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Comedian Danny Peterson reviews his MyStudio videos. He was a contestant in the recently-concluded MyStudio-Gotham Comedy Challenge. To view Danny's video or profile, or to leave a comment or send him a message, please go to mystudio.net/myProfile.aspx?ProfileUrl=DannyPeterson.
Terry Fator and his puppets entertained the crowd at Fantasy Springs Resort Casino with their comedy and singing routine.
Bonnaroo Comedy Theatre at the Bonnaroo Music Festival 2011 - © 2011 David Oppenheimer - Performance Impressions Concert Photography
MMA Comedy Show - MMA Roast Videos. Dedicated to mixed martial arts living legends, MMA Comedy Show - MMA Roasted is the first Mixed Martial Arts Comedy Show Series. Created to raise money for worthy causes. Proceeds of these events are dedicated to directly impacting the lives of fighters and gym owners while supporting the growth and standards of the sport. MMA Roasted 2009 Comedian: The Greg Wilson. For More info visit www.mmaroast.com/ or www.convictedartist.com
Terry Fator and his puppets entertained the crowd at Fantasy Springs Resort Casino with their comedy and singing routine.
We got back row seats to watch Danny Bhoy perform at the 2009 Melbourne International Comedy Festival.
The Kush Dance Group performs during the “Comedy for Peace" event, supported by the United Nations Mission in South Sudan (UNMISS), at the Nyakuron Cultural Centre on Sunday, 23 April in Juba. The event featured the best of South Sudanese comedians and musical acts, including Emmanuel Kembe, Woklii, Feel Free, Lotole Captain Eddy, Kon Kuol Kon and more.
Friday 27th May 2011 - Maureen Younger
Friday 24th June 2011 - Joe Bor
Friday 22nd July 2011 - Marlon Davis
Friday 26th August 2011 - Rudi Lickwood
Divine Comedy 2010
Tango
Director: Jerzy Jarocki
After the Polish premiere of Tango in 1964, the play was predicted “to be played eternally” in the Polish theatre: played regularly like the bugle call from St Mary’s Tower in Kraków. One of those who assisted in the delivery of the fantastic drama, Jerzy Jarocki, returns to it 55 years later. He supplements the Mrożkian tale of “the family that turns into the society” with a history of the ideological breakdowns of the 20th century and also a discreet settling of accounts with the theatre of the bygone century. In Jarocki, one of the protagonists – Stomil – changes from an eccentric avant-garde artist into a conceptualist director who walked hand-in-hand with Kantor, Swinarski, Grotowski, Szajna, Grzegorzewski, and finally with Jarocki himself.
Artur – the young, conservative rebel – assumes the repulsive form of a member of the phalanx of politicians, pragmatist-technocrats, who believe they have acquired knowledge of the mechanisms of controlling “the uneducated rabble”. It is only chance that decides which of the rightist parties they are going to choose. Jarocki knows only too well that the wisdom of the well-read Tango comes to the floor whenever there is something important in the reality that needs naming. Therefore, the director speaks straight about what violence and power are today, and why ideologists lose. In the final scene, as always in this drama, two males – Eugeniusz and Edek – dance La Cumparsita. It is usually in this scene that the answer to the question what Tango means today is vested. After all, it is one of the most powerful image-metaphors in the history of Polish theatre. It usually has a conservative dancing with a despot, while in Jarocki, two opportunist forces meet, with either dancer pondering how to exploit the other. The cynical mentor has possibly found an ideal disciple, a subcontractor to ano-ther conservative revolution. Jarocki puts forth a hypothesis that of this alliance something will again be born in Poland.
Photography: Grzegorz Ziemiański
The Meltdown Show with Jonah Ray and Kumail Nanjiani Wednesdays at 8:30pm at the Nerdist theater at Meltdown Comics.
10.24.12
© Atrossity Photography
Assignment 3 for DPI2 - create an image based off of the word "Comedy" & use at least 2 images of myself. Here is bloated me stuffing thin me with various foods
Gregory Papovich working with one of his cats during the Christmas Day performance of his Comedy Pet Theatre in Branson, Missouri.
Divine Comedy 2010
Tango
Director: Jerzy Jarocki
After the Polish premiere of Tango in 1964, the play was predicted “to be played eternally” in the Polish theatre: played regularly like the bugle call from St Mary’s Tower in Kraków. One of those who assisted in the delivery of the fantastic drama, Jerzy Jarocki, returns to it 55 years later. He supplements the Mrożkian tale of “the family that turns into the society” with a history of the ideological breakdowns of the 20th century and also a discreet settling of accounts with the theatre of the bygone century. In Jarocki, one of the protagonists – Stomil – changes from an eccentric avant-garde artist into a conceptualist director who walked hand-in-hand with Kantor, Swinarski, Grotowski, Szajna, Grzegorzewski, and finally with Jarocki himself.
Artur – the young, conservative rebel – assumes the repulsive form of a member of the phalanx of politicians, pragmatist-technocrats, who believe they have acquired knowledge of the mechanisms of controlling “the uneducated rabble”. It is only chance that decides which of the rightist parties they are going to choose. Jarocki knows only too well that the wisdom of the well-read Tango comes to the floor whenever there is something important in the reality that needs naming. Therefore, the director speaks straight about what violence and power are today, and why ideologists lose. In the final scene, as always in this drama, two males – Eugeniusz and Edek – dance La Cumparsita. It is usually in this scene that the answer to the question what Tango means today is vested. After all, it is one of the most powerful image-metaphors in the history of Polish theatre. It usually has a conservative dancing with a despot, while in Jarocki, two opportunist forces meet, with either dancer pondering how to exploit the other. The cynical mentor has possibly found an ideal disciple, a subcontractor to ano-ther conservative revolution. Jarocki puts forth a hypothesis that of this alliance something will again be born in Poland.
Photography: Grzegorz Ziemiański
It's not a comedy urban myth - banana skin spotted on pavement ouside Internet World at Earl's Court.
Third Thursday: LOL MIA
We got silly with local comedians from the Theater of Public Policy.
We took part in live museum label Mad Libs.
We created our own museum comics.
We embarked on a spontaneous “tour” guided by unexpected characters.
We took in the sweet jams of Hot Freaks and Apollo Cobra.
We hung around for in-gallery comedic performances and elevator improv games.
We recorded reactions to goofy prompts in the Funny Face photobooth.
Official Beer: Summit
Music Partner: Local Current from 89.3 The Current
Event partner: Theater of Public Policy