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A photo created with Dall-E-2 with a German default:
kreiere ein fotorealistisches Bild im Stil von Caspar David Friedrich, das eine grüne Schlange zeigt, die in einen roten Apfel beißt und durch arktisches Eis kriecht.
The photo was still upsized with Photoshop from 1024 x 1024 and 72 dpi to 2048 x 2048 and 240 dpi.
The snake probably crawled out of focus with its head despite the cold and the biting was below average. But the overall impression is impressive.
Ein mit Dall-E-2 entstandenes Foto mit der deutschen Vorgabe:
kreiere ein fotorealistisches Bild im Stil von Caspar David Friedrich, das eine grüne Schlange zeigt, die in einen roten Apfel beißt und durch arktisches Eis kriecht.
Das Foto wurde noch mit Photoshop von 1024 x 1024 und 72 dpi auf 2048 x 2048 und 240 dpi hochgerechnet.
Die Schlange ist mir trotz der Kälte wohl mit ihrem Kopf aus dem Schärfepunkt gekrochen und das mit dem beißen hat unterdurchschnittlich geklappt. Der Gesamteindruck ist aber beeindruckend.
Inspired by a conversation with two flickr friends of mine, who don't want to be named, dear Bianka and dear Wolfgang, about iPad and the possibility to copy HTML comment codes and paste them into the images. The last consensus was "The IPAD, the unknown entity......😂" I was inspired to create this DALL.E.2 image. The task for DALL.e.2 was:
"create a impressionistic 3d rendered artwork to the theme "Das iPad, ein unbekannte Wesen"”
Inspiriert von einer Unterhaltung mit zwei Flickrfriends von mir, die nicht genannt werden wollen, liebe Bianka und lieber Wolfgang, über iPad und die Möglichkeit HTML-Kommentar-Codes zu kopieren und diese in die Bilder einzufügen. Der letzte Konsens war "Das IPAD, das unbekannte Wesen......😂". Das hat mich inspiriert dieses DALL.E.2 Bild kreieren zu lassen.
Die Aufgabe für DALL.e.2 war
"create a impressionistic 3d rendered artwork to the theme "Das iPad, ein unbekannte Wesen"”
Image originally generated with DALL-E based on my original photograph, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
Due to my health condition, I am unable to hold or stabilize a camera for extended periods of time. Additionally, using a tripod has never been enjoyable for me, as it would cause pain when trying to position it correctly and constantly bending over to check the viewfinder. Consequently, I have chosen to explore digital AI artwork as an alternative. I understand that this may not be everyone's cup of tea, as it diverges from traditional photography. However, I have always granted myself the freedom to exercise artistic license and pursue whatever brings me joy. Currently, digital AI artwork fulfills that purpose, at least for the time being.
Image originally generated with DALL-E, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
This image was created with DALL·E then upscaled in Leonardo AI and further enhanced in Topaz Gigapixel AI.
It was taken on the northwestern edge of Spitsbergen, in the Svalbard archipelago, not far from the receding snout of the Aavatsmarkbreen glacier — a place where the Arctic breathes in whispers and fractures. The date was late August, the season of deceptive warmth when the midnight sun hovers low and the ice begins to bleed.
The formation in the photograph is not solid rock, as some might think at first glance, but the collapsed mouth of a subglacial tunnel, formed by meltwater carving through the glacier’s underbelly. Years of pressure and refreezing sculpted those contoured ridges — layers of ancient snowfall compressed into dense, cerulean ice. The faint cyan glow inside the cave isn’t artificial; it’s scattered light refracting through air bubbles trapped millennia ago when mammoths still roamed the Siberian steppe.
The air inside smells faintly metallic, like cold iron and salt. It’s utterly still, except for the slow, rhythmic crack of thawing ice — a sound like distant gunfire, echoing across the bay. On calm days, the sea around the ice gate mirrors the sky in a sheet of mercury grey. On others, the wind funnels through the arch, producing a low hum, as if the glacier itself were exhaling.
Scientists who mapped this region in 2023 used drones to capture melt patterns here. They found that the ice retreated 37 meters in just two years — a rate almost double that of the previous decade. Beneath this particular overhang, water temperatures measured 1.4°C above the long-term average, enough to weaken the internal structure. Within a few seasons, this cathedral of ice will collapse into the fjord and drift into oblivion, another silent casualty of warming currents from the West Spitsbergen Current, which brings Atlantic heat ever closer to the pole.
Image originally generated with DALL-E, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
Image originally generated with DALL-E, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
Image originally generated with DALL-E, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
Image originally generated with DALL-E based on my original photograph, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
A peaceful corner of nature’s hidden world.
This image was created with DALL·E based on my original photograph, then upscaled in Leonardo AI and further enhanced in Topaz Gigapixel AI.
Image originally generated with DALL-E, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
Image originally generated with DALL-E, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
Image originally generated with DALL-E, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
Image originally generated with DALL-E, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
Image originally generated with DALL-E, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
Image originally generated with DALL-E, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
Image originally generated with DALL-E, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
Image originally generated with DALL-E based on my original photograph, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
This image was created with DALL·E based on my original photograph, then upscaled in Leonardo AI and further enhanced in Topaz Gigapixel AI.
This image was created with DALL·E based on my original photograph then upscaled in Leonardo AI and further enhanced in Topaz Gigapixel AI.
Image originally generated with DALL-E, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
Image originally generated with DALL-E, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
Image originally generated with DALL-E, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
Image originally generated with DALL-E, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
Image originally generated with DALL-E, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
This image was created with DALL·E based on my original photograph, then upscaled in Leonardo AI and further enhanced in Topaz Gigapixel AI.
This image was created with DALL·E based on my original photograph then upscaled in Leonardo AI and further enhanced in Topaz Gigapixel AI.
Image originally generated with DALL-E, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
Image originally generated with DALL-E, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
Image originally generated with DALL-E based on my original photograph, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
This image was created with DALL·E based on my original photograph, then upscaled in Leonardo AI and further enhanced in Topaz Gigapixel AI.
Image originally generated with DALL-E, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
Image originally generated with DALL-E, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
Image originally generated with DALL-E, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
Image originally generated with DALL-E, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
This image was created with DALL·E based on my original photograph, then upscaled in Leonardo AI and further enhanced in Topaz Gigapixel AI.
This image was created with DALL·E based on my original photograph, then upscaled in Leonardo AI and further enhanced in Topaz Gigapixel AI.
Image originally generated with DALL-E based on my original photograph, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
Image originally generated with DALL-E, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
Image originally generated with DALL-E, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.
Image originally generated with DALL-E, then enhanced through upscaling in Leonardo AI and finally refined with Topaz Gigapixel AI.