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KPL Code Camp: Teens work together to solve problems while learning basic computer programming skills, www.kpl.gov
Amazon.cn is in its campus recruiting phase. We had some of the students visit us yesterday and we gave them a couple of books as gifts. I was pleased to see one was the Chinese translation of Coders at Work by Peter Seibel. I worked with Peter at WebLogic way back in the day, small world all over.
03.11.2012
Code Geass Cosplay Photoshoot with xShadow-Lightx
Location: Cal Poly Pomona, Pomona, California
Photographer: Kimihiro-kun
Characters:
- xShadow-Lightx as Suzaku Kururugi
zkm.de/en/event/2022/01/on-the-fly-live-coding-hacklab
The Hacklab will connect live coding with areas ranging from machine learning to spatial sound to programming visuals. There will also be a special on the format of Algorave. Each of these areas will be supervised by international mentors: Alexandra Cárdenas, Anna Xambó Sedó, Antonio Roberts, Iván Paz, Lina Bautista and Marije Baalman.
On the occasion of and during the two-day Hacklab, live coding masterclasses (with Shelly Knotts, Olivia Jack and Kıvanç Tatar) and workshops for beginners (children, teenagers and adults) will be offered. The results of the workshops will be presented in evening presentations and »from scratch sessions«.
The event will kick off on Friday, January 28 with several live coding performances that offer a wide range of different aesthetics and approaches to the audiovisual performance art. We are very pleased to present CodeKlavier, Luka Prinčič and Blaz Pavlica as well as our Artists in Residence Malitzin Cortés & Iván Abreu, Gaia Leandra and Kıvanç Tatar via livestream.
The Hacklab and the live coding performances are part of the project »on-the-fly« and co-funded by the European Union's »Creative Europe« program. With »on-the-fly«, ZKM, Hangar Barcelona, Creative Coding Utrecht and Ljudmila Art + Science Laboratory have made it their goal to foster the European live coding scene.
L'aéroport international de Barcelone, (code AITA : BCN • code OACI : LEBL) est situé à 10 km de la capitale catalane, dans la ville d'El Prat de Llobregat, rattachée au comarque du Baix Llobregat, lui-même partie intégrante de la province de Barcelone, en Espagne.
Avec 30 208 134 passagers en 2008, il se classe deuxième sur le territoire espagnol (le premier étant celui de Madrid-Barajas), huitième en Europe et trente-cinquième mondial.
Pour la première fois depuis 1993, l'aéroport a perdu des passagers, sous l'action conjuguée de la mise en service de la ligne ferroviaire à grande vitesse Barcelone-Madrid et de la crise économique.
Barcelona–El Prat Airport (IATA: BCN, ICAO: LEBL) (Catalan: Aeroport de Barcelona – el Prat, Spanish: Aeropuerto de Barcelona-El Prat), simply known as Barcelona Airport, is located 12 km (7.5 mi) southwest of the centre of Barcelona, Catalonia, Spain, lying in the municipalities of El Prat de Llobregat, Viladecans, and Sant Boi.
The airport is the second largest in Spain behind Madrid Barajas Airport and 31st busiest in the world, and is the main airport of Catalonia. It is a main base for Vueling, a hub for Iberia Regional and low-cost giant Ryanair as well as a focus city for Air Europa. The airport mainly serves domestic, European and North African destinations, also having flights to Southeast Asia (Singapore), Latin America (Argentina, Brazil and Colombia) and North America (United States and Canada). The Airport was a hub for Spanair before it suspended services on January 27, 2012.
The Barcelona–Madrid air shuttle service, known as the "Puente Aéreo" (in Spanish), or "Pont Aeri" (in Catalan) literally "Air Bridge", was the world's busiest route until 2008, with the highest number of flight operations (971 per week) in 2007. The schedule has been reduced since February 2008, when a Madrid–Barcelona high-speed rail line was opened, covering the distance in 2 hours 30 minutes, and quickly became popular.
In 2011, nearly 34.4 million passengers used Barcelona Airport, a 17.8% increase compared with 2010. In 2012, Barcelona Airport handled 35.1 million passengers, making it the only of the major airports of Spain to report an increase. In 2013 Barcelona Airport handled 35,210,735 passengers. Currently, Barcelona-El Prat is the 10th busiest airport in Europe just behind London Gatwick Airport and right in front of Moscow Domodedovo Airport.
From February 2014, Barcelona-El Prat was the first Spanish airport to receive a daily Airbus A380 operated by Emirates on its routes to Dubai International Airport, an important milestone in its history.
Codes, everything in our lives is marked by codes - barcodes, colour codes, cipher codes. That is why every one of us is ontouchable, we are all lifted from anonymity. And still there is too little transparency in society: terrorism, dodging taxes, etcetera.
Greti Raffeiner, Codes, 2010
Working on a small script in Ruby. Scans my comp for music to make a HTML music catalog. The above do iterator would recursively traverses the file system and check for mp3 files. Use Mp3Info to extract title, artist and album info. Now I need to generate google charts, extract info from AWS + wikipedia + freebase + MusicBrainz. I think the end output will look decent.
Code Impressions: Workshop Processing/Sérigraphie. École supérieure d'art d'Aix-en-Provence. Atelier Hypermédia + Atelier Sérigraphie. 13-17 février 2012. Julien Gachadoat & Marc Webster with Douglas Edric Stanley, Fabien Bodet, Mathilde Dufour, Adeline Harmide, Gabriel Gutierrez, Marie Liebes, Maude Vien, Jacques Hémery.
The Paradise Institute installed at Emily Carr Concourse Gallery. Docents light, headphones and chair.
The Paradise Institute
Janet Cardiff and / et Georges Bures Miller
Organized by the National Gallery of Canada
organisée par le Musée des beaux arts du Canada
In a small replica of a full-sized movie theatre balcony with 16 red velvet-covered seats, viewers put on headphones to watch and listen to a film projected in a miniature movie theatre in front of them. Surprisingly they hear other more intimate sounds and stories. A real and a fictional layer of sound are intertwined, creating a strange sensation of reality for the viewer.
Movies are, of course, The Paradise Institute referred to in the title. Looking over the full-sized balcony into a hallucinatory space of a miniature movie theatre below, a visitor’s senses are further misled by putting on headphones that create surrounding sounds which are equally deceptive between the film being shown and noises being heard. The projected movie is about a man who is a prisoner in a hospital with its own soundtrack faithful to the images. Simultaneously, another soundtrack, more intimate, is confidentially whispered or heard nearby with a surprising fidelity in the viewer’s ears. This other soundtrack seems to directly emerge from other members of the audience present with coughs, secrets, cellphones and other sounds of ordinary life interrupting the flow of the movie’s audio effects. The impression is disturbing as the realities created by the sounds close by are more real than the fiction of the movie, although both are illusions, with their narratives culminating in an eerie conclusion. How the brain tricks itself into believing through image and sound is one of the inescapable implications of the experience of The Paradise Institute.
Dans cette réplique à petite échelle d’un balcon de salle de cinéma, les participants sont invités à s’asseoir dans l’un des seize sièges recouverts de velours rouge et à mettre des écouteurs pour assister à la représentation d’un film projeté sur l’écran miniature devant eux. À leur grande surprise, ils entendront également des sons et des récits intimes. Ces couches de son réelles et fictives sont inextricablement liées et donnent au spectateur une impression étrange de réalité.
Les films sont l’essence même de l’installation The Paradise Institute. En regardant du haut d’un balcon le spectacle hallucinant qui se déroule sur l’écran de cinéma miniature au bas, le spectateur est davantage induit en erreur lorsqu’il met des écouteurs pour entendre des sons qui ne correspondent pas aux images et aux bruits du film projeté. Le film, qui raconte l’histoire d’un homme emprisonné dans un hôpital, possède sa propre piste sonore, adaptée aux images. Simultanément, une autre piste sonore, plus intime, presque un chuchotement, s’impose avec une étonnante fidélité dans les oreilles du spectateur. Cette nouvelle piste sonore semble provenir des autres spectateurs présents qui toussent, livrent des récits intimes, parlent au cellulaire et produisent d’autres bruits réels qui interrompent les effets audio du film. L’impression est troublante car la réalité créée par les sons environnants est beaucoup plus réelle que la fiction du film, même si les deux ne sont qu’illusions, et que les narrations se terminent par une conclusion sinistre. Il est certain que le spectateur s’engagera dans une réflexion sur la façon dont le cerveau se conditionne à croire ce qu’il voit et entend après avoir vécu cette expérience.
Janet Cardiff and / et Georges Bures Miller
CANADA
Janet Cardiff and Georges Bures Miller make audio-based installations and walking pieces that use the narrative and technical language of film noir to create lush, suspenseful sound and video works. The duo represented Canada at the Venice Biennial in 2001. Their work has been shown at the PS1 Contemporary
Art Center of the Museum of Modern Art (New York), The Musée d’Art Contemporain (Montreal), and the Whitechapel Art Gallery (London), amongst others.
Janet Cardiff et Georges Bures Miller conçoivent des installations audio et des marches sonores qui font appel au langage narratif et technique du film noir pour créer des œuvres audio et vidéo riches et pleines de suspense. Ces deux artistes ont représenté le Canada à la Biennale de Venise en 2001. Leurs œuvres ont fait l’objet d’expositions au PS1 Contemporary Art Center du Museum of Modern Art (New York), au Musée d’art contemporain (Montréal)
et à la Whitechapel Art Gallery (Londres),
pour ne citer que ceux-là.
Photo Credits
Mention de sources :
Janet Cardiff and / et George Bures Miller
The Paradise Institute 2001
National Gallery of Canada, Ottawa
Anonymous gift, 2002 / Musée des
beaux-arts du Canada, Ottawa,
cadeau anonyme, 2002
Google's logo is a bar code today (to celebrate the invention of the bar code). I scanned it with my phone to see what it meant (blogged here).
The Girls Can Code! coding camp focused on teaching vulnerable girls from the Nabukuyu area and from Choma about coding, circuitry, electronics, and robotics, with a broader aim of increasing their self-esteem and leadership abilities and expanding their sense of what is possible for their futures. April 2019.
Two TPD Cars meet up in a parking lot in front of my apartment, moments later a priority one call is dispatched and they both leave code 3 "Lights and Sirens"
I was only able to get a good shot of the white car.
KPL Code Camp: Teens work together to solve problems while learning basic computer programming skills, www.kpl.gov
CODE TALKERS-12- 10/9/99 - GALLUP, NEW MEXICO: Pfc. Preston Toledo (left) and Pfc Frank Toledo (right), cousins attached to a Marine Artillery Regiment in the South Pacific, relay orders using the Navajo code over a field radio in July 1943. PHOTOGRAPH COURTESY OF THE NAVAJO CODE TALKERS ASSOCIATION
The Girls Can Code! coding camp focused on teaching vulnerable girls from the Nabukuyu area and from Choma about coding, circuitry, electronics, and robotics, with a broader aim of increasing their self-esteem and leadership abilities and expanding their sense of what is possible for their futures. April 2019.
Spotted outside of Momofuku Noodle Bar.
It leads to projecttraction.com/mobile/. I'm not sure if I should be surprised or not that it is an advertising agency...I've only ever seen mystery QR codes turn up in such a way.
The mystique it generated stuck in my mind, and forced me to think about it until I "solved" this mystery. I suppose that makes it good advertising.