The Portraiture of Germanicus
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Yesterday it poured with rain and today, the weather gods smiled on us, making for some impressive falls in the Blue Mountains near Sydney. This is Empress Falls and requires a decent walk to get down to view it but very much worth the effort. While taking photos, some adventurers were abseiling down the falls but were good enough to get out of the way for this shot.
This large, spectacular hummingbird occurs in wet Andean cloud forests of Ecuador and Colombia. Montezuma Road, Tatamá National Park, Colombia
hair - doux
skin - heaux
tattoo - izzie's
sleeves, skirt, crown - voluptas virtualis
top - tetra
earrings - random.matter
panties - salem
Empress Brilliant - Santa Rosa Bird Lodge, (The Birdwatcher's House, Mindo, Ecuador
Bird Species # (425) that I photographed and placed on my Flickr Photostream. Overall goal is 1000.
eBird Report and listing details - macaulaylibrary.org/asset/198455691#_ga=2.163989369.75082...
Stable Diffusion
Photoshop Elements
♫♬♪♩Peter Roe - The Empress (Epic Powerful Vocal - feat. Uyanga Bold)♫♬♪♩
A view at sunset of Victoria's Inner Harbor and this famous Hotel.
Recognized as one of Top 21 Iconic Hotels in the World by National Geographic Traveler magazine, honoured with Travel + Leisure Magazine’s World’s Best Award for Top 10 City Hotels in Canada, and regarded as a Condé Nast Readers’ Choice and Gold List hotel, Fairmont Empress is located in Victoria, BC overlooking the city’s sparkling Inner Harbour.
Opened on 20 January 1908, the Châteauesque-styled building is considered one of Canada's grand railway hotels.
Happy Friday! Enjoy a wonderful weekend.
These two rocks just seem to resist any amount of water trying to move them. Luckily they're nicely positioned.
Going all over the love for shopping is real. From RedRocks to Southbeach lol.
Wearing:
AS Magnetic Royyal Crown and Luminescense Jewelry
- Designed by Shrantal
Via Fulo:
Siena Dress | Animal Print
Sibilla:
Cameo Savage Gift for Group Members (can you believe it)
FashionVictims Giftbags also (1L) love it!
GOLD BUGATTI
Custom for Empress, from Jazzy Customs =)
Continuing on the theme of transportation, my morning walk in the Oregon city of The Dalles had another surprise in store for me: Down by the Columbia River, I found this gorgeous classic paddlewheeler named American Empress. She is a large river cruise ship and passengers definitely travel in style on this one! The views of the landscape, including spectacular Mt. Hood, must be fantastic!
The cruises travel from Portland, Oregon, up the Columbia and Snake River all the way to Clarkston at the Washington/Idaho border. The cost is around $3000. She was built in 2002 on Whidbey Island in Washington and has room for 223 passengers.
Valley of the Waters, Blue Mountains National Park.
Want to see this photograph on your wall? Get in touch via peter@peterhill.au or at peterhill.au/contact/
Another one of the beautiful waterfalls seem along the Valley of the Waters in the Blue Mountains, west of Sydney.
From this morning's foggy walk. Had to squeeze in one more waterfall before Xmas.
2021 was a crazy year but many thanks to everyone here in Flickrland for piling in and making it seem 1/2 normal. Life would be so much less without you.
Highly recommended, the renewed New Kadath sim.
Created by Albane Claray.
Home of the exhibit “Maps of Second Life”, an exploration of the Main Grid’s history, geography and culture as depicted via maps and cartography. Juliana Lethdetter-DeCuir, Curator.
Empress Brilliant - Santa Rosa Bird Lodge, (The Birdwatcher's House, Mindo, Ecuador
This is a better photography of the this species than the one I had previously posted. The previous post was Bird Species (# 425) that I photographed and placed on my Flickr Photostream. Overall goal is 1000.
eBird Report and listing details - macaulaylibrary.org/asset/614949482
Generated By Midjourney V8.2
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> Composition frontale impériale en **très gros plan**, parfaitement équilibrée et presque symétrique. Au centre, une souveraine extraterrestre au visage féminin puissant fixe directement l’objectif avec une expression calme, dominatrice, mystérieuse et inquiétante. Son visage doit rester immédiatement lisible malgré sa transformation reptilienne et biomécanique.
>
> Ses **yeux bleu électrique extrêmement lumineux** constituent le principal point focal. Iris surnaturels d’un bleu intense, détails internes complexes, pupilles nettes, profondeur optique réaliste et microreflets cohérents. Leur lumière doit sembler provenir de l’intérieur tout en interagissant physiquement avec les paupières et les surfaces voisines. **Conserver exactement cette intensité bleu électrique**, spectaculaire mais maîtrisée, sans halo excessif.
>
> Le visage présente une fusion anatomiquement crédible de **trois familles de matières parfaitement distinctes** : peau humaine organique, écailles reptiliennes kératinisées et structures biomécaniques cuivre-bronze.
>
> Les zones humaines révèlent une peau extrêmement réaliste : pores microscopiques irréguliers, très légères variations de carnation, microreliefs cutanés, petites imperfections presque imperceptibles, lèvres organiques légèrement satinées et transitions naturelles autour du nez, de la bouche et des yeux. Aucun effet plastique, cire, porcelaine ou texture artificiellement répétitive.
>
> Les **écailles reptiliennes** émergent progressivement de la peau et suivent précisément les volumes anatomiques du visage. Elles présentent des tailles, formes, épaisseurs, orientations et espacements légèrement différents, avec de petites asymétries organiques. Certaines sont mates, d’autres légèrement satinées ou humides, avec microreliefs et variations subtiles de rugosité. Aucun motif cloné ou répétition géométrique parfaite.
>
> Une spectaculaire structure frontale en **cuivre-bronze biomécanique** s’élève au-dessus du crâne, évoquant simultanément une couronne impériale, une carapace reptilienne et une architecture extraterrestre vivante. Une ligne centrale de plaques articulées descend verticalement sur le front jusqu’au nez, créant un axe majestueux sans masquer l’identité du visage.
>
> Les structures biomécaniques doivent présenter interfaces fonctionnelles, articulations plausibles, microassemblages, points d’ancrage anatomiques et variations de matière. Alterner subtilement cuivre poli, bronze satiné, surfaces plus mates et zones légèrement patinées. Éviter tout aspect de métal simplement collé sur la peau.
>
> Autour du visage se déploient de nombreux **appendices serpentins biomécaniques**, épais, puissants et organiquement intégrés à la créature. Préserver leur architecture spectaculaire et leur mouvement enveloppant. Leurs diamètres, tensions, courbures et profondeurs doivent légèrement varier. Certains passent devant d’autres et créent de véritables ombres de contact ; certaines courbes montrent des zones de compression ou d’étirement. Ils doivent sembler anatomiquement reliés à l’impératrice plutôt que disposés autour d’elle comme des câbles décoratifs.
>
> Leur surface combine écailles reptiliennes sombres, microstructures métalliques cuivre-bronze et reflets bleu-cyan localisés. Les microtextures suivent réellement les courbures des appendices et changent progressivement selon l’orientation par rapport aux sources lumineuses.
>
> **Palette chromatique impérative : cuivre-bronze / bleu électrique-cyan / noir profond.** Aucun ajout de couleur dominante. Le cuivre chaud doit entrer en contraste spectaculaire avec le bleu froid tandis que les noirs fournissent profondeur, silence visuel et monumentalité.
>
> Éclairage cinématographique complexe mais physiquement cohérent : lumière principale sombre et sculpturale, **rim light bleu-cyan** longeant certaines écailles et appendices, reflets froids localisés sur le cuivre, petites zones chaudes révélant les volumes métalliques. Les surfaces orientées à l’opposé des sources restent profondément sombres. Aucun éclairage bleu uniforme.
>
> En arrière-plan, immense **architecture Science-Fiction extraterrestre**, sombre, abyssale et presque cathédrale biomécanique : arches concentriques, structures verticales gigantesques, minuscules lumières bleues éloignées et profonde obscurité. L’environnement doit suggérer une civilisation technologiquement incompréhensible sans détourner le regard de l’impératrice.
>
> Profondeur cinématographique précise : visage et yeux extrêmement détaillés au premier plan, appendices progressivement moins nets selon leur distance, architecture lointaine absorbée par les noirs et le bleu profond. Quelques micro-points lumineux peuvent exister dans l’environnement, mais **aucune surcharge de particules ou d’effets lumineux**.
>
> Préserver la **symétrie impériale globale**, tout en introduisant de minuscules asymétries biologiques dans la peau, les écailles, les appendices et les matières. La symétrie doit exprimer le pouvoir ; les micro-asymétries doivent donner la vie.
>
> Atmosphère : majestueuse, extraterrestre, abyssale, inquiétante, hypnotique, souveraine, mystérieuse et merveilleuse. L’image doit donner l’impression d’un véritable portrait photographique réalisé face à une créature biologiquement impossible mais physiquement présente.
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> Imperial frontal composition in an **extreme close-up**, perfectly balanced and nearly symmetrical. At the center, a powerful female extraterrestrial sovereign stares directly into the camera with a calm, dominant, mysterious, and unsettling expression. Her face must remain immediately readable despite her reptilian and biomechanical transformation.
>
> Her **intensely luminous electric-blue eyes** are the primary focal point. Supernatural deep-blue irises, intricate internal details, sharp pupils, realistic optical depth, and physically coherent micro-reflections. Their light should appear to originate from within while interacting naturally with the eyelids and surrounding surfaces. **Preserve exactly this electric-blue intensity**, spectacular yet controlled, with no excessive halo.
>
> The face displays an anatomically credible fusion of **three clearly distinct families of materials**: organic human skin, keratinized reptilian scales, and rigid copper-bronze biomechanical structures.
>
> The human areas reveal extremely realistic skin: microscopic irregular pores, very subtle variations in complexion, delicate skin micro-relief, almost imperceptible natural imperfections, organically satin-finished lips, and natural transitions around the nose, mouth, and eyes. No plastic, wax, porcelain, or artificially repetitive skin texture.
>
> The **reptilian scales** progressively emerge from the skin and precisely follow the anatomical volumes of the face. They feature subtly different sizes, shapes, thicknesses, orientations, and spacing, with slight organic asymmetries. Some scales are matte, others subtly satin-finished or moist, with micro-relief and delicate variations in surface roughness. No cloned patterns or perfectly repetitive geometry.
>
> A spectacular **copper-bronze biomechanical structure** rises above the skull, simultaneously evoking an imperial crown, reptilian carapace, and living extraterrestrial architecture. A central line of articulated plates descends vertically along the forehead toward the nose, creating a majestic axis without obscuring the identity of the face.
>
> The biomechanical structures must feature functional interfaces, plausible articulations, microscopic assemblies, anatomically credible anchor points, and material variations. Subtly alternate polished copper, satin bronze, more matte surfaces, and lightly patinated areas. Avoid any impression of metal simply attached to the skin.
>
> Numerous powerful **biomechanical serpentine appendages** unfold around the face, thick, organic, and anatomically integrated into the creature. Preserve their spectacular architecture and enveloping movement. Their diameters, tensions, curves, and depths should vary slightly. Some pass in front of others, producing genuine contact shadows; certain curves show physically plausible compression or stretching. They must appear biologically connected to the Empress rather than arranged around her as decorative cables.
>
> Their surfaces combine dark reptilian scales, copper-bronze metallic microstructures, and localized blue-cyan reflections. Microtextures must genuinely follow the curvature of the appendages and progressively change according to their orientation relative to the light sources.
>
> **Mandatory color palette: copper-bronze / electric blue-cyan / deep black.** Introduce no additional dominant color. Warm copper must create a spectacular contrast with the cold blue, while deep blacks provide depth, visual silence, and monumentality.
>
> Complex yet physically coherent cinematic lighting: dark sculptural key light, **blue-cyan rim lighting** tracing selected scales and appendages, localized cool reflections across the copper, and small warm highlights revealing metallic volumes. Surfaces facing away from the light sources must remain deeply shadowed. No uniform blue illumination.
>
> In the background, an immense **extraterrestrial Science-Fiction architecture**, dark, abyssal, and reminiscent of a biomechanical cathedral: concentric arches, gigantic vertical structures, tiny distant blue lights, and profound darkness. The environment should suggest a technologically incomprehensible civilization without distracting from the Empress.
>
> Precise cinematic depth: face and eyes rendered with extreme detail in the foreground, appendages becoming progressively softer according to their distance, distant architecture absorbed into deep blacks and dark blue. A few tiny points of light may exist within the environment, but **no excessive particles or luminous effects**.
>
> Preserve the **overall imperial symmetry**, while introducing minute biological asymmetries within the skin, scales, appendages, and materials. Symmetry must express power; micro-asymmetries must create life.
>
> Atmosphere: majestic, extraterrestrial, abyssal, unsettling, hypnotic, sovereign, mysterious, and wondrous. The image should feel like a genuine photographic portrait captured face-to-face with a biologically impossible yet physically present creature.
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`--ar 16:9 --v 8.2 --style raw --q 2 --s 450 --chaos 4 --exp 25`
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Flower in arm - Lode
the infamous Empress Hotel (and its reflected twin) in Victoria's Inner Harbour last nite as I walked to the Bob Dylan concert..
Bob and his band were fabulous! a nite to remember forever
and no I did not have a camera or a cell phone to record the event!
it is soooooooooo funny, I had a seat in the 6th row on the floor.....so very close to Bob...tho I never sat!!...as did I know that the BIG Bob fans were in this section???, of course!, so I stood and danced the whole concert so I could seeeeeeeee Bob!! and I figured if Bob at age 67 could stand for 2 hours, with no intermission, so could I!! :~)
YES! another item on my bucket list, experienced and a delightful memory!
off to work now, and then to my friend Bryony's art show opening tonight
.....have a fabulous Friday!!