View allAll Photos Tagged geometricpattern
A vibrant, radial burst of colored fluorescent tubes—yellow, blue, pink, and orange—radiates from a central point behind a shop window, creating a dazzling sunburst effect. Reflected in the glass is a mannequin dressed in a black sequined skirt and a red-and-black plaid shirt, adding a touch of urban fashion to the abstract, geometric light display. The interplay of artificial neon and natural daylight creates a dynamic, almost surreal composition that blends commercial display with artistic abstraction.
An open book displays intricate white line drawings on dark gray pages, featuring abstract geometric patterns that resemble flowing ribbons and concentric loops. The artwork utilizes a high-contrast black and white palette with fine, precise lines creating a sense of depth and movement against the matte paper texture. Soft shadows cast by the book onto the reddish-brown wooden surface suggest a calm, focused atmosphere.
A close-up, low-angle shot captures the glistening, rain-slicked pavement of a city street at night. The dark, textured tiles are illuminated by ambient light, creating a moody, atmospheric scene with deep red and grey tones and subtle reflections of nearby lights and signage. The composition emphasizes the geometric pattern of the pavement and the wet sheen that transforms an ordinary sidewalk into a canvas of urban texture and color.
2012 Fashion , geometric fashion , designer , designer canada , geometric patterns , 2012 designer fashion , 2012 designer shoes , designer shoes 2012 , shoes 2012 , geometric clothing , geometric designs , hot , new , 2012 , street style , toronto designer , designer shoes , geometric hoodies , style canada , deco , decor , modern geometric , 2012FASHION , CANADIAN DESIGNER , 2012 FASHION , CANADIAN FASHION , UNVERSAL FASHION , GEOMERIC SYMBOLS ,
Deep shadows and brilliant highlights dance across the ancient, uneven cobblestones of the Argentine Northwest in this striking monochrome portrait. An indigenous figure sits in quiet concentration, their silhouette defined by a traditional flat-brimmed black hat and the heavy drape of a geometric woven sweater. The intricate checkerboard patterns of the textile speak to centuries of Andean weaving heritage, a staple of cultural identity in remote villages like Iruya. Dappled sunlight filters from above, creating a dramatic, high-contrast chiaroscuro effect that obscures the subject's facial features while emphasizing the deep textures of their clothing and the surrounding stones. Their weathered hands are caught mid-motion, delicately handling what appear to be silver spoons or small tools, suggesting a moment of daily labor or artisanship. The stark black-and-white treatment strips away the distractions of color, focusing the viewer's attention entirely on the timeless interplay of light, form, and cultural endurance. A shallow depth of field softly blurs the distant ground, isolating the seated figure within their pocket of deep shadow. Long, thick braids cascade down the subject's back, a quintessential hallmark of the Quechua or Aymara descent prevalent in this high-altitude region. The quiet dignity of the scene captures the slow, deliberate pace of life in the remote valleys of Salta and Jujuy. It is an intimate, compelling moment that bridges the gap between the modern observer and the enduring ancestral traditions of Norte Argentino. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.
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Profundas sombras y brillantes reflejos danzan sobre los antiguos e irregulares adoquines del Noroeste Argentino en este impactante retrato monocromático. Una figura indígena se sienta en silenciosa concentración, su silueta definida por un tradicional sombrero negro de ala plana y la pesada caída de un suéter tejido con motivos geométricos. Los intrincados patrones de tablero de ajedrez del textil hablan de siglos de herencia tejedora andina, un elemento básico de la identidad cultural en pueblos remotos como Iruya. La luz del sol moteada se filtra desde arriba, creando un efecto de claroscuro dramático y de alto contraste que oculta los rasgos faciales del sujeto mientras enfatiza las texturas profundas de su ropa y las piedras circundantes. Sus manos curtidas son capturadas en pleno movimiento, manejando delicadamente lo que parecen ser cucharas de plata o pequeñas herramientas, sugiriendo un momento de labor diaria o artesanía. El austero tratamiento en blanco y negro elimina las distracciones del color, enfocando la atención del espectador por completo en la interacción atemporal de la luz, la forma y la resistencia cultural. Una profundidad de campo reducida desenfoca suavemente el suelo distante, aislando a la figura sentada dentro de su bolsillo de sombra profunda. Largas y gruesas trenzas caen por la espalda del sujeto, un sello distintivo por excelencia de la ascendencia quechua o aymara predominante en esta región de gran altitud. La silenciosa dignidad de la escena captura el ritmo de vida lento y deliberado en los valles remotos de Salta y Jujuy. Es un momento íntimo y cautivador que cierra la brecha entre el observador moderno y las perdurables tradiciones ancestrales del Norte Argentino. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para el Proyecto 23.
Explore more of our work:
Local Guides: cheargentinatravel.com & nomadicsamuel.com
🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com
Photo by Samuel Jeffery & Audrey Bergner | Project 23
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This is a seriously "messed" with shot of the skylight above the SF Public Library's atrium. I used the free image editor at FotoFlexer.com, which offers a "collage" feature. (Note: For that to work well, images must be cropped to a perfect square. Much fun!
A moody, close-up shot of blue diamond plate metal, bathed in cool, ambient light with a bright, out-of-focus neon tube in the corner. The repeating geometric pattern creates a hypnotic, industrial texture, while the shallow depth of field and saturated blue tones evoke a futuristic or underwater atmosphere.
An abstract architectural study of the Newcastle Civic Centre. This composition focuses on the rhythmic brickwork of the facade, using the glass window panes as mirrors to capture the iconic copper-green seahorse carillon tower and the curved lines of the surrounding complex. It highlights the interplay between the modernist grid and the symbolic landmarks of the city.
Kumiko folding screen, 2019
Sakae Tategu Kōgei
Japanese castor aralia (lignitized), Japanese cedar, Japanese whitebark magnolia (lignitized), Japanese cherry, Japanese whitebark magnolia, Kiso hinoki cypress, Chinese pyramid juniper, katsura (lignitized), Japanese sumac (urushi), Japanese whitebark magnolia (sapwood), Chinese cedar
This complex kumiko work depicts a mountainous landscape, draped in mist. By applying the design to a folding screen (byōbu), the viewer can feel immersed within the surrounding landscape.*
Kumiko latticework
Kumiko refers to the intricate latticework used in Japanese architectural fittings (tategu) such as shōji – translucent, sliding partition screens; ranma – decorative transoms; and tsuitate – freestanding, movable partition screens. The origins of kumiko likely date back to the Kamakura period (1185–1333), with techniques passed down through generations. The central process involves crafting thin, delicate pieces
of wood and assembling them in various geometric patterns to form a seamless surface. This advanced technique was further developed in the latter half of the 20th century. While high-quality, straight-grained hinoki cypress is typically preferred, integrating contrasting natural colours from a variety of woods can give Kumiko works an expressive painterly quality.*
From the exhibition
The Craft of Carpentry Drawing Life from Japan’s Forests
(March – July 2025)
This exhibition reveals the essence of Japanese carpentry in three ways: through the work of temple and shrine carpenters (dōmiya daiku); that of teahouse carpenters (sukiya daiku); and joinery techniques (kigumi).
Since ancient times, Japan’s craftspeople have been shaping their social environment. Their work continues to permeate all aspects of life, contributing to everything from the everyday to the most sacred grand designs. Within this society, people have always been grateful for the blessings of nature and revered the innumerable kami – spirit-deities – residing in the natural world. Carpenters and woodcutters respectfully seek forgiveness from the forest kami before gathering the raw materials for their work. Understanding the individual qualities of trees and their environment is crucial to their activities.
The great 20th-century craftsman Nishioka Tsunekazu laid out a number of key principles. For temple construction, he advised using wood from a single mountain, and understanding the wood’s natural curves. Choosing the right wood is vital: trees grown on higher mountain slopes are ideal for structural elements such as beams and pillars, while those in the lower valleys are better for finishing materials. When used correctly, wood can last for generations. Timber is only a renewable resource if the growth period of the tree and the life of a building align. If we use a 1,000-year-old tree, we need to be prepared to take on more than 1,000 years of responsibility for the building we create.
The precision of Japanese woodworking is deeply rooted in a respect for nature, expressed through highly refined techniques and tools. In a land where iron is scarce, carpenters developed advanced joinery methods that do not rely on the use of nails. As we reconsider our relationship with our planet, these practices offer a wisdom that continues to resonate today.
[*Japan House]
Taken in Japan House
Place mat with geometric patterns
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L'ancien marche de Kashgar, dans le Xinjiang, est un centre vivant de culture et d'histoire. Repute pour ses artisanats traditionnels, ses epices et ses textiles, ce marche offre un apercu du riche patrimoine du peuple ouighour et des influences variees de la Route de la Soie.
Intense Art Deco portrait of a couple sharing a close, emotional moment, with the man in sleek black and the woman in emerald green, framed by vibrant red and green geometric patterns.
A close-up, low-angle shot captures the warm glow of evening light on large terracotta tiles, casting long, dramatic shadows from nearby foliage. The composition emphasizes texture and pattern, with the dark grout lines creating a strong geometric grid against the earthy, sun-warmed surface. A few scattered dry leaves add a touch of natural decay and hint at the surrounding garden or patio setting.
A close-up, sunlit view of a massive retaining wall constructed from a grid of concrete blocks filled with compacted earth. The repeating geometric pattern creates a powerful texture, while the bright daylight casts sharp shadows that emphasize the depth and industrial character of the structure. Thin, white cables or pipes run horizontally across the face, adding a subtle layer of human intervention to the raw, earthy material.
Vibrant threads of crimson, ochre, and deep indigo intertwine to form a striking visual narrative in this handcrafted Andean tapestry from the Argentine Northwest. The woven textile serves as a canvas depicting a quintessential high-altitude village, complete with blocky adobe structures topped with bright red roofs that contrast beautifully against the dark, mountainous backdrop. Towering green cacti flank the terraced hillsides, grounding the artwork in the arid, rugged ecology typical of regions like Iruya and Humahuaca. In the foreground, three figures donning traditional wide-brimmed hats and colorful ponchos are gathered in an intimate circle, their stylized forms conveying a deep sense of community and enduring indigenous culture. The photograph captures the tactile essence of the wool, with soft, natural lighting emphasizing the meticulous, row-by-row craftsmanship of the artisan. Shot from a slight angle, the composition allows the main tapestry to dominate the frame while revealing glimpses of intricate geometric textiles layered beneath it. A faint, taut string cuts diagonally across the frame, a subtle reminder of the bustling artisan markets where these cultural treasures are proudly displayed. The woven signature "BURGOS" in the lower-left corner authenticates the piece, proudly claiming authorship of this vibrant folk art. Such textiles are not merely decorative; they are vital cultural artifacts that preserve the ancestral weaving techniques and storytelling traditions of the Andean highlands. The warm color palette radiates the intense solar energy of the Puna, evoking the sun-drenched landscapes that inspire these local weavers. Through this close-up perspective, the image transforms a simple market commodity into a profound celebration of the artistic heritage of Northern Argentina. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.
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Vibrantes hilos de carmesí, ocre y un profundo índigo se entrelazan para formar una sorprendente narrativa visual en este tapiz andino hecho a mano en el Noroeste Argentino. El tejido sirve como lienzo que representa un pueblo típico de gran altitud, completo con estructuras de adobe en bloques coronadas con techos de color rojo brillante que contrastan hermosamente con el oscuro fondo montañoso. Imponentes cactus verdes flanquean las laderas en terrazas, anclando la obra de arte en la ecología árida y escarpada típica de regiones como Iruya y Humahuaca. En primer plano, tres figuras que visten sombreros tradicionales de ala ancha y ponchos coloridos se reúnen en un círculo íntimo, y sus formas estilizadas transmiten un profundo sentido de comunidad y cultura indígena perdurable. La fotografía captura la esencia táctil de la lana, con una iluminación suave y natural que enfatiza la meticulosa artesanía hilera por hilera del artesano. Tomada desde un ligero ángulo, la composición permite que el tapiz principal domine el encuadre mientras revela destellos de intrincados textiles geométricos en capas debajo de él. Un hilo tenue y tenso cruza diagonalmente el encuadre, un sutil recordatorio de los bulliciosos mercados artesanales donde estos tesoros culturales se exhiben con orgullo. La firma tejida "BURGOS" en la esquina inferior izquierda autentica la pieza, reclamando con orgullo la autoría de este vibrante arte popular. Estos textiles no son meramente decorativos; son artefactos culturales vitales que preservan las técnicas de tejido ancestrales y las tradiciones narrativas de las tierras altas andinas. La cálida paleta de colores irradia la intensa energía solar de la Puna, evocando los paisajes bañados por el sol que inspiran a estos tejedores locales. A través de esta perspectiva de primer plano, la imagen transforma un simple producto de mercado en una profunda celebración de la herencia artística del norte de Argentina. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para el Proyecto 23.
Explore more of our work:
Local Guides: cheargentinatravel.com & nomadicsamuel.com
🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com
Photo by Samuel Jeffery & Audrey Bergner | Project 23
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Next, the concrete blocks were painted, again and again and again, over the course of several decades.
The building is from 1948, but these concrete blocks were probably added later, right? Like sometime between the late 1950s and the early 1970s, right?
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In downtown Ottumwa, Iowa, on October 27th, 2020, was an exterior wall at an Enterprise car rental business at 302 W 2nd St, at the southwest corner of West 2nd Street and South Marion Street.
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Getty Thesaurus of Geographic Names terms:
• Ottumwa (2035410)
• Wapello (county) (2000650)
Art & Architecture Thesaurus terms:
• commercial buildings (300005147)
• concrete blocks (300374976)
• cracking (300054124)
• exterior walls (300002523)
• geometric patterns (300165213)
• layers (components) (300226788)
• lozenges (300009791)
• Mid-Century Modernist (300343610)
• paint (coating) (300015029)
• peeling (300054127)
• recessed (300375746)
• urban blight (300163405)
• white (color) (300129784)
Wikidata items:
• 27 October 2020 (Q57396950)
• Enterprise Rent-A-Car (Q17085454)
• October 27 (Q2956)
• October 2020 (Q55281169)
• Sac and Fox Treaty of 1842 (Q96404765)
Library of Congress Subject Headings:
• Concrete masonry (sh85030722)
For those interested in such things: this was taken with the Light Lens Lab 50mm ELCAN homage wide open at f/2, mounted on an SL3.
I have to say, there are aspects of this which read to my eye as if this had been shot on film.
(lookit the lovely subtle glow on those handlesets!)
[jbm-20261023-sl3-007]