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Helium Comedy Club favorite Todd Armstrong hosts Permanent Comedy. A web-series that follows Todd as he interviews Comedians, Artists and Friends about comedy, life and making permanent choices in both.
This show will be a LIVE RECORDING, so be ready to laugh!
Also featuring a LIVE TATTOOING...
www.todayinportland.com/2015/04/permanent-comedy-live-at-...
Birds, Bees and Biodata
A comedy by South Asian Theater Company and NetIP St. Louis.
St. Louis, MO
© 2008 Chaitan Bandela. All Rights Reserved.
#R2.3921
comedy genre, cinematic, random scene, dramatic image, Hyper-realistic photograph taken with Canon EOS R5, photorealistic, real photo, moody photography, intricate details, sharp 8k, professional lighting, ultraHD, dynamic lighting, HDR
An interactive comedy show about joy, dancing and positive mental health, which poke gentle fun at therapy and celebrates fun. Part of St Leonard Festival and the Empathy Museum, this show has happened on the street, in a vintage clothes shop and at Latitude Festival. The Aunties provide advice, make overs, self care and empowerment tools, love and rocking' out to all their guests. Brought to you by real life Aunties and positive mental health advocates Bernadette Russell and Jules Craig
Birds, Bees and Biodata
A comedy by South Asian Theater Company and NetIP St. Louis.
St. Louis, MO
© 2008 Chaitan Bandela. All Rights Reserved.
#R2.3915
Birds, Bees and Biodata
A comedy by South Asian Theater Company and NetIP St. Louis.
St. Louis, MO
© 2008 Chaitan Bandela. All Rights Reserved.
#R2.3772
Birds, Bees and Biodata
A comedy by South Asian Theater Company and NetIP St. Louis.
St. Louis, MO
© 2008 Chaitan Bandela. All Rights Reserved.
#R2.3684
Birds, Bees and Biodata
A comedy by South Asian Theater Company and NetIP St. Louis.
St. Louis, MO
© 2008 Chaitan Bandela. All Rights Reserved.
#R2.3904
Birds, Bees and Biodata
A comedy by South Asian Theater Company and NetIP St. Louis.
St. Louis, MO
© 2008 Chaitan Bandela. All Rights Reserved.
#R2.3794
Divine Comedy 2010
The Odyssey
Director: Krzysztof Garbaczewski
The title is misleading. It is neither The Odyssey, nor a production “based on” Homer. Garbaczewski does not try to explain what a Homeric tale means today. He is not interested in The Odyssey, be it a journey, be it a reconstruction of the ancient world. The director uses it to seek the formula of non-linear theatre, liberated from the necessity to tell stories. In return, he proposes a collage of loosely combined dramatic scenes, elements of a university lecture, and visual and emotional installations. Amid all this, The Odyssey emerges as a multi-layer infinite palimpsest, where a gloss to the poem is a part of the poem, and the message of the entire work is vested in a footnote. Under such circumstances, the actor is to be the arranger of the associations, the director the one who seeks the technology of association. Garbaczewski demonstrates the inability to silence the cacophony of the myth and its pop-culture reinterpretations with successive layers of meanings that lead nowhere, and enter into amazing interactions. The production from Opole speaks about us being lost today within the library of texts, images, and sounds.
Photography: Tomasz Wiech