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La Ceja, Colombia; 2.300 meters above sea level.

 

The Scrub Tanager is a common open country bird of the Colombian and Ecuadorian Andes. Due to its preference for scrub and bushy areas, it is most easily found in dry intermontane ‘rainshadow’ valleys but is expanding into more humid areas in the wake of human disturbance.

 

The Scrub Tanager is identified by its silvery greenish plumage, rust-colored cap and black mask. In further contrast to this typically gregarious genus, the Scrub Tanager most often is encountered as solitary pairs.

 

neotropical.birds.cornell.edu/portal/species/overview?p_p...

 

*

* Para Elisa y Edu, recordando el momento.

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* ¡Adiós a Granada! Vista de las torres albarranas del Palacio Nazarí de la Alhambra a través de varios cristales: copas y luna del bar. En la famosa “Carrera del Darro” en la ciudad de Granada. Andalucía.

 

* Ha resultado interesante esta incursión fotográfica en Granada pues nos puso en contacto con viejos amigos y familiares. En esta foto, super trabajada, he querido dejar constancia de lo que yo llamo “apunte fotográfico”. Una toma, la cual después suelo trabajar ayudado de los programas antiguos de los que dispongo, especialmente el PSP. Espero que os guste y que llenéis vosotros esas copas con el líquido que más deseéis.

 

Y por lógica, he de evocar de nuevo los versos del poeta granadino Federico García Lorca, de su Canción de Otoño

 

(Fragmento)

 

¿Y si el amor nos engaña?

¿Quién la vida nos alienta

si el crepúsculo nos hunde

en la verdadera ciencia

del Bien que quizá no exista,

y del Mal que late cerca?

 

¿Si la esperanza se apaga

y la Babel se comienza,

qué antorcha iluminará

los caminos en la Tierra?

 

¿Si el azul es un ensueño,

qué será de la inocencia?

¿Qué será del corazón

si el Amor no tiene flechas?

 

¿Y si la muerte es la muerte,

qué será de los poetas

y de las cosas dormidas

que ya nadie las recuerda?

 

¡Oh sol de las esperanzas!

¡Agua clara! ¡Luna nueva!

¡Corazones de los niños!

¡Almas rudas de las piedras!

 

Hoy siento en el corazón

un vago temblor de estrellas

y todas las rosas son

tan blancas como mi pena.

 

(FEDERICO GARCÍA LORCA. Canciones.)

 

Canon A-1 (1978)

Canon FD 28 mm F:2.8

 

San Juan, Puerto Rico

Mi galeria en Color www.flickr.com/photos/samycolor

Mi Galeria en B&N www.flickr.com/photos/samycollazo

Nik Silver Efex Pro 2

Lightroom 3

Arista Edu 100

Kodak D-76

Canon A-1 (1978)

Canon FD 28 mm F:2.8

 

San Juan, Puerto Rico

Mi galeria en Color www.flickr.com/photos/samycolor

Mi Galeria en B&N www.flickr.com/photos/samycollazo

Nik Silver Efex Pro 2

Lightroom 3

Arista Edu 100

Kodak D-76

Pentax Super A : 35-70mm SMC Pentax AF f/2.8-3.5 : Arista EDU Ultra 100 : PMK Pyro

Mamiya ZE-2 : 28mm Mamiya-Sekor E f/3.5 : Arista EDU Ultra 100 : Spur Acurol-N

Nikon F80 : Nikkor AF-S 50mm f/1.8G : Arista EDU Ultra 100 : Spur Acurol-N

Nikon F90X : 24-135mm Sigma f/2.8-4.5D : Arista EDU Ultra 100 : Spur Acurol-N

Konica SII : 48mm Konishiroku Hexanon f/2 : Arista EDU Ultra 100 : PMK Pyro

Minolta Alpha 7 : 28-105mm Minolta f/3.5-4.5D : Arista EDU Ultra : Spur Acurol-N

Canon A1 : 28-80mm Soligor C/D f/3.9-4.9 : Arista EDU Ultra : Spur Acurol-N

Pentax Super A : 35-70mm SMC Pentax-A f/1.4 : Arista EDU Ultra 200 : Pyrocat HD

Canon T90 : 35-70mm Canon FD f/4 : Arista EDU Ultra 200 : PMK Pyro

Minolta Hi-Matic 9 (1966)

Minolta Rokkor-PF 45mm F:1.7

 

San Juan, Puerto Rico

Mi galeria en Color www.flickr.com/photos/samycolor

Mi Galeria en B&N www.flickr.com/photos/samycollazo

Nik Silver Efex Pro 2

Lightroom 3

Arista Edu 100

Kodak D-76

Nikon F801 : Nikkor 80-200mm f/2.8D ED AF : Arista EDU Ultra 100 " Spur Acurol-N

Pentax Super A : 35-70mm SMC Pentax AF f/2.8-3.5 : Arista EDU Ultra 100 : PMK Pyro

Minolta SR-3 : 100mm Minolta Auto Tele Rokkor-QE f/3.5 : Arista EDU 100 : Spur Acurol-N

Pentax Honeywell Spotmatic (1971)

Takumar SMC 55mm

 

San Juan, Puerto Rico

Mi galeria en Color www.flickr.com/photos/samycolor

Mi Galeria en B&N www.flickr.com/photos/samycollazo

Nik Silver Efex Pro 2

Lightroom 3

Arista Edu 100

Kodak D-76

Nikon F80 : 28-105mm AF Nikkor f/3.5-4.5D : Arista EDU Ultra : Spur Acurol-N

Canon T90 : 35-135mm Kiron f/3.5-4.5 : Arista EDU Ultra 200 : Pyrocat HD

patrickjoust | flickr | tumblr | instagram | facebook | prints

 

...

 

Rolleiflex Automat MX-EVS

 

Arista EDU Ultra 400 developed in Rodinal (1:50)

Canon A1 : 28-80mm Soligor C/D f/3.9-4.9 : Arista EDU Ultra : Spur Acurol-N

Camera used: Pinhole homemade camera 35mm

Estenopeica, hecha en casa 35mm.

 

San Juan, Puerto Rico

Mi galeria en Color www.flickr.com/photos/samycolor

Mi Galeria en B&N www.flickr.com/photos/samycollazo

Arista Edu 100 (Fomapan)

Exposure: 6 sec.

Pinhole-19 ( 35mm)

Pinhole .3mm

F.L. 27mm

F;90

Nik Silver Efex Pro 2

Edu ao lado do PC e na foto no fotolog.

2005 Chandra observations revealed new details about the fiery ring surrounding the stellar explosion that produced Supernova 1987A. The data give insight into the behavior of the doomed star in the years before it exploded, and indicate that the predicted spectacular brightening of the circumstellar ring has begun.

 

Supernova 1987A occurred in the Large Magellanic Cloud, a galaxy only 160,000 light years from Earth. The outburst was visible to the naked eye, and is the brightest known supernova in almost 400 years. Optical hot-spots (pink-white) now encircle the ring like a necklace of incandescent diamonds. The Chandra data (blue-purple) reveals multimillion-degree gas at the location of the optical hot-spots.

 

Image credit: X-ray: NASA/CXC/PSU/S.Park & D.Burrows.; Optical: NASA/STScI/CfA/P.Challis

 

#NASA #MarshallSpaceFlightCenter #MSFC #Marshall #ChandraXrayObservatory #cxo #supernova #supernovaremnant #HST #HubbleSpaceTelescope #Hubble #GSFC #GoddardSpaceFlightCenter #Goddard #NASAGoddard

 

Read more

 

More about the Chandra X-ray Observatory

 

NASA Media Usage Guidelines

Cigüeña y Hocó colorado; Esquina, Corrientes

Manchester Airport EGCC Runway 23L

Tardezinha com ele, ja estava com saudades de vc meu amooor! Simples mais de coração! ♥

Foto: Jhonathan Jeferson (FutRio)

Scotland.

 

Olympus XA3 and Arista EDU 400 film processed in Rodinal and scanned on an Epson V500.

Nuevo año, las mismas inquietudes

Panorámica. Magallanes, Chile. 5 fotos, unidas con Hugin.

Flash con paraguas translucido a la izquierda de la cámara a 1/4 de potencia.

 

Speedlights at left from camera with white umbrella (Power at 1/4)

Arista EDU 200 at 50

Wollensak Verito 7"

Dev in Pyrocat HD 1:1:100

Gracias por pasarte

Camera Test

Fed 2, Fed 50/3.5

Arista 200

Rodinal 1:25, 5 minutes, 20°C/68°F

Pakon F135

Organization for looks is not important for the city.

3/6

1965 Mercedes 300SE coupe.

 

No DVLA records.

H&H classic car auction, Buxton -

 

"Chassis No: 112.021-22-005370

 

Understood to be one of only 270 RHD examples made

Current ownership since the 1970s and kept garaged off the road since 1981

Appears to be substantially complete and comes with its original steel wheels

Partial record for 'EDU 65' is on the DVLA system, but will need re-applying for

 

The car is supplied with 5 Wolfrace wheels as also fitted but also comes with 5 of its correct wheels with red hub caps and trims as shown in one of the pictures along with the chrome rear wheel arch trims. Correct jack and various spares are included as is an Mot and tax disc from 1981."

 

Sold for £13,612.50 on an estimate of £4000 - £5000.

Mamiya ZM+50mm F2+ARISTA.EDU 200 B&W

Pierre-Auguste Renoir French, 1841-1919

 

Portrait of Madame Monet (Madame Claude Monet Reading) c. 1874

Oil on canvas

 

During the early 1870s, Renoir and Monet often painted side by side, producing images of the same subject and sometimes using each other—and other family members—as models. In Renoir’s informal portrait of Camille Monet, the painter’s wife sits on a comfortable sofa reading a paperback boot. Small touches of color cover the canvas like stiches in a tapestry. A blue line runs down the middle of Mme Monet’s dress, echoing the angle of the Japanese fans on the wall.

 

Acquired by Sterling and Francine Clark, 1933

1955.612

 

From the Placard: The Clark

www.clarkart.edu/

  

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