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In support of Water Aid, Metro Radio, NewcastleGateshead, and NorthEast England.

Seen some different sized crushed cans one day, Coke would be happy with me :)

I like aluminium with black and white film

 

Canon AE-1 35mm SLR

 

Adam Levi Browne Photography © 2012

Fluke shot as it was coming around a sharp S bend

Las mejores fotos que saqué de la Gran KDD Gallega del Club Japo en Lalín (2008)

After seeing the dove evolution of beauty video I thought cool I want to try that (and yes, shame on the beauty industry for promoting an impossible standard of beauty!) but I have paint shop pro, not photoshop. So I don't quite have the tools for the task. But I can smooth skin, whiten teeth, blue-up some eye. I also enlarged the eyes. I tried to shrink the neck but couldn't do that. I came out a bit wierdly pinkish orange. I blame the lighting!

Right before Performance World...

Espectáculo audiovisual interactivo Evolution

trilobites, anyone?...

Evolution ,changes over times to get to the fitness of life condition & convenience of the modern.

Cheaper but better .........

Every thing above has been the technology of human Techno-revolution.

 

Evolution

di Ferruccio Lipari [Quaz]

 

Fotopittura Digitale - Digital Painting

Adobe Photoshop

 

www.ferrucciolipari.it

www.quaz-art.it

My new t-shirt design. Looks like i'll send the design on the left to the printer.

Piet Mondrian

Oil paint on canvas

 

Mondrian wrote of this painting: ‘It’s not so bad, but I’m not there yet.’ The figures represent the stages in evolution from the physical to the spiritual realm, as promoted in Theosophy. The triangular nipples and navels of the women, which point upwards and downwards, symbolise their spiritual and earthly orientation. The central figure embodies the fulfilment of the evolutionary process, to the spiritual realm. The flowers on the left panel are symbols of purity, while those on the right symbolise tragic suffering.*

[Tate Modern]

  

From the exhibition

  

Hilma af Klint & Piet Mondrian: Forms of Life

(April – September 2023)

 

This is a unique chance to discover the visionary work of Swedish painter Hilma af Klint and experience Dutch painter Piet Mondrian’s influential art in a new light.

Although they never met, af Klint and Mondrian both invented their own languages of abstract art rooted in nature. At the heart of both of their artistic journeys was a shared desire to understand the forces behind life on earth.

Best known for his abstract work, Mondrian in fact began his career – like af Klint – as a landscape painter. Alongside Mondrian’s abstract compositions, you will see the rarely exhibited paintings of flowers he continued to create throughout his life. Also on display will be enigmatic works by af Klint in which natural forms become a pathway to abstraction.

Both artists shared an interest in new ideas of scientific discovery, spirituality and philosophy. Af Klint was also a medium, and this exhibition showcases the large-scale, otherworldly paintings she believed were commissioned by higher powers.

‘Nature or, that which I see, inspires me, puts me, as with any painter, in an emotional state so that an urge comes about to make something, but I want to come as close as possible to the truth and abstract everything from that…’ Piet Mondrian, 1914

‘The more we discover the wonders of nature, the more we become aware of ourselves.’ Hilma af Klint, 1917

[*Tate Modern]

  

Taken in the Tate Modern

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