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espanyol
* Kameni
* Chica
* DĂdac
* VĂctor Ruiz
* ForlĂn
* MĂĄrquez
* Baena
* CallejĂłn
* Luis GarcĂa
* VerdĂș
* Osvaldo
Incidencias y goles
0-1, Pedro (18'). 0-2, Xavi (29'). 0-3, Pedro (60'). 1-3, Osvaldo (62'). 1-4, Villa (75'). 1-5, Villa (84').
Cambios espanyol
DĂĄtolo por Luis GarcĂa (62'). Amat por Chica (64'). David GarcĂa por DĂdac (81').
Cambios FC BARCELONA
Mascherano por Busquets (78'). Keita por Iniesta (86'). Bojan por Pedro (88').
FC BARCELONA
* Valdés
* Alves
* Piqué
* Puyol
* Abidal
* Busquets
* Xavi
* Iniesta
* Pedro
* Villa
* Messi
Nahuel Zarate y Juan Forlin.
Entrenamiento de Boca Juniors.
22 de julio de 2014.
Complejo Pedro Pompilio.
Foto: Javier Garcia Martino / Photogamma.
Cecile Dehesdin - editor-in-chief Buzzfeed France
Adriano Farano - co-founder and CEO Watchup
Luca Forlin - head of strategic partnerships Google
Garrett Goodman - director business development Wochit
Renée Kaplan - head of audience engagement Financial Times
In February 2016, BuzzFeed claimed that its comScore metric of about 80 million UVs represented less than one-fifth of its actual global reach. This illustrates a reality that many news organisations are struggling to come to terms with. Media outlets have the potential to reach a much wider audience by distributing their content on social platforms than they could hope to attract to their own properties. How should this inform editorial strategy, and what is the correct balance between pursuing a wider readership offsite, or catering to a loyal audience onsite? The distribution question isn't only one of platforms, but also one of devices. With a rapidly increasing proportion of publishers' traffic coming from mobile and tablet, how should news organisations adapt their output to address this shift in consumption?
UNTITLED EVENT
a cura di Dominique Serena Antignano e Davide Forlin
LâOSCENO UCCELLO DELLA NOTTE
performance corpo/audio/luci
di M. Della Morte e SEC_
"L'osceno uccello della notte" Ăš una
performance/spettacolo per un attore e un musicista che
si colloca al confine tra la pratica corporea del teatro
sperimentale contemporaneo, la danza gestuale della
tradizione orientale e la sperimentazione sonora concreta
e d'avanguardia. Il sentimento della performance ha, a
primo impatto, a che fare col macabro e l'osceno. Ma la
tonalitĂ fondamentale della perfomance Ăš l'attesa: attesa
che pervade la vecchiaia e, di riflesso, la vita intera;
attesa non statica, attesa che genera pensieri,
ossessioni, paranoie e perversioni. Di qui le
mostruositĂ , il gusto del macabro, ma anche il gioco
surreale e delirante. L'osceno uccello della notte vuole
essere una sorta di "horror astratto", in cui l'orrore Ăš
affidato al gesto piuttosto che alla narrazione, come se
fosse un ingrandimento al microscopio di un universo
sommerso di gesti e suoni. Il titolo del lavoro Ăš un
omaggio al libro omonimo dello scrittore cileno José
Donoso. Testi di Juan Rulfo e Jean Cocteau emergono
durante la performance sottoforma di voci espropriate che
si aggirano senza soggetto nello spazio scenico.
"Incrocio, passo, ripasso, annodo, disnodo e riannodo,
trattenendo i piĂč piccoli nodi che dovrĂČ poi scioglierti
sotto pena di morte...": l'attesa Ăš il tempo stesso che
parla, e la sua lingua Ăš quella crudele e tremenda
dell'ineffabile.
M. Della Morte laureata in Storia del Teatro, ha lavorato
per 5 anni con il gruppo teatrale napoletano Laboratorio
7, sia come regista che come performer. I suoi spettacoli
sono stati ospitati da in diversi teatri e spazi, come il
Nuovo Teatro Nuovo e Galleria Toledo di Napoli, Giardini
Sospesi a Padova, Officina Mutamenti a Caserta, The
Others a Londra. Ha partecipato a diversi festival come
Portello River Festival a Padova, Stazioni di Emergenza a
Napoli, Frikk Festival a Berlino. Da tempo attiva con gli
happening e performance in strada, ha incontrato Cesar
Brie e alcuni attori dellâOdin Teatret e ha collaborato
alla organizzazione di un laboratorio teatrale diretto da
Gary Brackett (Living Theatre).
SEC_ Ăš il moniker di Mimmo Napolitano, classe 1985,
musicista elettronico e tecnico del suono di Napoli.
Suona sintetizzatori, registratori a nastro, laptop e
dispositivi elettronici sia analogici che digitali,
prendendo parte a diversi progetti di musica sperimentale
e di improvvisazione. Co-fondatore, nel 2003, della band
avant-rock Weltraum, dal 2008 collabora con gli A Spirale
(impro elettroacustica) dando vita al progetto Aspec(t),
in cui la musica concreta si unisce al noise e alla
sperimentazione elettroacustica sui feedback. Con queste
formazioni ha suonato concerti in giro per lâEuropa in
situazioni eterogenee (festivals, clubs, squats, musei,
negozi di dischi,...), collaborando con numerosi
musicisti ed improvvisatori (Jerome Noetinger, Valerio
Tricoli, Olivier Di Placido, Franck Vigroux, Ignaz
Schick, Basshaters, Jealousy Party,...). Dal 2009 porta
avanti, con altri collaboratori, lâetichetta Toxo
Records, che produce molti dei suoi lavori. Nel 2010
inizia la collaborazione con lâattrice/performer M. Della
Morte dando vita a Lâosceno uccello della notte.
Cecile Dehesdin - editor-in-chief Buzzfeed France
Adriano Farano - co-founder and CEO Watchup
Luca Forlin - head of strategic partnerships Google
Garrett Goodman - director business development Wochit
Renée Kaplan - head of audience engagement Financial Times
In February 2016, BuzzFeed claimed that its comScore metric of about 80 million UVs represented less than one-fifth of its actual global reach. This illustrates a reality that many news organisations are struggling to come to terms with. Media outlets have the potential to reach a much wider audience by distributing their content on social platforms than they could hope to attract to their own properties. How should this inform editorial strategy, and what is the correct balance between pursuing a wider readership offsite, or catering to a loyal audience onsite? The distribution question isn't only one of platforms, but also one of devices. With a rapidly increasing proportion of publishers' traffic coming from mobile and tablet, how should news organisations adapt their output to address this shift in consumption?
Cecile Dehesdin - editor-in-chief Buzzfeed France
Adriano Farano - co-founder and CEO Watchup
Luca Forlin - head of strategic partnerships Google
Garrett Goodman - director business development Wochit
Renée Kaplan - head of audience engagement Financial Times
In February 2016, BuzzFeed claimed that its comScore metric of about 80 million UVs represented less than one-fifth of its actual global reach. This illustrates a reality that many news organisations are struggling to come to terms with. Media outlets have the potential to reach a much wider audience by distributing their content on social platforms than they could hope to attract to their own properties. How should this inform editorial strategy, and what is the correct balance between pursuing a wider readership offsite, or catering to a loyal audience onsite? The distribution question isn't only one of platforms, but also one of devices. With a rapidly increasing proportion of publishers' traffic coming from mobile and tablet, how should news organisations adapt their output to address this shift in consumption?
Cecile Dehesdin - editor-in-chief Buzzfeed France
Adriano Farano - co-founder and CEO Watchup
Luca Forlin - head of strategic partnerships Google
Garrett Goodman - director business development Wochit
Renée Kaplan - head of audience engagement Financial Times
In February 2016, BuzzFeed claimed that its comScore metric of about 80 million UVs represented less than one-fifth of its actual global reach. This illustrates a reality that many news organisations are struggling to come to terms with. Media outlets have the potential to reach a much wider audience by distributing their content on social platforms than they could hope to attract to their own properties. How should this inform editorial strategy, and what is the correct balance between pursuing a wider readership offsite, or catering to a loyal audience onsite? The distribution question isn't only one of platforms, but also one of devices. With a rapidly increasing proportion of publishers' traffic coming from mobile and tablet, how should news organisations adapt their output to address this shift in consumption?
Revista Mundo Estranho #124
Design: Marcel Facetto
Texto : Gabriela Forlin
Maior em:
thalesmolina.wordpress.com/2012/05/03/mundo-estranho-escavacoes-arqueologicas/
Cecile Dehesdin - editor-in-chief Buzzfeed France
Adriano Farano - co-founder and CEO Watchup
Luca Forlin - head of strategic partnerships Google
Garrett Goodman - director business development Wochit
Renée Kaplan - head of audience engagement Financial Times
In February 2016, BuzzFeed claimed that its comScore metric of about 80 million UVs represented less than one-fifth of its actual global reach. This illustrates a reality that many news organisations are struggling to come to terms with. Media outlets have the potential to reach a much wider audience by distributing their content on social platforms than they could hope to attract to their own properties. How should this inform editorial strategy, and what is the correct balance between pursuing a wider readership offsite, or catering to a loyal audience onsite? The distribution question isn't only one of platforms, but also one of devices. With a rapidly increasing proportion of publishers' traffic coming from mobile and tablet, how should news organisations adapt their output to address this shift in consumption?
~Koala Kitten Mura Kitty is Coming, SoonMost!
#charlescreaturecabinet #cccbjd #ccc #Mura_Kitty #Koala_Kitten #balljointeddoll #charlesgrimbergstephan #artist #dollartist #sculptor #characterdesigner #rotterdam #fantasybjd #tinybjd #woodlingswirl #bellybutton #anthro #anthrobjd #đš #WhisperingWoodlingWoods #forLin #LinMurasakiDesign #Woodlings_Couturier #seamstress #SoonMost #đš #đœ
Charles' Creature Cabinet's MURA KITTY đšđđ»
CCC's Woodlings Couturier / Seamstress
~The Woodling Koala-Kitten anthro 9cm Tiny BJD
Cecile Dehesdin - editor-in-chief Buzzfeed France
Adriano Farano - co-founder and CEO Watchup
Luca Forlin - head of strategic partnerships Google
Garrett Goodman - director business development Wochit
Renée Kaplan - head of audience engagement Financial Times
In February 2016, BuzzFeed claimed that its comScore metric of about 80 million UVs represented less than one-fifth of its actual global reach. This illustrates a reality that many news organisations are struggling to come to terms with. Media outlets have the potential to reach a much wider audience by distributing their content on social platforms than they could hope to attract to their own properties. How should this inform editorial strategy, and what is the correct balance between pursuing a wider readership offsite, or catering to a loyal audience onsite? The distribution question isn't only one of platforms, but also one of devices. With a rapidly increasing proportion of publishers' traffic coming from mobile and tablet, how should news organisations adapt their output to address this shift in consumption?
Cecile Dehesdin - editor-in-chief Buzzfeed France
Adriano Farano - co-founder and CEO Watchup
Luca Forlin - head of strategic partnerships Google
Garrett Goodman - director business development Wochit
Renée Kaplan - head of audience engagement Financial Times
In February 2016, BuzzFeed claimed that its comScore metric of about 80 million UVs represented less than one-fifth of its actual global reach. This illustrates a reality that many news organisations are struggling to come to terms with. Media outlets have the potential to reach a much wider audience by distributing their content on social platforms than they could hope to attract to their own properties. How should this inform editorial strategy, and what is the correct balance between pursuing a wider readership offsite, or catering to a loyal audience onsite? The distribution question isn't only one of platforms, but also one of devices. With a rapidly increasing proportion of publishers' traffic coming from mobile and tablet, how should news organisations adapt their output to address this shift in consumption?
Cecile Dehesdin - editor-in-chief Buzzfeed France
Adriano Farano - co-founder and CEO Watchup
Luca Forlin - head of strategic partnerships Google
Garrett Goodman - director business development Wochit
Renée Kaplan - head of audience engagement Financial Times
In February 2016, BuzzFeed claimed that its comScore metric of about 80 million UVs represented less than one-fifth of its actual global reach. This illustrates a reality that many news organisations are struggling to come to terms with. Media outlets have the potential to reach a much wider audience by distributing their content on social platforms than they could hope to attract to their own properties. How should this inform editorial strategy, and what is the correct balance between pursuing a wider readership offsite, or catering to a loyal audience onsite? The distribution question isn't only one of platforms, but also one of devices. With a rapidly increasing proportion of publishers' traffic coming from mobile and tablet, how should news organisations adapt their output to address this shift in consumption?
UNTITLED EVENT
a cura di Dominique Serena Antignano e Davide Forlin
LâOSCENO UCCELLO DELLA NOTTE
performance corpo/audio/luci
di M. Della Morte e SEC_
"L'osceno uccello della notte" Ăš una
performance/spettacolo per un attore e un musicista che
si colloca al confine tra la pratica corporea del teatro
sperimentale contemporaneo, la danza gestuale della
tradizione orientale e la sperimentazione sonora concreta
e d'avanguardia. Il sentimento della performance ha, a
primo impatto, a che fare col macabro e l'osceno. Ma la
tonalitĂ fondamentale della perfomance Ăš l'attesa: attesa
che pervade la vecchiaia e, di riflesso, la vita intera;
attesa non statica, attesa che genera pensieri,
ossessioni, paranoie e perversioni. Di qui le
mostruositĂ , il gusto del macabro, ma anche il gioco
surreale e delirante. L'osceno uccello della notte vuole
essere una sorta di "horror astratto", in cui l'orrore Ăš
affidato al gesto piuttosto che alla narrazione, come se
fosse un ingrandimento al microscopio di un universo
sommerso di gesti e suoni. Il titolo del lavoro Ăš un
omaggio al libro omonimo dello scrittore cileno José
Donoso. Testi di Juan Rulfo e Jean Cocteau emergono
durante la performance sottoforma di voci espropriate che
si aggirano senza soggetto nello spazio scenico.
"Incrocio, passo, ripasso, annodo, disnodo e riannodo,
trattenendo i piĂč piccoli nodi che dovrĂČ poi scioglierti
sotto pena di morte...": l'attesa Ăš il tempo stesso che
parla, e la sua lingua Ăš quella crudele e tremenda
dell'ineffabile.
M. Della Morte laureata in Storia del Teatro, ha lavorato
per 5 anni con il gruppo teatrale napoletano Laboratorio
7, sia come regista che come performer. I suoi spettacoli
sono stati ospitati da in diversi teatri e spazi, come il
Nuovo Teatro Nuovo e Galleria Toledo di Napoli, Giardini
Sospesi a Padova, Officina Mutamenti a Caserta, The
Others a Londra. Ha partecipato a diversi festival come
Portello River Festival a Padova, Stazioni di Emergenza a
Napoli, Frikk Festival a Berlino. Da tempo attiva con gli
happening e performance in strada, ha incontrato Cesar
Brie e alcuni attori dellâOdin Teatret e ha collaborato
alla organizzazione di un laboratorio teatrale diretto da
Gary Brackett (Living Theatre).
SEC_ Ăš il moniker di Mimmo Napolitano, classe 1985,
musicista elettronico e tecnico del suono di Napoli.
Suona sintetizzatori, registratori a nastro, laptop e
dispositivi elettronici sia analogici che digitali,
prendendo parte a diversi progetti di musica sperimentale
e di improvvisazione. Co-fondatore, nel 2003, della band
avant-rock Weltraum, dal 2008 collabora con gli A Spirale
(impro elettroacustica) dando vita al progetto Aspec(t),
in cui la musica concreta si unisce al noise e alla
sperimentazione elettroacustica sui feedback. Con queste
formazioni ha suonato concerti in giro per lâEuropa in
situazioni eterogenee (festivals, clubs, squats, musei,
negozi di dischi,...), collaborando con numerosi
musicisti ed improvvisatori (Jerome Noetinger, Valerio
Tricoli, Olivier Di Placido, Franck Vigroux, Ignaz
Schick, Basshaters, Jealousy Party,...). Dal 2009 porta
avanti, con altri collaboratori, lâetichetta Toxo
Records, che produce molti dei suoi lavori. Nel 2010
inizia la collaborazione con lâattrice/performer M. Della
Morte dando vita a Lâosceno uccello della notte.
Cecile Dehesdin - editor-in-chief Buzzfeed France
Adriano Farano - co-founder and CEO Watchup
Luca Forlin - head of strategic partnerships Google
Garrett Goodman - director business development Wochit
Renée Kaplan - head of audience engagement Financial Times
In February 2016, BuzzFeed claimed that its comScore metric of about 80 million UVs represented less than one-fifth of its actual global reach. This illustrates a reality that many news organisations are struggling to come to terms with. Media outlets have the potential to reach a much wider audience by distributing their content on social platforms than they could hope to attract to their own properties. How should this inform editorial strategy, and what is the correct balance between pursuing a wider readership offsite, or catering to a loyal audience onsite? The distribution question isn't only one of platforms, but also one of devices. With a rapidly increasing proportion of publishers' traffic coming from mobile and tablet, how should news organisations adapt their output to address this shift in consumption?
Cecile Dehesdin - editor-in-chief Buzzfeed France
Adriano Farano - co-founder and CEO Watchup
Luca Forlin - head of strategic partnerships Google
Garrett Goodman - director business development Wochit
Renée Kaplan - head of audience engagement Financial Times
In February 2016, BuzzFeed claimed that its comScore metric of about 80 million UVs represented less than one-fifth of its actual global reach. This illustrates a reality that many news organisations are struggling to come to terms with. Media outlets have the potential to reach a much wider audience by distributing their content on social platforms than they could hope to attract to their own properties. How should this inform editorial strategy, and what is the correct balance between pursuing a wider readership offsite, or catering to a loyal audience onsite? The distribution question isn't only one of platforms, but also one of devices. With a rapidly increasing proportion of publishers' traffic coming from mobile and tablet, how should news organisations adapt their output to address this shift in consumption?
Cecile Dehesdin - editor-in-chief Buzzfeed France
Adriano Farano - co-founder and CEO Watchup
Luca Forlin - head of strategic partnerships Google
Garrett Goodman - director business development Wochit
Renée Kaplan - head of audience engagement Financial Times
In February 2016, BuzzFeed claimed that its comScore metric of about 80 million UVs represented less than one-fifth of its actual global reach. This illustrates a reality that many news organisations are struggling to come to terms with. Media outlets have the potential to reach a much wider audience by distributing their content on social platforms than they could hope to attract to their own properties. How should this inform editorial strategy, and what is the correct balance between pursuing a wider readership offsite, or catering to a loyal audience onsite? The distribution question isn't only one of platforms, but also one of devices. With a rapidly increasing proportion of publishers' traffic coming from mobile and tablet, how should news organisations adapt their output to address this shift in consumption?
© all rights reserved - (Photo protection system: Iso-mark)
Courtesy of Roberto Romanelli - Ascoli Piceno
Info sulla foto:
positiva su carta
dimensioni: 9x14cm;
stato di conservazione: buono
Per sfogliare le foto:
Cecile Dehesdin - editor-in-chief Buzzfeed France
Adriano Farano - co-founder and CEO Watchup
Luca Forlin - head of strategic partnerships Google
Garrett Goodman - director business development Wochit
Renée Kaplan - head of audience engagement Financial Times
In February 2016, BuzzFeed claimed that its comScore metric of about 80 million UVs represented less than one-fifth of its actual global reach. This illustrates a reality that many news organisations are struggling to come to terms with. Media outlets have the potential to reach a much wider audience by distributing their content on social platforms than they could hope to attract to their own properties. How should this inform editorial strategy, and what is the correct balance between pursuing a wider readership offsite, or catering to a loyal audience onsite? The distribution question isn't only one of platforms, but also one of devices. With a rapidly increasing proportion of publishers' traffic coming from mobile and tablet, how should news organisations adapt their output to address this shift in consumption?
© all rights reserved - (Photo protection system: Iso-mark)
Courtesy of Bernardo Carfagna - Milano
Info sulla foto:
positiva su carta
dimensioni: 14x9cm
stato di conservazione: buono
Nota:
. . . genitori, nonni e loro parenti di Bernardo Carfagna.
Per sfogliare le foto:
UNTITLED EVENT
a cura di Dominique Serena Antignano e Davide Forlin
LâOSCENO UCCELLO DELLA NOTTE
performance corpo/audio/luci
di M. Della Morte e SEC_
"L'osceno uccello della notte" Ăš una
performance/spettacolo per un attore e un musicista che
si colloca al confine tra la pratica corporea del teatro
sperimentale contemporaneo, la danza gestuale della
tradizione orientale e la sperimentazione sonora concreta
e d'avanguardia. Il sentimento della performance ha, a
primo impatto, a che fare col macabro e l'osceno. Ma la
tonalitĂ fondamentale della perfomance Ăš l'attesa: attesa
che pervade la vecchiaia e, di riflesso, la vita intera;
attesa non statica, attesa che genera pensieri,
ossessioni, paranoie e perversioni. Di qui le
mostruositĂ , il gusto del macabro, ma anche il gioco
surreale e delirante. L'osceno uccello della notte vuole
essere una sorta di "horror astratto", in cui l'orrore Ăš
affidato al gesto piuttosto che alla narrazione, come se
fosse un ingrandimento al microscopio di un universo
sommerso di gesti e suoni. Il titolo del lavoro Ăš un
omaggio al libro omonimo dello scrittore cileno José
Donoso. Testi di Juan Rulfo e Jean Cocteau emergono
durante la performance sottoforma di voci espropriate che
si aggirano senza soggetto nello spazio scenico.
"Incrocio, passo, ripasso, annodo, disnodo e riannodo,
trattenendo i piĂč piccoli nodi che dovrĂČ poi scioglierti
sotto pena di morte...": l'attesa Ăš il tempo stesso che
parla, e la sua lingua Ăš quella crudele e tremenda
dell'ineffabile.
M. Della Morte laureata in Storia del Teatro, ha lavorato
per 5 anni con il gruppo teatrale napoletano Laboratorio
7, sia come regista che come performer. I suoi spettacoli
sono stati ospitati da in diversi teatri e spazi, come il
Nuovo Teatro Nuovo e Galleria Toledo di Napoli, Giardini
Sospesi a Padova, Officina Mutamenti a Caserta, The
Others a Londra. Ha partecipato a diversi festival come
Portello River Festival a Padova, Stazioni di Emergenza a
Napoli, Frikk Festival a Berlino. Da tempo attiva con gli
happening e performance in strada, ha incontrato Cesar
Brie e alcuni attori dellâOdin Teatret e ha collaborato
alla organizzazione di un laboratorio teatrale diretto da
Gary Brackett (Living Theatre).
SEC_ Ăš il moniker di Mimmo Napolitano, classe 1985,
musicista elettronico e tecnico del suono di Napoli.
Suona sintetizzatori, registratori a nastro, laptop e
dispositivi elettronici sia analogici che digitali,
prendendo parte a diversi progetti di musica sperimentale
e di improvvisazione. Co-fondatore, nel 2003, della band
avant-rock Weltraum, dal 2008 collabora con gli A Spirale
(impro elettroacustica) dando vita al progetto Aspec(t),
in cui la musica concreta si unisce al noise e alla
sperimentazione elettroacustica sui feedback. Con queste
formazioni ha suonato concerti in giro per lâEuropa in
situazioni eterogenee (festivals, clubs, squats, musei,
negozi di dischi,...), collaborando con numerosi
musicisti ed improvvisatori (Jerome Noetinger, Valerio
Tricoli, Olivier Di Placido, Franck Vigroux, Ignaz
Schick, Basshaters, Jealousy Party,...). Dal 2009 porta
avanti, con altri collaboratori, lâetichetta Toxo
Records, che produce molti dei suoi lavori. Nel 2010
inizia la collaborazione con lâattrice/performer M. Della
Morte dando vita a Lâosceno uccello della notte.
Juan Forlin (R) and Cristian Chavez of Argentina's Boca Juniors celebrate their team's goal against Ecuador's Liga Deportiva Universitaria during a Copa Sudamericana soccer match in Buenos Aires September 23 , 2008. REUTERS/Enrique Marcarian (ARGENTINA)
Octava jornada de liga BBVA entre el Sevilla y el Espanyol, celebrada en estadio Sanchez Pizjuan 24.10.09. Photos Daniel Tejedor
28/04/2013, ESTADIO CORNELLA EL PRAT, Jornada 33, liga bbva, Primera division LFP, RCD Espanyol vs Granada CF, URBANANDSPORT, e6 ForlĂn, GR10 JAIME ROMERO
more info on www.barca-photo.blogspot.com
photo from: www.sport.es
Espanyol: Kameni - Pareja, Chica, Didac Vila, V. Ruiz, Luis Garcia, Baena, Forlin, Callejon (84 'Sahar), Verdu (78' I. Alonso), Osvaldo. Trener: M. Pochettino
Barca: Valdés; Alves, Piqué, Milito (57' Henry), Puyol; Xavi, Busquets, Toure (57' Keita); Pedro (82' Ibrahimovic), Messi, Maxwell. Trener: J. Guardiola
Arbitro: Undiano Mallenco (Nawarra)
28/04/2013, ESTADIO CORNELLA EL PRAT, Jornada 33, liga bbva, Primera division LFP, RCD Espanyol vs Granada CF, URBANANDSPORT, e6 ForlĂn, GR10 JAIME ROMERO
Fabienne Forlini
49 anni, operaia Cirio, Podenzano (Piacenza)
âAmo la manualitĂ , ma detesto la monotonia. Quando devo fare sempre lo stesso gesto mi astraggo, penso ad altre cose, faccio progetti. Di che tipo? A breve termine, la gita del prossimo week-end, cosa farĂČ a Natale... Questa Ăš una fabbrica di trasformazione del pomodoro, dâestate lo trasformiamo in cubetti e concentrato, nel resto dellâanno facciamo i sughi pronti, le conserve, i legumi. I pomodori, a furia di vederli, mi hanno stufata. Certo, a volte aprire un sugo pronto puĂČ essere molto comodo, specie quando hai frettaâ.