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Creating The Magic

  

I have always been delighted at the prospect of a new day, a fresh try, one more start, with perhaps a bit of magic waiting somewhere behind the morning.

-J. B. Priestley-

 

m.youtube.com/watch?v=tl3fqQRSzGM&pp=ygUWYm9ub2JvIGNp...

 

Bonobo - Cirrus (Datamosh HD Video)

Fleeting Surfaces (2022)

The work shows nebulous environments where fragments of landscapes reveal and dissipate themselves. Evanescent silhouettes emerge from the blur, noise and compression artifacts that recall the materiality of the apparatus and its eventual obsolescence.

 

This project was made in the context of a partnership between Place des Arts and the Conseil des arts et des lettres du Québec.

 

francois-quevillon.com/w/?p=4140

 

Surfaces fuyantes (2022)

L’œuvre propose une avancée dans des milieux nébuleux où se révèlent et se dissipent des fragments de paysages. Des silhouettes évanescentes émergent du flou, du bruit et d’artéfacts de compression qui rappellent la matérialité du dispositif et son éventuelle obsolescence.

 

Ce projet a été réalisé dans le cadre d’un partenariat entre la Place des Arts et le Conseil des arts et des lettres du Québec.

 

francois-quevillon.com/w/?p=4135&lang=fr

datamosh of photo of artist

www.youtube.com/watch?v=_2oLfXXXT7Y

 

DIRECCION DEL CLIP: AILAVIU & C.W.N.

 

DATAMOSHING: AILAVIU / LUCAS DM / YAEL TODARO / ELIAS CHAFINO / CHINDOGU / HYPER CUBE / NISHA

ESTUDIO: ZONA5 (GRACIANA BULDRINI / JULIAN BULDRINI / SANDRA GROSSI /JULIA PONCE)

GACETILLA: JULIETA REGAZONNI / DAVO

COACH EN MOVIMIENTO: ALINA FOLINI

EDICION: AILAVIU

CAMARA: MARTIN CURTO

PRODUCCION: LOLA SALVIO ALBERTI

VIAJES: MARTIN ROISI

CENTRO DE LOGISTCA Y RECURSOS: ESTADO LATERAL

 

AGRADECIMIENTOS ESPECIALES: ESTADO LATERAL, JALEA.TV y a NATI FESTA

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+ INFO www.flickr.com/photos/ailaviu/sets/72157623143351433/

 

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www.facebook.com/notes/ailaviu-vj/proyecto-video-clip-coo...

stills from the mutilated source clip, prior to being edited into the larger work 'i.thou'

stills from the mutilated source clip, prior to being edited into the larger work 'i.thou'

from the ongoing film project, another revision of this chapter.

Working on my raw data-based pixel-sorting skills. This was made using Mosh at first and then fed into Processing for the pixel sorting effect.

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