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El hombre con baston que baila es una figura tipica del candombe.
Danseurs traditionnels de Candombe.
En el marco del Bicentenario y del Año Internacional de los Afrodescendientes en 2011 se realizó una nueva edición del Día Nacional del Candombe, la Cultura Afrouruguaya y la Equidad Racial, con diversas actividades, bajo la consigna “Por un Uruguay Solidario sin Racismo”. Teatro de Verano, 4 diciembre 2011. Foto: Bicentenario Uruguay.
El Nestor ahi atras debe de estar palneando algo, algun dibujo, arreglo o chiste. Ojo con esos Acevedos!
13/09/2015.Credito:Leandro Couri. Brasil.MG.Jaboticatubas-
Candombe do Acude, de Dona Meces, a matriarca, e sua familia, na Serra do Cipo. O candombe e a expressao catolica sincretista da comunidade do Acude, que foi criada na epoca da escravidao no entorno da fazendo Cipo Velho, ha 100 kms de Belo Horizonte. As caixas de percussao que comandam o Candombe apos a reza, e que se chamam "tambus", foram confeccionadas por antigos moradores no final do seculo XIX e início do século XX, completando 200 anos em 2015.
En el marco del Bicentenario y del Año Internacional de los Afrodescendientes en 2011 se realizó una nueva edición del Día Nacional del Candombe, la Cultura Afrouruguaya y la Equidad Racial, con diversas actividades, bajo la consigna “Por un Uruguay Solidario sin Racismo”. Teatro de Verano, 4 diciembre 2011. Foto: Bicentenario Uruguay.
Candombe is an Uruguayan music and dance that comes from African slaves. It is considered an important aspect of the culture of Uruguay and was recognized by UNESCO as a World Cultural Heritage of humanityThis Uruguayan music style is based on three different drums: chico, repique and piano drums.
This music style is usually played in February during carnival in Montevideo, Uruguay at dance parades called "Llamadas" and "Desfile Inaugural del Carnaval". According to George Reid Andrews, the historian of Montevideo Black communities, after the middle of the 19th century younger blacks in particular abandoned the candombe in favor of dances from Europe such as the mazurka. Meanwhile, whites began to imitate the steps and movements of blacks. Calling themselves Los Negros, upper class porteños in the 1860s and 1870s blackened their faces and formed one of the carnival processions each year.
In the third decade of the 19th century the word candombe began to appear in Montevideo, referring to self-help dancing societies founded by persons of African descent. The term means "pertaining to blacks" in Kikongo. In Montevideo it meant more than a dance or a music or a congregationCandombe the dance was a local fusion of various African traditions. A complicated choreography included a final section with wild rhythms, freely improvised steps, and energetic, semi-athletic movements.
En el marco del Bicentenario y del Año Internacional de los Afrodescendientes en 2011 se realizó una nueva edición del Día Nacional del Candombe, la Cultura Afrouruguaya y la Equidad Racial, con diversas actividades, bajo la consigna “Por un Uruguay Solidario sin Racismo”. Teatro de Verano, 4 diciembre 2011. Foto: Bicentenario Uruguay.