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Each year I just have to take a shot of this old car in the dry run.
The grandkids call them car bones.
I'm guessing these are deer bones. The upstairs neighbors's dog dragged them out of the trees at the far end of the field. I know a deer died over there a couple of years ago, and coyotes dragged the carcass into the trees to eat it.
They found this bone out hiking. We don't know what kind it is, but they automatically assume it belonged to a dinosaur!
BONES: TJ Thyne as Dr. Jack Hodgins. The fourth season of BONES premieres with a special two-hour episode "Yanks in the U.K." (parts 1 and 2) airing Wednesday, Sept. 3 (8:00-10:00 PM ET/PT) on FOX. ©2008 Fox Broadcasting Co Cr: Eric Ogden/FOX
This photo appeared in the following ideotrope albums:
Bones goes to Brazil - Bones is the mascot for the Ocra Bay, a dory captained by Pete from Moab. Bones went missing in April while Julie and I were on a Grand Canyon dory trip with Pete among others. We were lucky enough to spot Bones during our trip to Brazil this (northern) summer.
A Calacas, or skeleton, greets visitors to the Dia de los Muertos or Day of the Dead celebration, organised by the Mexic-Arte Museum in Austin, Texas, October 28, 2006.
Bone Graft EP Launch with support from Hot Work - at the Golden Age Cinema and Bar, Surry Hills, Sydney - 02/03/2019
Natural History Museum of Utah. The Rio Tinto Center, in the University of Utah's Research Park 301 Wakara Way, Salt Lake City. Photograph by James Russiello, November 11, 2017
The Rio Tinto Center is a 163,000-square-foot building set in foothills of the Wasatch Mountains. The building's highest point is a round structure on the back or east side which houses the Native Voices gallery. The architects for the building that opened in 2011 were Ennead Architects from New York City and GSBS of Salt Lake City. Ralph Appelbaum Associates designed the exhibits.
"The museum was conceived in 1959, when the University of Utah faculty committee decided to consolidate natural history collections from around its campus. The museum was established as the Utah Museum of Natural History on the University of Utah campus in 1963 by the Utah State Legislature. It opened in 1969 in the former George Thomas Library and included specimens from the Deseret Museum as well as from the Charles Nettleton Strevell Museum that was located in the old Lafayette School on South Temple Street from 1939 until 1947.
"The paleontology collections acquired a very important amount of new collected specimens during the 1960s, particularly fossilised remains of dinosaurs. It all began when a young local paleontologist called James Henry Madsen Jr. obtained his Master of Science in 1959 in the University of Utah. The following year, as of 1960, Madsen was hired as an assistant for Professor William Lee Stokes of the Princeton University, who at that time performed the dauntless project to extensively dig the Cleveland-Lloyd Dinosaur Quarry. Since the 1920s it had been firmly established by geologists that this quarry is one of the most important paleontological sites ever found in the United States, and still in the early 1960s literally tens of thousands of disarticulated dinosaur bones were buried in the rock, awaiting to be excavated. Because the bone bed was so vast and contained a so huge quantity of fossilised bones (mainly from Allosaurus fragilis), it seemed obvious to Stokes and Madsen that it was literally impossible for a single unique institution to dig up a number of specimens being realistically representative of the overall total. To accomplish this task, or at least a reasonable part of it, Stokes and Madsen founded the "University of Utah Cooperative Dinosaur Project," thank to initial funds allowed by the University of Utah and its Department of Geology. This project worked 16 years during in close collaboration not only with museums and institutions within the USA but also with prestigious international museums and research centers. Since financial assistance was brought by all the institutions who had participated in the project, the Dinosaur Project granted them casts or even original composite specimens of the dinosaurs found in the quarry.
"In the running time of the "Cooperative Dinosaur Project" (from 1960 to 1976), literally tons of fossilised bones were dug up from the quarry, numerous remains of species as famous as Camarasaurus, Camptosaurus, Ceratosaurus, Stegosaurus and, of course, Allosaurus, among others (Allosaurus is by far the most represented species, with 44-46 individuals found). In addition of these already known species, two new species were discovered and named: Stokesosaurus (in 1974) and Marshosaurus (in 1976), whose holotypes are preciously preserved in the Natural History Museum of Utah. In 1976 the University of Utah stopped the project. To continue financing his research, Madsen founded Dinolab, a company that casted and sold skeletons of dinosaurs to museums, institutions or private buyers. Madsen died in 2009 and Dinolab disappeared in 2014, but thank to the "University of Utah Cooperative Dinosaur Project" and Madsen's excavations in the Cleveland-Lloyd Dinosaur Quarry back in the 1960s and 1970s, the Natural History Museum of Utah possesses nowadays on display the biggest collection in the world of Allosaurus skeletons, among some additional dinosaur skeletal mounts belonging to other species."
Human remains discovered in the yard of 36 Craven Street, Benjamin Franklin's home in London. Apparently, his landlady's son-in-law ran an anatomy school on the premises. Getting bodies to dissect was a dodgy business in those days; so if this poor specimen was obtained illegally it would explain why the remains were buried where they were.
I decided to watch Bay to Breakers 2024 while my friends went on a completely separate 30+ mile run starting from Bolinas Ridge. There were far fewer naked people than the legends had me believe. Costumes tended to repeat as well.
I probably should have gone out with a longer lens. I ended up having to heavily crop many images. The people were just too far away most of the time. I needed to stand at the end of a slight bend in the road to get head on shots of people, but they were incredibly far away at that point.
San Francisco, CA