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creative commons by marfis75
Twitter: @marfis75
License: cc-by-sa
you are free to share, adapt - attribution: Credits to "marfis75 on flickr"
creative commons by marfis75
Twitter: @marfis75
License: cc-by-sa
you are free to share, adapt - attribution: Credits to "marfis75 on flickr"
(Sultan Ahmet Camii)
STOPMOTION
CC-Fotos
exhibition | expo | exposition
Ausstellung 2012
koi-nudelbar
Faulbrunnenstraße 7, Wiesbaden
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bei Veröffentlichung Namensnennung (marfis75 on flickr)
Architect unknown. Four contractors are thought to have worked on a quadrant each. Works initiated by emperor Vespasian Flavian in AD72. Completed about AD80 when Titus Flavian was emperor.
(CC BY-SA which means anyone can freely use this image file anywhere, provided accompanied by the credit: Images George Rex.)
90°- 180°- 270°Exhibition
CC-Fotos von marfis75
(Kontakt: marfis75@yahoo.de)
exhibition | expo | exposition
Ausstellung 2013
koi-nudelbar
Faulbrunnenstraße 7, Wiesbaden
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kostenlosen Nutzung
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bei Veröffentlichung Namensnennung (marfis75 on flickr)
100x:2020 / The things I would have seen walking to and from work if not for COVID-19.
San Luis Obispo, California
STOPMOTION
CC-Fotos von marfis75
(Kontakt: marfis75@yahoo.de)
exhibition | expo | exposition
Ausstellung 2012
koi-nudelbar
Faulbrunnenstraße 7, Wiesbaden
Download mit CC-Lizenz:
kostenlosen Nutzung
1. Bild auswählen
2. Kontextmenü Größe auswählen
3. Download (jpg)
bei Veröffentlichung Namensnennung (marfis75 on flickr)
Stormy clouds over the Bank of England.
Largely rebuilt to the design of Sir Herbert Baker in 1921-37. Grade I listed. City of London.
(CC BY-SA - credit: Images George Rex)
creative commons by marfis75
Threads/ Instagram/ TikTok/ bluesky / X: @marfis75
License: cc-by-sa
you are free to share, adapt - attribution: Credits to "marfis75 on flickr"
Ceramic tile street sign flush on curved corner wall, with Victorian wall box beneath. Hampstead, London Borough of Camden.
(CC BY-SA - credit: Images George Rex.)
Jack Shainman Gallery is pleased to present an exhibition of large-scale sculptures by internationally acclaimed artist El Anatsui. Several monumental wall sculptures made from thousands of discarded bottle tops, will be on view. Anatsui transforms simple materials into large shimmering forms by assembling elements into vibrant patterns with a unique visual impact. An astute observer, he composes his sculptures with meticulous orchestration, masterfully managing material and color. Here Anatsui’s palette ranges from black and red to silver and gold.
Fluidity of form is a significant quality inherent to the sculptures. As Alexi Worth from the New York Times Magazine pointed out in a recent feature on Anatsui from Spring 2009, Their most peculiar feature is that they are physically unfixed: Anatsui insists that his hangings be draped rather than hung flat, but he doesn’t insist on draping them himself, and in fact is perfectly happy to have galleries or museums do so. He has preferences — horizontal ripples are better than vertical ones — but he doesn’t regard any particular arrangement as final. Naturally, professional curators are disconcerted by this freedom; Anatsui has little patience with their scruples. Museum people are trained not to be creative, Anatsui complains. I find that very frustrating. To Storr, the provisional, shifting shape of Anatsui’s art is one of the keys to its originality. In the catalog to the coming Museum for African Art retrospective, Storr argues that Anatsui’s work is fundamentally anti-monumental: it does not stand its ground. . . . Rather it takes the shape of circumstances and so epitomizes contingency. For Storr, that is no minor innovation: Anatsui opens a new chapter in the history of sculpture. It’s possible that the appetite for contingency that Storr praises is particularly African. Lisa Binder, the curator in charge of the Anatsui exhibition, points out that‘traditional African objects, unlike European paintings and sculpture, are often highly adaptable, designed to be reused. Anatsui’s work brings this adaptable, unfixed quality into sculptural practice — as jazz brought an African unfixedness into Western music.
El Anatsui was born in Anyako, Ghana in 1944, and holds degrees in sculpture and art education from the Kwame Nkrumah University of Science and Technology, Kumasi, Ghana. He is Professor of Sculpture at the University of Nigeria, Nsukka, where he has lectured since 1975. His work has been exhibited extensively in international solo and group exhibitions, including the 1990 and 2007 Venice Biennales, the 1995 Johannesburg Biennale, the 2004 Gwangju Biennale, Prospect.1 New Orleans in 2008, and the 2009 Sharjah Biennale. A solo show, Gawu, traveled throughout Europe, North America, and Asia. His work is in numerous public and private collections throughout the world including The British Museum, London; The Centre Pompidou, Paris; The Metropolitan Museum of Art, and The Museum of Modern Art, New York; Los Angeles County Museum of Art, and the Nelson-Atkins Museum, Kansas City. Most recently, Anatsui created an installation on-site at Rice Gallery at Rice University, Houston, TX, on view through March 14.
A major retrospective of Anatsuis work, When I Last Wrote to You About Africa, curated by Lisa Binder from the Museum for African Art, New York, begins a North American tour at the Royal Ontario Museum in Toronto, Canada, on October 2, 2010, followed by its presentation at the Museum for African Art, New York, as one of the inaugural exhibitions at the museums new building.
This is El Anatsuis second solo exhibition at Jack Shainman Gallery. A hardcover catalogue is available.
Upcoming exhibitions at the gallery include Ross Rudel and Todd Hebert opening March 18, on view through April 17, 2010, and Lynette Yiadom Boakye and Carrie Mae Weems opening April 22 on view through May 22, 2010.
www.jackshainman.com/exhibitions79.html
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The Armory Show is the United States’ leading art fair devoted to the most important artworks of the 20th and 21st centuries. In its twelve years, the fair has become an international institution. Every March, artists, galleries, collectors, critics and curators from all over the world make New York their destination during Armory Arts Week.
The Armory Show 2010 also features The Armory Show – Modern, specializing in modern and secondary market material on Pier 92. Pier 94 continues to be a venue to premiere new works by living artists. With one ticket, visitors to The Armory Show on March 4–7, 2010 have access to the latest developments in the art world, and to the masterpieces which heralded them.
Piers 92 and 94 on 55th Street and 12th Avenue, NYC
March 4-7, 2010
Largely rebuilt to the design of Sir Herbert Baker in 1921-37, although there are some remaining elements of the earlier building by Sir John Soane. Grade I listed. City of London.
(CC BY-SA - credit: Images George Rex.)
Orangutan in Pairi Daiza zoo, Brugelette (Belgium)
Brugelette 2021, photo by fraganda, free to use under Creative Commons license CC BY-SA 4.0
Springtime in "Jacaranda City" Pretoria (South Africa). Blooming Jacaranda trees color the streets purple.
--223-102-032A--
'Jacaranda in bloei, South Africa 2023' by fragandaphoto, licensed under CC BY-SA 4.0
Project 100x: 2021 / One hundred photographs made
in San Luis Obispo County, California.
No. 020/100
More experiments with RAW. Couldn't lower the ISO further or increase the shutter speed without blur, so compromised on the aperture... and it focused on the mirror camera. Oops!
Lara Grant, part of the circuit bending orchestra for Diana Eng's Fairytale Fashion Show held at Eyebeam NYC. Through various hacks and circuit bending techniques, Lara's sewing machine trigger signals that is then fed onto laptops running MAX/MSP to produce the final soundtrack for the runway. Other team members of the orchestra are Peter Kirn and Matt Ganucheau.
Lara and Sarah are a sisterly team with interests in physical computing, electronic textiles, controller design and signal processing.
Lara has a background in fashion and textile design and is currently studying at NYU's Interactive Telecommunications Program. Sarah has a background in visual arts, programming and sound design. She is also an alumni of NYU ITP.
+ fsp.fm
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SML 720p HD Simulcast
+ flickr.com/photos/seeminglee/4392722594/
+ youtube.com/watch?v=fksyhmCi0FM
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Fairytale Fashion Show
2010-02-24
7pm - 9pm
Eyebeam
Diana Eng presented the Fairytale Fashion Collection in a technology fashion show on Wed., February 24, 7PM, at Eyebeam. Models hit the runway while an orchestra of circuit bending DJs create music from hacked video game consoles.
The Fairytale Fashion Collection uses technology to create magical clothing in real life. Electronics, mechanical engineering, and mathematics are used to create clothing with blooming flowers, changing colors and transforming shapes. Research and development for the Fairytale Fashion collection are shared online at FairytaleFashion.org as an educational tool that teaches about science, math, and technology through fashion. Fairytale Fashion was created with the support of Eyebeam Art and Technology Center, the leading not-for-profit art and technology center in the United States.
Diana Eng is a fashion designer who specializes in technology, math, and science. Her designs range from inflatable clothing to fashions inspired by mechanical engineering. She is a designer from Bravos Emmy nominated TV show, Project Runway season 2 and author of Fashion Geek: Clothes, Accessories, Tech. Diana is cofounder of NYC Resistor hacker group. Diana is currently a resident artist at Eyebeam.
eyebeam.org/events/fairytale-fashion-show
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CC-BY-SA See-ming Lee 李思明 SML / SML Photography / SML Universe
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SML Thank You
+ Blogged: 2010-03-05: Create Digital Music: Musical Sewing Machines, Electronic Honky-Tonk, and Handmade Music NYC Monday
+ Blogged: 2010-03-06: Makezine: Handmade Music Brooklyn 3/8 - Musical sewing machines, electro-country, + new venue!
Architect: Ernő Goldfinger, 1967, Grade II listed, to be refurbished. Bedroom decorated as in the late '60s period. London Borough of Tower Hamlets.
(CC BY-SA - credit: Images George Rex.)
Design Architects: Foster. Engineers: Arup. Looking like it has moored in the North Dock is the new Canary Wharf Crossrail station. Crossrail is the largest infrastructure project in Europe and this station alone costs a reported GBP500M. London Borough of Tower Hamlets.
(CC BY-SA - anyone can freely use this size file anywhere, provided accompanied by the credit: Images George Rex.)