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Copper Clad Steel name suggests, is wrapped in copper wire, which is wrapped composite wires copper wire peripheral layer, which uses low-voltage high-frequency signal skin effect, walking along the surface of the high-frequency region, so long as the copper layer thickness reaches a certain range, signal of a frequency band can be sure that delivery. Copper play a role in weak signal conduction wire is play a supporting role.
Based on copper wire wrapped in different ways that are divided into plating, coating, hot-cast / dip and electroforming.
Currently on the market Baotou basic copper is used in the plating process, which uses an electrolytic cell works will massive copper plating process "dissolution" and then covered by the current to the wire. The copper cladding is wrapped wire wrapped at the interface with the TIG welding; hot-cast / dip is heated to melt the copper liquid, after the copper wire through out was then cooled and solidified; electroforming is a special application of electroplating to achieve reduction of copper accumulation in the die, such processes is still rare.
According to the application for different purposes, mainly copper-clad steel can be classified as:
1. Center conductor communication cables
2. Communication cable shield braided wire
3. Pin line of electronic components
4. Shaped earth wire strands and electrified railway lines
5. Other decorative purposes or corrosion line
According to the different diameters of copper-clad steel can be roughly divided into:
Thick lines (1.6 and above), big line (0.6-1.6), neutral (0.2-0.6), micro-line (0.2 or less)
According to different intensities, while referring to the extension, the copper-clad steel is divided into:
Soft state A, semi-hard M, Hard HS, superhard state EHS
According to different functions, in turn copper-clad steel is divided into:
Deep drawing bus product line, stranding embryo line
On the basis of the copper-clad steel can still deep processing of different categories, including tin, silver, painting, and bundle wire, a cable, nail, or bright annealing weaving.
Built in 1935-1936, this limestone-clad Art Deco-style bank building, designed by Val. H. Heinhold, stands on Harrison Avenue near Fairmount Avenue in Cincinnati’s South Fairmount neighborhood. The original building, consisting of the central wing, was built to house the Central Fairmount Building and Loan Company, founded in the 1880s, and featured a large front lobby and banking hall, a decorative vestibule adorned with clocks over the doors on the exterior and interior, a rear office area, a private office in the southwest corner of the main floor, a vault in the northwest corner of the main floor, two restrooms with marble stalls and hexagonal tile floors, and a basement with garage door openings on either end. The interior of the building featured extensive and ornate decorative walnut paneling, a decorative ceiling in the banking hall made up of fiber ceiling tiles arranged in an Art Deco pattern, a herringbone linoleum floor with decorative accents, brushed nickel door hardware, and half-height partitions in the main banking hall to help ensure an efficient flow of customers and business through the building. The building was modified in 1949 with the addition of two small wings on either side of the original structure, housing additional offices, a new boiler room, a second safe in the basement, an air conditioning system, and a single basement garage entrance. The original chandeliers in the banking hall were replaced with a pair of large linear fluorescent fixtures, and four original window openings were retained, and two were enlarged to allow circulation into the new wings. The interior of the additions feature walnut paneling like the original building, but with a far more streamlined and simplified design, as well as simpler nickel hardware, and tile ceilings with integrated linear fluorescent lights. The building remained in this configuration until a third and final renovation carried out between 1978 and 1980, which saw the addition of a small wing in the northwest corner of the building containing two offices and an additional stairwell, the creation of a break room in the basement, the reconfiguration of the lobby and replacement of the original banking counters, and the partitioning of the large office in the north wing added in 1949 into two smaller offices and a hallway. Shortly after the final renovation, the Central Fairmount Building and Loan Company, founded in the 1880s, was consolidated with the Gem Savings Bank of Dayton, Ohio, becoming a branch bank for Gem Savings, and only remaining open a few years in the 1980s before the branch was closed due to a lack of business and financial problems of Gem Savings, which was eventually acquired by National City Corp in 1989 due to financial insolvency and mismanagement. In 1985, the building was bought by Bill Spetz, whom ran an engineering firm out of the building from that time until about 2019, keeping the building’s features preserved and well-maintained during its time under his stewardship. The building was sold to a new owner in 2022.
Phylogeny of Acilius based on 1693 characters.Posterior probability of the topology = 0.85, from Bayesian analysis. Treelength = 793 steps from parsimony search (single best cladogram). Values below branches are clade support values (posterior probabilities). Values above branches are optimized continuous valued characters of male suction cups (S1–S4: see fig. 4D); (S1 as a fraction of S3/S4 in µm above, number of S4 cups below). Colours on branches are optimized female condition; green = non-setose, blue = with setose furrows. Visualization of the major character transformation events 1–4 [in red] see fig 3.
Built in 1913-1916, the Cleveland Museum of Art’s oldest section is a Classical Revival-style building designed by Hubbell and Benes, which was placed on a knoll overlooking Wade Lagoon in Wade Park. The original building is clad in white Georgia marble with a hipped roof, a portico at the front entrance below a front gable with acroterions, with fluted ionic columns and decorative door surrounds, cornices with dentils, and engaged ionic columns at the end bays and at the central bays of the side facades, doric columns on the rear facade, and windows on the exterior of the building’s raised basement. The interior features vaulted ceilings, corinthian and ionic columns, arched bays, brass wall sconces, stone wall panels, and stone floors. In 1958, the museum was doubled in size with a modernist addition on the north side of the building, designed by Hayes and Ruth. In 1971, the building was expanded further north with a new Modern Brutalist wing designed by Marcel Breuer, which features cladding with lighter and darker horizontal bands, box-like massings, concrete waffle slab ceilings, concrete built-in furniture and railings, concrete walls, a concrete canopy at the entrance, and a low-slope roof. In 1983, a wing to the west of the 1958 wing was added, creating an enclosed courtyard behind the original museum building, which was designed by Dalton, van Dijk, Johnson, and Partners, and housed gallery space and a library. In 2001-2014, the museum was heavily renovated and expanded under the direction of Rafael Viñoly, demolishing the 1983 and 1958 wings, renovating the 1971 wing, and restoring the 1913 wing, and restoring symmetry to the layout of the museum. The new north wing features a large atrium between the 1913 and 1971 buildings, topped with a curved glass roof with shade ribs and enclosed by a glass curtain wall, exterior cladding with horizontal bands of lighter and darker cladding and geometric massing, visually linking the two remaining historic wings, and adding additional gallery space, a new library, museum store, and adding new amenities to the museum. The museum is a contributing structure in the Wade Park District, listed on the National Register of Historic Places in 1982. Today, the museum has one of the largest endowments of any art museum in the United States, and has a very large and diverse collection.
Hypothesized sequence of mandibular and dental character transformations during odobenid evolution.Dental characters shown on left cladogram, and mandibular characters shown on right cladogram, with diagrams of mandibles adjacent to taxon names; white indicates unknown morphology. Character acquisition and loss mapped directly from results of cladistic analysis, with the exception of ?short tooth row?, which was mapped a posteriori.
captured by arabischenab
location : Teluk Cempedak, Pahang
Nikon D80 + Tokina 11-16mm f2.8 + Cokin ND8
THIS IS NOT HDR
Neighbor Joining cladogram based on Single Nucleotide Polymorphisms (SNPs) identified between P. syringae pv. actinidiae (PSA) genomes and P. syringae pv. theae.Sequencing reads of nine PSA genomes were aligned against a draft genome of P. syringae pv. theae pathotype strain NCPPB 2598. A neighbor joining tree was built based on 21,494 SNPs so identified. Country and year of isolation are indicated for each strain. Bootstrap values based on 1000 bootstrap replicates are shown above nodes and number of SNPs compared to P. syringae pv. theae are shown underneath branches. Branches with less than 50% bootstrap support were collapsed. In the Japanese/Korean clade three SNPs group PsaKN.2 with PA459 and thus conflict with the branching pattern obtained in the tree. No SNPs conflict with the branching pattern obtained for the Chinese/European clade. A Bayesian tree was also constructed and had the same topology as the neighbor-joining tree.
Evolution of organic sheets in Serpulidae.Phylogenetic relationships of serpulid genera are derived from Kupriyanova et(2006), Bayesian majority consensus cladogram of the combined molecular and morphological dataset. Bold letters-studied genera; Underlined- genera with organic sheets. A and B ? two major clades of serpulids.
We broke up the steep lines of the rear of the house with steps and planting boxes. Soft looking cedar cladding hides the huge retaining structures
Built in 1871-1876, this Romanesque Revival-style building was designed by Andrew J. Warner to serve as Buffalo City Hall and the government building for Erie County. The building housed both governments until Buffalo City Hall was built at Niagara Square in 1931, allowing the government of Erie County to occupy the entire building, though it once again became too small for government needs by the 1960s, leading to the construction of the Edward A. Rath County Office Building across Franklin Street in the late 1960s, as well as a modernist addition to the rear along Delaware Avenue in the mid-1960s. When built, the building was the tallest structure in Buffalo, exceeding the 185-foot-tall towers of the Buffalo State Hospital with the 270-foot-tall clock tower, finally being exceeded by the Electric Tower in 1912. It sits on the site of the Franklyn Square Cemetery, which sits on the site of a cemetery that was formerly the resting place of the remains of soldiers who perished during the War of 1812, when Buffalo was burned to the ground in retaliation for the destruction of Niagara-on-the-Lake in what is now Ontario, Canada, with the bodies being exhumed in 1871 when this building started construction, being reburied at Forest Lawn Cemetery next to Delaware Park. The building also is where future US President Grover Cleveland served as mayor in 1882, prior to his term as the Governor of New York, running on a strictly anti-corruption platform for both offices. The building also was where the body of President William McKinley lay in state after his death by assassination at the 1901 Pan-American Exposition, and where his murderer was shortly thereafter put on trial and convicted.
The building features a gray Maine granite-clad facade, an H-shaped footprint, replacement windows, arched window bays on the third, fourth, and fifth floors, paired window bays on outer sections of the first, second, and third floors with blind arches above the third floor windows, wall dormers, a hipped roof, corner pilasters with decorative tops, a cornice with dentils running around the base of the roof parapet, a rusticated stone base, a tower with a pyramidal multi-tier hipped roof, statues atop the corner pilasters, and clock faces on dormers on each side above ad machicolations at the top of the belfry, arched louvered vents, double entry doors at the base of the tower with corinthian columns and arched transoms, and skylights atop the roof. Inside, the building’s lobby features bronze-trimmed doors, decorative ceilings and floors, stone fluted pilasters, cornices with dentils, a grand staircase with decorative balustrades, and elevators with decorative bronze doors and trim surrounds.
The building was listed on the National Register of Historic Places in 1976, and is in the locally-designated Joseph Ellicott Historic District. The well-preserved building continues to house some functions of the Erie County Government, though it is less important than it once was, remaining primarily as a symbolic and ceremonial space for the county government.
This is the cladding on the new opera house in Oslo, Norway. Somehow I forgot to upload this along with the earlier images.