BYZANTIO
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Last week Dad and I were in Turkey, just as a military coup was attempted... Was a bit of a worry for a while... All I can say is that the people we met were nothing but brilliant with us, and the city of Istanbul a marvel to be seen by all if you can...
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Church of St. Sergius and Bacchus, Constantinople
present Küçük Ayasofya Mosque [Little Hagia Sophia] Istanbul
Küçük Ayasofya Camii
Kumkapı neighborhood, Fatih district, Istanbul
www.3dmekanlar.com/en/small-ayasofya-mosque-2.html
Eκκλησία τῶν Άγίων Σεργίου καί Βάκχου, Κωνσταντινούπολη
Μικρή Αγία Σοφία
Main structure completed in 536
Architects Isidorus of Miletus and Anthemius of Tralles
en.wikipedia.org/wiki/Little_Hagia_Sophia
www.byzantium1200.com/sergio.html
www.sacred-destinations.com/turkey/istanbul-church-of-sts...
The exhibition "Russian Constantinople" opened a few days ago at the State Museum of Oriental Art.
The initiator of the exhibition and the author of the idea is the famous fashion historian and collector Alexander Vasiliev.
The exposition is dedicated to the history of the White émigré.
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Sony 16-50
It's that time of the year :-))
The name "tulip" is thought to be derived from a Persian word for turban, which it may have been thought to resemble by those who discovered it. Tulips originally were found in a band stretching from Southern Europe to Central Asia, but since the seventeenth century have become widely naturalised and cultivated. In their natural state they are adapted to steppes and mountainous areas with temperate climates. Flowering in the spring, they become dormant in the summer once the flowers and leaves die back, emerging above ground as a shoot from the underground bulb in early spring.
Growing wild over much of the Near East and Central Asia, tulips were cultivated in Byzantine Constantinople as early as 1055. By the 15th century, tulips were among the most prized flowers; becoming the symbol of the later Ottomans. While tulips had probably been cultivated in Persia from the tenth century, they did not come to the attention of Northern Europeans until the sixteenth century, when Northern European diplomats to the Ottoman court observed and reported on them. They were rapidly introduced into Northern Europe and became a much-sought-after commodity during tulip mania. Tulips were frequently depicted in Dutch Golden Age paintings, and have become associated with the Netherlands, the major producer for world markets, ever since. In the seventeenth century Netherlands, during the time of the tulip mania, an infection of tulip bulbs by the tulip breaking virus created variegated patterns in the tulip flowers that were much admired and valued. While truly broken tulips are not cultivated anymore, the closest available specimens today are part of the group known as the Rembrandts – so named because Rembrandt painted some of the most admired breaks of his time.
Source: Wikipedia
Tout vit et se pose avec grâce,
Le rayon sur le seuil ouvert,
L'ombre qui fuit sur l'eau qui passe,
Le ciel bleu sur le coteau vert !
Victor Hugo
Topkapi Palace, situated in Istanbul, Turkey, stands as a monumental testament to the opulence and grandeur of the Ottoman Empire at its zenith. Constructed in the 15th century under the order of Sultan Mehmed II, following the Ottoman conquest of Constantinople in 1453, the palace served as the administrative center and royal residence of the Ottoman Sultans for nearly four centuries, until the mid-19th century when the court was moved to Dolmabahçe Palace.
Covering approximately 700,000 square meters at the tip of the historic peninsula overlooking both the Bosphorus Strait and the Golden Horn, the palace complex is a stunning showcase of Islamic art, with its elaborate courtyards, exquisite tile work, and intricate architecture. The layout of the palace is a series of courtyards, each serving different purposes and increasing in privacy: the First Courtyard served as a service area; the Second Courtyard was the administrative heart of the empire; the Third Courtyard housed the Sultan’s private residence and the treasury, including the Imperial Council (Divan); and the Fourth Courtyard was a series of gardens and pavilions used for private relaxation.
One of the most remarkable aspects of Topkapi Palace is its Imperial Harem, a secluded section that housed the Sultan’s wives, concubines, and children, along with a large staff of eunuchs who managed the day-to-day affairs. The Harem is particularly noted for its architectural significance and intricate interior decorations.
The palace also holds an extensive collection of artifacts that reflect the splendor of the Ottoman era, including imperial treasures, religious relics, and a significant collection of manuscripts and decorative arts. Among its most prized possessions are the Prophet Muhammad’s cloak and sword, which draw pilgrims and visitors from around the Islamic world.
Today, Topkapi Palace is a UNESCO World Heritage Site and operates as a museum, attracting millions of visitors each year eager to explore its rich history and cultural heritage. Its strategic location offers panoramic views of Istanbul and the waters that define it, making it not only a historical treasure but also a symbol of the city’s enduring legacy as a bridge between continents and cultures.
La cathédrale Santa Maria Nuova (« Sainte Marie la neuve ») de Monreale est le siège de l'archidiocèse de Monreale, en Sicile. Dédiée à la Vierge Marie, elle porte le titre de basilique papale mineure. Elle est célèbre pour son cloître et ses mosaïques byzantines
L'intérieur comprend trois nefs — se terminant au-delà du transept par une abside centrale et deux absides latérales — séparées par 18 colonnes à chapiteaux corinthiens qui soutiennent des arcades ogivales, la nef principale ayant une largeur double des nefs latérales.
Les murs et le sol de la cathédrale sont recouverts de marbre dans leur partie inférieure, dans le style byzantin, comme à Sainte-Sophie de Constantinople et Saint-Marc de Venise. Le reste est entièrement couvert de mosaïques byzantines sur fond d'or, exécutées jusqu’à la seconde moitié du XIIIe siècle par des artistes locaux et d'autres venus de Constantinople, de Venise, etc. Leur superficie totale est de 6 340 m2 (10 000 m2 selon les derniers mesurages effectués) , soit la plus vaste surface de mosaïque du bassin méditerranéen.
The Santa Maria Nuova Cathedral ("Santa Maria the New") of Monreale is the seat of the Archdiocese of Monreale, Sicily. Dedicated to the Virgin Mary, it bears the title of papal basilica minor. It is famous for its Byzantine cloister and mosaics
The interior has three naves - ending beyond the transept by a central apse and two lateral apses - separated by 18 columns with Corinthian capitals supporting ogival arches, the main nave having a double width of the lateral naves.
The walls and floor of the cathedral are covered with marble in their lower part, in the Byzantine style, as in St. Sophia of Constantinople and St. Mark of Venice. The rest is entirely covered with Byzantine mosaics on a gold background, executed until the second half of the 13th century by local artists and others from Constantinople, Venice, etc. Their total area is 6,340 m2 (10,000 m2 according to the latest measurements), the largest mosaic area in the Mediterranean basin.
The famous Ottoman palace, shot on a wet and blustery day, from the Galata Tower (Galata Kulesi), in Istanbul, Turkey.
Taken with my Nikon D40, fitted with a Tamron 70-300mm F4/5.6 DI LD (Nikon AFS) lens and processed in GIMP and Photoscape.
Hagia Sophia is a mosque and former church serving as a major cultural and historical site in Istanbul, Turkey. The last of three church buildings to be successively erected on the site by the Eastern Roman Empire, it was completed in 537 CE. The site was a Greek Orthodox church from 360 CE to 1453, except for a brief time as a Latin Catholic church between the Fourth Crusade and 1261. After the fall of Constantinople in 1453, it served as a mosque until 1935, when it became a museum. In 2020, the site once again became a mosque.
The current structure was built by the Byzantine emperor Justinian I as the Christian cathedral of Constantinople for the Byzantine Empire between 532 and 537, and was designed by the Greek geometers Isidore of Miletus and Anthemius of Tralles. It was formally called the Church of God's Holy Wisdom and upon completion became the world's largest interior space and among the first to employ a fully pendentive dome. It is considered the epitome of Byzantine architecture[8] and is said to have "changed the history of architecture". The present Justinianic building was the third church of the same name to occupy the site, as the prior one had been destroyed in the Nika riots. As the episcopal see of the ecumenical patriarch of Constantinople, it remained the world's largest cathedral for nearly a thousand years, until the Seville Cathedral was completed in 1520. Beginning with subsequent Byzantine architecture, Hagia Sophia became the paradigmatic Orthodox church form, and its architectural style was emulated by Ottoman mosques a thousand years later. It has been described as "holding a unique position in the Christian world" and as an architectural and cultural icon of Byzantine and Eastern Orthodox civilization.
The religious and spiritual centre of the Eastern Orthodox Church for nearly one thousand years, the church was dedicated to the Holy Wisdom. It was where the excommunication of Patriarch Michael I Cerularius was officially delivered by Humbert of Silva Candida, the envoy of Pope Leo IX in 1054, an act considered the start of the East–West Schism. In 1204, it was converted during the Fourth Crusade into a Catholic cathedral under the Latin Empire, before being returned to the Eastern Orthodox Church upon the restoration of the Byzantine Empire in 1261. Enrico Dandolo, the doge of Venice who led the Fourth Crusade and the 1204 Sack of Constantinople, was buried in the church.
After the fall of Constantinople to the Ottoman Empire in 1453, it was converted to a mosque by Mehmed the Conqueror and became the principal mosque of Istanbul until the 1616 construction of the Sultan Ahmed Mosque. Upon its conversion, the bells, altar, iconostasis, ambo, and baptistery were removed, while iconography, such as the mosaic depictions of Jesus, Mary, Christian saints and angels were removed or plastered over. Islamic architectural additions included four minarets, a minbar and a mihrab. The Byzantine architecture of the Hagia Sophia served as inspiration for many other religious buildings including the Hagia Sophia in Thessaloniki, Panagia Ekatontapiliani, the Şehzade Mosque, the Süleymaniye Mosque, the Rüstem Pasha Mosque and the Kılıç Ali Pasha Complex. The patriarchate moved to the Church of the Holy Apostles, which became the city's cathedral.
The complex remained a mosque until 1931, when it was closed to the public for four years. It was re-opened in 1935 as a museum under the secular Republic of Turkey, and the building was Turkey's most visited tourist attraction as of 2019.
In July 2020, the Council of State annulled the 1934 decision to establish the museum, and the Hagia Sophia was reclassified as a mosque. The 1934 decree was ruled to be unlawful under both Ottoman and Turkish law as Hagia Sophia's waqf, endowed by Sultan Mehmed, had designated the site a mosque; proponents of the decision argued the Hagia Sophia was the personal property of the sultan. The decision to designate Hagia Sophia as a mosque was highly controversial. It resulted in divided opinions and drew condemnation from the Turkish opposition, UNESCO, the World Council of Churches and the International Association of Byzantine Studies, as well as numerous international leaders, while several Muslim leaders in Turkey and other countries welcomed its conversion into a mosque.