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TESLA Festival de Música Electrónica y Experimentación Sonora organizado por PRODUCCIONES INFAMES que tuvo lugar el sábado 21 de febrero´15 en León.
Sesión vespertina en el Museo de León con la actuación en directo de FIBONACCI grupo electrónico de reciente creación compuesto por los artistas leoneses Notone y Genzo P.
Toda la información sobre el Festival TESLA
Álbum TESLA FESTIVAL DE MÚSICA ELECTRÓNICA Y EXPERIMENTACIÓN SONORA - LEÓN 21.02.015
© Genz, Lindner / transmediale
Arab Shorts titled 'A State of Fluidity' is curated by Maha Maamoun (left) and Sarah Rifky (right) from Cairo.
Screenings included
Rice City, Sherif El Azma, eg 2010, 19 min
Tomorrow Everything Will Be Alright, Akram Zaatari, lb/uk 2010, 12 min
Tarahi II, Haris Epaminonda, 2006, 4 min
Giza Zoo, Solmaz Shahbazi, eg 2010, 6 min
Short Wave / Long Wave, Vartan Avakian, lb 2009, 8 min
80 Million, Eslam Zeen El Abedeen and Mohamed Zayan, eg 2009, 4 min
My Father Looks for an Honest City, Basim Magdy, eg 2010, 6 min
Images of a Center, Iman Issa, eg 2005, 5 min
Full curatorial statement:
© Genz, Lindner / transmediale
www.transmediale.de/content/joshua-light-show-2
With concert by Oneohtrix Point Never (us)
After the concert with Supersilent two days ago tonight sees another performance by The Joshua Light Show, this time in conjunction with a concert by the American one man band Oneohtrix Point Never.
Oneohtrix Point Never (us)
The man behind Oneohtrix Point Never is the Brooklynite Daniel Lopatin. His album Returnal (Editions Mego, 2010) was made using vintage synthesizers to create widescreen ambient landscapes. His latest album Replica (Mexican Summer, 2011) manipulates samples from 1980s TV commercials to construct evocative tracks of unexpected emotional depth. Although Lopatin has complained about people using the word "nostalgic" to describe his music, the term is rather apt. In the best sense, Replica does indeed conjure a feeling of nostalgia: as if someone has hacked into your vaguest, most distant memories and reassembled them as clear recollections of things that never really happened.
> pointnever.com/
This event is a collaboration between transmediale and CTM – Festival for Adventurous Music and Related Arts.
Nell’ Anno Internazionale delle Foreste, la tradizionale manifestazione dell’Infiorata di Genzano, divenuta negli ultimi anni un appuntamento internazionale d’arte e di cultura, dedica alla campagna Deforestazione Zero di Greenpeace un quadro di fiori.
© Genz, Lindner / transmediale
www.transmediale.de/content/interface
Media interfaces are not simply a question of usability but, as Bjørn Erik Haugen’s simply entitled Interface shows, also an embodiment of politics and power. The work’s imagery offers a vision of war as seen through the augmented reality lens of a soldier operating a machine gun from an Apache helicopter as he communicates with military headquarters. From the solider’s perspective human life is abstracted to a series of on-screen moving targets, which have more in common with virtual polygon characters in a computer game than with their flesh and blood counterparts in reality. A touch of the red button is all that is required of him; with deadly precision the missile meets and destroys its target. The interface dematerialises the violence of war and turns the act of killing into just another click of a button.
© Genz, Lindner / transmediale
in/compatible publics
Panel with Anthony Iles (uk, image) + Rachel Baker (uk), Liza Tsaliki (gr) and Norifumi Ogawa (jp)
Moderated by Krystian Woznicki (de/pl)
Riots in Great Britain, uprisings in Greece, crisis in Japan – what do these social eruptions have in common? The world system is in turmoil – a process that not only disrupts the fragile order of the global South but more and more aggressively also those walled gardens composing the industrialised world. Suddenly we are talking about failed states located inside exclusive clubs such as the G8 and the Euro-17. Before we are able to understand the implications of this far-reaching transformation, we notice new authoritarian trends in politics foreclosing democratic processes.
In this time of social crisis we have to ask about the potential of social media. After all it is a strong collaborative grassroots quality that qualifies them as platforms for social change. With respect to the walled gardens in crisis, this panel wonders: What are seminal practices and applications of social media? What is their disruptive potential in increasingly authoritarian media landscapes?
© Genz, Lindner / transmediale
Arab Shorts titled 'A State of Fluidity' is curated by Maha Maamoun (left) and Sarah Rifky (right) from Cairo.
Screenings included
Rice City, Sherif El Azma, eg 2010, 19 min
Tomorrow Everything Will Be Alright, Akram Zaatari, lb/uk 2010, 12 min
Tarahi II, Haris Epaminonda, 2006, 4 min
Giza Zoo, Solmaz Shahbazi, eg 2010, 6 min
Short Wave / Long Wave, Vartan Avakian, lb 2009, 8 min
80 Million, Eslam Zeen El Abedeen and Mohamed Zayan, eg 2009, 4 min
My Father Looks for an Honest City, Basim Magdy, eg 2010, 6 min
Images of a Center, Iman Issa, eg 2005, 5 min
Full curatorial statement:
Almazuela sobre una foto realizada durante la sesión vespertina en el Museo de León con la actuación en directo de FIBONACCI grupo electrónico de reciente creación compuesto por los artistas leoneses Notone y Genzo P.
TESLA Festival de Música Electrónica y Experimentación Sonora organizado por PRODUCCIONES INFAMES que tuvo lugar el sábado 21 de febrero´15 en León.
Toda la información sobre el Festival TESLA
Álbum TESLA FESTIVAL DE MÚSICA ELECTRÓNICA Y EXPERIMENTACIÓN SONORA - LEÓN 21.02.015
Sábado de treinos classificatórios da Stock Car e muita chuva em Santa Cruz do Sul na 5ª etapa da temporada 2018.
© Genz, Lindner / transmediale
www.transmediale.de/node/20571/
Year: 1899
Format: photography
The wireless transfer of electrical energy was the dream of physicist and electrical engineer Nikola Tesla. After tireless experimentation he finally obtained his first patent for the wireless transmission of energy in 1900. It is recognised today as the first patented radio technology, although the inventor had intended to use it for the transmission of energy for lighting. He was convinced of the possibility of running electrical lights and machines at considerable distances, without a physical link to a power source. He envisioned a world with just a handful of radio transmitters from which any required power could be harnessed via antennae. The absorbed “space energy” could be converted into electrical energy. In 1901 construction of his 57 metre high Wardenclyffe Tower began. Disguised as a radio mast, its real function was to wirelessly transmit energy through the ionosphere. Tesla was convinced that he had discovered an operational “world energy system”, which could provide everyone with free energy. When the project financiers learnt of this, construction was halted.
The much-awaited #vivoZ1Pro, #FullyLoaded with Qualcomm Snapdragon 712AIE, 5000mAh Battery +18W fast Charging & 32MP In-Display Camera is here.
Catch the highlights of the #FullyLoaded launch event with GenZ icons Bhuvam Bam & Ashish Chanchlani.
Know more: www.vivo.com/in/products/z1pro
Source: Vivo India | Vivo India Youtube
© Genz, Lindner / transmediale
www.transmediale.de/content/beyond-incompatible
The reSource for transmedial culture is an initiative of transmediale, which aims to create a distributed platform and a peer-production context of research, knowledge and artistic practices throughout 2012 and beyond. The reSource works in partnership with CTM/DISK, Kunstraum Kreuzberg/Bethanien and the Post-Media Lab of the Leuphana University Lüneburg. Within the aegis of facilitating collaboration and the sharing of resources and knowledge between the transmediale festival in Berlin and the local and translocal scene engaged with art and digital culture, the reSource acts as a link between the cultural production of art festivals and collaborative networks in the field of art and technology, hacktivism and politics. The launch of the reSource takes place at transmediale with a dissemination of workshops, talks and performances, looking into the future through a series of events scheduled in the course of 2012, leading to the next transmediale festival in 2013.
With: Tatiana Bazzichelli (transmediale), Stéphane Bauer (Kunstraum Kreuzberg /Bethanien, Berlin), Oliver Baurhenn (CTM, Berlin), Clemens Apprich and Oliver Lerone Schultz (Post-Media Lab, Leuphana University Lüneburg). Introduced by Kristoffer Gansing.
The second part of this event is the launch of the Vilém Flusser Residency Programme.
© Genz, Lindner / transmediale
Discussion with Inke Arns (de), Wolfgang Ernst (de), Jussi Parikka (fi/uk) and Siegfried Zielinski (de)
Conceived and moderated by Timothy Druckrey (us)
Discussion with Inke Arns (de), Wolfgang Ernst (de), Jussi Parikka (fi/uk) and Siegfried Zielinski (de)
Conceived and moderated by Timothy Druckrey (us)
With such an array of histories whirling through the media sphere over the past decades, it seems important to tackle some questions about how these methodologies have and are inflecting an equally wide range of artistic practices that incorporate, re-evaluate, rethink, spoof, or re-invent technologies under rubrics ranging from “archaeology” to “variantology”. This “Open Conversation” brings together a range of participants whose work traverses historiographic and contemporary curatorial practices that resonate with assessments and contributions to this debate. In a sphere with such varied approaches to artistic production – geneaologies, archaeologies, and other approaches to revive, extend, reconsider, etc., previous techniques or media – this “conversation” will attempt to bridge differences, clarify methodologies, and, most importantly, ask what is the relevance of all this historiography in the working spheres where art is being made.
© Genz, Lindner / transmediale
Eine LED-Wand besteht aus kleinen leuchtenden Dioden. Sie kann mit allen möglichen bewegten und unbewegten Bildern programmiert werden und hat eine solche Leuchtkraft, dass man sie sogar bei Tageslicht gut sehen kann. Seit ein paar Jahren benutzen viele Firmen und Künstler, die im urbanen Raum arbeiten, aufgrund dieser Qualität solche Videowände als ein besonders effektives Mittel visueller Kommunikation. Der Las Vegas Strip, Times Square und Tokio sind bekannte Beispiele dieses Trends, markieren aber nur den Anfang einer sehr viel weiterreichenden Bewegung – einer Art Siegeszug der LED-Anzeigen. Da diese Technologie sowohl kostengünstig ist, als auch technisch ständig verbessert wird, wird vorausgesagt, dass LED-Anzeigen demnächst die meist verbreitete Bildoberfläche im urbanen Raum darstellen werden. In zehn Jahren also keine Wandbilder mehr, keine Poster. Stattdessen Millionen winziger Lichter, die ultra-scharfe Bilder unmittelbar auf die Retina der Betrachter projizieren. Die Arbeit LED PH16 /1R1G1B vom Künstlerduo JODI nutzt diese LED-Technologie und führt vor, wie sie auf unsere Augen, Körper und Räume wirkt.
www.transmediale.de/de/node/20560
An LED panel consists of small light-emitting diodes and can be programmed to display all sorts of images, moving or still, of such intensity they can be seen even in daylight. In recent years this quality, which makes them an extremely effective means for visual communication, has been exploited by companies as well as artists operating in urban space. The Las Vegas Strip, Time Square, and Tokyo are well-known examples of this trend but they are only the beginning of a more extensive spread, a take-over of LED displays. Because the technology is becoming cheaper and more advanced predictions say that LED displays will soon be the primary visual surface in urban space. In 10 years, no more wall paintings, no more posters. Instead millions of miniature light sources producing ultra sharp imagery aimed directly at the retina of the public. LED PH16 /1R1G1B by the duo JODI is a demonstration of the LED technology and the strong imprint they make on eyes, bodies and spaces.
Kim (v.l.), Antonia und Anna sowie Assistentin Nastia schauen der Expertin beim Löten genau auf die Finger. (Foto: Ilka Bärwald)
Die Goldschmiedemeisterin Katja Osterhoff-Genz schmiedet in ihrer kleinen Dorfgoldschmiede in Haltern am See individuelle Schmuckstücke nach Kundenwunsch.
Sie gibt bereits seid über zehn Jahren in Kooperation mit dem Trigon Haltern, dem Katholischen Bildungswerk Recklinghausen der VHS Marl, dem Areopag Recklinghausen der VHS Dorsten oder der Familienbildungsstätte Recklinghausen Goldschmiedekurse für Erwachsene, Kinder und Jugendliche.
Das Kurprogramm wird durch Intensivkurse mit wenigen Teilnehmern, Pastoralkursen oder Beauty&Wellness Kursen ergänzt. Regelmässig treffen Sie die Goldschmiedin zum Beispiel beim Moonlight Shopping Seppenrade und anderen Veranstaltungen.
Buchen Sie auch Ihren Platz in einem Goldschmiedekurse bei der Goldschmiedemeisterin Ihnen mit Rat und Tat zur Seite steht.
Kurstermine und weitere Informationen gibt es auf der Internetseite: www.mobile-goldschmiedekurse.de
© Genz, Lindner / transmediale
www.transmediale.de/content/joshua-light-show-2
The man behind Oneohtrix Point Never is the Brooklynite Daniel Lopatin. His album Returnal (Editions Mego, 2010) was made using vintage synthesizers to create widescreen ambient landscapes. His latest album Replica (Mexican Summer, 2011) manipulates samples from 1980s TV commercials to construct evocative tracks of unexpected emotional depth. Although Lopatin has complained about people using the word "nostalgic" to describe his music, the term is rather apt. In the best sense, Replica does indeed conjure a feeling of nostalgia: as if someone has hacked into your vaguest, most distant memories and reassembled them as clear recollections of things that never really happened.
pointnever.com/
This event is a collaboration between transmediale and CTM – Festival for Adventurous Music and Related Arts.
Nell’ Anno Internazionale delle Foreste, la tradizionale manifestazione dell’Infiorata di Genzano, divenuta negli ultimi anni un appuntamento internazionale d’arte e di cultura, dedica alla campagna Deforestazione Zero di Greenpeace un quadro di fiori.
© Genz, Lindner / transmediale
The transmediale Marshall McLuhan Lecture 2012 will be held by Andrew Feenberg.
Andrew Feenberg is Canada Research Chair in Philosophy of Technology at the School of Communication of Simon Fraser University (Burnaby, BC). He received his doctorate from the University of California, San Diego, where he studied under Herbert Marcuse. Among his research interests are philosophy of technology, Critical Theory, the Internet, and Japanese intellectual history. His work combines an approach based on Critical Theory with concepts and methods drawn from the field of Science and Technology Studies. He is the author of Transforming Technology, Questioning Technology, Alternative Modernity, Heidegger and Marcuse, and Between Reason and Experience, co-author of When Poetry Ruled the Streets, and co-editor of Technology and the Politics of Knowledge, Modernity and Technology, and The Essential Marcuse. He has taught at Duke University, San Diego State University, the University of Paris, the University of Brasilia, and the University of Tokyo.
> sfu.ca/~andrewf
With the Marshall McLuhan Lecture, the transmediale invites a figure in the Canadian cultural landscape, whose work expands on McLuhan’s media theories in the context of contemporary culture and society, to present their insights.
Lecture topic: Ten Paradoxes of Technology
This lecture presents a philosophy of technology. It draws on what we have learnt in the last 30 years as we abandoned old Heideggerian and positivist notions and faced the real world of technology. It turns out that most of our common sense ideas about technology are wrong. This is why I have put my ten propositions in the form of paradoxes, although I use the word loosely here to refer to the counter-intuitive nature of much of what we know about technology. The story is one of reconciling the incompatibilities between whole and part, lay and expert, means and ends, authority and democracy, reason and experience.
Moderator
Kristoffer Gansing (se/de)
Hannas Ring ist schon fast fertig. Nun muss sie ihn noch auf einem speziellen Stein abschleifen. (Foto: Ilka Bärwald)
Die Goldschmiedemeisterin Katja Osterhoff-Genz schmiedet in ihrer kleinen Dorfgoldschmiede in Haltern am See individuelle Schmuckstücke nach Kundenwunsch.
Sie gibt bereits seid über zehn Jahren in Kooperation mit dem Trigon Haltern, dem Katholischen Bildungswerk Recklinghausen der VHS Marl, dem Areopag Recklinghausen der VHS Dorsten oder der Familienbildungsstätte Recklinghausen Goldschmiedekurse für Erwachsene, Kinder und Jugendliche.
Das Kurprogramm wird durch Intensivkurse mit wenigen Teilnehmern, Pastoralkursen oder Beauty&Wellness Kursen ergänzt. Regelmässig treffen Sie die Goldschmiedin zum Beispiel beim Moonlight Shopping Seppenrade und anderen Veranstaltungen.
Buchen Sie auch Ihren Platz in einem Goldschmiedekurse bei der Goldschmiedemeisterin Ihnen mit Rat und Tat zur Seite steht.
Kurstermine und weitere Informationen gibt es auf der Internetseite: www.mobile-goldschmiedekurse.de