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Diseño editorial para "Poemas del manicomio de Mondragón" de Leopoldo María Panero. Ediciones del Astronauta.
ATYPICA
Foto: Pablo Resoalbe.
Produccion/Estilismo: BANDOLEIRO (Gerardo Dubois)
Asist. de estilismo: Nani Brites.
Make up: Sofi Klei www.sofiklei.com
Hairdesigner : Ramiro de vooght para Santé hairspa.
Modelos: Wilter Verzotti (civiles) Franco Bertolucci y Lisandro Galzerán.
Agradecimientos: Santé hairspa
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Foto: Thiago Thomé
Styling: Natália Rosa
Produção de moda e Beleza: Louvre 809 (Jaqueline Gentilin e Rachel Ramos, respectivamente.)
Fotografía: Jose Sarmiento García /@josesarmiento
Styling: Tatiana Moreno Penagos / @ICONAtatiana.
Make Up: Verónica Ospina / @verospi
Modelo: Carolina Franco / @carolinafrancov para Uno x Uno Modelos / @unoxuno.
Asistente de Producción: Carolina Dominguez / @neskaemozionala
EDITORIAL MERMAID
Fotografo Jeferson Souza Gomes
Modelo Thay Santoro
Makeup Sulamita Dancuart Make Up Artistaca
Siga
@oficial_insignia
@thaysantoro
Fotógrafo: Cesar Dutra (twitter: @cesardutra)
Beleza: Eric Maekawa
Modelo: Ana Kreibich (www.joymgmt.com)
Figurino: Deh Dullius
Produção e styling: Cleber Machado
Assistente de produção: Victor Kayser
Free Press, August 9, 1930
(From Philippine Cartoons: Political Caricature of the American Era, 1900-1941 by Alfred W. McCoy)
Fotografía: Jose Sarmiento García /@josesarmiento
Styling: Tatiana Moreno Penagos / @ICONAtatiana.
Make Up: Verónica Ospina / @verospi
Modelo: Carolina Franco / @carolinafrancov para Uno x Uno Modelos / @unoxuno.
Asistente de Producción: Carolina Dominguez / @neskaemozionala
See the whole project here: www.behance.net/Gallery/VOLTA/338033
This is a project I did last year for Politecnico di Milano.
We had to design a magazine about alternative energy sources.
Our main concept was to put everything in an historical perspective, showing how some of the energy sources we now consider as "alternative" were once the most common, showing how the future could get and finally showing the present as just a point in a long evolutionary process.
The parts about the past have a yellowish background and make use of b/w images, drop caps and a rigid grid.
The parts about the present have a white background and use mostly photos and some little infographics with a more complex and versatile grid.
The parts about the future have no fixed background colour and are completely based on infographics.
I had the luck to do this project with two great illustrators/designers who study with me at the Politecnico: Giacomo Gambineri (here: giacomogambineri.blogspot.com and here: www.flickr.com/photos/giacomogambineri ) and Matteo Gualandris (here: www.meandtheburo.com )
Our greatest influences were "IL" (monthly magazine of the newspaper "Il sole 24 ore") and "Monocle"