Ilford ID-11
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(Image taken with an Analog film camera).
Black & White Film: Rollei Retro 80s @ISO 40.
Red Filter and Tripod with timer.
Copy negative with a DSLR, reverse with Adobe Camera Raw, and edit contrast with Nick Silver Efex Pro2 & ACDSee Photo Editor 11.
Notes: Using Rollei Retro 80s for the first time, could not find any developing time for Xtol 1:1. So my negative came out too dense and over develop. Next time will try ISO 64 and 9 minutes on Xtol @ 1:1.
(Press "L" or click on the image for a large view).
(Location: Smyrna Dunes Park, New Smyrna Beach, Florida).
Thanks for your visit, comments, faves, and views.
Ilford HP5 35mm film, developer ID-11 10' at 20°C. Exposure ISO 400 @35mm lens, available light. Digitized with Alpha 6000 edited in ACR, inverted in CS6.
Holga, HP5-->1600, Rodinal 1-50
Developer Moersch SE1 Sepia + restrainer
Paper: Old Agfa Brovira
Short bleach
Short toning in Siena
Chair and drying octopus, Parikia, Paros
July 1975
photo by Mary Lou
2400 dpi scan of a 6x6 cm Kodak VP120 negative
Mamiya C220 TLR, 80 mm lens
Affinity Photo
I keep the horses' riding tack—bridle, bit, and reins—hung on brackets on the wall of the little hay barn, one set for Spirit and one for Andy. To keep the long reins from drooping down to the floor, where they would be imperiled by passing goat hooves and cat paws, I loop the lower end of the reins up over the mounting bracket, creating the droplet shapes shown here, caught in the morning light spilling through the barn door.
Camera: Vivitar 220/SL (circa 1976, with Pentax Super-Takumar 55mm f/1.8 lens).
Film: 35mm 100 ISO Arista.edu Ultra, developed in Arista Liquid Developer for 6:10 minutes @ 71 degrees, and scanned with an Epson V600 scanner.
Camera: Rolleiflex 3.5 A (1952)
Lens: Carl Zeiss Opton-Tessar 3.5/75mm
Film: Ilford FP4
Developer: Moersch eco
Location: Sulzfeld, Unterfranken
Latergrams sind Filme, die ich absichtlich, ohne sie zu entwickeln, eine Weile bei mir im Schrank liegen lasse - dieser ist im Juni 2021 auf einer kleinen Reise nach Sulzfeld am Main entstanden
Latergrams are Films i keep undeveloped in my cupboard for a while. This one was shot June 2021 on a short trip to Sulzfeld at the river Main
Agfa Isolette with HP5 200 asa, Rodinal 1/50
Paper Berger Prestige
Moersch warm tone developer
sepia toner
Live Oak and Palmetto, Sleeping Turtles Preserve North, Venice, Florida
590nm IR-converted Pentax K-5
Laowa 20mm f/4 Zero-D Shift
Iridient Developer
Queen Branch, Mainspring Conservation Trust, Macon County NC
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Konica Auto-Reflex 60's SLR camera
Hexanon lens 57mm 1:1.4
Ilford Delta 100 Film
f 2 at 1/250
Home Developed by www.flickr.com/photos/ukke_photo/
Rodinal Developer 1+25
18x18cm Kallitype; image taken with a Zero Image 2000 pinhole camera; Kallitype developed in acetate developer and toned with platinum toner.
This fine American steam yacht was photographed by John S. Johnston for the Detroit Publishing Co. in July, 1894. My colorization ofthe original image in the Library of Congress archive. The name of the yacht is "Sapphiro" according to the Library caption. However, I think there is reason to believe that the yacht is in fact theatrical manager John Stetson´s (1836 - 1896) yacht Sapphire, designed by Edward Burgess, and launched in 1888.
"John Stetson was one of the most successful theatrical managers of his time. He owned and managed theaters in New York and Boston and also became a financier and real estate developer. He was married to Kate Stokes, the famed bare-back equestrian and actress.
In addition to their home in Boston, the couple owned a summer residence at Burgess Point in Beverly, Mass., which later became the summer White House of William Howard Taft."
(Find a Grave)
Camera: Rolleiflex 3003 (1985)
Lens: Rolleinar 1.4/55mm
Film: Kodacolor Gold
Developer: Rollei Colorchem C-41
Where to end this nostalgic search for lost time? Perhaps by saying goodbye to my parents. My last photo of my father (with C) in Mallorca in 2001. I was on a whirlwind tour: Colombia, UK, Ghana, Nigeria, UK, Spain, UK, Colombia, the US and back to Cali, Colombia, where I was working at the time. Jack died a couple of days after Christmas, one month after my third child was born, who was named after his grandfather. www.theguardian.com/news/2002/jan/19/guardianobituaries.b...
The analogue photographs show the „Due Laghi“ region between Lago Maggiore and Lago di Orta in Italy/Piedmont.
Die analogen Fotografien zeigen die Region „Due Laghi“ zwischen Lago Maggiore und Lago di Orta in Italien/Piemont
# Camera: Rollei 35S
# Scanner: Nikon Coolscan 5000ED with VueScan Software
# Film: Ilford XP2
# Edited with Iridient Developer
Rolleiflex T Tri-X in Pyro48.
Kallitype onto Hahnemühle Platinum Rag,
Rochelle salt developer, Palladium toner, ATS acidic fixer.
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
Event: Weston Park Classic Car Show
Location: Weston Park, Weston-under-Lizard, Nr Shifnall, Shropshire
Camera: Canon EOS IX7
Lens(s): Canon EF 28mm f/1.8
Film: Jessops SHR200 - expired 2003
Shot ISO: 50
Light Meter: Camera
Lighting: Overcast & muddy
Mounting: Hand-held
Firing: Shutter Button
Developer: Bellini C-41 Kit
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
Photo information:
ISO: 400
Film type: 120
Film name: Rollei Retro 400S
Developer: Adox Rodinal
Process: 20°C.
Developer dilution: 1+50
Developing time: 21'
Agitation: in 10 sec every 1 min.
Camera: Zenza Bronica S2A
Lens: Nikkor-H C 1:2.8 f=75mm
Filter(s) used: no
Aperture: 8
Exposure time: 1/30
Focal length: 75
Scanner manufacturer: Epson Perfection V550 Photo.
"An early-morning walk is a blessing for the whole day."
Henry David Thoreau
“What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives?”
E. M. Forster
“We can only appreciate the miracle of a sunrise if we have waited in the darkness” -Unknown
Haspelwald
Zenza Bronica EC, Nikkor-O∙C 1:2.8 f=50mm, f/11, 1/8
Rollei Superpan 200 film/Adox FX-39 II 1+9 developer (EI 160)
Cropped to 645 format (4:3 ratio)
Rollei SL66SE, Carl Zeiss Planar 80mm f/2,8, Orange filter, T-MAX 100 Professional (Kodak TMX 6052) developed in Ilfosol S 1+9, digitised by photographing the original negative on a light pad - tethered capture and digital development in Lightroom.
The Howgills as a whole lie within the county of Cumbria, although the area remains in the Yorkshire Dales National Park.
"Cautley Spout is England's highest (cascade) waterfall above ground. (Gaping Gill on Ingleborough falls a greater unbroken distance into a pothole, and Hardraw Force has a greater unbroken fall above ground). The broken cascade of falls tumbles a total of [nearly 200m] down a cliff face at the head of a wild and bleak glacial valley that comes down from a high plateau called The Calf. [...] This fall is one of the few cascade falls in England; most are either tiered or plunge falls." (Wikipedia)
Splashed across the datasheet for X Film 320 Pro was "Ideal Developer 510-Pyro" so who was I to complain about that, 510-Pyro has become a common developer, and you know I can see why they love this so much. Take all the best parts of X Film 320 Pro and put them into this roll, fine grain, good edge sharpness and amazing contrast. And sure these are helped by being 120 negatives, I'm sure even the 35mm frames will sing in 510!
The full review drops in February 2023!
Rolleiflex 2.8F - Carl Zeiss Planar 80mm 1:2.8 - CatLABS XFilm 320 Pro @ ASA-320
510-Pyro (1+100) 12:15 @ 20C (Constant Rotation)
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Illustrations/code-names for the development team here at work.
If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.
Rollei SL66SE, Carl Zeiss Planar 80mm f/2,8, Kodak T-Max 100 Professional TMX6052, Developer Ilfosol S 1+9, negative photographed on a light pad, digital processing in Lightroom.
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
Mushrooms in Bothell, Washinton.
Camera: Ricoh Diacord L
Lens: Rikenon f/3.5 8cm with Rondo Close-up attachment II
Film: Fujifilm Neopan Acros II
Developer: Beerenol (Rainier beer)
Rollei SL66SE, Carl Zeiss Planar 80mm f/2,8, Lens tilt used, Kodak T-Max 100 Professional TMX6052, Developer Ilfosol S 1+9, negative photographed on a light pad, digital processing in Lightroom.
The lens tilt used enables a plane of focus which is not parallel to the film plane, but tilted along the top of the wall, stretching from a metre or so to infinity. Notice that the grass in the foreground is not in focus, even though it is the same distance from the camera as a part of the the wall which is sharp.
de.wikipedia.org/wiki/Scheimpflugsche_Regel
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
Bonaventure Cemetary, Savannah, Georgia
Pentax K-1
HD Pentax-D FA 70-210mm F4 ED SDM WR
Iridient Developer
added a bit of my own "fuzzy" intelligence 😛
Do you feel "betrayed" when (if) you found out a photo was an Artificial "photo"... are we getting used to being "lied" too..
I for one think we are blurring the future. Can we trust what we see? Do you accept this "new" way of looking at things?
Things are likely to become yet more complex as use of artificial intelligence by artists becomes more widespread, and as the machines get better at producing creative works, further blurring the distinction between artwork that is made by a human and that made by a computer.
here a quote by Friedrich Nietzsche
“I’m not upset that you lied to me, I’m upset that from now on I can’t believe you.”
developers.mews.com/why-ai-lie-and-what-we-can-learn-from...
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HIT THE 'L' KEY FOR A BETTER VIEW! Thanks for the favs and comments. Much Appreciated.
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All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission.
© VanveenJF Photography
Event: Tatton Park Classic Car Show
Location: Tatton Park, Knutsford, Cheshire
Camera: Pentax ME Super
Lens(s): SMC Pentax-M 50mm f/1.7 + ND8 Filter
Film: Harman Phoenix 200
Shot ISO: 200
Light Meter: Camera
Exposure: Mostly f/2.8
Lighting: Mostly Sunny
Mounting: Hand-held
Firing: Shutter Button
Developer: Bellini C-41 Kit
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
An Australian Magpie in coastal wetlands in Sydney, winter 2018. Nikon F80 AF Nikkor 50mm f/1.8D Kodak Tri-X 400 in XTOL 1+1.
Ilford Hp5 Plus developer in T-Max Professional developer. Office building near Chinatown in Philadelphia PA. August 2018.
IN ENGLISH BELOW THE LINE
Foto feta amb una Kodak Retina IIa (016), fabricada el 1953; objectiu Rodenstock Heligon f2 / 50mm; Fomapan R100, revelat revers com a diapositiva amb quimics alternatius (HC110a com a revelador, clorur ferric i amoniac com a blanquejadors, i Iron Out com a reexposador-rerevelador-fixador).
La inmensa i complexa cimentera Uniland de Vallcarca, al Garraf. Abans tenia el seu propi port i estació de tren.
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Picture taken with a Kodak Retina IIa (016), made in 1953; Rodenstock Heligon f2 / 50mm lens; Fomapan R100 with reversal developing using alternative chemicals (HC110a as developer, ferric chloride and ammonia as bleach, and Iron Out as magical fogging-redeveloper-fixer).
Uniland Cement factory in the Garraf coast near Sitges, Catalonia. Once it had it's own harbour and train station, but now those are abandoned (not the factory).
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
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In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…