Cinematography (Director of Photography)
View allAll Photos Tagged director
I decided to make Krennic because I don't have any Empire fig so here it is. Started this one a few hours ago and it was easy to make. I used my Green Arrow's face without the stubble and I think it turned out fine. The difficult part was, without a doubt, the cape. I made the same thing a did with Doctor Strange's cape. The sad part is that he has no arms due to the cape :( So, what do you guys think about this figure? Leave a comment if you want to. :)
IAIS GP38-2's 703 and 701 team up to handle a board of directors special eastbound over Main Street in downtown Davenport, IA.
October 28, 2019.
When Fermilab’s founding director, Robert Wilson, imagined an ideal laboratory, he wanted it to be architecturally impressive and artistically inspiring. With this in mind, he installed remarkable sculptures and designed buildings in influenced by culture, history, and physics.
Acqua Alle Funi, 1978
On the reflecting pond across from the entrance of Wilson Hall, there is a hyperbolic obelisk designed by Wilson. The name “Acqua Alle Funi” is an Italian phrase meaning “water to the ropes,” which refers to a story about an Egyptian obelisk ordered by Pope Sixtus V - considered to be a symbolic act, illustrating the triumph of Christianity over Paganism raised in St. Peter’s Square in the 16th century.
After viewing a multitude of photos of the sculpture in the enormous pond at the front entrance of Fermilab I did not see one which was a direct straight on shot. - and direct straight on image structuring is a taboo in photographic composition.
Hello ! - It's your camera and your moment so straight ahead it is!
By it's contours and it's exact center placement I believe this would be the way the designer wanted it to be best appreciated.
Oddly enough I can recall how frigid and windy it was out on the open prairie of the Fermilab compound that afternoon.
"A Wordless Text, Light on Water"
by Louise LeBourgeois and Steven Carrelli
@louiselebourgeois
@stevencarrellipittore
This drawing was made collaboratively by a remarkable Chicago based artist couple. The drawing brings together their respective practices in a whimsical image that speak (for me) of the tenuous existence of someone like Temma (the indirect subject of all of the works in this project).
This is one of the 23 works in the upcoming enigmatic group exhibition titled "Deposition: Drawn" at North Park University. Opening reception on February 14 (Valentine's Day!) 4:30 - 6:30 and running through March 9.
This exhibition is an unusual mash-up of my work as curator (primarily as gallery director at @npuchicago ) and my work as an artist (particularly work that is related to my most frequent subject, my daughter Temma). I sent each of the participating artists a unique prompt which was for me somehow related to Temma. The participating artists then made a drawing related to their prompt. They also developed an accompanying text / title for the drawing. And then they sent that text to me along with a high resolution scan of their drawing.
Check out Louise's work here:
and Steve's work here:
This is taken from the building, where the director lived. You can see the weavery building with the machine halls to the left and the second boiler house with its chimney.
A little bit of history:
The first weaving mill, operated by hydro power, was built in 1851. Then 1857 another owner rebuild the mill to steam power. 1879 a "J.A. sen." bought the mill and his family (son and his nephew) owned it until 2004, when the factory finally closed after many years of crisis due to descreasing demand and out-dated equipment. From 1964 on staff has to be released and the last time only the owner alone lived and worked in his factory. He stayed there until his death in 2011, some buildings already in ruines.
OBSERVE Collective
All images are © Copyrighted and All Rights Reserved
germanstreetphotography.com/michael-monty-may/
LNER/GCR Class 4-6-0 3P Class D11 Director No 506 'Butler Henderson' heads away from Loughborough Station on the Great Central Railway with the 1415 passenger service for Leicester North on 9th November 1991.
Copyright Photograph Robin Stewart-Smith - All Rights Reserved
A Re-Edited Post
IANR Directors Extra slides by a rural gravel road crossing about two miles outside of La Porte City, Ia
Thanks for taking the time to view my image. Your comments & faves are greatly appreciated.
-------------------------------------------------------------------------------------------
JULY 2017 SUBJECTS:
1. Bench Shot - 2. In The Shadows - 3. Low POV.
This challenge is open to anyone, anywhere with any camera.
-------------------------------------------------------------------------------------------
Rags supervising Lene's photoshoot with Bastian.
Dushara Tatters and Rags (Somali cat) & Bastian (mixed breed), 17.05.2018.
Olympus OMD EM5 Digital Camera
My official Harshbeautiful portrait of hugely talented designer, art director, artist and friend @keithslote. I couldn’t resist this impish shot!
.
Here’s how to commission your own limited edition portrait: jamesmbarrett.com/commissions/
Director Franz Weisz and Star Jip Loots during Q&A after the U.S. premier of HAPPY END at the New York Jewish Film Festival in NYC
Director Krennic with his custom DT-29 blaster and his Arealight cape and waistcape. Loved this character in Rogue One and catalyst and felt he needed some upgrades.
This drone director F-8 Crusader of the Pacific Missile Test Center was photographed at its home base, NAS Point Mugu, in June 1976.
The F-8L was a remanufactured F-8B and 61 aircraft were upgraded. Among other things, wing hardpoints were added. Here's a complete list of the specific upgrades: www.avialogs.com/aircraft-v/vought/item/5200-f-8l-crusade...
I decided to give the image caption that of directors finder as I was walking down the promenade of the Avenue of Flags while having my Nikon SLR camera near my eye and using the viewfinder to…how shall we say compose that image. It was with the flags all around that I came across this idea of having the sculptured faces of Mount Rushmore behind and a little offset amongst the flags. Back to the name, I'd seen videos of people directing videos and using that directors finder to help them plan out how they might compose the action to take place, in this case, the action was just the still images of an SLR camera I was capturing.
Portrait of Ken Hall, Australian film producer and director, Cinesound, Sydney, 3 May 1950, from film negative, Australian Consolidated Press archive, State Library of New South Wales, ON 388/Box 068/Item 234