View allAll Photos Tagged cursive
AS ONE
Music and Concept by Laura Kaminsky
Libretto by Mark Campbell and Kimberly Reed
Presented by Chautauqua Opera, in association with American Opera Projects
Aug 7, 2018 at Norton Performance Hall, Chautauqua, NY
Starring Sasha Cooke and Kelly Markgraf
Directed by Matt Gray
Conducted by Steven Osgood
String Quartet: Fry Street Quartet
Production Designer: Ron Kadri
Lighting Designer: Michael Baumgarten
Costume Designer: Barney Fitzgerald
Video Designer: Kimberly Reed
Photo by Dave Munch for Chautauqua Institution. Copyright Chautauqua Opera.
All of Cursive's vinyl releases.
7":
Cursive - The Disruption in the Normal Swing of Things (clear orange vinyl, first press, white sleeve, 1 of 300, Lumberjack Records, 1996)
Cursive - The Disruption in the Normal Swing of Things (clear orange vinyl, first press, yellow sleeve, 1 of 300, Lumberjack Records, 1996)
Cursive - The Disruption in the Normal Swing of Things (second press, Conor Oberst of Bright Eyes wearing mask on cover, Saddle Creek Records / ITU Records, 1996, a gift from Cursive)
Cursive - Sucker & Dry (factory sealed, die cut sleeve, Zero Hour Records, 1997)
Cursive - The Ice Breaker (Saddle Creek Records, 1997)
Cursive / Small Brown Bike - split 7" (solid green vinyl, hand numbered 140 of 2000, Makato Recordings Themed 7" Series, 2001)
Cursive / Small Brown Bike - split 7" (solid green vinyl, 1 of 2000, Makato Recordings Themed 7" Series, 2001)
Cursive - The Recluse (Import, Saddle Creek Records, 2004)
Cursive - Art is Hard (Import, Saddle Creek Records, 2004)
Cursive - Dorothy at Forty (Saddle Creek Records, 2006)
10":
Cursive / Silver Scooter - split 10" (gatefold sleeve, crank! Records, 1999)
Cursive - Art is Hard / The Recluse Singles (picture disc, 1 of 2750, Saddle Creek Records, 2004)
Cursive / Ladyfinger - Record Store Day split 10" (picture disc, 1 of 1500, Saddle Creek Records, 2009)
Cursive - I Am Gemini (exclusive bundle picture disc, 1 / 500, Saddle Creek Records, 2012)
12":
Cursive - Such Blinding Stars for Starving Eyes (factory sealed, crank! Records, 1997, a gift from Cursive)
Cursive - The Storms of Early Summer: Semantics of Song (220 gram solid white vinyl, 1 of 200, German import, SNC Empire / Saddle Creek Records, 1998)
Cursive - The Storms of Early Summer: Semantics of Song (220 gram black vinyl, German import, SNC Empire / Saddle Creek Records, 1998)
Cursive - Cursive's Domestica (first press, Saddle Creek Records, 2000)
Cursive - Cursive's Domestica (second press, clear red vinyl, Saddle Creek Records, 2000)
Cursive - Cursive's Domestica (third press, remastered, 180 gram clear red vinyl, Saddle Creek Records, 2000 / 2010)
Cursive - Burst and Bloom (factory sealed, Saddle Creek Records, 2001)
Cursive - Ugly Organ (first press, black vinyl, Saddle Creek Records, 2003)
Cursive - Ugly Organ (second press, factory sealed, 180 gram clear green vinyl, Saddle Creek Records, 2003)
Cursive - Ugly Organ (third press, factory sealed, 180 gram vinyl, Saddle Creek Records, 2003)
Cursive - The Difference Between Houses and Homes (factory sealed, 180 gram vinyl, Saddle Creek Records, 2005)
Cursive - Happy Hollow (factory sealed, 180 gram vinyl, Saddle Creek Records, 2006)
Cursive - Bad Sects Remixes (Saddle Creek Records, 2007)
Cursive - Mama, I'm Swollen (180 gram clear red w/ black swirl vinyl, gatefold sleeve with 15 page booklet, Saddle Creek Records, 2009)
Cursive - I Am Gemini (Saddle Creek Records, 2012)
Cursive - I Am Gemini (colored vinyl, 1/ 500, Saddle Creek Records, 2012)
Cursive - I Am Gemini (UK import picture disc, 112 / 500, Big Scary Monsters, 2012)
@ Belltower, Feb 16, 2012
I've been really inspired by Mike Joyce's work with Swiss Design band posters lately, so I am attempting to incorporate more Swiss techniques in my band posters.
Two leaves. 290 by ca. 175mm, and 280 by 200mm. Double column, up to 52 lines, ruled in leadpoint, written space 268 by 177mm; the lemmata in a rounded gothic bookhand and the commentary in a cursive bookhand.
Text: Commentary on Aristotle’s De Caelo iii.7–iv.1.
Decoration: (leaf 23a), one 2-line initial in red.
Provenance: Recovered from a binding. Source and date of acquisition unrecorded.
Reference: Manion, Vines, de Hamel no. 86.
Shelfmark: RMM Fragment 23a.
Description reproduced from Medieval and Renaissance Manuscripts in New Zealand Collections (London, 1989) by permission of the authors (Christopher de Hamel, Margaret Manion, and the family of Vera F. Vines).
I got a letter from 12 year calligraphy phenom Janie Lin. The envelope was done in Spencerian script, and the enclosed letter in perfect cursive. What does not quite come across in this photo is the shiny silver ink she used here!
Cursive at the Glass House in Pomona on February 21st, 2015.
Review: www.examiner.com/review/cursive-pumps-blood-into-the-ugly...
Well, I wouldn't give my rusty, old pickup truck
I wouldn't quit drinking beer, wouldn't stop dipping snuff
Wouldn't give up my ratty, old boots and jeans
Wouldn't stop reading Playboy magazine
Wouldn't give up my dog, not my old shotgun
Not my fishing pole, hell, that's my favorite one
Not my new bass boat, not my baseball glove
That's what I wouldn't give for your love
-Kevin Fowler-
This song always make me happy. :P
Not a terribly inspired day ... but I knew that the grapevines in the backyard would hold a few letters of the alphabet. Here's a "P" ... my second choice, a "W" is in the comments.
ODC: Shaped like a Letter
03-15-2011
Available at HypeForType: www.hypefortype.com/siren-script.html
Siren Script takes its cue from BB&S's Stationers Semiscript (metal, 1899) and its countless imitations/inspirations from throughout the 20th century, particularly a variety of uncredited film faces from the 1960s. What makes this kind of script stand out in the genre is its mixing of flourished majuscules with mostly subdued, traditional minuscules. The result is a balance between formal and informal lettering, as if the letterer is applying his or her learned art without going into full-throttle calligraphy. The message is clearly and gracefully delivered, and the artistic endeavor is fully appreciated without causing coronaries. The Siren Script family comes in four full fonts, and a fifth one that contains alternates, ending letters, and some ligatures. Siren Script Pro combines all five fonts into a single one of over 880 characters, which includes programming for push-button stylistic alternates, class-based kerning, and other glyph palette conveniences.