphone: Rode VideoMic Go Mic Stand: On-Stage MS7701B Euro Boom Microphone Stand Audio Interface: Presonus AudioBox USB 96 Recording Program: Audacity Editing Programs: Adobe Premiere Pro, Adobe After Effects, GIMP Music Library: Epidemic Sounds Video Library: PixaBay