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#visionary #illustration #2danimation #digitalpainting #conceptart #characterdesign #visualdevelopment #conceptdesign #characterartist #photoshop #environmentdesign #story #storytelling #movie #gaming #industry #Photo #Photography #work #talk #3d #cg #blender #brechtcorbeel #psyberspace #psyberverse #Xrystal #Aescermonium #rapthraeXeum #Xomplex #Xaethreal #Xrapthreum #AESTHETIOPIUM

Post 187

Features: Trick or Treat Lane!! Go shop there, super awesome things this round!! Here is the link for seraphims review!

Seraphim

Two photos and a dream...

 

One photo was of the nighttime Montana sky with trees silhouetted against brilliant stars, including the Milky Way.

 

The second photo, was a stainless steel bathroom door at an astronomical observatory in West Texas. The shiny door had a round latch handle. That photo was an accidental click! The exposure was slow and the door latch plus reflections were smeared giving the impression of an interstellar spacecraft.

 

I rotated the door photo, layered it with the stars and trees to make this composite. Kind of interesting result after a little tweaking...

 

Ok, just a dream... ;) The few "dreamy" faces are just artifacts of the Milky Way and door reflections.

 

www.youtube.com/results?search_query=neil+young+silver+seed

www.thomasvignaud.com/

Thank you for all these comments.

This is not a false photography, the post production is, and only is, white balance for color, some spot healing and light adjustement. I can print it in 60 x 80 cm.

 

www.flickr.com/photos/thomasvignaud/3056607338/

 

This Photo won the First Place and the price Our World Underwater Scholarship Society during the Underwater Festival 2008.

www.flickr.com/photos/wistiti/2997176782/

www.flickr.com/photos/wistiti/2996334895/

Find me uncensored on:

www.patreon.com/BrechtCorbeel

 

Follow Me on Medium For articles on various topics:

medium.com/@brechtcorbeel

 

Writing a book here: open.spotify.com/show/3mMrq70ofFvPputOjQIiGU?si=kwclM6f8Q...

 

www.brechtcorbeel.com/

www.google.com/search?q=brecht+corbeel

 

Free images:

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#visionary #illustration #2danimation #digitalpainting #conceptart #characterdesign #visualdevelopment #conceptdesign #characterartist #photoshop #environmentdesign #story #storytelling #movie #gaming #industry #Photo #Photography #work #talk #3d #cg #blender #brechtcorbeel #psyberspace #psyberverse #Xrystal #Aescermonium #rapthraeXeum #Xomplex #Xaethreal #Xrapthreum #AESTHETIOPIUM

I thought it might be a good idea to do an OOC photo...

 

Mostly I just wanted to show off this cute af tattoo by Ladybird!

The Very Best View On Black And Large

 

(Explore) (157)

 

El interior

Las columnas de la nave central.

Detalle de la bóveda.

 

Gaudí evolucionó de un primer proyecto gótico hacia un estilo personal, orgánico, inspirado en las formas de la naturaleza: para librarse de los contrafuertes góticos, ideó el uso de columnas en forma de tronco de árbol, que permiten descargar el peso de las cubiertas directamente en el suelo, solución práctica a la vez que estética, ya que convierte el interior de las naves del templo en un espacio orgánico que semeja un bosque. En 1987 se inició la cimentación de las naves; para 1997 se completaron las bóvedas laterales y se empezó la central.

El templo tiene planta de cruz latina, con cinco naves de 90 metros de longitud, y crucero de tres naves de 60 metros; la nave central tiene un ancho de 15 metros, y 7,5 las laterales, haciendo un total de 45 metros; ancho del crucero, 30 metros. La altura es de 45 metros en las bóvedas de la nave central y 30 en las laterales, mientras que las del cimborio central llegarán a los 60 metros. Las naves laterales contendrán las cantorías para los coros. El ábside es lobulado, con deambulatorio entorno del presbiterio. El templo contará con un total de 36 columnas, que oscilarán entre 11,10 y 22,20 metros de altura, con bases de polígonos estrellados de varios lados según su ubicación: 6 (naves laterales), 8 (nave central), 10 (torres de los Evangelistas), 12 (torre de Jesús). Los materiales de construcción varían de la piedra de Montjuïc al granito, basalto o pórfido.

Las bóvedas son hiperbólicas, construidas con baldosas de mosaico veneciano. Gaudí utilizó la técnica de la bóveda catalana o bóveda tabicada, que consistía en la superposición de varias capas de ladrillos con argamasa. Las cubiertas son de forma piramidal, coronadas por una linterna y un farol. Los ventanales están pensados para distribuir una iluminación suave y armónica, creando un efecto de recogimiento, y tienen forma geométrica abstracta; las vidrieras de colores son obra de Joan Vila i Grau. Gaudí realizó profundos estudios acústicos y lumínicos para conseguir una perfecta sonoridad e iluminación en el interior del templo.

 

The church plan is that of a Latin cross with five aisles. The central nave vaults reach 45 meters while the side nave vaults reach 30 meters. The transept has 3 aisles. The columns are on a 7.5 meter grid however the columns of the apse, resting on del Villar's foundation, do not adhere to the grid, requiring a section of columns of the ambulatory to transition to the grid thus creating a horseshoe pattern to the layout of those columns. The crossing rests on the four central columns of porphyry supporting a great hyperboloid surrounded by two rings of 12 hyperboloids (currently under construction). The central vault reaches 60 meters. The apse will be capped by a hyperboloid vault reaching 75 meters. Gaudi intended that a visitor standing at the main entrance be able to see the vaults of the nave, crossing, and apse, thus the graduated increase in vault loftiness.

The columns of the interior are a unique Gaudi design. Besides branching to support their load, their ever-changing surfaces are the result of the intersection of various geometric forms. The simplest example is that of a square base evolving into an octagon as the column rises, then a 16-sided form, and eventually to a circle. This effect is the result of a three-dimensional intersection of helicoidal columns (for example a square cross-section column twisting clockwise and a similar one twisting counter-clockwise).

(Wikipedia)

Around the Grid has my full story talking about the photos, and info about this year's Fantasy Faire!

 

Teleport to Fairelands Junction

 

I'm wearing the Charm Banshee gacha set from Zenith, while Jem is in a currently vintage skin and outfit named Solaris, from Fallen Gods. (Word is that it's on the schedule to be updated with current-generation elements.) More details at the article.

♥♥♥ Explore December 2, 2022 ♥♥♥

 

ENG The portal of Santa María La Real de Sangüesa (Navarra, Spain) is one of the most outstanding works of Spanish Romanesque art. Sculpted at the end of the 12th century. The statues-columns that support the three archivolts are one of the most beautiful elements of the portal, those on the left represent the Three Marys who symbolize the resurrection and those on the right Saint Peter, Saint Paul and Judas. The lower part of the cover is the work of the master Leodegarius.

 

ENG La portada de Santa María La Real de Sangüesa (Navarra, España) es una de las obras más sobresalientes del arte románico español. Esculpida a finales del siglo XII. Las estatuas-columnas que sostienen las tres arquivoltas son uno de los elementos más bellos de la portada, las de la izquierda representan a las Tres Marías que simbolizan la resurrección y las de la derecha a san Pedro, san Pablo y a Judas. La parte inferior de la portada es obra del maestro Leodegarius.

 

22P4528

:: BIGGER is......... almost a must ......and largely recommended........!......:-)

 

:: PORTFOLIO

   

:: Deer Escape, Lake Simon, Québec, Canada.

Copyright © 2008 Gaëtan Bourque. All rights reserved. Use without permission is illegal.

  

www.youtube.com/watch?v=MTrKkqE9p1o

 

Was doing some street photography last week and came across this store where the door was open to this scene. The ladder was there as it isn't an entrance door to the store. In doing post process for this I could not get the colours right for the RAW version; however it worked well as a monochrome.

 

If you don't know the singer Leon Bridges check out the you tube video of his hit song 'Coming home'.

A Pacific Golden-Plover (Pluvialis fulva) on migration in Bhaktapur, Nepal. #championofmigration

 

Story behind the shot: www.ianhearn.com/post/manohara-1

 

eBird: ebird.org/checklist/S73447255

 

My website: www.ianhearn.com/

www.flickr.com/photos/chuck_lutz/2330970759/sizes/l/

 

In the yellow house, with the so-called "Hölderlintower", lived the poet Friedrich Hölderlin 36 years.

 

www.hoelderlin-gesellschaft.de/index.php?id=48&L=1

www.instagram.com/krlnphotos/

 

Insta is insta, flickr is my home:-)

 

Thank you for all your constant feedback and meaningful comments. Since my camera broke, I have been taking more mobile shots, but my camera has been repaired meanwhile :-)

 

C'è una storia dietro ogni persona. C'è una ragione per cui loro sono quel che sono. Loro non sono così solo perché lo vogliono. Qualcosa nel passato li ha resi tali e alcune volte è impossibile cambiarli

 

chiaracianniello.tumblr.com/

Hmmmm, so it seems I was REALLY lucky with the previous render I made that it came out so nicely. There was no denoising needed so all of the detail was kept. Here... not so much...

 

One of the reasons I wanted to use blender for rendering was so that I could make more realistic backdrop materials. I spent a bit setting up the one here with a paper-y texture based on photos I've seen around and in the noisy image, it came out really well. But there were a ton of fireflies in the gangway so I used the basic denoising techniques and suddenly, bye bye paper. I will be looking into using masks to better direct the denoising. Maybe I can constrain it to only look at noise on the model itself and to ignore the backdrop? I may revisit this render from another angle when I have this all figured out. It just looks too soft...

 

The other reason I wanted to use blender was so that I could add more non-Lego objects, such as the paper cut-out lines here. I think the line came out really well with its thickness, slight imperfections, etc. As for the model, you may recognize it as the base model from the Hibernia Roto-Lift. In fact, the only reused portion is the angled setup of the gangway door. Everything else is new to this build and the structure is far more robust. It is still based on the same concept art though and serves generally the same purpose. The rear landing legs tuck away and the vertical fins fold down into their place for flight. I think I made this pigeon large enough to carry an Imperial tank or ATST.

 

Oh, and I couldn't decide which mouse droid I liked more, so here are both!

Burnett School Road Bridge over Cedar Creek in Callaway County, Missouri by Notley Hawkins. Taken with a Sony ILCE-7RM4 camera and a Sony FE 24-105mm F4 G OSS lens at ƒ/8.0 with a 6-second exposure at ISO 50. Processed with Adobe Lightroom CC.

 

Follow me on Twitter, Facebook, Instagram

 

www.notleyhawkins.com/

 

©Notley Hawkins. All rights reserved.

wounded will be @ 13th Street Event on 7/28.

 

♡ hand drawn BoM layers

♡ includes full layers, or separate layers to mix & match

+ lip wound & bandaids

♡ chest / neck wound

♡ unisex & tintable

♡ for Lelutka EvoX - BOM only.

 

▹ event opens JULY 28TH.

 

xoxo.

this item will be able to be found on marketplace & iicing mainstore after the event ends, thank you~!

iicing mainstore.

iicing marketplace.

  

also, moving to twitter so be sure to send me a follow there:

twitter.com/iicingxo

 

taxi: 13th Street Event

SRWE

Taken with MSI Afterburner

Awaran, Balochistan, Pakistan

'La 17°...' Large On Black

 

"(...)Pour Christine Lebrasseur, utilisatrice intensive de FlickR et photographe amateure depuis à peine un an, FlickR est une source d’inspiration et d’apprentissage inépuisable.

 

“Si vous comparez mes cinq premières photos et mes cinq dernières, vous allez tout de suite comprendre combien la communauté m’a influencé, dans la qualité, dans la façon de voir les choses. Dans un premier temps, j’ai visité beaucoup de galeries, j’ai laissé des traces chez ceux qui m’ont émue et qui ont été pour moi source d’inspiration. Petit à petit en publiant vos photos, une communauté virtuelle se crée autour de ce que vous faites et vous fait évoluer.

 

Cet échange est valorisant, même s’il n’a aucun but lucratif, juste le plaisir de partager une émotion, de créer un déclic, même si la personne ne voit pas dans vos photos la même chose que ce que vous y avez mis ou écrit, l’important est de susciter quelque chose.”

 

Là encore, ce sont les rencontres qui prédominent : “Il y a des gens que j’ai connu via FlickR, virtuellement, et que je pourrais considérer comme des amis. Il m’est arrivé plusieurs fois de recevoir de magnifiques bouquins sur Man Ray ou Sieff via ma Whislist Amazon, de la part de gens de FlickR que je n’ai jamais vu, simplement pour me remercier de l’émotion que leur a procuré mes photos.

 

FlickR n’est qu’un moyen. Si on publie de mauvaises photos, si on ne parle pas aux gens, ont peut rester tout seul longtemps. Bien sûr, le côté virtuel ne marche pas pour tout le monde Pour certains, la relation reste trop impalpable : ils préfèrent montrer leurs photos à des clients du café du coin plutôt qu’à des milliers d’inconnus virtuels.(...)”

 

Inside FlickR - Extrait de l'article de Hubert Guillaud du 7/06/2006

 

Lire la totalité de l'article ici : www.internetactu.net/?p=6472

  

Classified in the flickstrsBETA

فصل يعرف بالبرد والمطر

 

ونشعر فيه اننا فى احتياج الى الدفئ

 

ولكن لماذا دائما عندما يأتى الشتاء

 

يأتى معه حبنا للوحدة

 

والشعور الدائم للعودة الى الحنين

 

ربما عند قدوم ذلك الفصل نتذكر معه

 

كل ذكرياتنا الماضية

 

نحّن معه الى دفئ أشخاص قد مروا علينا فى غيمة الشتاء

 

وحينما ننظر الى المطر نتمنى الطيران

 

تحت أرجائه وكأننا نريد منه أن يعيد

 

الينا زمن قد مضى وفات

 

!

 

twitter.com/#!/1991Ladyreem

www.aperturesixteen.de

 

Haida M15 Filterhalter

ND 3.0

GND 0.6 Soft

 

Dies ist einer dieser Spots, bei denen wohl so einige Faktoren mitspielen müssen, um das Motiv wirkungsvoll in Szene zu setzen. Gestern allerdings waren wir erst einmal zufrieden damit, den Platz überhaupt gefunden zu haben! 😅

 

Niedrigwasser und eine Nebelwand, die das gegenüberliegende Ufer ausblendet, wären wohl ideal! Als wir gestern dort waren herrschte aber gerade Hochwasser, und für Nebel haben wir gerade sowieso die falsche Jahreszeit!

 

Die einzige Möglichkeit, den Horizont nicht durch das Wrack schneiden zu lassen war, mit dem langen Tele vom Gehweg aus herab zu fotografieren.

Das Bild ist so natürlich sehr clean, denn das etwas weiter rechts liegende Uferzeichen in Form eines Pfeils (Wie nennt man die eigentlich wirklich?) bekommt man so unmöglich mit aufs Bild. Mir gefällt es dennoch, und wenn der nächste Nebel kommt…

Chosen from Flickr Social's May's Explore Takeover Theme: " Light & Shadows " and then placed in "in explore" May 24th 2023 ( Joined 101,461 Members• 1.6M Photos ).

 

www.flickr.com/groups/inexplore/pool/jimmy_singleton_jr

 

www.flickr.com/groups/inexplore/pool/with/52373343847/

  

Using artistic license I have added the moon and stream to the previous photo to enhance the presentation.

The pursuit of Beauty that may be in Industry .

  

"Maria G "

Taking on a Load of wheat at Richardson's International Main Elevator Port of Thunder Bay .

 

MARIA G (IMO: 9358369) is a Bulk Carrier that was built in 2007 (15 years ago) and is sailing under the flag of Malta.

 

It’s carrying capacity is 37249 t DWT and her current draught is reported to be 5.7 meters. Her length overall (LOA) is 199.9 meters and her width is 23.7 meters.

 

In 2014, Richardsons announced that it had more than doubled its capacity in the Port of Thunder Bay by purchasing and re-opening the “Current River Terminal”, formerly part of Viterra Inc. and located near Richardson’s original “Heritage Terminal”. The Viterra elevator had not been used in three years and required cleanup and repairs. Both terminals are nearby one another on the Current River section of the waterfront.

 

While there aren’t as many grain elevators as there once were, Thunder Bay still has the largest grain storage capacity in North America and hundreds of thousands of tonness of wheat, canola, soybeans, flax and oats are stored in silos before being shipped.

 

The Current River Terminal has a storage capacity of 235,000 tonnes, while the Heritage Terminal holds 208,000 tonnes. This makes for a combined storage capacity of 443,000 tonnes.

Do you want to see the raw file of this shoot?

Here u have the chance:

 

processingraw.com/gallery/antes-y-despues-hamnoy/

----------------------------------

 

Quieres ver el archivo raw original de esta imagen?

Entra en

 

processingraw.com/gallery/antes-y-despues-hamnoy/

 

y podrás ver el antes y después.

 

Hamnøy is a small fishing village in the municipality of Moskenes in Nordland county, Norway. It is located on the eastern side of Moskenesøya, about 1.5 kilometres (0.93 mi) northeast of Reine, along the Vestfjorden. Hamnøy was previously connected to Reine by ferry, but this was replaced by bridges on the European route E10 highway as part of the Lofoten Mainland Connection.

  

source:wikipedia

  

The shot is approx 4 minutes long, using a lee big stopper (10 stops) and a 0.75 neutral grad from lee.

  

Just one shot, no HDR!!!

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