View allAll Photos Tagged clothier
A clothier brilliantly paints the exterior of their building, including a staircase, to draw attention to their business. A well-positioned bike adds interest. Burlington, VT
At the former department store, Strawbridge & Clothier, unfortunate signs of the times at Century 21 at 8th & Market Streets in Philadelphia
Il s'agit d'étroites voies piétonnes (sauf l'impasse Hubart) et pavées dont l'accès se fait par le franchissement d'un passage voûté (en wallon : un arvô) situé en façade d'un immeuble, exception faite pour l'impasse des Ursulines. Six de ces huit impasses se détachent de la rue Hors-Château. Les deux autres en sont voisines de quelques mètres. Elles ont une orientation du sud vers le nord (sauf l'impasse des Drapiers et celle des Ursulines) s'arrêtant au pied des coteaux de la Citadelle et sont, en général, bordées d'anciennes petites maisons prolétariennes souvent bien restaurées mais aussi d'immeubles plus bourgeois.
Ces impasses sont un havre de paix et de quiétude à proximité immédiate du centre historique et animé de Liège. Elles attirent les résidents et les promeneurs en quête de quartiers tranquilles, pittoresques et verdoyants. Historiquement, ces impasses dont l'origine peut remonter au moins au XIIIe siècle pour certaines, étaient habitées par une population exerçant principalement différents métiers se rapportant au textile comme des tisserands et des drapiers. De nombreuses maisons dont plusieurs remontent au XVIIe siècle sont reprises à l'inventaire du patrimoine culturel immobilier de Wallonie.
These are narrow pedestrian paths (except the Impasse Hubart) and paved which are accessed by crossing an arched passage (in Walloon: an arvô) located at the front of a building, except for the impasse des Ursulines. Six of these eight dead ends stand out from the rue Hors-Château. The other two are close by a few meters. They have an orientation from south to north (except the impasse des Drapiers and that des Ursulines) stopping at the foot of the slopes of the Citadel and are, in general, bordered by old small proletarian houses often well restored but also of more bourgeois buildings.
These dead ends are a haven of peace and tranquility in the immediate vicinity of the historic and lively center of Liège. They attract residents and walkers looking for quiet, picturesque and leafy neighborhoods. Historically, these dead ends, some of which can be traced back to at least the 13th century, were inhabited by a population mainly exercising different trades related to textiles such as weavers and clothiers. Many houses, many of which date back to the 17th century, are included in the inventory of the real estate cultural heritage of Wallonia.
The entrance to Impasse de l'Ange is wider than that of its neighbor. The arvô measures about 2 m wide under a limestone lintel slightly curved forming part of a listed building - the house À l'Ange d'Or located at no 45 - where there is an angel sculpture dating from 1759 and giving its name to the dead end. 70 m long, it is straight and has a few trees including a fig tree before joining the plot described above, thus communicating with the impasse de la Couronne. Among the oldest buildings, those located at nos. 5 and 7 date from the 17th century and are included on the list of classified real estate heritage in Liège.
L'entrée de l'impasse de l'Ange est plus large que celle de sa voisine. L'arvô mesure environ 2 m de large sous un linteau en pierre calcaire légèrement courbé faisant partie d'un immeuble classé - la maison À l'Ange d'Or sise au no 45 - où apparaît une sculpture d'ange datant de 1759 et donnant son nom à l'impasse. Longue de 70 m, elle est rectiligne et possède quelques arbres dont un figuier avant de rejoindre la placette décrite ci-dessus communiquant ainsi avec l'impasse de la Couronne. Parmi les immeubles les plus anciens, ceux situés aux nos 5 et 7 datent du XVIIe siècle et sont repris sur la liste du patrimoine immobilier classé de Liège.
1313 Mockingbird Lane, Design 9 Men's Clothiers and Something New Props & Poses. All the details are in my blog: Nothing to Wear SL
Hat: Poison Rouge - The Boss
Head: Genus - Kitty Morph, Bow Lip Morph
Skin: Mudskin - Rumi 4K
Suit: L&C Clothiers - The Marlene
Shoes: L'Emporio&PL - Asahi Wingtip Shoes
Body: Maitreya - LaraX
Pose: DenDen Poses
Of the Streets
- - - - - - - - - - -
^^Swallow^^ Earrings Dropped D08 @Kustom9
ARCHIVEFACTION HURRICANE Trench Coat @Equal10
[The Biltmore] Check Waistcoat and Trousers by L & Co Clothiers
Unholy Malevolent Hands & Oxus Rings
This old school house has been restored to its former days in eastern Oklahoma City Cleveland County.
Just a simple shot of the Disney Clothiers store front on Main Street U.S.A. in the Magic Kingdom. I really liked the morning light bathing this store front. Please let me know what you think and as always, Enjoy!
Excerpt from www.milton.ca/en/business-and-development/resources/Appen...:
66 Charles Street is an outstanding example of a Gothic Revival wood frame house. It shares unique design characteristics with other quality houses, which were built in the Milton area around the same era and, together with these buildings, is representative of a distinct local style. The building has been well maintained and its architectural features have been carefully preserved.
Heritage Attributes
The house is constructed of wood framing clad with tongue and groove wood siding. Its shape is characteristic of the Gothic style with steep roofs, cross gables and gabled dormers, all proportioned to give a sense that each of the architectural elements are far taller than they are wide. All of the original windows are double hung wood sash with two lites over two in the usual Gothic manner.
The eaves are open with solid pine soffits sloped parallel to the rafters and the inter-section of soffit and wall is articulated with a crown moulding. The gable soffits are also solid pine and are similarly trimmed using crown moulding to make the transition from wall to soffit. The gable fascia boards likewise are blended into the roof shingles with a sizable crown moulding. The front gable and dormer are each crowned with star and garland scrollwork.
Window and door openings are embellished with elaborate wood trims, which give this building its distinctive character. The rectangular openings are topped with gabled head trims enhanced with stylized flower and garland scrollwork. Jamb trims are exuberant shapes with exaggerated scrollwork at top and bottom.
The Searle Building is an old industrial building in the St. Paul Quarter. It is now lofts with commercial space on the ground floor -Belmont Properties
179-189 St. Paul Street, Rochester, NY 189 St. Paul Street, Rochester, NY 189 St. Paul Street, Rochester, NY FINANCIAL SUMMARY FINANCIAL SUMMARY Constructed as a shipping warehouse for American Express in the early 1900s, the building once housed several companies relating to the clothing industry and more recently it has contained professional photographers and small businesses.
The St. Paul Quarter is a downtown neighborhood once known as "Clothier's Row." From about the 1890s to the mid-twentieth century it was the center of Rochester's huge industry of ready-made men's clothing. Companies with factories and headquarters in this area included the Adler Brothers & Co., Fashion Park, Inc., and Michaels-Stern & Co.
110
This ghost sign in East Liverpool is rapidly fading away. It was revealed when an adjacent building was razed several years ago. I am told it dates to around 1910.
This section reads "clothier, hatter, and furnisher".
Credits: due to 4 images in one, I'll just do a couple things from each setting otherwise this will be crazy long. Apologies to all creators who I don't name. Giving credits is important. SL would not be as wonderful without everything that everybody makes.
Photoshop: The pics are as is taken while wandering. Used Photoshop to drop the pics on a table top and make them into postcards.
Still unhappy that Firestorm has not updated to work with Snapzilla yet. Making these pics was download to disk, upload to snapzilla, copy paste in the slurl, type in the name of the place, type in the lighting. SL viewer works with Snapzilla so you send the pic and type in lighting in email body. The pic and location is automatically uploaded and my typed-in info appears in the description. Super easy. I'm giving up on Firestorm and doing my walkarounds in SL viewer until they update. Much easier to save places I might want to go back to for a photoshoot. Photoshoots are still Firestorm cuz I love, love their windlights.
Lighting: for kitties and rope
Windlight Sky: Tor Night Bright Blue Horizon
Windlight Water: NB Sparkling Depths
Kitties
Location:Spirit of Stregatti
maps.secondlife.com/secondlife/Transilvania/27/180/23
You'll have to walk from the landing point to this location.
Setting: Set designer: Ѽ MELA Ѽ (mela.serpente)
Kitten Booties :: Decor Sleepies by Jian
Real Beach Grass*Wild Medium Sword*4x4x2*Wild Thicket 3 by Kidd Creation (Zwagoth Klaar)
Waterfront Chair (wood) by what next (Winter Thorn)
Rope
Location: Envy's Island
maps.secondlife.com/secondlife/Transilvania/244/35/21
Landing point is a pretty little skybox. Use the transporter there to tp to the castle. From there you can walk or fly to this location.
Setting: Set designer: Kitten (lagertha4)
Rope, dock by Di'Cor
OFF SIM -Razorback-Water Reef-DVG-D2 by Dolly and Lilith's Garden Centre (Dolly Heart)
Lighting: for ship and me
Windlight Sky: Tor Sunrise Fine Scottish Day
Windlight Water: Sparkling Depths
Ship
Location: Watchman Josette Airport Harbor
maps.secondlife.com/secondlife/Watchman/207/183/26
Setting:
N+K Falcon Class Frigate by NK Shipyards (Niky Niki
(niky.niki))
Me
Location: Quron's home
maps.secondlife.com/secondlife/Watchman/211/213/31
landing point is at the front door. You'll have to go up to the 2nd floor balcony.
Setting:
Coin Operated Binoculars - Silver by Consignment (ValiantCo)
Me (truncated list):
Hair: Martha by EMO-tions (Mirja Mills)
Jones cowboy hat serpent pink by Legal Insanity (Lucious Lyon (datrip.blackbart))
Grey Rosey Skull Tank Top Maitreya by LMagnums Clothier (Mags (ladymagnum))
Stella High Waist Skinny Maitreya by Hilly Haalan Fashions (Hilly Haalan)
Philip Jamieson, Clothier & Outfitter - on the northwest corner of Yonge Street and Queen Street West, Toronto.
Construction: 1895
Architect: Francis Spence Baker (1867–1926)
Francis Spence Baker was considered one of the best Beaux Arts architects in eastern Canada.
Photo courtesy of the Toronto Public Library Digital Archive.
Jamie Bradburn's Tales of Toronto / July 2017 / Off the Grid (Ghost City): 2 Queen West
Toronto Public Library / Digital Archive / Philip Jamieson, Clothier & Outfitter
A conversation in the fragrance garden at Swarthmore.
This is one of the first shots taken with my Holga on 120/medium format film. (Scanned from proof print.)
"Clothier"
Rue de la Verrerie à Dijon (France - Bourgogne - Côte d'Or)
Website : www.fluidr.com/photos/pat21
"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved
I’d been staring at her for the last hour across the bar. The way she sipped that champagne in her hand, so delicate, like she was as fragile as the crystal it was in. Her red hair fell in waves around her face and framed it like a masterpiece. The net on her hat hid her eyes from full view but I could tell they were dark brown. Red hair and dark brown eyes, God help me. I turned my attention back to my drink and was once again lost in my own thoughts when I felt a touch on my shoulder. “Detective Derham?” It was her. Before I spoke she told me to follow her and I did so as if commanded by my army sergeant. Watching her walk ahead of me, the rest of her was every bit a work of art as her face. Her form under the silk of her dress moved itself like the soft threads, in unison and pulling together to move in ripples then to whitecaps crashing on the shore. She led me to a dimly lit room with walls covered in leopard print. In the middle was an overly large red velvet sofa. “Have a seat detective”, she motioned. She sat across from me in a large leather chair and reached for a silver case from a table beside her. “Cigarette?” I looked at the case of cigarettes and smiled at the thought of a home just for a pack of cigarettes and how extravagant it must be to be rich. “No. No. I’m good. Thank you.” An even fancier lighter proceeded in the parade of extravagance and watching her light up was a ballet of form and art. Even the smoke twirled as if in a performance. “I’ll cut right to the chase detective. My husband was murdered and the police wanna pin it on me. I need you to find out who really did it.” Just my luck. A beautiful dame lures me to a dimly lit room and she may or may not be a killer. “My husband and I, see, we weren’t together anymore. We just never made it official. But he had an eye for the dancers here. And these dancers, they got boyfriends, some in the mob. And he had enemies. Lots. I need your help detective Dereham. Will you help me?” She leaned forward in the chair and I could see the sheer lace of her petticoat as it cupped her breasts. I had to know her better and this was my only way in. I was sprung.
DRESS:
[The Rosemary] Half Mourning Dinner Gown (Legacy) Black by L & Co. Clothiers
GLOVES:
MIWAS / Mimi Gloves #FATPACK - Freya
HAT WITH VEIL:
ERSCH - Tasha Veil Hat with pearls
FUR COLLAR:
Hotdog&[ContraptioN] - Xing coat F . Fur leopard
*is part of a Hotdog coat. I only used the fur collar
NECKLACE:
Lazuri Heiress Pearls Necklace Full 1,2,3,4,5 (Size SMALL)
HAIR:
DOUX - Zoe Hairstyle [S]
GLASS AND CHAMPAGNE WITH POSE:
:::ChicChica::: Bottle Golden 1
:::ChicChica::: Glass Elegant Golden
EYESHADOW:
keikumu - countess eyeshadows (01)
SKIN:
MAZE - Frankie face + neckblend (+eyebrows)
MAZE body - Legacy - tone 03
LASHES:
BLAXIUM -Jean Lashes- Lelutka Evo& X [unpack me]
OTHER ANATOMY:
/ HEAD / lel EvoX BRIANNON 3.1
[BODY] Legacy (f) (1.4)
Strawbridge & Clothier Seal at Fashion District, Philadelphia, January 25, 2023
Strawbridge & Clothier began as a dry goods store founded by Quakers Justus Clayton Strawbridge (1838–1911) and Isaac Hallowell Clothier (1837–1921) in Philadelphia in 1868. Strawbridge & Clothier purchased the 3-story brick building on the northwest corner of Market and 8th Streets in Center City Philadelphia that had been Thomas Jefferson's office from 1790 to 1793 while he served as Secretary of State, and opened their first store. They soon replaced the old building with one of 5 stories, and then expanded into neighboring buildings as well.
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“Pleased to make your acquaintance, I’m sure,” she said, offering her gloved hand. Her name was Lola Belanger and up until three months ago the star attraction at Club Salt. A rumor surrounded her sudden fall from grace - she no longer found favor with the big boss man, Mr. Salt. Mrs. Salt was right when she said he loved the ladies. I was finding it hard to get to an end to the list of dames he’d been with. But, above all the names, the one that stood out as one with a killer instinct was Lola. She had served time for slicing up a pretty canary’s face from another show she was in, in New York. None of the performers at the Salt had any affection for Lola ‘cept maybe one, Dorothy Fenske. Dorothy wasn’t even on my list. An ordinary broad and hanger on of Lola’s who was happy just to be in her limelight. But Lola. Ah, Lola.
“Hello ma’am. I’m looking for Lola Belanger. You know of her?”
“Know of her! I yam her!” she said with a curtsey.
“Ditsy, but deadly?” I wondered to myself.
“And you are?” She put both hands on her hips and swung them back and forth in a childlike manner. I almost had to laugh but kept my coolheadedness.
“I’m Detective Dereham of the Fifth Precinct. I’m investigating the murder of Mr. Theodore Salt. Happen to know anything about it Miss?” She began her performance as soon as the words slid past my lips and into her ears.
“Oh detective, we’re all so bereaved ova his death.”
“Murder Miss. Murder.”
“Oh of course. Ova his murder. We can barely perform out there each night, right Dorothy?” She turned to the ginger haired girl over her shoulder.
Speaking with a monotone voice barely louder than a whisper, Dorothy replied, “Yeah. It’s hard. Really, really hard. We’re all so sad.” She turned her head and looked away, staring off into the distance.
“Strange bird that one,” I thought. But being strange does not a murderer make.
“So have you ladies heard anything that you think I might find useful in the investigation?” I looked at my notepad and readied my pencil, ready for the information about to spew from this one.
“Oh yes Detective…Detective? I forgot cha name. I’m such a ditz.”
“Dereham, ma’am.”
“Thank you, I'm sure. We’ve all heard his misses did it so she could have the bar. EVERYBODY is saying it. Ain't they, Dorothy?”
Dorthy already seemed so bored with the conversation, she didn’t even bother to answer.
“So anyways Detective…” Suddenly she jumped in a spin and yelled at Dorothy, “Leave that alone goddammit! How many times I gotta tell yah! Leave it alone!”
I looked to see what caused all the commotion and was rather surprised to see a large, silver hat pin in Dorthy’s hand that she used to dig into the wood of the vanity table.
Dorothy dropped the pin and shoved the stool under the table and left. In a shaky voice and not at all in the confident tone taken before, Lola apologized to me for the interruption, shook my hand and started to shuffle me out of the room. Just as we reached the door another young lady hustled past and breathlessly asked, “How’s little Theo?” Lola turned, hands on her hips yet again, and glared at the breathless broad offering no answer. She turned once again to me. “Goodbye Detective!” She slammed the dressing room door and that was that.
“Little Theo” I said under my breath as I rubbed my stubble. “Could it be?”
CREDITS:
OUTFIT:
L & Co. Clothiers
[The Florence] Silk & Lace Bralette (Legacy)
[The Florence] Silk & Lace Shorts (Legacy)
GLOVES:
Moon Elixir x MUSE - Femme Fatale - Legacy - Gloves
HEADBAND:
The Row House-COCO Flapper Band
PEARLS:
OutRAGEouS - Long Pearl Necklace - Cream
BOA:
PLASTIX - Starlet Boa
Pure Poison - Ellie Pumps & Socks - Legacy
DOUX - Zoe Hairstyle [S]
SKIN:
Bella EvoX skin 3
MAKEUP:
[theSkinnery] Cat Eyeliner
MUDSKIN - TSUKASA # LIP 1_DARK
OTHER ANANTOMY:
/ HEAD / lel EvoX BRIANNON 3.1
[BODY] Legacy (f) (1.4)
Ghost sign for "Geo. C. Murphy, One Price Clothier, Hatter and Furnisher" on the back of this flatiron building in East Liverpool, Ohio.
The use has changed but the signs remain the same. This shop on King Street in Melton Mowbray was selling toys in 2013.
A sunset is a sum of many parts. Clouds, pressure, temperature, humidity, time, and lastly presence.
It's easy to miss a great shot and walk right through the quality light. It's even easier to make the mistake of thinking "there'll be more" and missing the light all together.
However, sometimes, things just tend to add up. Or you get lucky, and you're at the right spot, at the right time, with the right equipment.
KGS IMAGING | FACEBOOK | TWITTER | ME
TWAM Ref: TWCMS:M4448
A. Reyrolle & Co. Ltd was founded by Alphonse Reyrolle (1864 - 1919), a French engineer who established a small switchgear shop in London in 1886. In 1901 his business moved to Hebburn and the firm began to grow with the recruitment of Henry Clothier. Clothier helped them develop large switchgears for power stations, a product the company became famous for.
Over the years, Reyrolle continued to grow, seeing a number of mergers. Most notably with C.A Parsons in 1968 and Rolls Royce in 1989. The Hebburn site is now owned by Siemens who acquired the company in 2005.
This photograph shows construction at A.Reyrolle & Co. Ltd in Hebburn.
If you have some extra information about this photograph, please add your comments, information and any links, images or text.
Copyright Statement:
(Copyright) We're happy for you to share these digital images within the spirit of The Commons.
Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email sarah.younas@twmuseums.org.uk