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Plot of atmospheric CO2 concentration taken from ftp://ftp.cmdl.noaa.gov/ccg/co2/trends/co2_mm_mlo.txt
It has been a long road in 2008. I started with a weigh-in of 285 lbs - a number which made me wince and want to crawl under the rug in embarrassment. But it served as the motivation I needed to finally get up off my behind, stop ordering in pizza and french fries for every meal, and start getting serious about my weight/health. I swore off sugar, drastically reduced the carbs I was eating, became extremely strict about my portions, and began an exercise program that included daily biking, either on a stationary bike in the attic or on a new outdoors bike around town. It has been a bumpy road. Some days, I had no problem eating less and avoiding sweets. Other days, it felt like I was digging out my own heart with a dull spoon to avoid a calorie-rich meal. I gave myself a few "free days" here and there to take some pressure off (birthday, Thanksgiving, Christmas, etc.) and was relentless about measuring my weight every day, and writing it down where I had to look at it. I combined that with a weekly posting of the weight graph here on Mod-Blog, so that I could not delude myself about my progress. If I did well, everyone would know. If I did poorly, everyone would know.
Well, while the last week did not lose me as much weight as I had hoped, I think I did well in 2008. I lost over 60 lbs, gained considerable strength and endurance, and am actually able to outdo some of my athletic friends... at least when we are all on bikes. It feels good to have accomplished so much. Please be praying that I can keep it up in 2009. My goal for 2009 is to maintain what I have lose and to stay below the "obese" line on the BMI graph. The only hard number I have in mind is to hit 200 lbs by December 31, 2009. We'll see how it goes, one day at a time.
Mur d'expression libre - les taggeurs et grapheurs sont libres d'y laisser libre court à leurs inspirations. Ces oeuvres sont très éphémères et seront sans doute recouvertes et remplacées par d'autres dans quelques jours ou semaines comme les précédentes.
What do the colors mean?
blue: for links (the A tag)
red: for tables (TABLE, TR and TD tags)
green: for the DIV tag
violet: for images (the IMG tag)
yellow: for forms (FORM, INPUT, TEXTAREA, SELECT and OPTION tags)
orange: for linebreaks and blockquotes (BR, P, and BLOCKQUOTE tags)
black: the HTML tag, the root node
gray: all other tags
An example on how it looks like when using the graphing sketch together with the Sweetblue android + arduino library for processing.
More info and download here: github.com/1scale1/sweetbt
Made by 1scale1.
Soixante minutes à tuer au bord du Clain à Poitiers, puis un rapide passage par le Jardin des Plantes, et retour par quelques graphs, pour finir par quelques insectes...
Scottish Munros: Actual and Predicted Route Times (excluded routes)
The previous graph presents a correlation between actual and predicted route times using a modified Naismith's Rule, with the effective walking pace being derived from data accumulated from 72 qualifying Munro routes (see text for background). Routes done under winter conditions, those involving a lot of scrambling, and two-day walks were excluded. In this graph, the excluded data are superimposed on the previous graph but with the qualifying data points removed for clarity. As might be expected, a significant proportion of both the winter and scrambling routes fall outside of the 25% upper margin, but this is not the case for the two-day walks. The reason this last category was excluded is that it seemed likely that the additional weight of the camping equipment would have had a noticeable impact on route times; however, the average walking pace for these routes was only slightly below the standard rate (4.1km/hr as opposed to 4.38km/hr), and so I guess I must have been fitter than I thought!
The routes falling furthest out-of-bounds (one from each category) are as follows:
Route 110: Buachaille Etive Mor (Section 3) (photo)
Route 102: Am Basteir - Bruach na Frithe (Section 17) (photo)
Route 134 (day 2): Luinne Bheinn - Meall Buidhe - Ladhar Bheinn (Section 10) (photo)
The tardy pace set during the winter ascent of Buachaille Etive Mor was largely due to the "wrong" type of snow, which extended right down to the roadside. All that needs to be said about Am Basteir and Bruach na Frithe is that they're Cuillin Munros, and so Naismith's Rule is largely irrelevant (although incurring a minor knee injury during a fall from the Bad Step was an additional factor in this case!). Cumulative fatigue probably accounted for my shoddy performance during the second day of the Knoydart route, as the previous day had involved a six hour drive from Carlisle, followed by a tough 9-hour walk over the first two Munros, followed by a sleepless night spent bivvying in Choire Odhair!
Note: My Flickr Munro photos are grouped into the SMC guidebook Sections and not individual routes. The easiest way to see any additional photos taken during the routes listed above is to follow the link back to the relevant Section (from the "This photo also appears in" link), where the photos are ordered sequentially.
A critical Erdös-Rényi graph on 501 vertices, with 4 different connected components coloured in red, blue, green and orange. Image created by Matt Roberts (mir20).
Graph showing forb and graminoid richness changes over time at The Nature Conservancy's Clymer Meadow Preserve in northcentral Texas. This graph is from a poster 'Making a good prairie better: long-term changes in a remnant managed with fire and grazing' by Charlotte Reemts, Jacqueline Ferrato, Brandon Belcher, and Larry Crane; presented at the Nature Conservancy’s Central U.S. Region Science, Stewardship and Conservation Conference, September 2018. See the full poster here: oakfirescience.com/wp-content/uploads/2020/04/2018_Clymer...
After seeing marycatherine's inspiration sketch for our first project for do. Good Stitches I decided that graph paper was a way good way to keep track of all my awesome quilt ideas, so I needed a little graph paper book. Also, I decided it should be free. So I got out a pretty file folder I bought at Barnes & Noble like 5 years ago and a bunch of graph paper from a notepad and sewed it together! It looks pretty good! It's a bit crooked, and I forgot to backstitch the ends so it may all unravel, and my stitch length was really short so it might rip through the paper. But hey! I made me a quilt design journal!
Soixante minutes à tuer au bord du Clain à Poitiers, puis un rapide passage par le Jardin des Plantes, et retour par quelques graphs, pour finir par quelques insectes...
Light-Graph, 2017
Fotografia informale
La parola fotografia deriva dall’unione di due parole greche luce (phôs) e grafia (graphis) che unite significano “scrivere/disegnare con la luce".
Il progetto nasce nel 2013 con la serie “Signs and Spots”. Si basa sullo studio del segno grafico, dall’incisione calcografica alla serigrafia, dalla pittura allo schizzo a carboncino, e degli eventuali metodi e mezzi per la riproduzione digitale di tali segni e tecniche. L’obiettivo di tale progetto è dunque quello di rimediare vecchie e nuove tecniche seguendo la teoria sociologica di Bolter e Grusin. I due autori parlano di “doppia logica della rimediazione”, proponendo da un lato la logica dell’immediatezza e dall’altro quella dell’ipermediazione. Con immediatezza gli autori intendono quelle pratiche mediali accomunate dalla “convinzione che esista un punto di contatto tra il medium e ciò che viene rappresentato”. Nella prospettiva di Leon Battista Alberti la logica dell’immediatezza si esprime tramite “la finestra” definita dalla cornice, attraverso la quale si può guardare la realtà, quale essa è; l’unica condizione posta è che non si guardi la cornice e che l’operazione artistica sia fedele imitatrice della natura. “Se la logica dell’immediatezza porta a cancellare o a rendere automatico l’atto di rappresentazione, la logica dell’ipermediazione riconosce l’esistenza di atti di rappresentazione multipli e li rende visibili” (Bolter e Grusin). L’ipermediazione ci spinge a guardare la cornice e l’atto di mediazione, non pretendendo di soddisfare il nostro desiderio di immediatezza, ma cercando di “riprodurre la ricchezza sensoriale dell’esperienza umana” . Immediatezza significa trasparenza e autenticità dell’esperienza (della realtà reale), ipermediazione invece significa opacità e autenticità dell’esperienza (della realtà mediale).
Con i media digitali, le due logiche agiscono e reagiscono contemporaneamente.
Bolter e Grusin propongono una dinamica complessa al punto da contenere al proprio interno la rimediazione dei vecchi media da parte dei nuovi, e viceversa.
L’artista basandosi su tale teoria, conduce il suo esperimento attraverso l’utilizzo della fotocamera digitale, giungendo al suo obiettivo.
Difatti in questa nuova serie “Light-Graph”, come nella serie precedente, i segni creano un’illusione, una confusione tra ciò che rappresentano e ciò che sono realmente. Sembra di osservare dei dipinti, delle pennellate di colore su tela, delle incisioni, tutto tranne che fotografie digitali.
Signs and Spots | flic.kr/s/aHskeZZSsD
This graph and formulae sheet is used with a 50mm prime lens on a Canon Rebel 10 MP digital camera to measure elevations of the Sun or Moon up to 24°.
29th MAY, LONDON - Jim Webber and the Neo4J user group meet for a talk exploring powerful analytic techniques for graph data. Discovering some of the innate properties of (social) graphs from fields like anthropology and sociology. As well as how graph matching can be used to extract online business intelligence (for powerful retail recommendations). See the SkillsCast (film, code, slides) at: skillsmatter.com/podcast/nosql/discuss-a-little-graph-the...
I graphed an exponential equation and a log equation. The exponential equation fits the chicken tail better since the exponential graph has an horizontal asymptope while the log graph did not; and therefore, fits the end part of the chicken tail better.
what are the quadrants in a graph Learn about the concept of quadrants in geometry here. Understand the concept better with the pictorial representation of quadrants of a graph. For more help one can connect to an online tutor and gain the required help.
Quadrants is one of the important concepts in graph. There are 4 equal quadrants of a graph plane. Based on the angles and then x and y point values they are split into four equal quadrant parts.