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Hard disk packs and cartridges in different sizes:
- 14" Disk pack is a removable cartridge with hard-drive platters used in 60s and 70s for storage of first IBM computers. This one has 5 hard-disk platters and capacity 80 MB. The platters were hidden in the protection cover (blue-transparent case).
- 14" Hard disk cartridge with single platter and capacity usually from 1 to 5 MB. The case had only a small opening in the front for magnetic head and it was not possible to remove platter from protection case.
- 8" Hard disk cartridge is a smaller version of previous one and offers more capacity (e.g. 25 MB)
- 5,25" and 3,5" HD cartridges were produced in 80s and 90s and they offered significantly more storage space for data (hundreds MB or even many GB). At the end of 90s e.g. JAZ from Iomega or SpartQ from SyQuest were very popular.
Dutch promotion card by CNR / Telefunken.
Yesterday, 28 October 2017, Dutch singer and musician Gert Timmerman (1935-2017) passed away. He was one of the well-known performers of the Dutch Schlager. Apart from many solo hits, he also scored 21 golden records with his wife as the duo Gert and Hermien. Timmerman was 82.
Gerrit (Gert) Timmerman was born in Oldenzaal, Netherlands, in 1935 and grew up in the district of Pathmos in Enschede. He visited the craft school for some time, but he had more interest in music. From age 12, he played clarinet. At the age of fifteen he attended the music academy in Zwolle two days a week and worked in a printing shop three days a week. Here he met Henk Elsink with whom he formed a duo, with Elsink on piano and himself on double bass. In 1963, Timmerman scored a Dutch number one hit with the Schlager Blume von Tahiti (Flowers from Tahiti). Not long after another hit followed, Ik heb eerbied voor jouw grijze haren (I respect your gray hair) with music and text by Bobbejaan Schoepen, which sold over 350,000 records. Timmerman received a golden and platinum disk for it. In 1963, Timmerman scored two more solo hits, including De Schommelstoel (The Rocking Chair), but then he chose for a career as a duo with Hermien van der Weide with whom he married in 1963. As the duo Gert and Hermien, they successfully made one record after another. In der mondhelle nacht (In the moonlit night) composed by Freddy Golden (Fred Gaasbeek) became a Golden Record for the duo. Also, as a soloist, Timmerman booked success. In 1966 and 1967, they were awarded at the MIDEM festival in Cannes as best-selling artist in the Netherlands. End of the 1960s, Timmerman's wife focused more on their three children, and Timmerman himself released some solo numbers. He also composed film music with Freddy Golden. They received a prize for the score for the Dutch film Body and soul (René Daalder, 1967). Around 1968, Timmerman discovered the little singer Wilma for whom he wrote Een klomp met een zeiltje (A wooden shoe with a little sail, 1969) and Grootpappa (Grandpa, 1969), along with writer Fred van Dam, songs that reached the hit list in 1969. In the same year 1969, Timmerman did a stunt by claiming that he could easily get a stadium full of fans. Together with Willem Duys, he organised the Gert and Hermien Show at the Olympic Stadium in Amsterdam. More than 35,000 people came to the show, the stunt was successful and Gert and Hermien received from the same Duys their twelfth Golden Record. The total number of gold records of the duo is 21 pieces, including a platinum record. In 1970, Timmerman reached a hit with Brandend zand (Burning Sand). With Hermien he released Shalalie Shalala (All the pigeons on the Dam) in 1972. They were rewarded with an Edison award for the album Gert & Hermien. In 1974, Timmerman converted himself to Christianity. The first lp with religious repertory, Daarom ben ik blij (Therefore I'm happy), made a sale of over 100,000 copies and was rewarded with a Golden Record. The couple joined the Baptists and repeatedly performed at the Evangelical Broadcasting (EO) company. Their musical career stuck. After a stay in Israel in 1977, they returned to Overijssel.
In 1990 Gert and Hermien became more familiar with the Achterhoek band Normaal and in 1993 a comeback followed. Their faith had set them apart, and Timmerman even gave permission for a photo report of his daughters Sandra and Sheila in Playboy magazine. However, the duo could not repeat the successes of the past. In 1999 a divorce followed. Timmerman was accused of incest by his daughter Sandra. He formed a duo with his son Gert Jr. in the same year and remained active as a singer and multi-instrumentalist. In 2002 he married Barbara Stoevenbeld. His ex-wife Hermien died of a kidney disease a year later, in 2003. A cd was presented in 2004: Roses for you, a tribute to his parents. In 2005, Timmerman celebrated his 70th birthday. He was also 50 years in the job, received a Royal decoration by the mayor of Losser and released his (triple) jubilee CD in October that year, entitled: En dat vergeet ik nooit (And that I'll never forget), including previous hits in a new arrangement , supplemented with new materials. In 2006, he was a hotelier in the reality show Hotel Big Brother. In February 2006 he had major problems with his management and financiers, who retrieved the studio material and the sponsored car. The website was also closed. Timmerman and his wife went undercover for the media. In May 2009, Gert Timmerman appeared in the program of TV vicar David Maasbach. He told about his earlier conversion and how he later wandered from Christianity. In his opinion, he did not lose faith, but he had nothing to do with the church as an institute. Later he returned from this choice and fully focused on faith in God, even if without Hermien and their daughters. A couple of weeks after the interview with Maasbach he performed at the latter's Pentecostal Family Day. In the EO television program How is it with ... in March 2011, Timmerman said that he was virtually deaf and that the singing and composing had almost become impossible. In 2017 he was diagnosed with pancreatic cancer, and died on 28 October 2017 in Overdinkel, Netherlands, at the age of 82.
Sources: Wikipedia (Dutch) and IMDb.
Light source is by sunlight (in the room with a board to block the sunlight）
I selected the best exposure colors stand out
The barley has been harvested and the farmer is preparing the field for ploughing. Gulls follow the tractor to do their own bit of harvesting.
Please click here to listen.
Fyah Pon Fire is a reggae track I produced & recently added to the multimedia section & soundtrack of my upcoming audio book/film scene project.
The writing, songs & videos I've recently done for the project have assumed a more 'new media' shape that inspired me to recreate most of the book's content into a movie scenes. Details on this coming up soon.
Since about 90% of the plot is based on true events names & locations will be changed to protect the innocent (wink!).
Fyah Pon Fire is a Lovers Rock type of reggae track with a mellow, groovy tropical rhythm guided by a Hammond Organ tune I played on a Yamaha synthesizer keyboard. Flavour is added by typical Jamaican Patois singing by Iriestan while R&B/Pop harmonies are done by our friend Donna. There is also the familiar "Lord Of Mercy!" chants, Afro/Reggae drumming, a dominant bass line plus a Dub Riddim section guaranteed to get you dancing & singing along. Enjoy & stay tuned for more info on the movie scene projects.
More info:
I was cleaning out my old desk at home and found this treasures I have been keeping.
Note also the classic background.
Radioluminescent disk used to provide a low level light source during night-time conditions. The amount of radioactive material varied from model to model with the one shown holding approximately 7 microcuries of radium-226. (Oak Ridge, USA, 1999)
Photo Credit:Oak Ridge Associated Universities 1999
for me this is the most impressive female voice i ever heard and this is one of my favorite songs of Shirley Bassey
I don't know why, but I just love the banana-yellow color of these Famicom Disk System disks. I also love the "Nintendo" imprinted along the bottom edge.
Light source is by sunlight (in the room with a board to block the sunlight）
I selected the best exposure colors stand out
7" aluminum cone woofer and aluminum dome tweeter. both from Seas (norway). cabinet is from madisound.com (md14-bp).
intended to be run bi-amp with an active crossover, so no passive coil/cap module is installed inside. dual binding posts are on back and 2 stereo amps power the set of 2 speakers.
more details: www.flickr.com/photos/linux-works/6558090345
A repro (with color film chain calibration approximation to match) of the early to mid-1980's test pattern of Binghamton, NY station WICZ-TV (Channel 40), former NBC and now Fox affiliate. As from a TV DX site.
March 13, 2017
A disk of ice forms as droplets of water cling and grow from the base of an icicle.
Brewster, Massachusetts
Cape Cod - USA
Photo by brucetopher
© Bruce Christopher 2017
All Rights Reserved
...always learning - critiques welcome.
Shot with a Canon 7D.
No use without permission.
Please email for usage info.
en.wikipedia.org/wiki/Philae_temple_complex
The Philae temple complex (/ˈfaɪliː/; Greek: Φιλαί or Φιλή and Πιλάχ, Arabic: فيلة Egyptian Arabic: [fiːlæ], Egyptian: p3-jw-rķ' or 'pA-jw-rq; Coptic: ⲡⲓⲗⲁⲕ, ⲡⲓⲗⲁⲕϩ, Coptic pronunciation: [ˈpilɑk, ˈpilɑkh]) is an island-based temple complex in the reservoir of the Aswan Low Dam, downstream of the Aswan Dam and Lake Nasser, Egypt.
Until the International Campaign to Save the Monuments of Nubia, the temple complex was located on Philae Island, near the expansive First Cataract of the Nile in Upper Egypt. These rapids and the surrounding area have been variously flooded since the initial construction of the Aswan Low Dam in 1902. The temple complex was dismantled and moved to nearby Agilkia Island as part of the UNESCO Nubia Campaign project, protecting this and other complexes before the 1970 completion of the Aswan High Dam. The hieroglyphic reliefs of the temple complex are being studied and published by the Philae Temple Text Project of the Austrian Academy of Sciences, Vienna (Institute OREA).
Geography
Philae is mentioned by numerous ancient writers, including Strabo, Diodorus Siculus, Ptolemy, Seneca, Pliny the Elder. It was, as the plural name indicates, the appellation of two small islands situated in latitude 24° north, just above the First Cataract near Aswan (Egyptian Swenet "Trade;" Ancient Greek: Συήνη). Groskurd computes the distance between these islands and Aswan at about 100 km (62 mi).
Despite being the smaller island, Philae proper was, from the numerous and picturesque ruins formerly there, the more interesting of the two. Before the inundation, it was not more than 380 metres (1,250 ft) long and about 120 metres (390 ft) broad. It is composed of syenite: its sides are steep and on their summits a lofty wall was built encompassing the island.
Since Philae was said to be one of the burying-places of Osiris, it was held in high reverence both by the Egyptians to the north and the Nubians (often referred to as "Ethiopians" in Greek) to the south. It was deemed profane for any but priests to dwell there and was accordingly sequestered and denominated "the Unapproachable" (Ancient Greek: ἄβατος). It was reported too that neither birds flew over it nor fish approached its shores. These indeed were the traditions of a remote period; since in the time of the Ptolemaic Kingdom, Philae was so much resorted to, partly by pilgrims to the tomb of Osiris, partly by persons on secular errands, that the priests petitioned Ptolemy VIII Physcon (170-117 BC) to prohibit public functionaries at least from coming there and living at their expense.
In the nineteenth century, William John Bankes took the Philae obelisk on which this petition was engraved to England. When its Egyptian hieroglyphs were compared with those of the Rosetta Stone, it threw great light upon the Egyptian consonantal alphabet.
The islands of Philae were not, however, merely sacerdotal abodes; they were the centres of commerce also between Meroë and Memphis. For the rapids of the cataracts were at most seasons impracticable, and the commodities exchanged between Egypt and Nubia were reciprocally landed and re-embarked at Syene and Philae.
The neighbouring granite quarries also attracted a numerous population of miners and stonemasons; and, for the convenience of this traffic, a gallery or road was formed in the rocks along the east bank of the Nile, portions of which are still extant.
Philae also was remarkable for the singular effects of light and shade resulting from its position near the Tropic of Cancer. As the sun approached its northern limit the shadows from the projecting cornices and moldings of the temples sink lower and lower down the plain surfaces of the walls, until, the sun having reached its highest altitude, the vertical walls are overspread with dark shadows, forming a striking contrast with the fierce light which illuminates all surrounding objects.
Construction
The most conspicuous feature of both islands was their architectural wealth. Monuments of various eras, extending from the Pharaohs to the Caesars, occupy nearly their whole area. The principal structures, however, lay at the south end of the smaller island.
The most ancient was a temple for Isis, built in the reign of Nectanebo I during 380-362 BC, which was approached from the river through a double colonnade. Nekhtnebef was his ancient Egyptian royal titulary and he became the founding pharaoh of the Thirtieth and last native dynasty when he deposed and killed Nepherites II.
For the most part, the other ruins date from the Ptolemaic Kingdom, more especially with the reigns of Ptolemy II Philadelphus, Ptolemy V Epiphanes, and Ptolemy VI Philometor (282-145 BC), with many traces of Roman work in Philae dedicated to Ammon-Osiris.
In front of the propyla were two colossal lions in granite, behind which stood a pair of obelisks, each 13 metres (43 ft) high. The propyla were pyramidal in form and colossal in dimensions. One stood between the dromos and pronaos, another between the pronaos and the portico, while a smaller one led into the sekos or adyton. At each corner of the adytum stood a monolithic shrine, the cage of a sacred hawk. Of these shrines one is now in the Louvre, the other in the Museum at Florence.
Beyond the entrance into the principal court are small temples, one of which, dedicated to Isis, Hathor, and a wide range of deities related to midwifery, is covered with sculptures representing the birth of Ptolemy Philometor, under the figure of the god Horus. The story of Osiris is everywhere represented on the walls of this temple, and two of its inner chambers are particularly rich in symbolic imagery. Upon the two great propyla are Greek inscriptions intersected and partially destroyed by Egyptian figures cut across them.
The monuments in both islands indeed attested, beyond any others in the Nile valley, the survival of pure Egyptian art centuries after the last of the Pharaohs had ceased to reign. Great pains have been taken to mutilate the sculptures of this temple. The work of demolition is attributable, in the first instance, to the zeal of the early Christians, and afterward, to the policy of the Iconoclasts, who curried favour for themselves with the Byzantine court by the destruction of heathen images as well as Christian ones.[citation needed] Images/icons of Horus are often less mutilated than the other carvings. In some wall scenes, every figure and hieroglyphic text except that of Horus and his winged solar-disk representation have been meticulously scratched out by early Christians. This is presumably because the early Christians had some degree of respect for Horus or the legend of Horus - it may be because they saw parallels between the stories of Jesus and Horus (see Jesus in comparative mythology#Iconography and #Dying-and-rising god archetype).
The soil of Philae had been prepared carefully for the reception of its buildings–being leveled where it was uneven, and supported by masonry where it was crumbling or insecure. For example, the western wall of the Great Temple, and the corresponding wall of the dromos, were supported by very strong foundations, built below the pre-inundation level of the water, and rested on the granite which in this region forms the bed of the Nile. Here and there steps were hewn out from the wall to facilitate the communication between the temple and the river.
At the southern extremity of the dromos of the Great Temple was a smaller temple, apparently dedicated to Hathor; at least the few columns that remained of it are surmounted with the head of that goddess. Its portico consisted of twelve columns, four in front and three deep. Their capitals represented various forms and combinations of the palm branch, the doum palm branch, and the lotus flower. These, as well as the sculptures on the columns, the ceilings, and the walls were painted with the most vivid colors, which, owing to the dryness of the climate, have lost little of their original brilliance.
History
The ancient Egyptian name of the smaller island meant "boundary". As their southern frontier, the pharaohs of Egypt kept there a strong garrison, and it was also a barracks for Greek and Roman soldiers in their turn.
The first religious building on Philae was likely a shrine built by Pharaoh Taharqa of the 25th Dynasty, which was probably dedicated to Amun. However this structure is only known from a few blocks reused in later buildings, which Gerhard Haeny suspects may have been brought over for reuse from structures elsewhere.
The oldest temple to have undoubtedly stood on the island, as well as the first evidence of Isis-worship there, was a small kiosk built by Psamtik II of the 26th Dynasty. This was followed by contributions from Amasis II (26th Dynasty) and Nectanebo I (30th Dynasty). Of these early buildings, only two elements built by Nectanebo I survive– a kiosk that was originally the vestibule of the old Isis temple, and a gateway which was later incorporated into the first pylon of the current temple.
Ptolemaic era
More than two thirds of Philae's surviving structures were built in the Ptolemaic era, during which the island became a prominent site of pilgrimage not only for Egyptians and Nubians but for pilgrims from as far as Anatolia, Crete, and the Greek mainland. Some of these pilgrims marked their presence with inscriptions on the temple walls, including votive inscriptions known as proskynemata, as well as other types. Among these are inscriptions left by four Romans in 116 BC, which represent the oldest known Latin inscriptions in Egypt.
Along with the various contributions of Ptolemaic rulers, Philae also received additions from the Nubian king Arqamani, who contributed to the Temple of Arensnuphis and the mammisi, and his successor Adikhalamani, whose name has been found on a stela on the island. Some experts have interpreted these additions as signs of collaboration between the Nubian and Ptolemaic governments, but others consider them to represent a period of Nubian occupation of the region, likely enabled by the revolt of Hugronaphor in Upper Egypt. The cartouches of Arqamani were later erased by Ptolemy V, while the stela of Adikhalamani was eventually reused as filling under the floor of the pronaos.
Roman era
The Roman era saw an overall decline in pilgrimage to Philae, especially from Mediterranean regions, as evidenced by the reduced number of inscriptions. Nevertheless, it remained an important sacred site, especially for Nubians, who continued to visit both as individual pilgrims and in official delegations from their government in Meroë.
Several Roman emperors made artistic and architectural contributions to Philae. While most of the architectural additions date to the Julio-Claudian dynasty, the island continued to receive contributions to its temples up to the time of Caracalla as well as a triple arch built by Diocletian. In AD 298, Diocletian ceded Roman territory south of the First Cataract as part of an agreement made with the neighboring Nobades, withdrawing the border to about the area of Philae itself. The Kushite king Yesebokheamani made a pilgrimage to Philae in this period and may have taken over the Roman hegemony.
During the Roman era, Philae was the site of the last known inscription in Egyptian hieroglyphs, written in AD 394, and the last known Demotic inscription, written in 452.
Christianization
Christianity seems to have been present at Philae by the fourth century, at which point it coexisted with traditional Egyptian religion. According to the Coptic hagiography Life of Aaron, the first bishop of Philae was Macedonius (attested in the early fourth century), who is said to have killed the sacred falcon kept on the island, though modern experts question the historicity of this account. By the mid fifth century, a petition from Bishop Appion of Syene to co-emperors Theodosius II and Valentinian III indicates the presence of multiple churches on the island functioning alongside the pagan temples.
Traditional worship at Philae appears to have survived into at least the fifth century, despite the anti-pagan persecutions of that time. In fact, the fifth-century historian Priscus mentions a treaty between the Roman commander Maximinus and the Blemmyes and Nobades in 452, which among other things ensured access to the cult image of Isis.
According to the sixth-century historian Procopius, the temple was closed down officially in AD 537 by the local commander Narses the Persarmenian in accordance with an order of Byzantine emperor Justinian I. This event is conventionally considered to mark the end of ancient Egyptian religion. However, its importance has recently come into question, following a major study by Jitse Dijkstra who argues that organized paganism at Philae ended in the fifth century, based on the fact that the last inscriptional evidence of an active pagan priesthood there dates to the 450s. Nevertheless, some adherence to traditional religion seems to have survived into the sixth century, based on a petition from Dioscorus of Aphrodito to the governor of the Thebaid dated to 567. The letter warns of an unnamed man (the text calls him "eater of raw meat") who, in addition to plundering houses and stealing tax revenue, is alleged to have restored paganism at "the sanctuaries," possibly referring to the temples at Philae.
Philae retained significance as a Christian center even after its closure as a pagan site. Five of its temples were converted into churches (including the Temple of Isis, which was dedicated to Saint Stephen), and two purpose built churches were constructed on the north side of the island.
1800s
The island of Philae attracted much attention in the 19th century. In the 1820s, Joseph Bonomi the Younger, a British Egyptologist and museum curator visited the island. So did Amelia Edwards, a British novelist in 1873–1874.
The approach by water is quite the most beautiful. Seen from the level of a small boat, the island, with its palms, its colonnades, its pylons, seems to rise out of the river like a mirage. Piled rocks frame it on either side, and the purple mountains close up the distance. As the boat glides nearer between glistening boulders, those sculptured towers rise higher and even higher against the sky. They show no sign of ruin or age. All looks solid, stately, perfect. One forgets for the moment that anything is changed. If a sound of antique chanting were to be borne along the quiet air–if a procession of white-robed priests bearing aloft the veiled ark of the God, were to come sweeping round between the palms and pylons–we should not think it strange.
— Amelia B. Edwards, A thousand miles up the Nile / by Amelia B. Edwards, 1831-1892, p. 207.
These visits are only a small sample of the great interest that Victorian-era Britain had for Egypt. Soon, tourism to Philae became common.
1900s
In 1902, the Aswan Low Dam was completed on the Nile River by the British. This threatened to submerge many ancient landmarks, including the temple complex of Philae. However, the British prioritized the advancement of Modern Egypt at the expense of the complex. The height of the dam was raised twice, from 1907 to 1912 and from 1929 to 1934, and the island of Philae was nearly always flooded. In fact, the only times that the complex was not underwater was when the dam's sluices were open from July to October.
It was proposed that the temples be relocated, piece by piece, to nearby islands, such as Bigeh or Elephantine. However, the temples' foundations and other architectural supporting structures were strengthened instead. Although the buildings were physically secure, the island's attractive vegetation and the colors of the temples' reliefs were washed away. Also, the bricks of the Philae temples soon became encrusted with silt and other debris carried by the Nile.
Rescue project
The temples had been practically intact since the ancient days, but with each inundation the situation worsened and in the 1960s the island was submerged up to a third of the buildings all year round.
In 1960 UNESCO started a project to try to save the buildings on the island from the destructive effect of the ever-increasing waters of the Nile. First, building three dams and creating a separate lake with lower water levels was considered.
First of all, a large coffer dam was built, constructed of two rows of steel plates between which a 1 million cubic metres (35 million cubic feet) of sand was tipped. Any water that seeped through was pumped away.
External images
Next the monuments were cleaned and measured, by using photogrammetry, a method that enables the exact reconstruction of the original size of the building blocks that were used by the ancients. Then every building was dismantled into about 40,000 units from 2 to 25 tons, and then transported to the nearby Island of Agilkia, situated on higher ground some 500 metres (1,600 ft) away. The transfer itself took place between 1977 and 1980.
Nearby locations of interest
Prior to the inundation, a little west of Philae lay a larger island, anciently called Snem or Senmut, but now Bigeh. It is very steep, and from its most elevated peak affords a fine view of the Nile, from its smooth surface south of the islands to its plunge over the shelves of rock that form the First Cataract. Philae, Bigeh and another lesser island divided the river into four principal streams, and north of them it took a rapid turn to the west and then to the north, where the cataract begins.
Bigeh, like Philae, was a holy island; its ruins and rocks are inscribed with the names and titles of Amenhotep III, Ramesses II, Psamtik II, Apries, and Amasis II, together with memorials of the later Macedonian and Roman rulers of Egypt. Its principal ruins consisted of the propylon and two columns of a temple, which was apparently of small dimensions, but of elegant proportions. Near them were the fragments of two colossal granite statues and also an excellent piece of masonry of much later date, having the aspect of an arch belonging to a church or mosque.
New disk #commuter
Rolling on @compasscycle bon jon pass
@rideshimano ultegra group set
@velogical_velospeeder rim dynamo
@supernova.design lights
@columbus_official zona tubes
@brooksengland saddle
Blablabla... More will follow
#handmadeinberlin #randonneur #meerglas #steelisreal @commuterbike #commuterbike