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Theme "Calamity" : the daughter & the mother
Blueberry hermit crab (Coenobita purpureus)
Living in a African land snail shell.
Location: Yomitan, Okinawa.
Canon 70d - Tokina 10-17mm x 3 small flashes.
More on Wide angle macro -
* Learn more about the nature of Okinawa -
Featured www.floridamuseum.ufl.edu/exhibits/ocean-plastics/
# Know your nature with Shawn Miller
i think mid 90's ito nung una itong inilabas, masarap din sumakay sa bus na ganito comportable at magaganda ang mga upuan. isa sa mga photo na kasama sa website na ginawa ko.
Alone in Kyoto
Air
Lost in Translation version
Instrumental
EDIT: This picture has been used to produce the following fantastic artworks, I'm so pleased that I made the picture 'public domain':
www.whythealgarve.com/post/the-fruits-of-alone-in-kyoto
Today I missed the direct train home from work and ended up taking a longer route.
None of the following is a complaint. I do, of course, fully understand the need for social distancing measures. I did though want to record how I felt on the journey.
It was a very strange experience: seats taped up ‘out of use’, hardly any passengers at rush hour, lengthy one way systems to navigate. It all felt like landing in a very different country, but with elements of familiarity. It was the most surreal journey I’ve ever made.
The picture was taken at York and shows 802218 with a Newcastle to Liverpool Lime Street service. To be fair, the TPE trains have clear but discrete social distancing signs in the form reservation type labels with a red and cross/green and tick to indicate where to sit.
4th June 2020
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© All of my photographs are Copyrighted and All Rights Reserved. They may not be used or reproduced in any way without my explicit written permission.
© Toutes mes photographies sont protégées par droit d'auteur et tous droits réservés. Elles ne peuvent pas être utilisées ou reproduites d'aucune manière sans mon autorisation explicite et écrite.
© Tutti i diritti riservati. Non usare le immagini su siti web, blog, altri canali informatici, o qualunque utilizzo senza autorizzazione.
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Please: NO GLITTERY OR BIG AWARDS ! !
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Echda: Kilian get down!
-- TSSHHWW -- *pfffffff*
[comms] Kilian: \\« -*pfffffff*- Melshi this is Kilian! We are less than a hundred meters from your position! I have visual on the door! »//
-- P-P-P-PEW -- P-PEW --
[comms] Kilian: \\« MELSHI! Do you read?? »//
Echda: Go, at least one of us has gotta reach them, I'll keep these three shoretroopers' heads down! Go!
-- TSHHHW TSSHHWW --
Echda: Two!
[garbled]Death Trooper: |« Terrorist spotted! Headed towards the door! »|
-- rreee PppPEW -- *crack* --
-- thud --
Kilian: *gasping for breath*
[garbled]Death Trooper: |« He's down. The door! Four hostiles remaining at the door! »|
Rebel Lieutenant Sefla: I'm going! -- PESSHHHW*pew.* --
Kilian: The sky...
-- PEW PEW PppPEW PEW PEW ...... PEW PEW --
Kilian: ...my last look to the sky...
-- *step* *crunch* crunch* --
-- rreee --
[garbled]Death Trooper: |« Rebel scum. »|
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A bolt of lightning carves a line through the northern sky, lighting up the clouds and silhouetting the tree across the field, before ending below the horizon.
‘’ Le Ciel Nous Tombe Sur La Tête ’’
Parmi les amis – ou du moins les relations – se trouvait un employé de la Banque de Montréal qui m’avait avait fourni des plans des fondations du vénérable siège social de l’institution financière. À la Ville de Montréal, je connaissais aussi une obligeante personne qui s’était arrangée pour me laisser voir un plan des égouts de la métropole. De 7 heures du matin à 4 heures de l’après-midi, durant plus de quatre mois à respirer les miasmes de l’endroit confiné, nous creusions vers le butin. Ce fut un combat constant contre l’humidité, la maladie et l’affaiblissement, on aurait dit que toutes les saloperies qui avaient suinté des bas-fonds de la métropole depuis un siècle s’étaient ramassées là. La rue est droite comme une autoroute, nous avons pu y érigé trois petites digues de retenue pour pouvoir utiliser nos deux Zodiac. Il fallait boiser le tunnel à tous les mètres au moyen de panneaux de contreplaqué de trois quarts de pouce, maintenus par des pièces de 2x4 et par des étais télescopiques en métal. Un système d’éclairage et de ventilation sommaire avait aussi été installé. Nous nous retrouvions le matin vers 5h30 dans un restaurant pour camionneurs à Laprairie, où des filles très peu vêtues et aux charmes fanés nous servaient des petits-déjeuners prétendument érotiques. Vers sept heures, nous installions notre camion au-dessus d’un regard d’égout qui se trouvait près d’un stationnement réservé au corps diplomatique et nous descendions dans notre enfer. Nous savions par notre taupe de Sécur que la money room contenait parfois jusqu’à un demi-milliard en argent. Il nous a fallu 17 heures pour traverser le mur avec une perceuse manuelle. Nous avons su que notre but était atteint lorsqu’un rai de lumière est apparu. Tout semblait aller selon nos plans, Nous avions décidé le coup après les fêtes de 1992 et étions arrivés à Mars 1993. Un beau matin, nous avons constaté que la voûte de notre tunnel s’était effondrée et que l’air frais s’insinuait dans notre excavation. Le bonhomme printemps venait de nous faire regretter pour toujours notre coup qui venait de tomber à l’eau. Vers 7h30, le 5 Avril, une employée de la banque signalait une situation dangereuse sur le trottoir. Un arbre s’était enfoncé d’un bon mètre avec la fonte des neiges. Les curieux confirmèrent la présence d’une odeur pestilentielle qui montait des entrailles de la terre. Si l’arbre avait été convenablement planté, si le sol n’avait pas dégelé, si la chenillette n’avait pas passé, si les cols bleus avait bien planté l’arbre, les choses auraient pris une autre tournure, mais avec des si, on va à Paris. ‘’The agony of defeat…’’
Tiré du livre: Et que ça saute! : Le dernier tunnel tel que raconté à Jean-Louis Morgan
Raw Unedited, shot on location at Mayfair.
Special notice for designers of Skin Fair 2014 and Saviad Spring Fair 2014 in link.
Stylecard here: narikookawa.blogspot.com/2014/03/i-need-to-get-back-home-...
view large...B l a c k M a g i c
The last rays of sunlight illuminate a stunning field of poppies on Salisbury Plain, Wiltshire U.K
My latest microadventure lead me to Val Gardena in south tyrol.
I need to say it to the beginning it wasn´t easy, it was cold, and the climb was tougher than I excpeted. Maybe because of the 27kg backpack including my tent, sleeping bag,
camping stove, etc. but words cannot describe how worth all the struggle was.
It was a breathtaking experience to stay overnight under the cloudless nightsky full of stars and to see my old friend the milkyway or as the funny south tyroler policeman said "strada del la latte" ;-)
Personally, I think this kind of trips are the best way to escape the monotony of everyday life, taking a deep breath, enjoying the silence and forget everything else that’s all I need for.
This pano is made of 9 single shots
and I´m hoping it gives you the same feeling as I had when I stood there
and admire the beautiful landscape. This time my friend Fabio Hain Naturfotografie did a great job modeling for me. Thank you a lot, your presence gives the pano just
the look that I wanted. The light on the horizon is the beginning astronomic twilight, so it was my last chance to take the shot before
the sky is too bright. Normally I avoid to have this twilight on my pictures but in this case I have to say I really like it, I think it looks special `cause for this shot it has
the perfect position directly under the milkyway bow. At the end, before some critical voices say it has to be fake and manipulated. I have to disappoint you, this picture reflects just the reality.
Mother earth is just that beautiful, she don´t needs any corrections.
hope you like it, thanks for watching.
feel free to share, comment or like :)
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______________________________
+++ MIKROABENTEUER Van Gardena +++
Mein letztes kleines Abenteuer führte mich nach Val Gardena in Südtirol.
Ich muss gleich am Anfang sagen, dass es nicht leicht war, es war kalt und der Aufstieg war härter als erwartet. Vielleicht lag dies auch an meinem 27kg schweren Rucksack der mein Zelt, Schlafsack,
Gaskocher und vieles weitere enthielt. Doch Worte können nicht beschreiben wie sehr all die Anstrengungen es Wert waren. Es war ein atemberaubendes Erlebnis die Nacht unter dem wolkenlosen
Sternenhimmel zu verbringen und meine alte Freundin die Milchstraße, oder wie der lustige südtiroler Polizist sagte "Strada del la latte" wiederzusehen. ;-)
Ich persönlich finde, dass solche Trips die beste Art sind dem grauen Alltag zu entkommen, tief einatmen die Stille genießen und alles andere vergessen. Dieses Pano ist aus neun Einzelaufnahmen entstanden
und ich hoffe es vermittelt euch das Gefühl, dass ich hatte als ich dort oben stand und die Landschaft bewunderte. Dieses Mal, hat mein Freund Fabio Hain Naturfotografie für mich gemodelt, seine Gegenwart gibt dem Bild genau den Look den ich wollte. Bei dem Licht das am Horizont zu sehen ist, handelt es sich um die astronomische Dämmerung, also war es die letzte Chance für mich dieses Pano so zu fotografieren
bevor der Himmel erleuchtet wurde. Normalerweise vermeide ich es bei Nachtaufnahmen die beginnende Dämmerung zu fotografieren, aber in diesem Fall finde ich es einfach passend.
Ich finde das Licht macht das Pano besonders vielleicht
auch deswegen weil es die perfekte Position direkt unter dem Bogen der Milchstraße hat.
Zu guter Letzt, bevor die ersten Kritiker schreien, muss ich noch einmal darauf hinweisen, dass nicht hinzugefügt oder auf eine andere Weise geschummelt wurde. Dieses Bild spiegelt die Realität wieder.
Mutter Erde ist wirklich so wunderschön, sie braucht keine Schönheitskorrekturen.
Hoffe es gefällt euch, danke fürs anschauen.
Teilen, kommentieren und liken natürlich erlaubt. klauen nicht :-P
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Michela, Italy
Leica SL + Voigtlander Ultron 75mm f1.9 + MrLeica B&W Preset
(Also using Leica M3)
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** New lens on YT - youtu.be/kozT1t8-3Zs
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Le sacre sinfonie del tempo Franco Battiato
"Vorreste misurare il tempo, l'incommensurabile e l'immenso.
Vorreste regolare il vostro comportamento e dirigere il corso del vostro spirito secondo le ore e le stagioni.
Del tempo vorreste fare un fiume per sostate presso la sua riva e
vederlo fluire.
Ma l'eterno che è in voi sa che la vita è senza tempo
E sa che l'oggi non è che il ricordo di ieri, e il domani il sogno di oggi.....
.................................
E non è forse il tempo, così come l'amore, indiviso e immoto?
Ma se col pensiero volete misurare il tempo in stagioni, fate che ogni stagione racchiuda tutte le altre,
E che il presente abbracci il passato con il ricordo, e il futuro con l'attesa".
Kahlil Gibran
Canarina canariensis es un endemismo de las islas centrales y occidentales. Se trata de una planta herbácea, perenne, cuyos tallos, huecos, carnosos y trepadores o colgantes, se renuevan todos los años desde un tubérculo; poseen además látex. Las hojas son triangulares y hastadas, con bordes aserrados o dentados. Flores axilares, solitarias, con forma de campana, con una corola de 3-6 cm de largo, de color anaranjado, aunque se oscurece al secarse. Los frutos son bayas carnosas comestibles, ovados, de 3-4 cm, de color anaranjado rojizo, volviéndose negros al madurar. Se conoce como "bicácaro"
Join us this week when we go to Bournemouth to visit Old Harry’s Rocks here’s the link youtu.be/XntDqBdihag
www.youtube.com/watch?v=yqjJ8xR1Me4&feature=related
" AUSENCIA "
Se va de ti mi cuerpo gota a gota.
Se va mi cara en un óleo sordo;
se van mis manos en azogue suelto;
se van mis pies en dos tiempos de polvo.
¡Se te va todo, se nos va todo!
Se va mi voz, que te hacía campana
cerrada a cuanto no somos nosotros.
Se van mis gestos que se devanaban,
en lanzaderas, debajo tus ojos.
Y se te va la mirada que entrega,
cuando te mira, el enebro y el olmo.
Me voy de ti con tus mismos alientos:
como humedad de tu cuerpo evaporo.
Me voy de ti con vigilia y con sueño,
y en tu recuerdo más fiel ya me borro.
Y en tu memoria me vuelvo como esos
que no nacieron ni en llanos ni en sotos.
Sangre sería y me fuese en las palmas
de tu labor, y en tu boca de mosto.
Tu entraña fuese, y sería quemada
en marchas tuyas que nunca más oigo,
¡y en tu pasión que retumba en la noche
como demencia de mares solos!
¡Se nos va todo, se nos va todo!
Autor : GABRIELA MISTRAL
website: www.simmulated.com
Blog: www.simmulated.com/blog
email: simmie.reagor@e-reagor.com
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The ministry of time
Chapter II: The Mystery of the Incubators
The style card and credits here
Sam found himself alone in the laboratory, the dim lights flickering intermittently over the equipment. A bottle of beer was within his reach as he immersed himself in his thoughts. Recently, an unusual event had shaken his scientific world: the disappearance of a body from the incubators. This act not only defied the laws but also raised serious questions about the integrity of the timeline.
As the golden liquid flowed down his throat, Sam pondered the possible devastating consequences that this incident could unleash. What effect would it have on historical evolution? How would it alter temporal continuity? These questions haunted him, filling his mind with unease and concern.
An even more alarming idea seized his thoughts: Who could have orchestrated this act and for what purpose? Time travel technology was heavily regulated, its illegal use a serious offense. Only a few would have access to it, and none of them would have noble motives to carry out such an action.
As Sam delved into his reflections, a determination grew within him: he must uncover the truth behind this enigma. Not only for the sake of the scientific community and temporal stability but also for his insatiable thirst for knowledge. With determination in his gaze, he promised himself that he would not rest until he found answers and ensured that temporal integrity remained intact.
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Maitreya Lara body
Lara Hurley skin - May
IKON Promise Eyes - Coffee
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JIAN Scruffy Shepherds 1. Hanging Couch Buddy RARE; 12. Laundry Pups and 7. Companion Silver Black
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Ermita de San Bernabé y San Tirso
Web de fotografía nocturna --| www.josemiguelmartinez.es
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Copps Chapel Road in Moniteau County, Missouri. Photography by Notley Hawkins. Taken with a Sony ILCE-7RM4 camera with a Sony FE 24-105mm F4 G OSS lens at ƒ/8.0 with a 0.3-second exposure at ISO 50. Processed with Adobe Lightroom CC.
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