View allAll Photos Tagged client's
My head-shots or general photo-shoots have been revered simply because of the tactics I use to get genuine expressions on my client's face. Take a look at my good friend Jackee and witness the madness that I may or may not have said to achieve these shots.
I designed these characters for a client's wedding. See how they incorporated these designs into their big day. jmaruyama.com/blog/2013/11/14/wedding-characters/
Supply type:
OEM service; welcome your own designs
Material:
100% polyester; 100% cotton; polyester/cotton/spandex; 120gsm-270gsm
Color:
provide color swatches for choice
Size
Any size can be customized as per client's requests
For price or any detail inbox us or Email us at info@boxspo.com
I had the opportunity to photograph a client's wedding in Hawaii. While I was there, I took the experience of seeing Akaka Falls in person. It is absolutely gorgeous.
Explored
...
And I said I know it well
That secret that we know
That we don't know how to tell
I'm in love with your honor
I'm in love with your cheeks
What's that noise up the stairs babe?
Is that Christmas morning creaks?
...
last night, the babe and i had a huge discussion about our future. we really discovered what each of us want from our relationship, and have set a plan we hope will be the last of many revisions. we'll see how it goes. we'll be celebrating our 4 year anniversary together next month! how exciting. donnie and i got to see each other today for a while and watched some two and a half men. it was a good ending to a horrible photo center experience with Costco of Naples. i mean, NEVER go there, the people there are seriously incompetent. I asked the lady not to autocorrect my photos, they came out dark and the skin tones came out dead pale or dead dark. then she went on to tell me that I cropped my photos wrong in the computer and thats why my client's daughter's head was cut in half. I showed her nicely that I made sure that the crop would include all the girls' heads, and that the photo in question was clearly smaller than the others and the other wallets were clearly showing that the crop was my correct crop and that she screwed up. i got an "ohhh, give me 10 minutes." 10 minutes later I get one sheet of wallets. I wait ten more minutes, then I asked her if the other sheet was being printed or if she forgot, she said no there were only one sheet screwed up, i said no there were two. in the end she printed them out and all was dandy, but i was NOT happy with the quality. I am going to have to drive early monday morning to the costco by my school in the next town and get these photos printed correctly. I will never frequent the Naples Costco photo center again unless its for greeting cards.
but!!!! good news, I went christmas shopping with donnie today and we only have one present left to buy, and its for his little sister. yay!
165 more days to go yippee!!!!
project 365: day 200
TOTW: Party On!
Musically Challenged: Bon Iver - Blood Bank
I was very privileged to be trusted with the painting of a client's Enchanted Doll. Had fun posing her! Couldn't resist a crown!
Went to one of my client's houses to let their two goldens out back and when I turned to my right, there were SIX monarch butterflies on this bush. SIX!!! I was a happy girl. :0)
This was the last rose I photographed while I walked around my client's property in Tanglewood and I almost missed this one as it was very near the ground and turned upside down.
Friday morning in my client's garden
Winter interest in the garden provided by red stems of Cornus alba 'Sibirica' - Red-barked Dogwood
This set up is on the back porch of the client's home (in TX and it was about 95 outside). The whole porch is covered, and it's evening, so the sun is setting behind the trees to the left of the flash. I wish I would have more carefully smoothed the wrinkles since that was a little extra time in PS. I tried moving the flash more left, but then his little foot was too dark. Overall, I'm pretty pleased with the outcome.
This Landscaping was a seasonal update for a client on a 16,384m parcel. It boasts a movie area, secret garden, a family recreation area and tucked away nooks for relaxation and privacy.
The Pictures were taken by the talented Kazn Xoxo and you can find more of his work here www.flickr.com/photos/motifated
© All Rights Reserved Shepherd Eaton 2009
Not original I know, but I like how it came out, and more importantly, so did the client's mom! :)
WL X1600 Octabox camera right, X1600 softbox camera left, two X1600's, left and right behind subject on the white seamless. Triggered with Pocket Wiz +IIs.
American postcard by Pomegranate, Rohnert Park, CA, no. 2711. Photo: MGM / Underwood Photo Archives Ltd, San Francisco. Francis X. Bushman in Ben-Hur: A Tale of the Christ (Fred Niblo, 1925).
Francis X. Bushman (1883-1966) was an American film actor and director, who was nicknamed the 'King of the Movies'. His career as a matinee idol started in 1911 in the silent film His Friend's Wife. He gained a large female following and was one of the biggest stars of the 1910s and early 1920s. Bushman broke into the film business via the stage. At Essanay Studios in Chicago, he was first noticed for his muscular, sculpted frame. He also worked for the Vitagraph studio before signing with Metro in 1915. His best-known role is as Messala in Ben-Hur: A Tale of the Christ (1925). He appeared in nearly 200 films.
Francis Xavier Bushman was born in Baltimore, Maryland, in 1883. As a young man, he joined the Maryland Athletic Club and began a bodybuilding regimen that would give him his famous film physique. He cited Eugen Sandow as one of his bodybuilding influences. In New York City, he worked as a sculptor's model, often posing in the nude in sessions. In 1902, he married seamstress Josephine Fladine Duval. By the launch of his film career, the couple had five children. After appearing in theatre, Bushman was hired by Essanay Studios in Chicago in 1911, launching his film career and stardom. Over the next five years, he appeared generally as the leading man in over a hundred silent films for the studio. The studio's publicity department kept his marriage secret from his fans, who sent him thousands of letters, including marriage proposals. In 1918, he was the subject of a national scandal as his affair with longtime costar Beverly Bayne became public. Three days after his divorce from Josephine was final, Bushman and Bayne were married; they would eventually have a son. From 1914 to 1917 Bushman had been America's most popular leading man, but his 1918 divorce revealed to his bevvy of female fans that he was not the eligible bachelor they thought but a married man with five children. In late 1919 and 1920, Bushman and Bayne co-starred in the stage play 'The Master Thief', from a story by Richard Washburn Child, which successfully toured the country.
Francis X. Bushman eventually retained the services of Harry Reichenbach as his agent. When Bushman noted that he would be well suited to starring in the upcoming film, Ben-Hur: A Tale of the Christ (Fred Niblo, 1925), Reichenbach had the plan to increase his client's marketability. From a railway station, Reichenbach took Bushman to see studio executives, while dropping pennies to the street from his pocket. Many people followed the two, picking up the coins along the way. The crowd gave the studio executives the impression that Bushman was very popular and they cast him as Messala. Bushman was concerned that playing a villain would affect his career, so he asked the advice of William S. Hart, who had played the part on stage for years. "Take it,” Hart advised. "It's the best part of the play!" Unlike Ramon Novarro, the star of the picture, Bushman knew how to properly drive a team of horses and a chariot without getting severely injured or killed in the process. At the peak of his career, Bushman was advertised as "The Handsomest Man in the World". He was also known as "the King of Photoplay" or "the King of Movies" before those titles were more popularly attached to Clark Gable. Bushman was paid large salaries during his screen career and donated the land upon which Sid Grauman erected his famous Chinese Theater. But his fortune was wiped out in the Wall Street Crash of 1929, and his career as a film star had had its run.
After his film career had waned, Francis X. Bushman made his broadcasting mark on the CBS Radio network's long-running dramatic serial entitled Those We Love. In the soap opera, which ran from 1938 to 1945, he played the role of John Marshall, father of twins played by Richard Cromwell and Nan Grey. Robert Cummings rounded out the cast. Bushman took small roles in films and attempted to run a few small businesses, all of which lost money. In later years, Bushman made assorted guest appearances on American television in the 1950s and 1960s, including in Burns and Allen, Peter Gunn, Perry Mason, The Adventures of Ozzie and Harriet, and Dr. Kildare. Bushman guest-starred as well in 1966 on a two-part episode of Batman. It was his last screen appearance. Bushman's role as a wealthy collector of silent pictures and promoter of a silent film festival. In 1966, Francis X. Bushman suffered a heart attack and died at his home in Pacific Palisades, California. He was interred at Forest Lawn Memorial Park Cemetery in Glendale, California. Bushman was married four times, to Josephine Fladine Duval (1902-1918), Beverly Bayne (1918-1925), Norma Emily Atkin (1932-1956 - her death), and Iva Millicent Richardson (1956-1966 - his death). He had six children.
Sources: Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
A bouquet of day lilies were sitting on a client's living room table. So I just moved them towards the window light and shot away... this one was my fave.
© All Rights Reserved.
DJ is being fostered at one of my client's homes. They so wanted to adopt him, but their other dog Emma, was having no part of it. She wanted him out! They are devastated, but have to do the right thing for Emma and their household.
I called another client whose dog died in august. I know they wanted to get another dog around the holidays. I thought DJ was a perfect match for this family, so I brought him over to their house for a few hours today. They fell in love with him immediately. So they are adopting him tomorrow. DJ is a lucky dog. Another happy rescue. And the best news is.... I get to see him M-F every week. :)) I'm crazy about this dog. I would have adopted him myself, if I didn't already have three dogs..
Dear Parlee family members and close friends.
I was deeply saddened to hear about your loss. Please accept my heartfelt condolences during this difficult time.
Here are few of my remembrances of Arnold:
Back in the 70s Arnold was well known at Victoria Airport CYYJ. Rumors were as an airline pilot he once flew B747s. This is unconfirmed to me but he sure knew a lot about airplanes and flying.
Arnold was my first flight instructor when going for my private pilot licence in 1978 at Flight Centre Aviation FBO at CYYJ. He was a bit of a task-master in his teaching methods but perhaps wanted to see right away if a student had the 'right stuff". Not everyone can be taught to fly airplanes; one has to bring something of themselves to complete the mission.
This flier passed the test and went on to own two airplanes before hanging it up in 1985. Firstly, was a Piper Cherokee PA28-160 then the Mooney M20e Super 21.
Sometime around 1990, my employer wanted me to go to the Ellehammer Industries site in Tumwater, WA to checkout a client's job site. He hired Arnold to fly me there. Arnold was to borrow Bent Reinecker's Beechcraft Model 76 Duchess but when Arnold flashed up the twin-engines in the hangar he heard something he didn't like.
He surmised the left engine had a cracked cylinder wall. Bent later confirmed this was the case. We then went over and rented a C172 from the Victoria Flying Club. Arnold got us to KOLM in Tumwater and safely back to CYYJ.
It was well known, Arnold knew a thing-or-two about airplanes!
It turns out Arnold was only 20 days younger than me so I'm aware my time on Earth is also running out. We hope to see Arnold again in Paradise where we'll live forever — throughout Eternity. RIP
Bill
High Flight
BY JOHN GILLESPIE MAGEE JR.
Oh! I have slipped the surly bonds of Earth
And danced the skies on laughter-silvered wings;
Sunward I've climbed, and joined the tumbling mirth
of sun-split clouds,--and done a hundred things
You have not dreamed of--wheeled and soared and swung
High in the sunlit silence. Hov'ring there,
I've chased the shouting wind along, and flung
My eager craft through footless halls of air ....
Austrian postcard by Iris Verlag, no. 795. Photo: Fanamet.
Francis X. Bushman (1883-1966) was an American film actor and director, who was nicknamed the 'King of the Movies'. His career as a matinee idol started in 1911 in the silent film His Friend's Wife. He gained a large female following and was one of the biggest stars of the 1910s and early 1920s. Bushman broke into the film business via the stage. At Essanay Studios in Chicago, he was first noticed for his muscular, sculpted frame. He also worked for the Vitagraph studio before signing with Metro in 1915. His best-known role is as Messala in Ben-Hur: A Tale of the Christ (1925). He appeared in nearly 200 films.
Francis Xavier Bushman was born in Baltimore, Maryland, in 1883. As a young man, he joined the Maryland Athletic Club and began a bodybuilding regimen that would give him his famous film physique. He cited Eugen Sandow as one of his bodybuilding influences. In New York City, he worked as a sculptor's model, often posing in the nude in sessions. In 1902, he married seamstress Josephine Fladine Duval. By the launch of his film career, the couple had five children. After appearing in theatre, Bushman was hired by Essanay Studios in Chicago in 1911, launching his film career and stardom. Over the next five years, he appeared generally as the leading man in over a hundred silent films for the studio. The studios' publicity department kept his marriage secret from his fans, who sent him thousands of letters, including marriage proposals. In 1918, he was the subject of a national scandal as his affair with longtime costar Beverly Bayne became public. Three days after his divorce with Josephine was final, Bushman and Bayne were married; they would eventually have a son. From 1914 to 1917 Bushman had been America's most popular leading man, but his 1918 divorce revealed to his bevy of female fans that he was not the eligible bachelor they thought but a married man with five children. In late 1919 and 1920, Bushman and Bayne co-starred in the stage play 'The Master Thief', from a story by Richard Washburn Child, which successfully toured the country.
Francis X. Bushman eventually retained the services of Harry Reichenbach as his agent. When Bushman noted that he would be well suited to starring in the upcoming film, Ben-Hur: A Tale of the Christ (Fred Niblo, 1925), Reichenbach had a plan to increase his client's marketability. From a railway station, Reichenbach took Bushman to see studio executives, while dropping pennies to the street from his pocket. Many people followed the two, picking up the coins along the way. The crowd gave the studio executives an impression that Bushman was very popular and they cast him as Messala. Bushman was concerned that playing a villain would affect his career, so he asked the advice of William S. Hart, who had played the part on stage for years. "Take it,” Hart advised. "It's the best part of the play!" Unlike Ramon Novarro, the star of the picture, Bushman knew how to properly drive a team of horses and a chariot without getting severely injured or killed in the process. At the peak of his career, Bushman was advertised as "The Handsomest Man in the World". He was also known as "the King of Photoplay" or "the King of Movies" before those titles were more popularly attached to Clark Gable. Bushman was paid large salaries during his screen career and donated the land upon which Sid Grauman erected his famous Chinese Theater. But his fortune was wiped out in the Wall Street Crash of 1929, and his career as a film star had had its run.
After his film career had waned, Francis X Bushman made his broadcasting mark on the CBS Radio network's long-running dramatic serial entitled Those We Love. In the soap opera, which ran from 1938 to 1945, he played the role of John Marshall, father of twins played by Richard Cromwell and Nan Grey. Robert Cummings rounded out the cast. Bushman took small roles in films and attempted to run a few small businesses, all of which lost money. In later years, Bushman made assorted guest appearances on American television in the 1950s and 1960s, including in Burns and Allen, Peter Gunn, Perry Mason, The Adventures of Ozzie and Harriet, and Dr. Kildare. Bushman guest-starred as well in 1966 on a two-part episode of Batman. It was his last screen appearance. Bushman's role as a wealthy collector of silent pictures and promoter of a silent film festival. In 1966, Francis X. Bushman suffered a heart attack and died at his home in Pacific Palisades, California. He was interred at Forest Lawn Memorial Park Cemetery in Glendale, California. Bushman was married four times, to Josephine Fladine Duval (1902-1918), Beverly Bayne (1918-1925), Norma Emily Atkin (1932-1956 - her death), and Iva Millicent Richardson (1956-1966 - his death). He had six children.
Sources: Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards..
1/4th landscape for a client. Complete with family hang out area/pool, movie area, camp grounds and a few cuddle areas.
Had the best time at my client's Indigo Blu Lexico's Diamonds and Pearls Bachelorette Party! Congrats again on your engagement!
This beauty has berthed in the harbour for over a week now , it is one of the more difficult quays to get a decent photo of ships while stationed there, however on my way back from Torry Battery I managed to get this shot with my Nikkor 28-300 pushed to its max, hence not one of my best photos though at least I have a new addition to my fleet collection .
AIS Name PACIFIC DOLPHIN
Type - Anchor handling supply tug
M/V Pacific Dolphin
Bollard Pull 220-238 tonnes
Brake Horsepower 17,614 BHP
Clear Deck Space 650 m2
Winch Line Pull 500 tonnes
General Information
Built: ST Marine, Singapore, August 2013
Flag: Singapore
Call Sign: 9V9508
IMO No.: 9631400
Classification: DNV-GL +1A Fire fighter(I) Offshore service vessel(Anchor handling, Towing)
Clean DPS(2) E0 Ice(C) SPS
Dimensions
Length, overall: 92 metres
Length, BP: 79.8 metres
Breadth, moulded: 22 metres
Depth, main deck: 9 metres
Design draft: 5.5 metres
Maximum draft midship: 7.5 metres
GT: 6641
NT: 1992
Capacities
Deadweight (maximum): 4546.63 t
Clear Deck Area: 36 m x 18 m = 650 m2
Deck Strength: 10 t/m2
Deck Cargo: 1500 t ( C.G. at 0.9 m above deck)
Fuel: 1172 m3 (dedicated)
1940 m3 (including combination BO, Mud tanks)
Potable Water: 1350 m3
Ballast Water / Drill Water: 2965 m3
Brine / DMA / Glycol / Liquid
Mud: 860 m3 - s.g. of 2.5 t/m3
Dry Bulk: 236 m3 (8334 cubic feet) (in 4 tanks)
Ship's Stores: Freezer (-25 degrees Celsius) - 25 m3
Cold Room (+4 degrees Celsius) - 25 m3
Provisions store - 90 m3
Machinery
Main Engines: 4 x 3,285 kW = 13,140 kW (17,614 BHP), MAN 9L 27/38 Engines, Tier II
Compliant
Propulsion: 2 x MAN Acpha CPP propellers in KORT nozzles, with Hi-Lift Flap Rudders
Azimuth Thruster: 1 x 880 kW (1,180 BHP) Azimuth drop-down thruster, 15.0 t thrust
Bow Thrusters: 2 x 880 kW (2,360 BHP) Brunvoll tunnel thruster, 13.0 t thrust
Stern Thrusters: 2 x 880 kW (2,360 BHP) Brunvoll tunnel thruster, 13.0 t thrust
Shaft Generators: 2 x AEM, 2800 kW, 3500 kVA each, 440V, 60 Hz
Auxiliary Generators: 1 x Caterpillar diesel generator, 1425 kW, 440V, 60 Hz capable of driving FiFi
pump, Azimuth drop-down thruster, TIER II compliant
Emergency Generators: 1 x Caterpillar diesel generator, 350 kW, 440V, 60 Hz (Emergency / Harbour
Generator), TIER II compliant
Towing and Anchor Handling
Bollard Pull: 221.05 MT at 100% MCR
Main Winch: Rolls Royce Brattvaag waterfall type winch, 3 drums (1 x SL500WX and 2 x
BSL400WX), all drums provided with remote controlled spooling gears
Load Capacity: 1 x 500 t and 2 x 400 t
Brake Capacity: 600 t on drum's 1st layer
Tow Drum Dimension: 2800 x 5000 mm diameter / 5500 mm length
Socket comp 2800 x 5000 mm diameter / 900 mm length with 700 mm split opening
Tow Drum Wire Capacity: 13,600 m of 76 mm wire / 9800 m of 87 mm wire / 1900m of 8" rope
Load capacity - 1st layer 500 t @ 15 mtr/min
AH Drum Dimension: AH Drum SB
1500 x 3750 mm diameter / 2500 mm length
Load capacity - 1st layer 400 t @ 20.1 mtr/min
AH Drum PS
1500 x 3750 mm diameter / 2000 mm length with
socket compartment
1500 x 3750 mm diameter / 900 mm length
Load capacity - 1st layer 400 t @ 20.1 mtr/min
AH Drum Wire Capacity: AH Drum SB
4100 m of 76 mm wire / 3100 m of 87 mm wire
AH Drum PS
3200 m of 76 mm wire / 2450 m of 87 mm wire
Secondary Winch Dimension: 1500 x 4500 mm diameter / 4500 mm length plus 1100 mm length socket comp
Secondary Winch Capacity: 1600 mtr of 8" rope
Chain Gypsy Cable Lifter: 2 x 84 mm, 2 x 76 mm
Rig Chain Locker: 624 m3 chain capacity (in 4 lockers of 156 m3 each)
Stern Roller: Rolls Royce double stern roller, 2 x 3 m length x 4.5 m diameter, SWL 750 t
(Environmental friendly grease lubricated).
Anchor Recovery Frame: Odim, Max. Dynamic Forces:
Wire Tension 300 t
Transversal Load 75 t
Deployment Speed 80 seconds
Tow Pins / Guide Pins: Karmoy 2 sets of combined Towing Pin and Karm Forks, each unit comprises
one pair of tow pins and one fork, SWL 650 t. Stop Pins (Norman Pins) with
wire stopper, roller: SWL @ bottom 230 t, SWL @ top 100 t
Wire Chain Stopper: 2 x 650 t
Popup Pins: 2 x hydraulic SWL top 100 t, SWL bottom 230 t
Spare Reel Capacity: 1500 mtr of 76 mm wire
Deck Machinery
Tuggers: RRM, 2 x 24 t, capacity 600 m of 26 mm wire each;
Locally, remote, portable-wireless control. RRM, 1 x 17t, capacity 200 m of 25
mm wire each; Locally, remote, portable-wireless control.
Capstans: RRM, 2 x 15 t with warping head and drum; Drum capacity 45 m x 20 mm wire;
Locally, remote, portable-wireless control.
Windlass: RRM combined windlass / mooring winch
Duty on warping ends, 13 t @ 0-15 m/min, light line 0-48 m/min.
Duty on cable lifters, nom pull 13.6 t @ 0-12.2 m/min, max pull 20.4 t @ 0-11.3
m/min.
Duty on mooring drums, two de-clutchable mooring drums, diameter drum 640 x
1200 x 1000 length, stowing capacity 230 m of 60 mm rope, duty on mooring
drums 19 t @ 0-12 m/min, 2 t @ 0-41 m/min,
lowering 0-43 m/min.
Bow Mooring: See Windlass
Smit Towing Bracket: 1 x 300 t
Crane Capacity: RRM 2 x cargo rail double jib crane
max. working radius 14.3 m, min. working radius 3.2 m
SWL of 3 t @ 10-14.3 m
SWL of 5 t @ 3.2-10 m
1 x provisions crane, knuckle type, capacity 5 t @ 15 m radius.
Winch hook travel of up to 1000 m
Electronics
Main Radar: Furuno FAR 2137 S Band 10 cm ARPA, 21"
Auxiliary Radar: Furuno FAR 2117 X Band 3 cm ARPA, 21"
Auto Pilot: Tokimec PR 6114-ZZ
Gyro Compass: Tokimec TG 8000
Magnetic Compass: Tokimec Reflector Magnetic Compass
Echo Sounder: Skipper GDS 102, dual frequency 50 kHz and 200 kHz
DGPS : Furuno GP-150
Anemometer : Gill Windobserver, ultra sonic
Speed Log: Furuno DS-80 Doppler Speed log
Communications: Radio Plant Furuno RC-1800T 250 W GMDSS Dual C with SSAS & LRIT
compliance
ECDIS: Furuno FMD3200 x 2 units
Weather Fax: Furuno FAX-408
Satellite Communication: FBB: Sailor 500
VSAT: Sailor 900
AIS: Furuno FA-150
Voyage Data Recorder(VDR): Furuno VR-3000 VDR
VHF: Furuno FM 8800S semi duplex marine VHF, Furuno FM 8800D full duplex
marine VHF
Discharge Pumps
Fuel Oil: 1 x 150 m3/hr - 9 bar (90 m head)
Base Oil: 1 x 150 m3/hr - 9 bar (90 m head)
Dirty Oil: 1 x 9 m3/hr - 2 bar
Potable Water: 1 x 150 m3/hr - 9 bar (90 m head)
Ballast / Drill Water: 1 x 150 m3/hr - 9 bar (90 m head)
Liquid Mud: 1 x 75 m3/hr - 18 bar
Brine / Mud: 1 x 75 m3/hr - 18 bar
Dry Bulk: 50-80 t per hour
Cargo Flow Meters : Fuel Oil, base oil and fresh water
Hose Connections : All systems have 5" female camlock couplings with all liquid cargo discharge
points installed capable of fitting “Avery Hardoll Dry Break Couplings".
Dynamic Positioning
Type: Duplex C series from Converteam
Reference Systems: Guidance Navigation RadaScan
Veripos DGPS
HPR prepared
Cyscan MK4 with latest 4.8 software
2 x prizem reflectors
Control Modes: Joystick manual/auto heading, Mixed axis mode, Auto pilot mode, Ship Follow,
ROV follow, Auto Track mode, Auto Sail mode, Simulation, Model Control,
Dynamic Positioning
Joystick: Independent Joystick Comverteam
External Fire Fighting
Capacity: 2400 m3/hr, independent from propulsion engines
Monitors: 2 x 1200 m3/hr
Throw Length: 120 m
Throw Height: 50 m
Standby Rescue Equipment
1. 1 x SOLAS Type Approved FRC MP 660 Springer with 230hp inboard diesel
engine water jet propulsion. Max: 10pax. Speed with 2 persons approx. 32
knots. Davit for quick launch and recovery.
2. Rescue zone on both Port and starboard side Main Deck
Speed
Service speed: 10 knots
Max speed: 17 knots
Ice Capability
1. ICE Class C0
Anti-Pollution
Dispersant Tank: 17.3 m3
Spray Booms: Fixed installed spray nozzles for neat and dilute, PS and SB.
Accommodation
Berths: 29 x 1 man (single) cabins
4 x 2 man (double) cabins
37 persons (Total)
1 x Client's office
1 x Messroom
1 x Dayroom
1 x Conference room
1 x Hospital
Environmental Features
1. All mud tanks of free flowing design with external stiffening and sloped floors.
Mud tanks have their own recirculating system with internal spray nozzles.
2. Oily water separator with 15 ppm monitor but can operate below 5 ppm
according IMO MEPC 107(49).
3. Sewage Treatment Plant according IMO MEPC 159(55).
4. Cargo loading & discharge station provided with save all to inboard tank.
5. Stern Roller fitted with environmental friendly grease system.
6. Galley macerator
Miscellaneous
1. FuelTrax Marine Fuel Monitoring System.
2. Deck strengthened for heavy cargoes 10 t/m2.
3. Pneumatic bulk handling system, capable of discharging 2 type of dry bulk
simultaneously.
4. Provided with 3 Xenon 2000 watt search lights.
5. Wood sheated main deck except for aft area which is steel plated for anchor
handling activities.
6. Provided with anchor recovery frame suitable to launch and recover torpedo
anchors.
7. CCTV monitoring system for winches and deck.
8. ROV Garage:
Available space to facilitate ROV equipment (L x W x H: 9 x 5 x 5.5 m).
these are not mine, so dont offer. im just showing what i can do. These are dyed to client's desires. do not ask how I did it, no it is not just paint.
#peepthenewbalances
Press L on your keyboard for the full experience!
This was taken this past weekend from a client's balcony. We were shooting their engagement photographs and I took a couple shots of the view. I took some to make a pano but have not really worked on it yet since it might take some manual stitching since I took it by hand.
Sneak Peek!: Stefanie & Jordi {Engaged}!
Enjoy and don't forget to check out my website for Prints: Christopher|F Photography
My facebook fanpage: Christopher|F Photography fanpage
This little dragonfly flew up near my face to either ward off or catch mosquitos swarming around me as I was trying to photograph it! Twice, it flew close enough for me to feel the wind it's wings disturbed as it flew. Pretty neat sensation!
Đến với Meera Meera Fashion Concept, chúng tôi không chỉ đơn thuần may một chiếc áo cưới mà đó là công việc thực hiện giấc mơ cho mọi cô dâu. Mời bạn nhìn ngắm thiết kế cổ tích sau đây:
Một chiếc váy cưới sang trọng đầy tinh tế trong từng chi tiết cầu kỳ: Dáng công chúa với đường cắt hạ eo sẽ làm nổi bật sắc vóc của bạn; trong khi vải lưới và ren Chantilly đính kết là sự kết hợp vượt thời gian, thực sự làm xiêu lòng bất kỳ người đẹp nào.
Cúp áo cổ chữ V xẻ sâu táo bạo lại đồng thời tôn lên vẻ lãng mạn của thân áo tay ren dài trang trọng, điểm xuyết trên đó là những hoạ tiết ren Chantilly tinh xảo.
Và thử tưởng tượng xem - Còn ai có thể toát lên khí chất kiêu sa như bạn khi diện lên người chiếc áo cưới với tùng váy lưới xoè dài lộng lẫy, mà lại nhẹ tênh đến như vầy. Ắt hẳn bạn đã chờ đợi giây phút 'Say Yes' này rất lâu rồi đúng không nào?
Chất liệu: lưới, ren Chantilly, pha lê,...
Màu sắc: ivory - bạn có thể tuỳ chọn màu sắc theo sở thích cá nhân
Size: may theo số đo của khách hàng.
Toàn bộ váy cưới được may thủ công hoàn toàn từ đôi tay của những người thợ lành nghề, đầy tâm huyết của Meera Meera.
Do you dream of a fairytale wedding dress with a cloudlike skirt billowing around you? Code KH4026
A luxurious wedding dress dripping in decadent detail. A princess silhouette with a dropped-waist cut will accentuate your figure, whilst a marriage of lightweight tulle and beaded Chantilly lace is a timeless match that truly flatters any woman.
A strapless styling is bold and daring, featuring a daring deep V neckline offsets the romance of illusion long lace sleeves perfectly. An embroidered lace body is lovingly adorned with a scalloped lace adds a touch of romanticism.
Feel all of your wedding day dreams come true as you walk towards the one you love — a commanding cathedral train in fine tulle sashaying behind you.
Material: tulle, Chantilly lace, crystal,...
Color: ivory - color can be customized to your liking
Boning/Bra cups are included
We use only the best quality materials.
This dress is made-to-order and designed specially for you based on your exact measurements. Please contact us for more information or to schedule your appointment.
Meera Meera Fashion Concept là Xưởng may áo cưới cao cấp TP HCM - Sài Gòn.
Chuyên may đo Áo cưới - Đầm dạ tiệc - Đầm phụ dâu.
Chuyên tư vấn và thiết kế theo ý thích riêng của từng khách hàng, mang đến nét riêng độc đáo nhất cho bạn với giá thành vô cùng hợp lý cùng Chất lượng xưởng may theo tiêu chuẩn Quốc tế.
Không may sẵn, cho thuê.
Meera Meera Fashion Concept vinh dự khi được là một trong số hiếm hoi các thương hiệu cưới châu Á lọt vào TOP 4 ÁO CƯỚI ĐẸP NHẤT THẾ GIỚI được chuyên trang cưới uy tín Weddinginspirasi.com tuyển chọn. Đồng thời xuất hiện trên hàng loạt tạp chí thời trang danh tiếng như Elle China, Junebug Weddings, …..
"Tell us your dreams. We will make it come true"
Unique quality custom wedding dresses. Ship Worldwide. Each of the dress is created based on each of our client’s exact requirements and measurements.
If you want a wedding dress which truly reflect who you are with sotiphicated and luxury details, please send us a message.
Chi tiết/ Details: meerameera.net/pages/may-ao-cuoi
meerameera.net/collections/may-ao-cuoi-dep-tp-hcm-sai-gon...
Liên hệ để đặt lịch tư vấn với nhà thiết kế và giải đáp mọi thắc mắc của khách hàng:
Hotline 0932711831
Showroom: 145-147 Huỳnh Văn Bánh - P.12 - Q. Phú Nhuận - TPHCM
( Vui lòng gọi điện đặt lịch hẹn trước khi đến)
Email: meerameerafashion@gmail.com
Instagram: www.instagram.com/fmeerameera/
This Landscaping was a seasonal update for a client on a 16,384m parcel. It boasts a movie area, secret garden, a family recreation area and tucked away nooks for relaxation and privacy.
The Pictures were taken by the talented Kazn Xoxo and you can find more of his work here www.flickr.com/photos/motifated
"The only special request was to implement the client's antique grandfather clock into the painting." ~Tomitheos
Copyright © 2011 Tomitheos Art Photography - All Rights Reserved
Supply type:
OEM service; welcome your own designs
Material:
100% polyester; 100% cotton; polyester/cotton/spandex; 180gsm-270gsm
Color:
provide color swatches for choice
Size
Any size can be customized as per client's requests.
Sun room of client's cozy beach house. Bit of a ratty couch on the left. Cleaned it up a bit, but it's definitely "lived in". A couple ambient frames blended with a flash frame. Flash bounced off cream/white wall behind me from opposite corners. There was a third chair at the table, but it blocked that really awesome umbrella holder, so we removed it. Had to clone out a big white vent from that gorgeous ceiling. Could have been a cleaner PS job. Feedback and c.c. always appreciated.
I saw this when coming out of a client's offices and fortunately had my camera with me. The infinity pool covers half the site footprint that their office tower occupies.
This is a car (well actually two cars) but my focus is on the '55 Chrysler) that one of my client's had in his garage. Although this client did purchase three automotive art prints from me, his "assurances" of introducing me to some of his influential classic car owner friends never materialized - not surprisingly.
I snapped the picture of this car as I was waiting for his employees to push another car into position for me to photograph. This car could have made for a great subject for a digital artwork but apparently this "client" wasn't interested. But as I say, he was a "big talker"!
Mando entering the Client's base on Navarro. The Mandalorian Season 2 project was released first, but we definitely made this one first.
model's name: Adelina Catinas
make-up : Ami Capusan
wardrobe : ONLY
client's name: kurtman
Second shooter & Assistant : Stephie & Em
lighting :
2 monolights in softboxes :
One Elinchrom 600watt @ full power camera right behind the model in softbox from the floor up & another Elinchrom 600watt also @ full power but not that close (2-3 m away) elevated and also camera right in a bigger softbox triggered with camera strobe with little soft box - up