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This is the fourth of a set of charcoal drawings with a focus on the placement of light in the portrait.
An inner tube was introduced for added complexity.
A gesture page from college.
This is the sort of thing I spent a lot of time on in figure drawing. Butcher paper with stick charcoal and white chalk. I later converted to grease pencils, which are less messy when you handle the page later.
I think this is all the same model, in a series of one or two minute poses.