Nikon Large Format Lenses User's Group
View allAll Photos Tagged filmisnotdead
Taken with my new/used Nikon N80 film camera, first roll of black and white. Kodak film 400 ISO, Tamron lens 17-50mm. Not a whole lot of post processing done I added a little bit more contrast and I used the red slider it adds more contrast sometimes. This was off of the CD!
Famous architect Henry Flitcroft was commissioned to design the Pantheon. In 1753 local mason William Privett started to build it using Chilmark limestone with a brick and timber-supported dome.
Ham House is a 17th-century house set in formal gardens on the bank of the River Thames in Ham, south of Richmond in the London Borough of Richmond upon Thames. The original house was completed in 1610 by Thomas Vavasour.
Shot in large format film.
Kodak Ektachrome E100
Nikkor-SW 90mm f/4.5
You are here. The "clickbait" title worked. Lets make one thing perfectly clear.
THIS IS NOT AEROCHROME FILM!
A couple of weeks ago, I saw a couple of photos from adlerblack. here on flickr. Go check his awesome photos here;
www.flickr.com/photos/201722823@N08/
He posted some photos that looked like good ol' Kodak Aerochrome film. By "click of a buttom"(hue-shifted), he basically converted Lomograhpy Lomochrome Turquoise into Aerochrome.
Here the how he (and you can do) did it.
1. Make the negative into a positive (NLP or option of your choise).
2. Send the photo in to photoshop.
3. Make a 180° hue shift in photoshop.
4. Yeah, you have a aerochrome "look-alike" photo.
5. Save the file and make some minor tweeks in lightroom.
Used about 5 minutes for the whole process "thing" in photoshop and lightroom. (About the same time I use on any of my analog photos. They are usually shitty, and you cant polish a "turd" for more than 5 minutes to make it look better. A turd will always look like a turd)
There are different ways to make a "fake" aerochrome. You can tri-chrome infrared bw sensitive film with a IR (or red), green and blue filters. Take one photo with each filter (on a tripod). Merge them together in photoshop.
A second way is to get a Reto 3D camera a "slap" some filters with a special adapter kit. Merge, and convert in photoshop etc. Here is a video;
www.youtube.com/watch?v=4g47oD7aNuY
Both these methods is quite time consuming compared to the Lomo Turquoise hue shift. To my eyes, they give simular results.
Of course, none of these metods will compare to the real aerochrome film. But, if you take a look at ebay, aerochrome film is are not easy to find, and cost half a kidney.
Once again, thanks to adlerblack. for the inspiration.
I added my original Turquoise photo in the comments.
Båstnäs, Sweden
Mamiya 7ii
Lomography Turquoise (hue-shifted)
120 medium format
Dev; Jobo C-41 kit
Developed and scanned at home
No AI here just surf sand clouds and a floating tree.
.
Some times you just stumble on a magical setting.
.
Nikon F3
Micro Nikkor 55mm f2,8 lens
Kodak Ekatrachrom
This is shot on film (can you tell?) on a day out shooting in central London last March. It was shot on a 35mm SLR so the aspect ratio was 3x2 when it was shot but everything above the Eye was more blue sky so I cropped it down to a square from the top to contain the main subjects a little more. I know people will be thinking why didn’t he crop it in from the left as well, but I just love that little cloud on the left side!
There are some film stocks that when given good light produce the most gorgeous colour. A favourite for me is Kodak Ektar 100 (I know all you old film shooters remember it right?) which can be wonderful. It reminds me slightly of the colour that I see produced by the Fujifilm 'X' lineup of digital cameras with those slightly paler blue skies and pink tinted clouds. I haven't touched this by the way in post other than the crop. It comes back from the processing lab looking exactly as you see it here.
Leica 6.2, Ektar 100, Leica Summicron-R 50mm f/2.0
Bouquet for a bleak midwinter
Repost from January 9 2024. I don’t iG
I don’t often repost but this was a good way to end the series of bottled peonies.
.
.
Nikon F3
Micro Nikkor 55mm f:2.8
Across 100
I think I enjoy a visit to the seaside on a sunny winter's day more than I do a visit in the middle of summer. The less people the better as far as I'm concerned. I had a beautiful day when I visited in early March with some lovely light. I loved the colours that the Portra film produced in this, the perfect film for these kind of conditions.
35mm film photography
Leica M2 camera
Zeiss Biogon 35mm f/2.8 ZM
Kodak Portra 160