Peyzaj Grubu Resim, Fotoğraf ve Video Paylaşımı
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IN ENGLISH BELOW THE LINE
Originariament, aquesta església lluïa amb tres àbsides, però el de la esquerra fou sacrificat al s. XVII per a construir-hi la sagristia. Llàstima...
Sembla que les esglesies dedicades a Sant Cugat tenen certa vinculació amb el millor del romanic català. Aquesta NO és Sant Cugat del Vallès, pero tot i ser molt més petita, es una de les joies (desconegudes) del romanic a Catalunya.
Es tracta de Sant Cugat del Racó, a ponent de Navàs, al Bages. Inicialment coneguda com a Sant Cugat de Castelladrall o Sant Cugat Salou (perquè era un alou o establiment del monestir de Ripoll). No fou coneguda com "del Racó" fins al s. XVII.
Tot i estar només envoltada per dues o tres cases, és un temple espectacular, on clarament Ripoll hi invertí força. L'esglesia actual (la 2ª documentada) data del s. XI, en estil romanic llombard. Té planta de creu grega amb tres absides a llevant (un va desapareixer al s. XVII per fer-hi la sagristia), campanar de cadireta i un magnific cimbori cilindric, únic a Catalunya. La porta és d'època gòtica.
ca.wikipedia.org/wiki/Sant_Cugat_del_Rac%C3%B3
www.artmedieval.net/Barcelona/Sant Cugat del Raco.htm
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Originally, this church was built with three apses, making it perfect. Unfortunately, the left-side one was destroyed to make room for the sacristy in the XVII Century.
This gorgeous, little, and lonely church is one of the (unknown) Romanesque jewels in Catalonia.
This is Sant Cugat del Racó, west of Navàs, in central Catalonia. Initially known as Sant Cugat de Castelladrall or Sant Cugat Salou (because it was an "alou" or establishment of the monastery of Ripoll). It was not known as "del Racó" until the XVII Century.
For the pun in the title, "Racó" means corner in Catalan.
Despite being surrounded by only two or three houses among the countryside, it is a spectacular temple, in which Ripoll clearly invested a lot. The current church (the 2nd documented) dates from the XI Century, in Lombard Romanesque style. It has a Greek cross plan with three apses to the east (one disappeared in the 17th century to make way for the sacristy), a steeple bell tower and a magnificent cylindrical dome, unique in Catalonia (all the others of this era are polygonal. The door is from the Gothic period.
ca.wikipedia.org/wiki/Sant_Cugat_del_Rac%C3%B3
www.artmedieval.net/Barcelona/Sant Cugat del Raco.htm
💥NEW: Nanao x Eren Bikini x 3 Size -
At Kinky Event <3
kinky event
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💥NEW: ASCENT - Peaked Piercings
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CAT
Eren dos arbres nus.
De lluny es veia com
bellugàven els seus
braços recargolats.
Al cel lluïa el sol.
M'hi vaig acostar
i em va semblar
que tenien l'anatomia
d'una força exhaurida
però la bellesa de l'èsser.
OC
Èran dos arbres nus.
De luènh semblava
tremolavan lor
braces tòrts.
Lo solelh brilhava dins lo cèl.
L'aprochèri.
e me semblava .
qu'avián l'anatomia
de fòrça agotada
mas la beutat d'esser.
HAIR- $$$//PL: ARA HAIR
NECKLACE- VOBE - Eren Necklace @Anthology Event
SKIN- [coconut.] Ning Skin / Icy Tone @Skin Fair Event
BODY SUIT- REED - DASHA FATPACK (waifu) @REBORN EVENT
SKIRT- SEKA's Lacey Acey Skirt FATPACK @KINKY Event
POSE- K&S - // Freya. 3
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Durant la guerra civil, molts habitants d'aquesta, i de les poblacions properes, s'hi van refugiar dels bombardejos aèris que van caure per la zona (Ribera d'Ebre). Les coves, eren molt més segures que les poblacions, donat que aquestes, les coves, quedaven amagades per la densa vegetació.
M'oblidava de dir que aquestes dues imatges me les ha cedit amablement l'Àngel Llauradó, un bon amic de la familia
- Eren els darrers anys de funcionament dels 432, Aquí veiem l'11 passant pel Bocal, a punt d'arribar a Tudela.
- Eran los últimos años de funcionamiento de los 432. Aquí vemos el 11 pasando por El Bocal, a punto de llegar a Tudela.
- These were the last years of operation of trainsets class 432. Here we see number 11 passing El Bocal, near Tudela.
432-011, El Bocal, 02-2007
If you swim effortlessly in the deep oceans, ride the waves to and from the shore, if you can breathe under water and dine on the deep treasures of the seas; mark my words, those who dwell on the rocks carrying nets will try to reel you into their catch. So i sit for a while and watch in the twilight hours and float back into the sea where no one can see me or catch me far away.
Vista aérea de la cordillera Eren Habirga, ramificación oriental de las montañas Tian Shan, al suroeste de Urumqi, Xinjiang. A la derecha, el pico Borgora (5.248 m.). Tomada en el vuelo Urumqi-Kashgar.
So it has been awhile since I have posted anything but work has left me with little spare time. I recently watched the whole first season of Attack on Titan and had to make an Eren Mini-fig. I hope you all enjoy. Hopefully I will be posting more in the near future as I have several projects in production and I am getting ready for BFVA. Hope to see everyone there.
Custom Elements:
Hair - Made with Lego parts and sculpted Green Stuff by Games Workshop
Jacket - Made with Green Stuff by Games Workshop
Boots - Made using Greaves by BrickWarriors
Swords - Made using Lego Katana and Head Hunter Pistols by BrickWarriors
Belt and 3D System - Made using Green Stuff, Lego Sword Holder backpack, Monopod by Brickarms and G5 Tactical Belt by MinifigCat supplied by Modern Brick Warfare
Custom paint and sculpting by KJ
C &C Welcomed and Appreciated
What they were, is what I am.
In memory of my grandparents, always in my heart.
El que ells eren, és el que soc.
En memòria dels meus avis, sempre al meu cor.
Lo que ellos eran, es lo que soy.
En memoria de mis abuelos, siempre en mi corazón.
eren les vuit des matí... estava asseguda a ses escales de sa cúria... i vaig pensar que podria sortir una foto polida!
IN ENGLISH BELOW THE LINE
Foto presa amb una càmera Agfa Billy-Clack 74, fabricada entre 1934 i 1940; pel·licula Original Wolfen NP100, revelada amb Rodinal 1/10 durant 47 minuts. Tant Wolfen com el Rodinal eren produits per Agfa fins 1945, o sigui que és una imatge completament Agfa, en esperit. Aquesta és la càmera que apareix al climax de la pel·licula bèlica sovietica "Vine i mira" (Idi i Smodry), 1985. Vaig triar aquesta càmera per a fer aquesta foto com a vincle amb aquesta pelicula i els crims nazis mostrats allà i en el món real.
L'edifici de les cambres de gas de Majdanek és complexe i diferent d'altres exemples coneguts, pel que no va ser fins que el vaig visitar que el vaig entendre. De fet, fins el 1946 l'estructura era lleugerament diferent (però que això no dongui ales als negacionistes). A la part frontal hi ha una serie de cambres dedicades a "processar" els presoners nous: desvestir-se, dutxar-se i sales per desinfectar roba (amb Zyklon-B, també). Però a la part final del edifici hi ha 3 habitacions no de fusta com la resta sino de maons i ciment, incloent el sostre. Son les cambres de gas per al extermini de presoners. Actualment el mateix sostre continua des de la part "no mortal" del edifici vers les cambres de gas, però fins 1946 tenien un sostre separat, molt més alt, com un cobert. El que va passar fou que ja després de la guerra una tempesta va fer malbé part d'aquesta estructura de fusta i es decidí desmantellar-la. Tot està documentat fotogràficament, pel que no és cap conspiració. Ja detallaré les cambres de gas més endavant, en fotografies digitals (ja que és massa fosc per film).
www.youtube.com/watch?v=njINbVix78o
jewishvirtuallibrary.org/gas-chamber-at-majdanek
Al sudoest de la ciutat de Lublin hi ha el inmens camp de concentració de Majdanek (tot i que el seu nom oficial alemany era KZ Lublin). La seva inmensitat i construcció completament en fusta recorda molt a Auschwitz II (Birkenau), probablement perquè ambdós tenien un objectiu teoric inicial semblant (camp per presoners de guerra-esclaus d'origen sovietic). Però evolucionaren de manera molt diferent. Majdanek és, encara que costi de creure, més gran que Birkenau (el vaig recorrer de punta a punta i ho vaig poder comprovar); i a sobre només representa 1/5 part de la seva superficie teorica original.
El seu paper fou ambivalent. Començà, el juliol de 1941, com a camp de concentració com a reserva de ma d'obra esclava, principalment jueus, així com centre de classificació i distribució de tot el material robat a les victimes de la Aktion Reinhard. La duresa del treball i les malalties incrementaren la mortaldat i es construiren cambres de gas i més tard, un forn crematori. Les cambres de gas son una mena d'hibrid entre els models de monoxid de carboni de la Aktion Reinhard, que logicament tenien com a referent, però també agafaren elements ja provats a Auschwitz, pel que podien fer servir, també Zyklon-B.
Un dels fets essencials per donar importancia a Majdanek es que va caure en mans sovietiques bastant per sorpresa, el 23 de juliol de 1944, i els nazis no varen poder destruir ni les cambres de gas ni els forns crematoris (tot i que incendiaren l'edifici de fusta d'aquests). Això exposà a ulls del món per primer cop un camp de concentració "gros". Unes 80.000 persones moriren a Majdanek, tot i que algunes fonts citen el doble.
Amb tot val la pena recordar que els sovietics, que per una part mostraren els horrors nazis de Majdanek, el que portà a que fos el primer KZ museitzat del món (just pocs mesos despres del alliberament!), per altra banda I AL MATEIX TEMPS el varen fer servir per reprimir als polonesos desafectes al nou regim comunista, fins a inicis del 1945, en que els deportaren cap al Gulag.
Aquesta foto forma part de tot un viatge pel centre de Polònia, enfocat especialment en els més tragics moments del Holocaust i la II Guerra Mundial, que esclafà Polonia com pocs llocs, però que alhora contrasta amb l'increible renaixement del país fins al moment actual.
ca.wikipedia.org/wiki/Majdanek
en.wikipedia.org/wiki/Operation_Reinhard
=============================================
Photo taken with an Agfa Billy-Clack 74 camera, manufactured between 1934 and 1940; Original Wolfen NP100 film, stand developed in Rodinal for 47 minutes. Both Wolfen and Rodinal were made by Agfa before 1945, so this is a completely Agfa picture, in a way. This is the camera that appears in the climax of the Soviet war film "Come and See" (Idi i Smodry), 1985. I chose this camera to take this photo as a link to this film and the Nazi crimes shown there and in the real world.
The Majdanek gas chamber building is complex and different from other known examples, so it wasn't until I visited it that I understood it. In fact, until 1946 the structure was slightly different (but don't let that give wings to the negationists). In the front part there are a series of rooms dedicated to "processing" new prisoners: undressing, showering and rooms for disinfecting clothes (with Zyklon-B, too). But at the end of the building there are 3 rooms not made of wood like the rest but of bricks and cement, including the roof. These are the gas chambers for the extermination of prisoners. Currently the same roof continues from the "non-lethal" part of the building towards the gas chambers, but until 1946 they had a separate roof, much higher, like a shed. What happened was that after the war a storm damaged part of this wooden structure and it was decided to dismantle it. Everything is documented photographically, so it's not a conspiracy. I'll detail the gas chambers later, in digital photos (as it's too dark for film).
www.youtube.com/watch?v=njINbVix78o
jewishvirtuallibrary.org/gas-chamber-at-majdanek
Southwest of the city of Lublin is the immense concentration camp of Majdanek (although its official German name was KZ Lublin). Its immensity and entirely wooden construction are very reminiscent of Auschwitz II (Birkenau), probably because both had a similar initial theoretical objective (camp for prisoners of war-slaves of Soviet origin). But they evolved in very different ways. Majdanek is, although it is hard to believe, larger than Birkenau (I walked it from end to end and was able to verify this); and on top of that it only represents 1/5 of its original theoretical area.
Its role was ambivalent. It began, in July 1941, as a concentration camp as a reserve of slave labor, mainly Jews, as well as a center for sorting and distributing all the material stolen from the victims of Aktion Reinhard. The harshness of the work and diseases increased the mortality rate and gas chambers were built and later, a crematorium. The gas chambers are a kind of hybrid between the carbon monoxide models of Aktion Reinhard, which they logically had as a reference, but they also took elements already tested in Auschwitz, so they could use, also Zyklon-B.
One of the essential facts to give importance to Majdanek is that it fell into Soviet hands quite by surprise, on July 23, 1944, and the Nazis were unable to destroy either the gas chambers or the crematoriums (although they burned down the wooden building of these). This exposed a "large" concentration camp to the world's eyes for the first time. About 80,000 people died in Majdanek, although some sources cite twice as many.
However, it is worth remembering that the Soviets, who on the one hand showed the Nazi horrors of Majdanek, which led to it being the first KZ museum in the world (just a few months after the liberation!), on the other hand AND AT THE SAME TIME used it to repress Poles disaffected with the new communist regime, until early 1945, when they deported them to the Gulag.
This photo is part of a trip through central Poland, focused especially on the most tragic moments of the Holocaust and World War II, which devastated Poland like few places, but which at the same time contrasts with the incredible rebirth of the country up to the present day.
en.wikipedia.org/wiki/Operation_Reinhard
Aquestes eren, crec, totes les aus que hi havia en el mercat mediaval de Besalú... m'he atrevit a fer-los-hi les cares espero que estiguin prou bé com per estar a nivell del company que em més seny que jo les van posar una a una.
Són cinc... per a mi, .. magnífics animals
No sé si he posat bé els noms probablement no per tant es poden rectificar.-
Con la técnica de las máscaras de luminancia, ahora me atrevo a procesar fotos que antes me parecían imposibles.
With the technique of luminance masks, I now dare to process photos that previously seemed impossible to me.
Espero que os guste el resultado de una de los varios cientos de ellas que tengo sin procesar. Alguna de ellas las iré poniendo por aquí...
Attack on Titan (進撃の巨人 Shingeki no Kyojin) is a Japanese manga series written and illustrated by Hajime Isayama. The story centers around the lives of Eren Yeager, his adoptive sister Mikasa Ackerman, and their friend Armin Arlert, who live in a world where the remnants of the human population live inside cities surrounded by enormous walls due to the sudden appearance of the Titans, gigantic humanoid creatures who devour humans seemingly without reason. Their lives are changed forever after the appearance of a colossal Titan brings about the destruction of their home town and the death of Eren's mother, spurring them to enter the army to battle the Titans themselves.
- spend a decent amount of time on this fig Really happy with the out come , though its not really accurate ( can't find the right face :P)
Like and follow !!
Els objectius d'aquell dia eren clars, el Teco de Transfesa Rail entre Portugal i Constantí i el de Takargo en el sentit invers, però a part ens havien informat d'algunes altres circulacions, com aquest químic entre Torrelavega i Constantí, el qual anava just al darrera del tren de Transfesa. Enviar des d'aquí una salutació a Carlos, amb qui vam matinar de valent per arribar a La Riba encara sense llum.
Los objetivos de ese día eran claros, el Teco de Transfesa Rail entre Portugal y Constantí y el de Takargo en sentido inverso, pero a parte nos habían informado de algunas otras circulaciones, como este químico entre Torrelavega y Constantí, el cual iba justo detrás del tren de Transfesa. Enviar desde aquí un saludo a Carlos, con quién madrugamos para llegar a la Riba aún sin luz.
IN ENGLISH BELOW THE LINE
La segona de les proves de la Ermanox va emprar el dorsal porta-pel·licula de la marca Rollex que vaig trobar en venda amb la Ernemann Heag XV. Per desgracia, aquest porta-pel·licula està en molt mal estat, rebregat, amb parts perdudes, fuites de llum i a sobre, ratlla la emulsió. En aquestes primeres proves em vaig trobar amb multitud de fuites de llum, que afortunadament he quasi eliminat del tot amb pedaços de papers de rodets de format 120. El que no he pogut eliminar son les rascades a la emulsió.
Aquest retrat, tot i les fuites de llum, encara és mínimament presentable, ja que vaig avançar la pel·licula al interior de casa; però les fotos exteriors eren un desastre absolut.
Fotografia feta amb la Ernemann Ermanox, fabricada cap al 1924-1930; objectiu Ernostar f1.8 / 85mm; Rerapan 400, revelat amb HC110.
=======================
The second of the Ermanox tests now focused on the the Rollex 127 format film back that I found for sale with the Ernemann Heag XV. Unfortunately, this film back is in very poor condition, wrinkled, with lost parts, light leaks and on top of that, it scratches the emulsion. In these first tests I found a lot of light leaks, which fortunately I almost completely removed with patches of 120 backing paper. What I could not remove are the scratches on the emulsion.
This portrait, despite the light leaks, is still minimally presentable, as I advanced the film inside the house; but the outside photos were an absolute disaster.
Picture taken with the Ernemann Ermanox, made around 1924-1930; Ernostar f1.8 / 85mm lens; Rerapan 400, developed with HC110.
Here is my custom figure of Eren from the Attack on Titan anime, based on his appearance during his time in the Cadet Corps.
I loved this anime, and Eren was an awesome character. For anyone who hasn't seen it yet, please go watch it, you will not regret it!
Anyway, this figure features lots of custom sculpting - the hair and clothing was all sculpted by me. The 'blade holsters' are made using sheet styrene, and the gas canisters are from a Tiny Tactical Flamethrower backpack. The 'swords' are made using Tiny Tactical Glocks as a base, with extra trigger guards and Brickarms M67 Cooking Handle and styrene for the blade itself. The ODM Gear is made using two Tiny Tactical gas masks and two Tiny Tactical suppressors.
This is only the second time I've painted a face, and I'm very happy with how it turned out. I painted this figure with Citadel and Vallejo paints. The logo on his back is hand painted, and I am very proud of it. I hope you like it as much as I do!
The 'blade holsters' are articulated with the ball-joint method, which I will explain in the showcase tomorrow.
Hope you guys like this figure!
Eren's crazy and Mikasa's kind of a basket case but I still really like their characters and loved drawing them
Hi everyone,
Here is my custom Lego Attack Titan (and the main characters) from Attack on Titan Season 4. The Attack Titan itself stands about a foot tall and features many points of articulation as well as a functional jaw (for eating other titan shifting minifigs). It also features an opening "cockpit" at the nape and can seat one Eren Yeager minifigure inside. Minfigures shown include Mikasa Ackerman, Levi Ackerman, Armin Arlert and Sasha Blouse with their new ODM gear and weapons.
Hope you like it!
━━━━━━━━━ • ━━━━━━━━
Nanao x Eren Bikini (Squish) x Kinky Event
━━━━━━━━━ • ━━━━━━━━━
♥ Only rigged for :
- Legacy
- Reborn + Squish Effect
- Waifu +
8 single colors available :
- Black
- Blue
- Candy
- Lilac
- Nude
- Red
- Peach
- White
- Squish available in every single color + FP.
Please do not forget to try the demo
See you at Kinky Event <3
eren
amb mi!
:D
//últimament tothom em parla malament de les garses, però elles em vénen a visitar... //
Model:Eren Inafir
Location:Sunny's Photo Studio
maps.secondlife.com/secondlife/Sunny%20Photo%20Studio/104...
Backdrop:Glam Gothic Backdrop - Black
Pose: Tray Pose From :..Silvery K..:*Butler costume(For men)
Props::..Silvery K..:*Butler costume(For men) "Tray&Towel"
Homage to Black Butler anime.
He's one hell of a butler, lol
Aquestes eren, crec, totes les aus que hi havia en el mercat mediaval de Besalú... m'he atrevit a fer-los-hi les cares espero que estiguin prou bé com per estar a nivell del company que em més seny que jo les van posar una a una.
Són cinc... per a mi, .. magnífics animals.
No sé si he posat bé els noms probablement no per tant es poden rectificar.-