Australian Analogue Photography Network
View allAll Photos Tagged filmisnotdead
Taken with my new/used Nikon N80 film camera, first roll of black and white. Kodak film 400 ISO, Tamron lens 17-50mm. Not a whole lot of post processing done I added a little bit more contrast and I used the red slider it adds more contrast sometimes. This was off of the CD!
Y sin desfallecer nos vamos hacía un Nuevo horizonte..
Feliz Año Nuevo a tod@s..!!!
Pentax ME Super Ilford Delta 100
This is shot on film (can you tell?) on a day out shooting in central London last March. It was shot on a 35mm SLR so the aspect ratio was 3x2 when it was shot but everything above the Eye was more blue sky so I cropped it down to a square from the top to contain the main subjects a little more. I know people will be thinking why didn’t he crop it in from the left as well, but I just love that little cloud on the left side!
There are some film stocks that when given good light produce the most gorgeous colour. A favourite for me is Kodak Ektar 100 (I know all you old film shooters remember it right?) which can be wonderful. It reminds me slightly of the colour that I see produced by the Fujifilm 'X' lineup of digital cameras with those slightly paler blue skies and pink tinted clouds. I haven't touched this by the way in post other than the crop. It comes back from the processing lab looking exactly as you see it here.
Leica 6.2, Ektar 100, Leica Summicron-R 50mm f/2.0
Pentax Mx, Pentax SMC 28mm, Ilford fp4 plus, dev. Rodinal, scan epson V500. Ho fatto una serie di scatti in un luogo abbandonato da tempo, devo dire che è davvero surreale...
Late at night, in the parts of town that never sleep. 2013 photograph, printed 2014. I'm trying to represent more in this picture than just the trains. It is a project portraying one of the strongest foundations of Minnesota's economy, and how after World War 2 much of the wheat in the world was supplied by states in the Midwest of America. Today it's a much more silent endeavor, one that I think few remember, but still important. Hence the title 'Never Sleeps'.
Leica M2 / 50mm Voigtländer Nokton / Kodak Tri-X / Replenished Xtol / 4x9" print on 8x10" Ilford MGIV fiber matte / replenished Ethol LPD / Moersch MT3 / Harman Selenium.