Cinematic photos, stills and frames
View allAll Photos Tagged cinematic
Location:Corfu/Greece. (Only crop/720mm)
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K Y O T O - J A P A N
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Shot with the Olympus E-300 and Olympus Zuiko Digital 14-45mm F3.5-5.6 lens in Greenwich Village, Manhattan, NYC.
While wandering the endless badlands of an industrial park I came across this sleeping beauty all alone in an expansive lot.
The joy in photography is the unexpected. Here it was the opportunity to meet Matthew. A fine gentleman and owner of this beauty.
Disposable plastic camera:
800 ISO Amber Tungsten 135mm film. -- Plastic lens.
I had a riot wandering Chicago on this gloomy day with this plastic camera.
Bless Eripom Moonwall for crafting such high quality toys to play with in photos!
Another attempt at a cinematic style pic.
Weapon - [SAC] SR-16 CQB. @TMD
When the light is bad and the image looks dull one of the cinematic styles in Lighroom is a good option to get more out of an image
Three RAW images from the portrait lens of the ZTE Axon 30 Ultra taken with ProShot and developed and composed in Lightroom
Monument Valley is a region of the Colorado Plateau with massive sandstone buttes which can reach 1,000 ft (300 m) above the valley floor. The border between Northern Arizona and Southern Utah runs along the upper third of the valley. It is part of the Navajo Nation Reservation and therefore is not a National Park, but is a Tribal Park with different rules. Hiking is very limited.
Monument Valley has been featured in so many movies that the area is what a lot of people think of as the American West. This is due to the famous director John Ford, who used the valley for its iconic buttes as background for a number of his popular Westerns. Hard to imagine then that the valley really is only 5 square miles (13 km) of the great expanse of the American West.
This was shot from "John Ford Point", an elevated projection of rock made famous by the director. To the left is Merrick Butte, in the middle is Elephant Butte and on the right elements which form "The North Window".
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A wide shot of a stranger that looks a bit cinematic. Look out for strangers in the shadows... If you are only interested in my street photos, I've now created an Instagram account where I'll only post street stuff. Here: www.instagram.com/fergal_flatlight/
Seen in Achill, Co. Mayo, Ireland. Three image panoramic shot, converted to B&W with blues in the shadows and yellow-orange in the highlights.
The lucky meeting with Michela and Cheope, in a beautiful autumnal setting, gave me several photos. This one jumped to the top of my favorites taken this year. It's amazing how a photo session especially if unexpected, can turn on a circle of spontaneous empathy. I hope this image returns at least part of it, to you too.
Il fortunato incontro con Michela e Cheope, in un bellissimo contesto dai toni autunnali, mi ha regalato diverse foto.
Questa è balzata in cima tra le mie preferite scattate quest'anno. È incredibile come una sessione fotografica soprattutto se inaspettata, accenda un circolo di spontanea empatia. Spero che questa immagine ne restituisca almeno una parte, anche a voi.
All rights reserved © Nick Outdoor Photography
Sunrise on a foggy morning. Murray River National Park, Lyrup section.
Here I used a preset in Lightroom of Style; Cinematic/CN03 to get this look
Here's an indoor shot from the Stilwerk, a pretty upscale "shopping mall" if that's even the right word to describe it! The color grading was a first for me, but I really like the cinematic look of the amber/teal dichotomy! If you look closely you'll notice that the image is upside down and you're looking at a reflection.
I love the versatility of that little point-and-shoot. As you can see you can get quite sophisticated looking images out of it. This is developed entirely in Adobe LR from the RAW file.
Ricoh GRiii
Ricoh GR Lens 18.3mm/f2.8