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The State Street Trust Building at 75 Federal Street
(formerly, Second National Bank)
architect/ designer: Thomas M. James, 1929
architectural style: Art Deco
The building is wrapped with bronze panel relief sculptures depicting human accomplishments in Finance, Architecture and Sculpture, Agriculture, Power, and Transportation; and the trades wi]hich are most significant to the science and art of building: the carpenter, the stonemason and the blacksmith.
Downtown - Financial District neighborhood
75- 101 Federal Street
Boston, Massachusetts
Try to View The Falcon On White
Peregrine Falcon
From Wikipedia, the free encyclopedia
The Peregrine Falcon (Falco peregrinus), also known simply as the Peregrine,[2] and historically as the "Duck Hawk" in North America,[3] is a cosmopolitan bird of prey in the family Falconidae. It is a large, crow-sized falcon, with a blue-gray back, barred white underparts, and a black head and "moustache". It can reach speeds over 320 km/h (200 mph) in a dive, making it the fastest animal in the world.[4] As is common with bird-eating raptors, the female is much bigger than the male.[5][6] Experts recognize 17–19 subspecies, which vary in appearance and range; there is disagreement over whether the distinctive Barbary Falcon is a subspecies or a distinct species.
The Peregrine's breeding range includes land regions from the Arctic tundra to the Tropics. It can be found nearly everywhere on Earth, except extreme polar regions, very high mountains, and most tropical rainforests; the only major ice-free landmass from which it is entirely absent is New Zealand. This makes it the world's most widespread bird of prey.[7] Both the English and scientific names of this species mean "wandering falcon", referring to the migratory habits of many northern populations.
While its diet consists almost exclusively of medium-sized birds, the Peregrine will occasionally hunt small mammals, small reptiles or even insects. It reaches sexual maturity at one year, and mates for life. It nests in a scrape, normally on cliff edges or, in recent times, on tall human-made structures.[8] The Peregrine Falcon became an endangered species in many areas due to the use of pesticides, especially DDT. Since the ban on DDT from the beginning of the 1970s onwards, the populations recovered, supported by large scale protection of nesting places and releases to the wild.[9]
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Brian picked a real winner of a night for this month's PDX Nightowls photowalk at the recently opened Darlene Hooley Pedestrian Bridge at Gibbs Street which turned out to be a wonderful platform for photographing lightning over the city. Shortly after a firery sunset the lightning began and never stopped, it seemed like hardly a minute went by without lightning from some part of the sky. Smell the electricity. N65084,117
Visita mi fotolog - Visit my photolog - http://pedroferrerfotografia.blogspot.com<
En la concurrida calle Istiklal, un signo del pasado contribuye a completar el ambiente que se respira al callejear por ella: el histórico tranvía, instalado en el siglo XIX para unir la plaza Taksim con el barrio de Beyoglu en Tünel, uniendo con el funicular subterráneo que nos lleva hasta el puente Gálata a orillas del Cuerno de Oro.
Este simpático tranvía, fué retirado de la circulación en los años 60, pero posteriormente fué rehabilitado más como incentivo turístico que como transporte, pero desde entonces es parte del paisaje de esta calle. Lo ves pasar abarrotado de turistas, y los chavales van colgados en el exterior, sólo para jugar, puesto que los ves divertidos e imagino que se pasarán las horas subiendo y bajando la calle agarrados como pueden.
Ver en grande - Best view large
En estas dos fotografías de los tranvías he querido aprovechar al máximo las posibilidades de la técnica hdr, y creo que han quedado muy llamativos.
Copyright © 2009 Pedro Ferrer. All Rights Reserved. Todos los derechos reservados.
Please don't use this image on websites, blogs or other media without my explicit permission.
Contact: fieraz@gmail.com
Por favor, no utilices esta imagen en páginas web, blogs u otros medios sin mi permiso explícito.
Contacto: fieraz@gmail.com
Video: vimeo.com/392754676
Pyroclastic Trails. Gravity exhibition at Centro de Cultura Digital (Mexico City) during Connecting the Dots 2019. Curator : Carmen Salas.
The work shows volcanic rocks rising from the ground that create trails of pixels. The layering of tezontle is generated by a software by modifying the size, speed, trajectory and selection of rocks from a database of photogrammetric 3D scans. Made in November 2019 in collaboration with UNAM’s Instituto de Geografía during a residency for Connecting the Dots, the work is related to research on the impact of mining activities in extinct volcanoes of Sierra de Santa Catarina located south of Mexico City.
francois-quevillon.com/w/?p=2347
francois-quevillon.com/w/?p=1473
Traînées pyroclastiques, exposition Gravity au Centro de Cultura Digital (Mexico) dans le cadre de Connecting the Dots 2019. Commissaire : Carmen Salas.
L’œuvre montre des roches volcaniques jaillissant du sol en produisant des traînées de pixels. Leur stratification est générée par un logiciel qui assemble des roches de tézontle numérisées en 3D par photogrammétrie. Il crée un flux audiovisuel continu en modifiant la dimension, la vitesse, la trajectoire et la sélection de roches dans une banque de numérisations 3D. Réalisée en novembre 2019 en collaboration avec l’Instituto de Geografía de l’UNAM dans le cadre de Connecting the Dots, l’œuvre est issue de recherches liées aux phénomènes causés par les opérations minières dans des volcans éteints de la Sierra de Santa Catarina au sud de la ville de Mexico.
Voyage dans l'Amérique méridionale
Paris, :Chez Pitois-Levrault et ce., libraires-éditeurs, rue de la Harpe, no. 81;1835-1847.
citizen / elemental
*The Website will be update within a few days, now it's still with the past content.
Thanks to George Lever. the Creative Director giving me the chance to present my works in your context.
Lots of my Urban Images from the past 5 years have been on the Magazine, as well as the actual Exhibition which is going on at this moment at the GALERIA MORO, in Santiago,Chile.
*link to the photos....
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I'm sharing here on Flickr a (long) series of photos, taken in early August this year, during a short vacation in Calabria, at a holiday village located near a beach I've been frequenting with my family for several years now, during our short summer vacations. The setting, however, is very different from the beaches I normally frequent near my home in Taormina, with very crowded beaches and a sea that is also very popular with yachtsmen of all kinds. In this part of Calabria, the beaches are rarely crowded (except on weekends, but not too much). In short, it's a sort of almost tropical paradise, with very little yachting. Adjacent to the holiday village is a kitesurfing club, very popular with enthusiasts of this wonderful sport, which thrives on the sea and the wind. I photographed an 84-year-old kitesurfer, whose mettle is steely, still giving athletes much younger than him a run for their money. A friendly and sweet horsewoman from the nearby stables arrived unexpectedly in the beach village, accompanied by her father, both astride two magnificent colts. This created a moment of joy and curiosity for both the parents and their little ones, who were likely seeing these magnificent and docile animals up close and personal for the first time. Unexpectedly, a very special party broke out on the beach. Seeing it made me feel like I was no longer in Calabria, but rather transported to the other side of the globe, to the Hindu festival called Holi, with its throwing of colored powders (in India, this festival marks the end of winter and the arrival of spring, as well as symbolizing the victory of good over evil). I know it thanks to the evocative photographs often published on various photography websites.
I'll end by briefly mentioning the photographic technique I've often used in my photographs. I've created "blur" photographs—blurry, slightly blurry, and unfocused—at the time of shooting, simply by lengthening the exposure time and then also using some panning. Finally, I'd like to thank the sweet and beautiful models who posed for me, allowing me to further enhance this (long-winded) photographic story.
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Propongo qui su Flickr, una (lunga) serie di foto, realizzate nei primi giorni di Agosto di quest’anno, durante una mia breve vacanza in Calabria, in un villaggio vacanze sito a ridosso di una spiaggia che oramai frequento insieme alla mia famiglia, durante le nostre brevi vacanze estive, da diversi anni, fotografie quindi aventi per tema la “beach photography”; purtuttavia l’ambientazione è molto diversa rispetto alle spiagge che frequento normalmente vicino casa mia a Taormina, con spiagge molto affollate, il mare anch’esso super frequentato da diportismo nautico di ogni tipo, in questa zona della Calabria le spiagge sono invece poco frequentate (tranne il fine settimana, ma neanche troppo), insomma, una specie di Paradiso quasi tropicale, con pochissime imbarcazioni. Adiacente al villaggio vacanze c’è un club di Kitesurf, molto frequentato da appassionati di questo meraviglioso sport, sport che si nutre di mare e di vento. Ho fotografato un kitesurfer di 84 anni, la cui tempra è di acciaio, che dà ancora molto filo da torcere ad atleti molto più giovani di lui. Nel villaggio a sorpresa è arrivata una simpatica e dolce cavallerizza proveniente dal vicino maneggio, con lei anche il suo papà, entrambi a cavallo di due magnifici puledri, creando un momento di allegria e curiosità, sia per i genitori, che per i loro piccoli, per i quali, molto probabilmente, era la prima volta che potevano vedere da vicino, e poterli anche toccare, questi magnifici e docili animali. A sorpresa, inaspettatamente, sulla spiaggia ha preso vita un party molto particolare, nel vederlo mi sembrava di non essere più in Calabria, ma di essere stato proiettato dall’altro lato del globo, in quella festa Indù chiamata Holi, con lancio di polveri colorate (in India questa festa segna la fine dell'inverno e l'arrivo della primavera, oltre a simboleggiare la vittoria del bene sul male), festa che conosco grazie a fotografie molto suggestive spesso pubblicate sui vari siti fotografici.
Termino accennando brevemente alla tecnica fotografica che ho spesso adottato nel realizzare le mie fotografie, ho realizzato al momento dello scatto fotografie del tipo “blur”, cioè mosse, un po’ confuse, non incise, ottenute allungando i tempi di esposizione. Infine ringrazio le dolcissime e belle modelle, che hanno voluto posare per me, consentendomi di rendere più grazioso questo mio (prolisso) racconto fotografico.
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So I had to go to Antwerp for business and I hate it to go places without being able to take a few shots of the local entourage. Decided to get up *really* early to catch the Antwerp dawn (sunrise) over at the banks of the Schelde. Oh well! I've seen a lot of (wet) snow but no sun in sight - plenty of cobblestones too-uh-oo-uh-oo-uh-ooh-uh-oo... pfff... Antwerp - crazy city. ;-)
About the processing
This is 3 shots (1/25 - 1/50 - 1/100) handheld :) - ran through Photomatix Pro and PS CS6 for the final touch.
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Hundreds More Photos From This Series!
A wave of water splashing, photographed in profile against a white background.
This image is from the Creative Commons Stock Photography Collection - a special line of offbeat and unique commercial images created by Chris Nuzzaco, and offered via Flickr.
Strobist - Shot at a deep f/stop (f/8 or so if I remember right). One Adorama AC master/slave strobe on the white background, another from the front, off to the left threw diffusion (to give the water more texture).
Keywords: abstract aqua artwork backdrop background backgrounds beautiful blue bright bubble bubbles circle clean clear close close-up cold color cool drink drop energy environment flowing freshness frozen horizontal hygiene image isolated liquid macro motion nature nobody photography pure purified purity ripple rippled sea shape spa speed splash splashing spray surface thirsty transparent vibrant washing water wave wet white nikon D700 "Nikon D700" commercial stock micro microstock "creative commons" creative commons strobist flash "design element" pretty ocean
Source: en.wikipedia.org/wiki/Pinckneyville,_Illinois
Pinckneyville is a city in and the county seat of Perry County, Illinois, United States. The population was 5,066 at the 2020 census. It is named for Charles Cotesworth Pinckney, an early American diplomat and presidential candidate.
Pinckneyville is the location of the Pinckneyville Power Plant, a combustion turbine generator (CTG)-type power plant run by Ameren.
Source: www.americanthresherman.com/history.html
ATA HISTORY
The American Thresherman Association (ATA) was organized in March of 1959.
At the annual meeting in 1962, Amos Rixman commented that the Association "organized three years ago this month for the purpose of furnishing some enjoyment to its members and to be the beginning of something very worthwhile." Already in its brief life the Association had earned such a reputation that three towns vied for the chance to become the permanent site for the show. The Pinckneyville Chamber of Commerce invited the ATA with open arms and pledges of support, and the Perry County community was chosen over Mascoutah and Highland for the 1962 show site.
Additional Foreign Language Tags:
(United States) "الولايات المتحدة" "Vereinigte Staaten" "アメリカ" "美国" "미국" "Estados Unidos" "États-Unis"
(Illinois) "الينوي" "伊利诺伊州" "इलिनोइस" "イリノイ" "일리노이" "Иллинойс"
(Pinckneyville) "بينكنيفيل" "平克尼维尔" "पिंकनीविले" "ピンクニービル" "핀크니빌" "Пинкнивилль"
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a re-upload of my old image. it is just a different approach of colour saturation. cleaner and natural.
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Sitges, Barcelona (Spain).
ENGLISH
That complex of buildings is located in the same place where it was the old medieval Sitges hospital. Some of the elements of that old construction as certain gothic arches still being part of the new construction.
In 1912 the millionaire Charles Deering starts with the help of Miquel Utrillo i Morlius (engineer) the construction of Maricel Palace in order to assure the conservation of his art collections. Deering bought the houses in both sides of the street and arranged the buildings sea side as his residence. That building has a tower with embattlements named Torre de Sant Miquel (Saint Michael tower), and a bridge over the street communicating both sides of palace.
The main gate of Maricel de Terra (Land section of palace) has an impressive staircase leading into the Gold Room (the main room) and through that to the Blue Room. Above that rooms are the cloister with a fantastic view on the sea.
The decorative elements of façades are in part taken from other places and in part commissioned by Deering to artists and manufacturers of Sitges or Barcelona, as Pere Jou an sculptor who make the capitals of windows.
The sea side of Maricel is today a Museum housing the art collection of Charles Deering. The land side buildings are used as an events center.
Perhaps Maricel is closer of Noucentisme that of Modernisme (Art Nouveau), but the ideas inspiring it are the same sustained by Art Nouveau artists as Rusiñol, Casas, Utrillo and others being part of Sitges group.
Source: www.gaudiallgaudi.com/AA905.htm
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CASTELLANO
Este complejo de edificios, está situado en el mismo lugar en que se levantaba el antiguo hospital medieval de Sitges. Algunos de los elementos de este antiguo hospital, como son algunos arcos góticos, forman parte de la construcción actual.
En el año 1912 el millonario Charles Deering empezó con la colaboración del ingeniero Miquel Utrillo i Morlius la construcción del Palacio Maricel como lugar para asegurar la conservación de sus colecciones de arte. Deering compró las casas a cada lado de la calle y arregló las del lado de mar para su residencia. Este edificio tiene una torre con almenas llamada Torre de Sant Miquel que está conectada a través de un puente con los edificios del lado de tierra.
La puerta principal del Maricel de Tierra da acceso a una escalinata monumental por la que se llega al Salón de Oro y a través de este al Salón Azul. Sobre estos salones está el claustro con magníficas vistas sobre el mar.
Los elementos decorativos de las fachadas son en parte procedentes de otros edificios anteriores derribados y en parte encargados por Deering a artistas y artesanos de Sitges y Barcelona, como Pere Jou un escultor que realizó los capiteles de las ventanas.
El Maricel de mar es actualmente un Museo que aloja la colección de arte de Charles Deering. Los edificios del lado de tierra se utilizan como centro de actividades.
Probablemente Maricel está más cerca del Noucentisme que del Modernismo, pero las ideas que lo inspiraron eran las mismas de renombrados artistas del Modernismo como Rusiñol, Casas, Utrillo y otros que formaban parte del grupo de Sitges.
Fuente: www.gaudiallgaudi.com/EA905.htm
Arcos de la Frontera, Cádiz (Spain).
ENGLISH
Arcos de la Frontera is a town of southern Spain, in the province of Cádiz; on the right bank of the river Guadalete, which flows past El Puerto de Santa Maria into the Bay of Cadiz. The town occupies a ridge of sandstone, washed on three sides by the river, and commanding fine views of the lofty peak of San Cristobal, on the east, and the fertile Guadalete Valley, celebrated in ancient Spanish ballads for its horses. At the highest point of the ridge is a Gothic church with a fine gateway, and a modern tower overlooking the town. The fame of its ten bells dates from the wars between Spaniards and Moors in which “Arcos of the Frontier” received its name. After its capture by Alphonso the Wise of Castile (1252-1284), the town was a Christian stronghold on the borders of Moorish territory. Another church contains several Moorish banners, taken in 1483 at the battle of Zahara, a neighboring village. The ruined citadel, the theatre, and the palace of the dukes of Arcos are the only other noteworthy buildings. Roman remains have been found in the vicinity, and the ridge of Arcos is honeycombed with rock-hewn chambers, said to be ancient cave-dwellings. See Galeria de Arcobricenses illustres (Arcos, 1892), and Riqueza y culture de Arcos de la Frontera (Arcos, 1898) ; both by M. Mancheiio y Olivares.
Source: en.wikipedia.org/wiki/Arcos_de_la_Frontera
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CASTELLANO
Arcos de la Frontera es una localidad de la provincia de Cádiz, Andalucía, España. En el año 2005 contaba con 29.420 habitantes. Su extensión superficial es de 528 km² y tiene una densidad de 55,7 hab/km². Sus coordenadas geográficas son 36º 45' N, 5º 48' O. Se encuentra situada a una altitud de 185 metros y a 67 kilómetros de la capital de provincia, Cádiz. Se ubica en un cerro junto al río Guadalete.
Limita al norte con los municipios de Espera (Cádiz) y Bornos, al noreste con el municipio de Villamartín, al este con los municipios de El Bosque y Prado del Rey, al sureste con los municipios de Benaocaz y Ubrique, al sur con los municipios de Algar y San José del Valle y al oeste con el municipio de Jerez de la Frontera.
Como la mayoría de las poblaciones de la provincia, su ubicación ha estado ocupada por el ser humano desde tiempos prehistóricos. También los romanos tuvieron asentamientos (como Santiscal) aunque es mucho más relevante la presencia de los árabes, época de la que provienen el trazado de sus calles, el alcázar militar, la muralla, los molinos, etc. En la época del Emirato dependiente de Damasco (711-757) perteneció a la "Cora" de Sidonia. En el siglo XI se declara independiente y el Emir de Calsena toma la ciudad y la aleja de la influencia de Córdoba, convirtiéndose en un reino de taifa controlado por una familia de origen bereber. Posteriormente supera en extensión a sus murallas y se instalan en él órdenes religiosas, llegando a su cenit desde el siglo XV al XVIII.
Hoy en día es la entrada de la Ruta de los Pueblos Blancos y Conjunto Histórico-Artístico. Junto con sus magníficos paisajes, la hacen destino turístico de primer orden en la provincia de Cádiz, lo que constituye su principal fuente de ingresos.
Instant Large View... Here, another chance to rehears n breath in cool fresh air with my 5D2 on the early dawn at yishun quiet corner, lower seletar reservoir before my next big event organise by Global Corporate Banking | J.P. Morgan,together with the latest on Entertaimemt Show-The Lion King. Thanks!......
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Abençoada e Linda Quinta-Feira aos meus Queridos Amigos
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Blessed and Beautiful Thursday to my Dear Friends
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Heureux et Belle jeudi pour mes chers amis
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Bienaventurado y hermoso Jueves a mis queridos amigos
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Beato e Bella Giovedi ai miei cari amici
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YOUTUBE
www.youtube.com/watch?v=Ce7t5FyfYOI
Por Deus, Amigos Queridos assinem por MISERICÓRDIA de nossas FLORESTAS...
Por tudo que já SUPLIQUEI e que posto novamente!!
www.greenpeace.org/brasil/pt/O-que-fazemos/Amazonia/Pagin...
CONTINUO SUPLICANDO, QUANTAS VEZES FOREM NECESSÁRIAS!!
ASSINEM ESTAS PETIÇÕES, POR FAVOR...
- PARA SALVAR A AMAZÔNIA,
www.avaaz.org/po/belo_monte_people_vs_profits/?vl
- PARA SALVAR AS FLORESTAS DO BRASIL,
- PARA VETAR AS MUDANÇAS DO CÓDIGO FLORESTAL !
www.greenpeace.org/brasil/pt/Participe/Ciberativista/Codi...
www.avaaz.org/po/save_the_amazon_sam/?cl=1419482907&v...
VAMOS LUTAR POR NOSSO PLANETA, PELAS NOSSAS FLORESTAS, PELOS INDÍGENAS (NOSSOS IRMÃOS), PELOS NOSSOS FILHOS, NETOS, BISNETOS...PELAS PRÓXIMAS GERAÇÕES...POR UM MUNDO MELHOR...
O PLANETA TERRA PEDE SOCORRO!!
TUDO OU NADA ESTÁ EM NOSSAS MÃOS,... BRASILEIROS!!
Muito obrigada,
Celisa
***
By God, Dear Friends sign of our forests for mercy ...
For all that ever I pleaded and put it back!
www.greenpeace.org/brasil/pt/O-que-fazemos/Am azonia/Pagin...
CONTINUOUS Sulpice, as often as necessary!
Sign these petitions, PLEASE ...
- To save the Amazon,
www.avaaz.org/po/belo_monte_people_vs_profits/?vl
- TO SAVE THE FORESTS OF BRAZIL
- To veto FOREST CODE CHANGES!
www.greenpeace.org/brasil/pt/Participe/Ciberativista/Codi...
www.avaaz.org/po/save_the_amazon_sam/?cl=1419482907&v...
WE FIGHT FOR OUR PLANET, FOR OUR FORESTS, INDIGENOUS BY (OUR BROTHERS), for our children, grandchildren, great grandchildren for generations to come ... ... ... FOR A BETTER WORLD
ASKS HELP THE PLANET EARTH!
ALL OR NOTHING IS IN OUR HANDS, ... BRAZILIAN!
Thank you so much,
Celisa
***
Par Dieu, Chers Amis signe de nos forêts pour la miséricorde ...
Pour tout ce que j'ai plaidé et le remettre!
www.greenpeace.org/brasil/pt/O-que-fazemos/Am azonia/Pagin...
Sulpice CONTINUE, aussi souvent que nécessaire!
S'il vous plaît signer ...
- Pour sauver l'Amazonie,
www.avaaz.org/po/belo_monte_people_vs_profits/?vl
- Pour sauver les forêts du Brésil
- De mettre son veto CHANGEMENTS Code forestier!
www.greenpeace.org/brasil/pt/Participe/Ciberativista/Codi...
www.avaaz.org/po/save_the_amazon_sam/?cl=1419482907&v...
Nous luttons pour notre planète, pour nos forêts, AUTOCHTONES PAR (NOS FRÈRES), pour nos enfants, petits-enfants, arrière petits-enfants pour les générations à venir ... ... ... POUR UN MONDE MEILLEUR
DEMANDE AIDE LA PLANETE TERRE!
Tout ou rien est entre nos mains, ... Brésilienne!
Je vous remercie,
Celisa
***
Por Dios, queridos amigos: signo de nuestros bosques por la misericordia ...
Por todo lo que he declarado y poner de nuevo!
www.greenpeace.org/brasil/pt/O-que-fazemos/Am azonia/Pagin...
CONTINUA Sulpice, cuantas veces sea necesario!
Firmar estas peticiones, por favor ...
- Para salvar el Amazonas,
www.avaaz.org/po/belo_monte_people_vs_profits/?vl
- PARA SALVAR LOS BOSQUES DE BRASIL
- De vetar los cambios Código Forestal!
www.greenpeace.org/brasil/pt/Participe/Ciberativista/Codi...
www.avaaz.org/po/save_the_amazon_sam/?cl=1419482907&v...
LUCHAMOS POR NUESTRO PLANETA, PARA NUESTROS BOSQUES, POR INDÍGENAS (NUESTROS HERMANOS), para nuestros hijos, nietos, bisnietos para las generaciones futuras ... ... ... POR UN MUNDO MEJOR
PIDE AYUDA AL PLANETA TIERRA!
TODO O NADA ESTÁ EN NUESTRAS MANOS ... BRASIL!
Gracias,
Celisa
***
Per Dio, cari amici segno delle nostre foreste per pietà ...
Per tutto ciò che mai ho supplicato e rimetterlo!
www.greenpeace.org/brasil/pt/O-que-fazemos/Am azonia/Pagin...
Sulpice CONTINUO, ogni qualvolta sia necessario!
SIGN queste petizioni, PER FAVORE ...
- Per salvare l'Amazzonia,
www.avaaz.org/po/belo_monte_people_vs_profits/?vl
- PER SALVARE LE FORESTE DEL BRASILE
- Per veto modifiche al codice FORESTA!
www.greenpeace.org/brasil/pt/Participe/Ciberativista/Codi...
www.avaaz.org/po/save_the_amazon_sam/?cl=1419482907&v...
Lottiamo per IL NOSTRO PIANETA, PER I NOSTRI BOSCHI, indigene da parte (NOSTRI FRATELLI), per i nostri figli, nipoti, pronipoti per le generazioni a venire ... ... ... PER UN MONDO MIGLIORE
CHIEDE AIUTO DEL PIANETA TERRA!
Tutto o niente è nelle nostre mani, ... BRASILIANO!
Grazie,
Celisa
Style Elements Interiors by Tonya Scheiwe.This design is the best for your kitchen.Your kitchen looks really big in this design.The table placed near the kitchen is very useful in many ways.Have your drinks,snacks or anything else.And you dont have to run about with the food to serve.The chairs design perfectly matches the flooring.Style Elements Interiors are dealing with kitchen decorating,kitchen design,kitchen furniture,kitchen improvement,kitchen renovation,home renovation,home improvement,home design,home furnishing and so on.
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Photo Edit Works of Henry Cavill by Artist "Kinorri". It's an honor to host your works here with us on Flickr Kinorri!! Thank You! ♥
To see a full exhibit of "Kinorri" works & follow her Tumblr Blog, please go to: www.kinorri.tumblr.com/
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~
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Disclaimer: All photos are copyright their respective owners. No misuse is intended. All tags & watermarks have been left intact. If you are the owner of one of these photos and wish it to be removed, please message us!
From Radioheads show at Nissan Pavillion in VA Torrential rains and cold temps for the people on the lawn made for a miserable concert experience... but its Radiohead what are you going to do?
More photos with story here - www.brightestyoungthings.com/live-dc/live-dc-radiohead-ni...
More of my photos here- www.kingpinphoto.com
Los Llanos de Aridane, La Palma, Canarias
Mi red social:
www.facebook.com/alexismartinfotos?ref=br_rs
alexismartinfotos.blogspot.com.es/
www.instagram.com/alexisjmartin/
alexismartinfotos.wordpress.com/
The action of the Helvara rifle is totally unlike other bolt action rifles. The action is locked by a locking block dropping into recesses in the receiver; when the bolt carrier is pulled back, a wedge pulls the locking block up and out of these recesses. The trigger is a two-stage design which wraps around the sear.
See also:
Margolies, John,, photographer.
Texaco gas pump globe, Milford, Illinois
1977.
1 photograph : color transparency ; 35 mm (slide format).
Notes:
Title, date and keywords based on information provided by the photographer.
Purchase; John Margolies 2010 (DLC/PP-2010:191).
Credit line: John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division.
Please use digital image: original slide is kept in cold storage for preservation.
Forms part of: John Margolies Roadside America photograph archive (1972-2008).
Subjects:
Automobile service stations--1970-1980.
United States--Illinois--Milford.
Format: Slides--1970-1980.--Color
Rights Info: No known restrictions on publication. For more information, see "John Margolies Roadside America Photograph Archive - Rights and Restrictions Information" www.loc.gov/rr/print/res/723_marg.html
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Margolies, John John Margolies Roadside America photograph archive (DLC) 2010650110
General information about the John Margolies Roadside America photograph archive is available at hdl.loc.gov/loc.pnp/pp.mrg
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/mrg.02160
Call Number: LC-MA05- 2160
- www.kevin-palmer.com - The milky way is so big that sometimes even your widest lens can't capture it. This is a stitch of 3 images shot with a Pentax K-5 and Bower 14mm f2.8 lens. This night was a bit chilly for mid-May with temperatures in the 30's. But it was perfectly clear with very transparent skies. The brightest parts of the galaxy were clearly reflected in the still water of Spring Lake. I don't think conditions get any better around here for astrophotography. Next month I plan to seek out even darker skies where there is no pesky band of light pollution at the horizon. For a closer look at the bright portion of the milky way, go to the previous image.
Visita mi fotoblog - Visit my photoblog
Sigo de vacaciones fotográficas, aunque ya comencé a trabajar. Sin embargo, no he podido resistirme a procesar una foto, una nada más, de un lugar mágico que hoy tuve la suerte de visitar (gracias Jose Miguel por descubirme este sitio). Realmente es un auténtico escenario cinematográfico. Las posibilidades son enormes. Hay que repetir.
Se trata de un antiguo convento, abandonado desde hace años, en el pequeño pueblo de Rioseco, en el Valle de Manzanedo, al Norte de Burgos.
El paso de los años ha hecho un trabajo, a mi gusto, magnífico con esta edificación. A pesar del saqueo y los actos de vandalismo, el edificio conserva el aspecto solemne y recogido de un lugar antaño sagrado, y la naturaleza circundante ha ido tomando posesión del monasterio poco a poco, decorando los muros con serpenteantes enredaderas que van devorándolo todo, dejando al conjunto un aspecto como esos templos perdidos en las selvas orientales que acostumbramos a ver en las películas de aventuras.
Para alguien como yo, que me encantan los edificios abandonados, este lugar es un auténtico filón. Si además unimos unas condiciones de iluminación ideales para las técnicas hdr, con fuertes contrastes entre la penumbra (incluso oscuridad) con la fuerte luz solar que se cuela por las ventanas, grietas y agujeros de las paredes, pues tenemos el escenario perfecto para practicar.
En esta primera toma no he podido evitar "pasarme", pero en las siguientes intentaré dar un aspecto más natural, pero sin perder el ambiente misterioso, incluso tétrico.
Entre los cuatro locos que nos hicimos más de cien kilómetros para visitar este monasterio, Jose Miguel, Pepe, Sergio y yo, reunimos seguro que más de 400 fotografías, asi que seguro que entre todos sacamos buen material. Gloria acompañó a Sergio, y espero que no se aburriera mucho con nosotros. Yo estaba tan concentrado en explorar las ruinas que no me di cuenta de cuándo se marcharon ella y Sergio. Siento no haberme despedido, estaba perdido. A ver si en otra ocasión tenemos oportunidad de charlar un poco más, y de paso me puedo meter con Sergio, que ha abandonado sus juguetes para comprarse una cámara de fotos de verdad.
Copyright © 2010 Pedro Ferrer. All Rights Reserved. Todos los derechos reservados.
A dolmen (also known as cromlech, anta, Hünengrab, Hunebed, Goindol, quoit, and portal dolmen) is a type of single-chamber megalithic tomb, usually consisting of three or more upright stones supporting a large flat horizontal capstone (table). Most date from the early Neolithic period (4000 to 3000 BC). Dolmens were usually covered with earth or smaller stones to form a barrow, though in many cases that covering has weathered away, leaving only the stone "skeleton" of the burial mound intact.
for more info visit:
Panther Beach North: Mission Panorama and Coastal Obsession Collide
Although it has been a very dry winter here along the central California coast, we did get hit by some heavy rain over the weekend. Friday afternoon, before the rain really hit hard, I posted a panorama from a point overlooking the stretch of coast known as Panther Beach and Hole In The Wall Beach, entitled "Coastal Obsession". As the worst of the rain subsided on Monday night, I went out and shot another panorama entitled "Coastal Obsession Part II: Mission Panorama".
This morning I got up at 5am, headed up the coast, hoping to scout out how my recent shooting grounds would work for sunrise. You see, Aaron Reed, a contact of mine, is road tripping to Cali, and we may hook up for a sunrise shoot. Wanting to look like I know what I'm doing, I figured I should do some research first...and why not head to where I know there are some nice spots.
Well, the newly running creek at Panther Beach had eroded the beach even more than just a couple days ago. Of course, I left my wading boots in truck, and the only way to proceed was to head up the trail, get the boots, and head back down. Once across the creek, I could finally determine that the mix of high tide and swell wasn't going to allow me through the hole in the wall. I considered shooting the hole with water rushing through, but instead, headed up to the bluff directly above it. My recent itch for panoramas got the best of me.
Not the best sunrise, but I enjoyed the setting of the waning crescent moon and then the rising sun.
Nikon D300
Nikkor 35-70mm @ 52mm
8sec @ f16, ISO 100
Tiffen Polarizer
Lee .9 Soft GND Filter
Naturgeschichte, Klassification und Nomenclatur der Insekten vom Bienen, Wespen und Ameisengeschlecht :.
Frankfurt am Main :in der Hermannischen Buchhandlung,1791..
Tintern Abbey from guest house
[between ca. 1890 and ca. 1900].
1 photomechanical print : photochrom, color.
Notes:
Title from item. Title also in the Detroit Publishing Co., Catalogue J--foreign section, Detroit, Mich. : Detroit Publishing Company, 1905.
Print no. "10980".
Forms part of: Views of the British Isles, in the Photochrom print collection.
Subjects:
Wales--Tintern.
Format: Photochrom prints--Color--1890-1900.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Views of the British Isles (DLC) 2002696059
More information about the Photochrom Print Collection is available at hdl.loc.gov/loc.pnp/pp.pgz
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ppmsc.08904
Call Number: LOT 13415, no. 917 [item]
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