Technical: f/11, shutter-speed 1/100, focus on mountains and its surrounding landscape, overcast sky, low-normal light concentration coming from the South, 4:31 pm. I chose these specific technical settings because it brought out the position and details of the mountain and its surrounding landscape in a Maximum Depth of Field.

Composition: Shot at far range, a little above eye level, and I let the background be in focus to create a Maximum Depth of Field.

Content/Audience: I am concentrating on the overall creation of a Maximum Depth of Field with the mountain and its surrounding landscape.

I chose to photograph the mountain from a side angle a little above eye level to emphasize the detail and position of the mountains and its landscape as well as to create a Maximum Depth of Field. A small aperture was used because I wanted the background to be in focus.

shallow depth, contrast, texture

Asclepias pods - standing out in the same shot - f5.6 - not as shallow as i would usually do - but keeps the spikes fairly clear.

Depth of Field

Kim Barker- wide depth of field

June 2012. Photos of Elise, Glenn, and Mary Larsson sailing in Cape Cod.

Depth of Field

Part of project for class

Self developed, scanned on ethans scanner

It took me a while to figure out the balance of my fstop and shutter speed. I was experimenting with a lot of these photos and I think I finally got the hang of it. I took this from a slightly birds eye view angle and placed the glasses facing the sun to get a nice shadow.

DOF Project for photography I

45mm - f/5.6 - 1/2 sec (taken with 45-200mm f/4-5.6 lens)

Setting up the School Radio studio

Same shot taken with all available apertures to study differences between f-stops. (f/10)

more on www.digimorph.net

and the depth thereof

experimentation in kitchen

Playing with depth of field.

f11 @ 1/160

This is one of the series in the DoF exercise. The camera I'm using has half stops, so there were lots in the series.

second try with depth of field.

Kim Barker- Shallow depth of field