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Analogica con Pentax S1A ( 1963 ), Takumar 55 mm 1.8 F, Fomapan 200 asa, sviluppo con Rodinal. Ora mangio e dopo commento le vostre foto
Analogica, Zenit B ( 1967 ), Fujicolor C 200 asa, Helios 44-3 58 mm 2 F, sviluppo con Tetenal. Ora vado al lavoro, spero di commentare le vostre foto questa sera
Analogica ,Exa 1 B ( 1977 ) con mirino a pozzetto, Zeiss Sonnar 135 mm 4.0 F, Kodak color 200 asa, sviluppo con Tetenal. Guru è uno dei due nuovi gatti dei vicini e come l' altro viene sempre nel mio orto. Ho usato questo 135 mm per la foto perchè Guru è diffidente e non posso avvicinarmi troppo
It never fails to make me smile when I see Guru sprawled like this. He often sleeps taking up extravagant amounts of space. The best part: he accepts belly kisses.
I haven't posted this before... It bothered me that his eyes were different sizes, I guess... but I keep coming back to it, because of his earnest, friendly face. Guru makes a lot of eye contact--one of the things I really love about him. That's why I'm choosing this image for this week's Happy Caturday group theme: a photo we love of a cat that we love.
Happy Caturday! =^..^= ❤️
I haven't been able to take any photographs for a little over a week because I have to hop around on one foot with a walker (torn Achilles' tendon). Guru gave me this shot, however, which I could take from my recliner.
I left my favorite shorts on the bed, smoothed flat, in case somebody wanted to sleep on them. Guru had a better idea.
#1 of 5
Guru went onto the cat enclosure to see the snow but came back in immediately, through the window where I took this shot.
He and I were playing a game. I had draped the hand towel over the chair back. He would run up underneath it and wrestle it until it fell to the ground. I put it back on the chair. He knocked it down.
Lather, rinse, repeat.
p.s. I couldn't figure out what the brown rectangular blur at the bottom of the towel. 'finally realized it is the maker's tag.
Titled 'Still'
The statue, by artist Rob Mullholland, was installed on the bank of Loch Earn at St Fillans
The figure symbolises the physical and spiritual relationship between humans and the natural wilderness.
The figure is in constant flux, the small panels that form the sculpture are being torn away with the prevailing wind, being re - shaped by the natural forces.
It investigates the fundamental aspects of self awareness and our connection with our environment.