Cinematic photos, stills and frames
View allAll Photos Tagged cinematic
Shot with the Olympus E-300 and Olympus Zuiko Digital 14-45mm F3.5-5.6 lens in Greenwich Village, Manhattan, NYC.
Bless Eripom Moonwall for crafting such high quality toys to play with in photos!
Another attempt at a cinematic style pic.
Weapon - [SAC] SR-16 CQB. @TMD
© Leanne Boulton, All Rights Reserved
A quick landscape shot from Barassie Beach, Troon, Scotland.
An imperfect handheld shot, with some blown out highlights and a shallower depth of field than I would really like. I haven't picked up my camera in months, I am ashamed to admit, not at least with the intention of photographing something specific - and I am far from being a landscape photographer!
I can't believe that I now live just 1 mile from this view! A sea view being well outside of my price bracket but just 1 mile is close enough to call this home.
The sun was on it's way to setting with some gorgeous crepuscular rays over the Firth of Clyde, the Isle of Arran and the majestic outline of Goatfell. Off to the right was a storm cell and some huge downpour rainbands which I have captured in some other shots to come in the future. It was hard to believe that the two scenes were in the same place - it looked apocalyptic to the right of frame!
I put my back out again crouching for this shot but it has been in a bad way since moving day. More physiotherapy required but despite that and the imperfections in my shot, it feels like a lovely view of my new place in this beautiful world of ours. Enjoy.
When the light is bad and the image looks dull one of the cinematic styles in Lighroom is a good option to get more out of an image
I'm going through and re-watching all of Jim Jarmusch's films and re-watched The Limits of Control on Friday night, which has a great deal of exchanged matchboxes and meandering conversations starting with this line. It's not clear if the protagonist played by Isaach De Bankolé actually doesn't understand Spanish or how much English he understands (In Jarmusch's Ghost Dog, he plays an ice cream truck seller who only speaks French) but there's an interesting sense of people entering in and out of the main character's life while he has his two espressos in two separate cups. The film was actually set in Madrid but there was something about the way this car was creeping by and the people inside me that reminded me of the way people can drift slowly by and if you didn't have your camera on you, maybe you wouldn't really remember certain faces or moods they put you in 4+ years later, especially if you've gone through a lot of different experiences since then. But, both still photographs and philosophical films capture glimpses of selves at different points of time, brief interruptions where we aren't just going through all the motions to keep human and stay alive.
**All photos are copyrighted**
One of the frames from a short photography story told in the film noir style. The rest of the frames are in this evolving album... flic.kr/s/aHBqjAmJV3
Lutry, Vaud, Switzerland
The weather was cloudy and the low light perfect for long exposures. I found that endless stair very strong graphically and tried to bring a spooky cinematic atmosphere into that scene.
This same alley can be seen in the first episode of the new Netflix series Hibana (Spark), when Kamiya calls Tokunaga from Osaka.
This photo is the monochrome version of a previously released picture called "The Blue Car".
It made nosense to be called in that way being in black and white, so I though it fits well "Panoramic" because of the shape of the tunel walls.
It's sure it won't be reach 54 likes as its full colour brother, but it really doesn't matter to me 'cause sincerely I'm not here for that.
All of the photos were taken respectfully and for artistic purposes only.
If you appear in a photo and want it removed, just contact me.
All rights reserved.
This is a tale of a beauty much deeper than that. It is the story of two people drawn together under the most interesting of circumstances, two people who learn to truly see what matters only after they meet each other and their tale, one both as old as time and as fresh as a rose...begins.
― E. Rudnick
HSS!
xxX
PS-1 I posted the other version in IG.
PS-2 First slide of the year for Sliders Sunday :)
Again this one of the many shots I took while down at the Reservoir near Wernigerode. I've always wanted to capture a shot such as this, that darker sinister sense of imagery.
But that said, it gave me such a sense of the way of the common human consciousness, or should I say lack thereof, of just how ambiguous we have become to the word "Empathy", we are so powerful in togetherness, I know it sounds trite and awkward and cheesy, even downright annoying to hear it, but when we are wowed by an enormous explosion in Libya and forget dozens of people are dead and thousands injured caused no doubt deliberately by a dark force; when we are aware of the plight of the starving Yemenis as well the desperation of the Palestinians, it reminds of a lyric by Chris Rea from the single The Road to Hell...
"And the perverted fear of violence, chokes a smile on ever face"
I truly hope it is paved with good intentions.
Mid week, we're almost there folks and so as always thank you! :)
So, I made this rather cinematic image.And I hope you enjoy figuring out when and where this happened.How did they end up there , how are they feeling?Why are they there and who are they...If you think of something let me know :)
Sky : Envato elements
Mountain : unsplash.com/@repponen
Couple: unsplash.com/@jaredsluyter
Cloud brushes from own own resources.
The rest is Photoshop CC 2015.
Video Still From Dance Project. Color Grading 8 bit Footage and testing its limits. Shot in HD format
Model: Franscesca Cardenas
Check out my gallery at www.pixael.com/en/pictures if you want to see more pictures.
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Quick announcement : I will probably made an exhibit of my works in the USA during march 2010. More news soon.
Awards groups invitations won't be accepted. Thanks.
A wide shot of a stranger that looks a bit cinematic. Look out for strangers in the shadows... If you are only interested in my street photos, I've now created an Instagram account where I'll only post street stuff. Here: www.instagram.com/fergal_flatlight/
I re-visited an old set of pictures I took when in Paris in 2003 of some street scenes. This is the second I applied my Lightroom techniques too. This scene (the entrance to Versailles was dominated by plenty of visitors and though during the period when the municipal workers were out on strike, it was one of the few places that remained open. I again added a cinematic feel to this image too as it also lent itself to the process very well.